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Review: ‘Sabrina’

As a Humphrey Bogart fan, I was exposed to the delight that is [[[Sabrina]]] back in high school and fell in love with the romantic comedy.  It has held up to repeated viewings through the years and makes you wonder why Paramount ever bothered to remake it.  If you forget, it starred Harrison Ford and was atrocious.

Instead, if you’re unfamiliar with the story hie thee to the store and buy the Centennial Collection edition, which is number three in a new series from Paramount Home Video. The two disc set is a treat.

First, you get the story set in East Egg, I mean Great Neck, when it was where the high society lived in the first half of the 20th century.  They were tended to by a full staff, many of who, lived on premises including the chauffeur’s daughter, Sabrina, played with wide-eyed charm by Audrey Hepburn.  Her father tends to drive Linus Larrabee (Bogart) to the New York offices of the family business. Linus works all day and worries about the company all night, never seeming to have fun.  His opposite is his younger brother David, played by William Holden.  He’s all carefree and never thinks about the business, just spending its profits.

Sabrina has just returned from cooking school in Paris and the time away has done her a world of good.  She looks older, more mature, and a different girl entirely so the Larrabees all have trouble recognizing her. She, though, continues to have only eyes for David, who is presently engaged, not that that stops him from encouraging a flirtation with “the chauffeur’s daughter”.  To keep David focused on the impending wedding; Linus begins spending time with Sabrina.  The rest, as they say, is magic.

Interestingly, depending upon which featurette you watch, Bogart either did or did not want to be in the film but certainly was beloved for taking on the part. The extras celebrate a social world that is long gone in Sabrina’s World then a long look at the wonderful supporting cast that enriched this and so many others films of the 1940s and 1950s.

The [[[Audrey Hepburn: Fashion]]] Icon feature looks at how the film turned Hepburn into a fashion icon and spotlighted Hubert de Givenchy’s designs. Although Edith Head got all the credit for the film, Hepburn’s lifelong devotion to Givenchy paid dividends.

Holden gets the full bio treatment in a 24 minute mini-documentary and the [[[Behind the Gates]]] feature this time looks at the camera. Paramount in the ‘50s makes it third appearance in the series and the disc is rounded out with stills and trailers.

These first three films in the series celebrate all that was right with Hollywood i the 1950s when movies could be smart, looked good, and were well acted.  And in every case, they were about something while providing entertainment.

Umbrella Academy: The Movie

the-umbrella-academy-cover-issue-1-1810927Deadline Hollywood Daily reports that Universal Studios and Dark Horse Comics, the folks who brought us Hellboy II: The Golden Army, are continuing their long-standing relationship and fast-tracking a movie version of The Umbrella Academy. The Eisner-winning series was written by Gerard Way, former intern at DC Comics who later went on to international fame as the frontman for My Chemical Romance.

This proves what I’ve suspected for a long time: if you’re going to do anything big in the world– rock star, movie mogul, Eisner winner– you have to stop being an intern at DC.

Verbinksi and Bond to Remake ‘The Host’

Pirates of the Caribbean director Gore Verbinski will remake the Korean thriller The Host for Universal Studios.  Verbinski will produce while commercials director Fredrik Bond will debut behind the camera. Mark Poirier (Smart People) will adapt the 2006 Bong Joon-ho-directed thriller according to Variety.

The film did record breaking business when it open in South Korea and the story “follows a town terrorized by a giant mutant squidlike creature hatched by toxins that flow into a nearby river from a military base. When the creature grabs a little girl, her dysfunctional family must band together to rescue her.”

Verbinski is at work on adapting the video game Bioshock while toying with the notion of Pirates 4. He and Bond knew each other and had been seeking something they could work on together. Previously, Bond’s commercial campaigns included the Nike, Adidas and Levi’s brands.

"It processes a few genres together, and visually it feels close to the stuff I’ve made over the last few years in commercials, the tonality of humor and the scale," Bond said.
 

Animated ‘Nutty Professor’ Coming Tuesday

Just the other day we were talking about Universal seeking ideas for a third Nutty Professor film.  Now, Genius Products has announced the release of animated The Nutty Professor on DVD next Tuesday.

The once-buried secret potion to being cool is rediscovered when The Nutty Professor debuts on DVD November 25 from Genius Products, Rainmaker Entertainment and The Weinstein Company. Featuring the voice talents of the original Nutty Professor, comedic icon Jerry Lewis as Julius Kelp and three-time Kids’ Choice Award* Winner Drake Bell (Superhero Movie,) as his grandson Harold, The Nutty Professor is the modern animated sequel to the beloved 1963 classic and one of the great family franchises in movie history. When Harold gets his hands on the recipe for his grandfather’s secret elixir, he creates a potion that drastically transforms his personality to be more confident and suave. Unfortunately his alter ego is also obnoxious and destructive. Much like his grandfather before him, Harold must face his insecurities and fears while learning to believe in himself without the help of any special concoctions. A heart-warming comedy to be enjoyed by the whole family, The Nutty Professor DVD will be
available for the suggested retail price of $19.97.

Synopsis:

Years after the original nutty professor has hidden away the formula for his secret potion, his boy genius grandson, Harold, rediscovers the recipe and the adventure begins anew. Along the way, Harold learns to face his fears and the power of just being himself.

Bonus Features:

• The Science of Animating The Nutty Professor
• Character Storyboard Gallery

Basics:

Price: $19.97
Street Date: November 25, 2008
Run Time: 76 minutes
MPAA Rating: G
Languages: English Dolby 5.1
Subtitles: English and Spanish
Closed Captioned

Twilight, shockingly, is #1 this weekend; sequels announced

Yeah, yeah, Twilight is the top grossing movie of the weekend. No surprise. What is a surprise is the amount of money generated: over $70 million. Since the movie was comparatively low-budget, no big name stars or special effects, that’s really profitable.

Which leads to the stories of the sequels. We’d already discussed the making of #2 New Moon, but now there’s talk of filming #2 and #3, Eclipse, at the same time. It certainly makes sense– we’re dealing with ageless creatures, wouldn’t do good to have them looking older in a few years. Also no word about making #4, although that might be a good thing.

Nikki Finke has a note from Robert Pattinson and Kristen Stewart to the fans:

ComicMix Radio: Zombies 101

Pop culture loves zombies, yet did you ever consider the problems faced by the actors behind the make up. Making a living by playing dead ain’t easy, as Sherman Howard (Day Of The Dead) and Reggie Bannister (The Rage) tell us, plus:

Robotech moves closer to the movies
New Heat Miser for the holidays!
W meets Stan Lee

And what’s the connection with Lex Luthor and a certain zombie? Find out when Press the Button!

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-6959013 or RSS!

 

Review: ‘Roman Holiday’

When it opened, Roman Holiday enchanted a world that had largely never really seen Italy.  The film was one of the first filmed entirely on a foreign location and it became as much a travelogue to a post-World War II America as it was a fresh romantic tale about a princess and a commoner. The second film in Paramount Home Video’s Centennial Collection, it has been cleaned up and remastered, looking sharper and richer than previous editions.

The film introduced the world to Audrey Hepburn, the fresh-faced gamine who became an instant star and fashion trend-setter. Paired with the relaxed Gregory Peck, they made an engaging couple as the two spent a full day seeing the sights.  She’s Princess Ann, in Rome as part of a European tour and tired of her over-scheduled, protected life.  When she escapes for a day off, she strikes up a friendship with American journalist Joe Bradley (Peck).  They go off to explore the city, opening his eyes to a less cynical world as she sees the real people of the city.  They’re tailed by Eddie Albert in a beatnik beard, who’s playing a cameraman smelling a scoop.  It’s poignant, funny, romantic, and a delight that has held up through the years, thanks to a sharp script from Dalton Trumbo.

Trumbo was one of the celebrated screenwriters pilloried during the Congressional witch hunt seeking Communists throughout Hollywood.  His credit was withheld from the film for fifty years but it proudly restored here and his heroism is recounted in [[[Dalton Trumbo: From A-List to Blacklist]]], one of the all new features.  Interesting, most of the extras from the 2002 disc are gone with the exception of Restoring [[[Roman Holiday]]] which is a fascinating look at the process.

Being Hepburn’s debut, she is spotlighted in the thirty minute career piece, [[[Audrey Hepburn: The Paramount Years]]], followed by [[[Remembering Audrey]]], which looks at her affect on the world and her charitable efforts.

Behind the Gates: Costumes is part of the series’ look at the filmmaking process and spotlights legendary costumer Edith Head although we have a look at random clothes from various films that have been carefully preserved.  We also get Paramount in the ‘50s once more which practically is an ad for future titles in this welcome series.

You get a look at Rome at a time when the war debris had been cleaned up and the city hadn’t been filled to the brim with tourists and cars. The antics are innocent and the characters a little thin but certainly enjoyable.  The film holds up and is well celebrated here.

Interview: Tim Pilcher Talks Erotica, Part 2

Yesterday, Tim Pilcher, author of Erotic Comics, talked about the research into the second volume, coming out  here in March. Now we focus on the evolution. Speaking of sex, given the subject matter, we advise you that the art does the subject justice.

ComicMix: How different is erotica in America, Asia and Europe?

Tim Pilcher: Well, obviously Europe and Asia have had a more mature approach to comics for adult readers far longer than America or Britain, and consequently their erotica tends to be more prolific and explicit, and there is a greater acceptance of it, it’s no big deal there. I was in Spain and went in a shop to see the erotic monthly anthology, Kiss, racked alongside Asterix! Everybody there knows that the kids aren’t interested in Kiss and will pick up the Asterix instead. There’s a common sense which seems to have disappeared from US and UK cultures, where everybody is overly cautious and litigious. So there’s a more relaxed attitude to sex in general on the continent, particularly in France, Spain and Italy.

A small minority of Japanese Manga, I have to say, left me feeling uncomfortable as it was quite pernicious. But having said that, if it feeds a market that gets a release through reading the comics—rather than enacting their dubious fantasies — then all well and good. After all — unlike photography or video — there’s no models or actors being coerced or exploited. It’s simply an artist, a pen and their thoughts. And if you don’t agree with their thoughts, don’t buy or look at the Manga, it’s as simple as that.

CMix: Did any of that change through the years?

TP: I think, if anything, sadly the old maxim of “less is more” is well and truly dead when it comes to erotic comics. I would much rather artists were more sophisticated and subtle in their storytelling and less graphic with today’s trend of extreme genealogical close-ups. Having said that, there are some women who are doing great things with erotic sequential art, like Melinda Gebbie, Jess Fink, Lynn Paula Russell and Giovanna Casotto, who are creating very mature works. In fact the more I think about it, it’s more of the women’s work that I’m attracted to, and theirs tends to be a more cerebral approach.
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‘True Blood’ Concludes First Season Tonight

trueblood-2-1903424HBO’s adaptation of Charlaine Harris’ Sookie Stackhouse novels, True Blood, reaches its first season finale tonight.  A second season has already been green-lit and in production for fall 2009.

With vampires all the rage, as witnessed by this weekend’s explosive box office for Twilight and other vamp tales getting optioned, the timing seemed serendipitous for the premium channel, which needed a hit.

The series, starring Anna Paquin, has seen its viewership rise by 66 percent since its debut in September, now averaging 6.8 million viewers.

"After Six Feet Under, where as an artist and a person I got to explore my whole relationship with grief for about five years, I just felt, OK, I don’t really need to spend any more time staring into the abyss," series creator Alan Ball told the Associated Press.

His pitch was readily accepted by HBO and the series quietly went into production. A viral marketing campaign, centering on Tru Blood, the synthetic blood substitute that allows vampires to come out of the closet, so to speak, launched over the summer and got mild buzz.

The series aired to good reviews but smaller than anticipated audiences. Yet, the numbers have been slowly but steadily growing with execs noting that despite airing throughout the week, the peak numbers have skewed towards the Sunday at 9 p.m. debut. This is the first series to generate that sort of attention in the timeslot since Sex and the City and The Sopranos.

Since then, the network has failed to create a show with similar cache.

"You start worrying," Michael Lombardo, HBO’s chief of West Coast operations said. "You see other networks putting on important programs on Sunday nights and you worry, `can you bring them back?’ What has been fantastic is to see the subscribers have been waiting for a Sunday night show they can make appointment viewing again."

Fortunately, the first season largely adapted the first novel with six more in print and another on the way. All feature Sookie, a southern girl who possesses ESP, making her unique in a world with vampires trying to integrate into society. The world also features shape-shifters and humans sipping on vampire blood get a better high than from any pharmaceutical. The core of the series revolves around the romance between Sookie and Bill Compton, a vampire returning to his homestead and played by Stephen Moyer.

Adult Swim Titles to DVD in December

3d-sku-athf-s6-2-1085712metal-3dskewweb-2-6293875On December 2, Metalocalypse: Season Two will be released by Warner Home Video. Along with featuring all the latest escapades of destruction, murder and mayhem from Dethklok — the world’s most brutal and incompetent heavy metal band — this long-awaited release features a plethora of bonus features that fans will have to find. That’s right. Anything worthwhile demands some work after all! This perfect stocking stuffer arrives after Dethklok’s debut CD — Dethklok: The Dethalbum — became the fastest selling death metal album of all time, debuting at #21 on the Billboard Top 100 list.

Aqua Teen Hunger Force: Volume 6 follows on December 16. For the first time, creators Dave Willis (Squidbillies) and Matt Maiellero (12 Oz. Mouse) will debut four never-before-seen episodes on the DVD, along with nine others from the series’ sixth season. The DVD is also loaded with bonus materials including "I’m Pissed" — Carl Sports Blogs, the "Radical Axis Presents Radical Axis Presents" behind-the-scenes featurette, commentary and more! In this latest installment, Frylock, Master Shake and Meatwad once again join forces with their lewd neighbor Carl and do their best impersonation of crime fighters who never actually come close to fighting crime.
 

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