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HBO Orders ‘Game of Thrones’ Pilot

The trades are reporting that HBO has finally given a pilot order to A Game of Thrones, the first in George R.R. Martin’s bestselling A Song of Fire & Ice series. The television version will be executive produced by David Benioff (X-Men Origins: Wolverine) and D.B. Weiss (Halo).

HBO picked up the rights on January 17, 2007 with Variety describing the series as "an epic struggle for power set in a vast and violent fantasy kingdom." Which is putting things mildly. Martin, called by Time as an American Tolkien, has created a sprawling saga with dozens of characters currently projected to be seven volumes long and is a modern day epic fantasy which would be challenging for even premium cable to adapt.

 “Fantasy is the most successful genre in terms of feature films given the incredible popularity of Lord of the Rings and Harry Potter movies,” Benioff told The Hollywood Reporter. “High fantasy has never been done on TV before and if anybody can do it, it’s HBO. They’ve taken tired genres and reinvented them — mobsters in The Sopranos and Westerns with Deadwood.

“It’s not a story with a million Orcs charging across the plains,” Weiss said. “The most expensive effects are creature effects and there’s not much of that.”

Ever since the option was announced, the producers have insisted that each season would adapt just one of the thick novels.  Martin was also committed to writing at least one episode per season.  He began working on the pilot in 2007, completing a first draft in August.  A second draft was announced as being completed in June 2008. HBO exercised their option on the series in September before yesterday’s announcement.

A Game of Thrones was released in 1996 and won critical acclaim, earning the Locus Award for Best Novel (Fantasy) while earning nominations at the World Fantasy and Nebula Awards.

The other books in the series are A Clash of Kings (1998), A Storm of Swords (2000), and A Feast for Crows (2005). Announced but not yet delivered, written or scheduled are A Dance with Dragons, The Winds of Winter, and A Dream of Spring.  The saga has also led to three novella and act as prequels to the first novel.

Martin actually was at work on Dragons when he realized things were not working and he tossed out much of the work and announced at the Millennium Philcon in 2001 that he was writing a different book to continue the story before resuming Dragons. That became Crows which tightened its focus on a handful of characters while the next book would shift the spotlight to others. An anticipated 2008 publication date came and went and Bantam is hopeful it will receive the manuscript in time for a spring 2009 release.

The one obstacle left is being better than the ten other projects in development at the cable network. Although six are expected to get the series go-ahead, HBO can be choosy under its new regime which jettisoned several other projects already, including Preacher.

Martin plans seven books in the series. The producers intend for each season to span one novel.

THR notes, “Combined with True Blood, this also suggests an interesting, AintItCoolNews-targeted direction for the network. Less edgy-PBS, more R-rated Comic Con.”
 

Review: ‘Buffy the Vampire Slayer Season Eight, Vol. 3: Wolves at the Gate’ by various

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Buffy the Vampire Slayer Season Eight, Vol. 3: Wolves at the Gate
Written by Joss Whedon and Drew Goddard; Illustrated by Georges Jeanty
Dark Horse, October 2008, $15.95

I have to admit something right up front, by quoting myself:

Not only have I never read any [[[Buffy the Vampire Slayer]]] comics, I’ve never seen the TV show – or the movie it spawned from, or the [[[Angel]]] spin-off show. Nor have I played any Buffy card games, fondled the increasing number of muppet-y creatures, written BtVS fan-fiction, or attended Buffy-centric conventions.

So I came to [[[Wolves at the Gate]]] a complete innocent. Sure, I have a vague sense of who Buffy and the rest of the Scooby gang are – see? I even know the term “Scooby gang” – but not much more than that. I was surprised to see the guy named Xander has only one eye, for example, and I imagine most of the people reading this have had entire conversations about whatever episode it was when he lost the other one.

I didn’t think that would be a big problem, but one of the first things I realized after opening Wolves at the Gate was that it wasn’t aimed at people like me. When the plot synopsis on the inside front cover says things like “these Slayers must prepare for an impending war with humans and a mysterious new Big Bad, Twilight” and “Also, Dawn: still large-ish,” it’s clear that this series is to let those who are already fans revel in their knowledge and have some more stories about characters they already love.

And that’s cool for them, it’s just that, y’know, I have to figure out how to review this thing. (My apologies: the aggressively colloquial, post-Mamet cross-talk is infectious.)

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First Look at ‘Star Trek”s U.S.S. Enterprise Plus Footage Reviewed

In what is becoming a new industry trend, British journalists were treated to a look at about 20 minutes of footage from JJ Abrams’ Star Trek coming May 8, 2009.

Additionally, Paramount Pictures provided Entertainment Weekly with the first good look at the revamped U.S.S. Enterprise.

In providing the image, Abrams spoke about watching Star Trek: The Motion Picture in 1979. "The coolest thing about it — maybe the coolest thing in the movie — was when you flew around the ship, you could see all the different panels that made up the ship," he told the magazine. "It was the first time I had ever seen that level of attention, that love of detail, given to the tangible, practical reality of the ship."

Abrams went on to say, "If you’re going to do Star Trek there are many things you cannot change. The Enterprise is a visual touchstone for so many people. So if you’re going to do the Enterprise, it better look like the Enterprise, because otherwise, what are you doing?"

Meantime, Den of Geek and Empire Magazine both provided extensive descriptions of the footage along with commentary.

“A very disarming Abrams himself was there, as was Simon Pegg, the new Scotty; both were on-form but clearly very nervous, and both addressed the gathering, Abrams at length,’ Geek wrote. “ He may be right: the viewing started with the new trailer, which will be in cinemas Friday, followed by four scenes from the movie itself, all complete with polished SFX and scoring.

“And it all looks absolutely amazing.”

Empire
wrote “any reservations we may have harbored over JJ Abrams’ reimagining of the franchise have been well and truly beamed away. What we saw was a medley of action, excitement, humor and a true reverence for the franchise that should both appease fans and suck in newcomers.” (more…)

Revised ‘Magneto’ Plot Revealed

Production Weekly printed a revised plot synopsis for David Goyer’s X-Men Origins: Magneto film. Goyer is slated to write and direct the project for 20th Century Fox.

“The original X-Men film began with a prologue that showed the character as a child being led to a concentration camp by Nazis and that is the period in which the Magneto film will take place. This setup will allow a future villain to at least flirt with the designation of protagonist since the character will be seen almost exclusively in his formative years. The storyline will heavily involve Professor X, the wheelchair-using X-Men leader. That character was a soldier in the allied force that liberated the concentration camps. The professor meets Magneto after the war and while they bond over the realization that they are alike in their special powers, their differences soon turn them into enemies.”

While Sir Ian McKellen has indicated a desire to participate in the film, the light has yet to go green so there’s no casting, production or release date as yet. While the plot involves Xavier, there’s been no word either about Patrick Stewart’s participation.

McKellen and Stewart, though, will reunite in March for a British production of Waiting for Godot.

Ridley Scott May Direct ‘Monopoly’

Ridley Scott is going to Boardwalk in style.  He is in talks with Universal to direct a movie based on the Parker Brothers’ classic Monopoly according to The Hollywood Reporter. Scott first announced his interest in the project on June 19, 2007.

Pamela Pettler (Corpse Bride) is already at work on a screenplay for the Hasbro-Universal collaboration. She is also writing another animated project, 9, to be produced by Bride’s director Tim Burton and Timur Bekmambetov (Wanted).

Hasbro has several other games in development around Hollywood including Ouija Board with Platinum Dunes, Battleship, and course, Paramount has G.I. Joe coming next August.

The game was first developed in 1904 as a way to explain economics and then was revised and modified until Charles Darrow presented a finished version to Parker Brothers, which released it in 1935. It has since spawned countless variations and international editions,having been played by more than 750 million people according to the Guinness Book of World Records.
 

An Early Look at ‘Coraline’

If you were to ask ten people who directed Nightmare Before Christmas, it’s almost a guarantee that nine of them will come back with “Tim Burton” and those nine people would all be wrong. The film was actually directed by Henry Selick, who’s other works include James and the Giant Peach and Monkeybone. In Laika Entertainment’s Coraline, Selick is stepping in both the shoes of Director and Screenwriter as he adapts Neil Gaiman’s creepy-but-heartfelt 2002 novella.

The film is still in it’s final stages of production, currently working on scoring and sound mixing for a February 2009 release, but Selick, alongside producer Bill Mechanic, lead animator Travis Knight and costar Ian McShane were in New York with footage of the film and a brief Q&A.

The story is of a young girl (Dakota Fanning) who unlocks a mysterious door in her new home, and enters into an adventure in a parallel reality. On the surface, this other world eerily mimics her own life—though much more fantastical. In it, Coraline encounters such oddball counterparts of her real friends and family as the morbidly funny Miss Forcible (Jennifer Saunders) and Miss Spink (Dawn French), and a counterfeit mother (Teri Hatcher)—who attempts to keep her. Ultimately, Coraline must count on her resourcefulness, determination, and bravery to get back home.

The footage ran about 30 minutes and looked amazing. This is one of the first films to be shot in RealD, an innovative new 3D viewing technology. Other films have utilized this method, but only in postproduction like the yearly rerelease of Nightmare Before Christmas in 3D. Coraline, being a stop-motion animated film, was able to shoot with a new form of depth never used in animated films to give audience members a “true 3D experience”. Those who were never a fan of the red and blue plastic glasses can finally enjoy a real 3D film as the only tool needed are a pair of slick black glasses which won’t give you a headache.

The film looks like it will certainly draw in any fans of Selick’s Nightmare Before Christmas, as it gives the same warm feeling. This film, being a Gaiman book, does become very dark in the second act, which doesn’t get balanced out by some Broadway-style music like in Nightmare. Selick’s method to animating and now screenwriting brings a whole new dimension to animated film and certainly comes through in Coraline.

After the footage, a brief Q&A took place where Selick mentioned how well he and Gaiman communicated often and positively on the project, which is refreshing knowing that Gaiman is almost as belligerent as Alan Moore when it comes to adapting his books. Gaiman was on the set often and all of his notes were “easy to fix and completely justifiable” according to Selick. Producer Bill Mechanic also went on about how the film has been in production since 2001, when the duo originally planned to shoot the film as live-action with computer-generated counterparts. They ultimately decided to go with stop-motion, and the cast and crew seem to be happier for it. Overall, the film looked amazing and will do great things for animated films and certainly for 3D, which was thought to be a dying trend for decades.

 

“Cleveland’ Will Rock in September

The anticipated Family Guy spinoff, The Cleveland Show, has been bumped from midseason to the fall.  Variety reports that Fox announced the show to generate buzz but executives clearly had their doubts if the new animated show would be ready for spring.

The delay came with a treat as the network gave the show a full 22-episode order for the 12009-2010 season.

Huffington Post editor-in-chief Arianna Huffington was announced as joining the show’s voice cast in a recurring role.

 

Television Notes

CAMELOT

Modern day interpretations of classic tales seems to be in vogue.  First, NBC retells the King David story through Michael Green’s Kings and now Showtime and the BBC announced plans to produce Camelot telling, well, you know what.

The new show comes from Michael Hirst and Morgan O’Sullivan, the duo behind the cable network’s successful series The Tudors.

Hirst will be writing the scripts and serve as executive producer, much as he has done on the series featuring King Henry VIII.  That show completed its second season in the spring and saw its rating rise 6% and the third season just wrapped production for an April debut.

Variety noted that Showtime has aggressively filled their production slate with several other originals beginning with the Diablo Cody-written show, United States of Tara which will star Toni Collette, debuting in January. Other shows range from the half-hour sitcom Nurse Jackie, starring Edie Falco, to the dark series, The End of Steve, likely to star Matthew Perry. Its L Word enters its final season in January and then star Leisha Haily is expected to be spun off into a new series.

ABC SHUFFLES

As we mentioned yesterday, ABC is placing Lost in Private Practice’s spot and there was no news as to where the Grey’s Anatomy spin-off was headed.  Now we know thanks to The Hollywood Reporter. It moves to Thursday, right behind Grey’s while Life on Mars moves to Wednesday’s at 10 p.m. to get a boost from Lost.

The network also indicated Scrubs may debut in midseason Wednesdays at 8 p.m., displacing Pushing Daisies which has yet to find an audience this season and may not go beyond its 13 episode order. If so, expect to find creator Bryan Fuller once more toiling among Heroes.

No surprise, the new timeslot for Practice now means the two related shows will crossover in time for February sweeps.

Other shows in ratings trouble include Eli Stone although Dirty Sexy Money may get a new time slot to improve its fortunes.
 

Hollywood News & Notes

REPO!

Repo! the Genetic Opera just opened and has already been marketed by Lionsgate as the cult successor to the Rocky Horror Picture Show.  The movie opened this weekend in just eight theaters and earned $51,000, averaging an impressive $6450 per screen.

Director Darren Lynn Bousman told Moviehole he’s already planning a sequel to the Paris Hilton, Alex Vega film.

”I want to start a sequel next year. But again, everything — I’ll end my whole thing on a soapbox, which I love to get on,” Bousman told the site. “This movie is all about support from the Internet, and support from fans. This is not a movie where you’ll see billboards or bus stop ads or trailers on TV. It’s a movie that exists in a grass roots kind of a fashion. It exists when fans go and see it, and they go on message boards and talk about it.

"I would love to follow up Repo and finish the story, because it was conceived as a three-part movie. But I’m doing an action film next. I can’t say exactly what it is yet. It’ll be announced next week. But I’m doing a big action film next, which is really exciting."

ANIMATED OSCARS

The year isn’t even over but already 14 movies have been submitted to the Academy of Motion Picture Arts and Sciences for consideration in the best animated feature category. Only three will get the nomination.

The contenders are Bolt, Delgo, Dragon Hunters, Fly Me to the Moon, Igor, Kung Fu Panda, Madagascar: Escape 2 Africa, $9.99, The Sky Crawlers, Sword of the Stranger, The Tale of Despereaux, Waltz With Bashir, WALL-E, and Dr. Seuss’ Horton Hears a Who!

While Disney’s Wall-E is the hands down favorite among the masses, the other two spots will receive tremendous competition.

The Oscar nominations will be announced January 22 according to The Hollywood Reporter.

JADEN SMITH IS THE NEXT ‘KARATE KID’

The parade of unnecessary film remakes continues as Variety reports that Will Smith’s son Jaden Smith will star in a new take on The Karate Kid.

The 1984 film with Ralph Macchio, Pat Morita and Elisabeth Shue spawned three sequels and was a major hit for Columbia Pictures. The final film in the series proved to be the big screen debut for Hilary Swank. Morita was nominated as the best supporting actor by the Acamdey Awards and Golden Globe Awards for his work as the teacher, Mr. Miyagi. The film also spawned many of-trepeated one-liners and images making it a true pop culutral phenomenon.

The new script is coming from newcomer Chris Murphy and will be set in China with filming set for Beijing among other locales. No director was named.

Jerry Weintraub returns to the franchise to produce the new version working alongside Overbrook Entertainment’s James Lassiter, Will Smith and Ken Stovitz.  Jaden Smith made his screen debut as his father’s son in last year’s hit, The Pursuit of Happyness. He will next be seen in December’s other unnecessary remake, The Day the Earth Stood Still.