Robert B. Parker may be known for his series of Spenser novels, but his second creation, Jesse Stone, is gaining popularity through a series of CBS telefilms starring Tom Selleck. A sixth chapter has been announced as now being in production.  No Remorse has started shooting in Halifax, Nova Scotia for eventually airing.  A fifth telefilm is completed with no airdate.

Jesse Stone is a small town Sheriff in Massachusetts who fights his alcoholism and unhealthy addiction to his ex-wife, now living in the area as a local television news reporter.

The new film will be an original story, not based on one of the seven novels in the series which launched in 1997. Night and Day will be published in the first half of 2009. Stone inhabits the same universe as Spenser and Parker’s other creation, Sunny Randall. In fact, Stone and Randall was an item in several novels but their emotional commitments to their exes kept the relationship from continuing.

According to The Hollywood Reporter, the new telefilm tells of Stone “having been suspended by the local town council, moonlighting for his friend, State Homicide Commander Healy (Stephen McHattie), by investigating a series of murders in Boston.”

Kathy Baker, Kohl Sudduth, William Devane, William Sadler and Saul Rubinek will all be back in their familiar roles with Krista Allen joining the cast.

The teleplay is from Selleck and Michael Brandman, who double as executive producers.

Graphic artist Paul Pope’s Battling Boy has been optioned by Paramount Pictures for a feature film.  The movie will be produced by Brad Pitt’s Plan B production company according to Variety.

The book, to be published by First Second in spring 2010, is a “gritty tale centers on the son of a god or superhero who comes down from the top of a mountain at his father’s behest in order to rid a giant city of monsters.”

Publisher Mark Siegel first announced the project March 22, 2006, saying, “Yes, yes, yes, the rumors are true: Paul Pope is working on a massive, epic project for First Second — in full color and for young readers.

“Here’s a quote from Pope in this week’s Publisher’s Weekly Comics Week, just to whet a few appetites:

‘Battling Boy is aimed at kids and it’s coming out from First Second in 2007. It’s a kind of a fairytale kid Beowulf, or a Peter Pan with teeth. It’s set in a mythical city called Monstropolis, a city the size of a continent that’s overrun with monsters.’”

Pope, a winner of multiple Eisner Awards, recently wrote on his blog, “In Batman Year 100, I had room for a couple of long fight sequences, but I felt cramped even with 200 pages. This fight scene from Battling Boy alone is about 50 pages. It’s liberating to have no page restrictions. I wish [Jack] Kirby could’ve had 50 pages for one fight scene, imagine what he would’ve done.

“The extended cinematic sequence is one of the best gifts we’ve inherited from Manga.”

Batman #681 won’t be out until November 19, but its effects are already being felt as DC Comics has confirmed that three of the satellite titles, Robin, Nightwing, and Birds of Prey will be cancelled in February. Another related title, Catwoman, was cancelled earlier this year.

All three titles were launched in the 1990s as the Batman line rapidly expanded under editor Denny O’Neil and the supporting cast grew by leaps and bounds. Given their middling monthly sales and decreased trade collection volume, the cancellations were not a surprise.

The timing was also carefully planned; something confirmed by Robin writer Fabian Nicieza who told ComicMix, "I knew the plans for Robin since I was first offered the assignment. Part of my enthusiasm all along was knowing the responsibility I had to get the character to a very interesting new phase of his life. It’s only the start of very exciting things for Tim Drake."

The next phase of Bat-continuity kicks off with the two-issue Battle for the Cowl to be written by Judd Winick. What follows remains a closely guarded secret. By then, the Bat-family of titles will be reduced to Batman, Detective Comics, Batman and the Outsiders, Superman/Batman and a cycle of The Brave and the Bold.  The latter series will be featuring Bruce Wayne in the cowl so as not to distract readers drawn to the issues which will introduce Archie’s Red Circle super-heroes to the DC Universe.

Robin finally gained his own solo ongoing series in 1994 after three well-received miniseries from Chuck Dixon and Tom Lyle.  Dixon returned last year to handle the character in the wake of One Year Later but was summarily removed and Nicieza replaced him.

Nightwing was awarded his own ongoing in 1996 after just one tryout miniseries by O’Neil and newcomer Greg Land.  Again, Dixon wrote the project for its first seven years before ceding to Devin Grayson.  Currently being produced by Peter Tomasi and Don Kramer, the character is also seen in Titans and across the DCU as a popular guest star.

Birds of Prey was originally a one-shot featuring Oracle and Black Canary from Dixon but it spawned one-shots and a miniseries before gaining its own monthly in 1999 with Dixon and Land at the outset.  Its popularity and creative success led to the one-season WB television series.  Gail Simone succeeded Dixon and at Dixonverse, she noted that since her departure followed by Black Canary being switched from BOP to JLA, “It’s just that the emotional core was removed and that’s always a bad idea. It wasn’t my idea, but it was a bit of a trade-off because her popularity in bop meant she could do things like lead the JLA and have a book with her name on the cover. And since I loved the character that seemed a fair trade to make, to help move her up the ladder of importance.” Currently written by Tony Bedard, it’s been much more of a team series far removed from Gotham.

The final issues will be Robin #183, Nightwing #153 and Birds of Prey #127.