It’s no secret that Mark Millar wants in on Warner Bros.’ announced Superman relaunch. He’d hoped to write what ended up being Superman Returns, but was held back due to an exclusive contract with Marvel Comics. Recently, Millar put himself back in the mix for Kal El’s next adventure, alleging the attachment of a “big Hollywood action director” to his vision.

Empire Online has an interview with the Superman: Red Son writer about his take on the character’s film future. Millar hopes to film an eight hour saga, split over three years ala Lord of the Rings.

He unveils details of the would-be film, describing it thusly:

“I want to start on Krypton, a thousand years ago, and end with Superman alone on Planet Earth, the last being left on the planet, as the yellow sun turns red and starts to supernova, and he loses his powers.

“It’s gonna be like Michael Corleone in the Godfather films, the entire story from beginning to end,” Millar continues. “You see where he starts, how he becomes who he becomes, and where that takes him. The Dark Knight showed you can take a comic book property and make a serious film, and I think the studios are ready to listen to bigger ideas now.”

Millar says he understands what Bryan Singer went for with Superman Returns. “[Singer was going for an] homage to Richard Donner’s original vision,” he says, “but I think you should pay homage by doing something completely different.”

Unsurprisingly, Donner was tickled pink at Singer’s tribute to the 1978 Superman. However, in the face of an inevitable reboot, Donner agrees that a comic book writer should tackle the character… just not Mark Millar.

“I’d like to see Geoff Johns take a crack at Superman,” Donner told the L.A. Times earlier this month. “I think he would be startling. Did you read his comics? There it is. It’s there on paper.”

Johns, who previously worked as an assistant to Donner, collaborated with the filmmaker on a string of Superman comic book arcs, including “Last Son” and “Escape From Bizarro World.” Clearly, then, he’s biased on the situation, but can he be blamed? Johns has written some truly excellent stories in Action Comics, most notably his recent “Brainiac” five parter that re-killed John Kent and leads into the current “New Krypton” arc.

Maybe it is Johns who should tackle the Man of Steel, but by all accounts, it sounds like Millar’s first on line. Who do you think would be the better man for the project? Sound off below!

Even before today’s economic crisis, comic store owners were fighting an uphill battle, with their numbers only a fraction of what they were a decade ago. A group of retailers have banded together in an organization to help stores  be better, wiser & stronger. we introduce you to Comics Pro, plus:

• Christina Aguilera as Catwoman?
• Your favorite album covers in Legos
• A new Nightmare Before Christmas CD you can hear for free

All that and more – but only when you Press the Button!
 

 
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Set new photos from Matthew Vaughn’s Kick-Ass have come online. Slash Film has the scoop, revealing the best headshot to date of Aaron Johnson as Dave Lizewski, also known as teen vigilante Kick-Ass. There have been better photos of him, which Slash Film also has.

It’s also the first look at Christopher Mintz-Plasse as another young crime fighter, Red Mist. Mintz-Plasses is better known to the general public as Superbad‘s McLovin. He’s also starring in David Wain’s upcoming Role Models as an avid LARPer.

Kick-Ass, based on Mark Millar and John Romita, Jr.’s limited series of the same name, is currently filming in Toronto and is slated for a 2009 release.

Meanwhile, HISS Tank has gotten their hands on a slew of potential photos from the set of G.I. Joe. The pictures reveal what looks to be mute ninja Snake-Eyes’ motorcycle in the film. Evidence for this includes the two samurai swords sheathed in the back of the cycle, as well as the red insignia commonly found on the ninja’s costume.

G.I. Joe, directed by Stephen Sommers, comes from a screenplay by Stuart Beattie and Skip Woods. It’s scheduled for release on August 7, 2009.

Bluewater Comics has partnered with Lionsgate to developing and release a line of comic books based on the cult/ horror films Leprechaun and Warlock. Bluewater has recently made noise with their celebrity-titled series such as Vincent Price Presents for horror fans and 2009’s promised William Shatner Presents which will adapt his non-Star Trek novels.

“Working with Lionsgate on this end is like coming back full circle for me. I worked on the marketing for Leprechaun 4: In Space,” Bluewater publisher Darren G. Davis said in a press release. “I loved this little character and have always wanted to do something with him. As for Warlock, this was another cult film that I enjoyed, so having this opportunity to partner with Lionsgate again is going to great”.

The Warlock comic series is described as, “The Warlock is on a mission to destroy a book that contains a spell which imprisoned six other Warlocks. If the book manages to be destroyed, the dangerous Warlocks would be released back into the world free to cause chaos and destruction. It’s up to a rag-tag group of people to prevent the Warlock from carrying out his plan.”

"Warlock will appeal to both fans of the franchise and readers who know nothing about the horror series”, said writer Nick Lyons. The book will be drawn by Jacob Bear and colored by John Hunt. Matt Bellisle will be doing all the variant covers to this title. (more…)

Both The Hollywood Reporter and Variety are reporting that Columbia Pictures has picked up the rights to adapt Preacher for film. The Vertigo series will be directed by Sam Mendes (Road to Perdition). Neal Moritz (I Am Legend) will produce with Original Films alongside Jason Netter (Wanted) of Kickstart Productions. There are no writers currently attached.

Created by Garth Ennis and Steve Dillion, Preacher focuses on small town preacher Jesse Custer who becomes possessed by the entity known as Genesis. The supernatural being is the offspring of an angel and a demon, and bestows upon Custer the Word of God — the ability to tell anyone to do anything. When Custer learns that God has abandoned Heaven, Jesse sets off with gun-toting ex-girlfriend Tulip and hard-drinking vampire Cassidy to meet their maker and hold him accountable for leaving humanity to fend for itself.

Preacher is an incredibly beloved series by comic fans everywhere. It’s come close to adaptation twice before, once as a movie and later as a television series. View Askew Productions held the rights for several years with James Marsden (X-Men) set to play Custer. This version advanced as far as the make up testing stages for Arseface, a teenager who disfigures himself during a botched Kurt Cobain inspired suicide attempt. Samuel L. Jackson expressed interest in playing the Saint of all Killers. Though the project never took off, you can find the make up tests (pictured above) and concept art of Jackson as the Saint by clicking here. Arseface looks awesome, by which we mean totally gross… by which, of course, we still mean awesome.

Most recently, a television adaptation of Preacher was developing over at HBO. Mark Steven Johnson and Howard Deutch, the writer-director team behind Grumpier Old Men, were set as executive producers. Johnson was particularly vocal about the project, declaring that each issue would see translation as a one-hour episode. Despite his devotion to keeping Ennis and Dillon’s vision intact, skepticism arose regarding Johnson’s previous comic-to-film record, which includes Daredevil and Ghost Rider. In the end, Preacher never got off the ground due to its controversially dark and violent content which Johnson refused to compromise. Preacher certainly would’ve made for a brilliant television series, but perhaps it’s a blessing in disguise that the man who handed Affleck his red tights is off the project.

Given its rocky history, it’ll be a while before anyone truly believes that this rendition of Preacher will have any more success than its predecessors. To be fair, producers Moritz and Netter are already attached to produce The Boys, another Ennis series from Dynamite, with Columbia Pictures. When they cast Simon Pegg as Wee Hughie, we’ll know they mean business. Still, Preacher is clearly in the hands of Ennis fans, implying that there are some seriously sick people running Columbia. When it comes to anything Ennis, that’s more than fine with us.

The Hollywood Reporter has announced that Pascal Laugier is in final negotiations do direct Dimension’s reboot of Clive Barker’s Hellraiser. The director is most known for his controversial French horror film Martyrs. Dimension has attempted to relaunch the Hellraiser franchise for several years now, with Julien Maury and Alexandre Bustillo originally attached to write and direct the picture. Most recently, Marcus Dunstan and Patrick Melton wrote a new draft, but it’s unclear if their vision will be used for Laugier’s picture.

"This is a dream project for me," Laugier said of Hellraiser. "I know Clive Barker’s work very well, and I would never betray what he has done. Fans are expecting a definitive Hellraiser, and I don’t want to take that away from them."

Anyone worried about how hard R the film might be can stop worrying now. Laugier’s Martyrs has been described as a torture porn and yielded an 18+ rating in France, which is the equivalent of NC-17 in the United States. According to THR, several people reportedly fainted during a screening at the Toronto International Film Festival. Sounds like Pinhead’s going to have his hands full.

In Clive Barker’s Hellraiser, Frank Cotton is sent to Hell when he foolishly plays with a mysterious box called The Lament Configuration. His former lover Julia, an adulturus woman in an unhappy marriage, assists Frank in finding three victims so that he may escape Hell and live again. In the end, it’s assumed that both Frank and Julia fail at their task and are sent back to Hell. Hellraiser spawned multiple spin-offs, though none directed by Clive Barker, and most largely panned by critics.

Hellraiser joins a growing list of classic horror icons remade for the 21st century. Rob Zombie reinterpreted Halloween back in 2007 to mixed reviews. Tobe Hooper’s The Texas Chainsaw Massacre and Wes Craven’s The Hills Have Eyes also saw mildly received remakes recently. There are active plans for a Robert Englund-less Nightmare on Elm Street reboot, as well as a new Kane Hodder-less Friday the 13th debuting in 2009. Of all these horror remakes, perhaps the best shot at success goes to the planned Child’s Play update, as the iconic Brad Dourif is set to voice the homicidal Good Guy doll, Chucky, once again.

The Hollywood Reporter named Pixar’s John Lasseter its Innovator of the Year.

The trade paper noted that the animator has smoothly inherited the mantle from Disney’s Nine Old Men, the animators who created the classic films.  The last of them, Ollie Johnston, passed away recently.

“Heart. Inventiveness. Inspiration. These are Lasseter’s own hallmarks,” the paper wrote, “visible in everything from the free education available to Pixar employees to the imaginative way he works with Pixar’s ‘Brain Trust’" a group of directors who play a pivotal role on each film.”

"He’s been an extraordinary force in innovating and renewing excitement about the animated feature in this country," says film historian Charles Solomon. And, he says, he did so "at a time when it was falling into the doldrums."

At a memorable to Johnston, Lasseter said, "We weren’t embraced at that time by many of the people leading (Disney). The Nine Old Men were starting to step away and retire. But it was the Nine Old Men who embraced us. They wanted to teach us everything that they knew. They recognized, more than anybody else, that they were handing the torch off."

He laughs today that he runs the animation studio where he was fired in 1983 which eventually led him to Pixar. Lasseter is a team player and cheerleader, but the paper also notes he’s willing to jettison that which does not work rather than go with a lesser product.

“His quest for perfection has led him to let go of actors who don’t work out, as he did with one actress who was meant to play the title role of Tinker Bell, a film in Disney’s newest direct-to-DVD animated franchise, the Disney Fairies. It has also led him to part ways with filmmakers who don’t share his vision — as he did with Chris Sanders, who was originally attached to direct Bolt,” the paper wrote.

Lasseter’s crew will be releasing its next production, Bolt, November 21.