The Mix : What are people talking about today?

The Parting Glass, by John Ostrander

As I’ve mentioned before, one of my favorite films is a fine Irish delight called Waking Ned Devine. The closing theme is a lovely version of the Irish tune Parting Glass, an appropriate song to come to mind for many different reasons on this, my final column at ComicMix. The refrain of it reads like this:

So fill to me the parting glass / Good night and joy be with you all.

An appropriate lyric in particular since, last week I was at the funeral of my Aunt Helen who died peacefully at the age of 101. If you’ve read the column regularly, then you might recall the column I wrote when Helen reached her 101st birthday earlier this year. She died peacefully in her own apartment in Chicago, sitting on the sofa, the morning paper beside her. The TV set was still on and she had, by all reports, a peaceful expression on her face.

My family was sorry to see Helen go, of course, but I wouldn’t say her wake was a solemn affair – nor would she have wished it to be. The youngest of the great grand nieces and nephews, ages two or so, played in front of the open casket, turning somersaults and squealing. Helen would have adored that – especially the incongruity of it. As my nephew, Fred Ludwig (who has a fine writer’s voice himself) wrote for part of her obituary, Helen “had a laugh that could fill a room.” I think I heard it there that night.

As I mentioned in that other column, at her 90th or 95th birthday, Helen received many a bottle of bourbon, almost all Seagrams 7. Enough whiskey to stock a liquor store. She laughed as she received each gift and said, “Oh, you know my brand.” She continued to have one highball a day, towards dinnertime, in the tradition of her father, who also lived to be 100. Her stash was found in the apartment – there was plenty left – and brought to the wake in a discreet side room where family and friends could repair to lift a parting glass to Helen without disturbing other wakes also being held at the funeral home. Helen would also have appreciated that – and the toasts.

She left bequests and had her funeral all organized – who was going to do what, what songs were to be sung, what readings at the church – the same church she had attended all her life – and who was to do them. My brother and I were both to do the eulogy. I began my part by “blaming” the Chicago Cubs for her death. Helen was such a Cubs’ fan. For the recessional we all sang “Take Me Out To the Ball Game.” (more…)

Laugier Directing ‘Hellraiser’ Relaunch

The Hollywood Reporter has announced that Pascal Laugier is in final negotiations do direct Dimension’s reboot of Clive Barker’s Hellraiser. The director is most known for his controversial French horror film Martyrs. Dimension has attempted to relaunch the Hellraiser franchise for several years now, with Julien Maury and Alexandre Bustillo originally attached to write and direct the picture. Most recently, Marcus Dunstan and Patrick Melton wrote a new draft, but it’s unclear if their vision will be used for Laugier’s picture.

"This is a dream project for me," Laugier said of Hellraiser. "I know Clive Barker’s work very well, and I would never betray what he has done. Fans are expecting a definitive Hellraiser, and I don’t want to take that away from them."

Anyone worried about how hard R the film might be can stop worrying now. Laugier’s Martyrs has been described as a torture porn and yielded an 18+ rating in France, which is the equivalent of NC-17 in the United States. According to THR, several people reportedly fainted during a screening at the Toronto International Film Festival. Sounds like Pinhead’s going to have his hands full.

In Clive Barker’s Hellraiser, Frank Cotton is sent to Hell when he foolishly plays with a mysterious box called The Lament Configuration. His former lover Julia, an adulturus woman in an unhappy marriage, assists Frank in finding three victims so that he may escape Hell and live again. In the end, it’s assumed that both Frank and Julia fail at their task and are sent back to Hell. Hellraiser spawned multiple spin-offs, though none directed by Clive Barker, and most largely panned by critics.

Hellraiser joins a growing list of classic horror icons remade for the 21st century. Rob Zombie reinterpreted Halloween back in 2007 to mixed reviews. Tobe Hooper’s The Texas Chainsaw Massacre and Wes Craven’s The Hills Have Eyes also saw mildly received remakes recently. There are active plans for a Robert Englund-less Nightmare on Elm Street reboot, as well as a new Kane Hodder-less Friday the 13th debuting in 2009. Of all these horror remakes, perhaps the best shot at success goes to the planned Child’s Play update, as the iconic Brad Dourif is set to voice the homicidal Good Guy doll, Chucky, once again.

THR Names John Lasseter Innovator of the Year

The Hollywood Reporter named Pixar’s John Lasseter its Innovator of the Year.

The trade paper noted that the animator has smoothly inherited the mantle from Disney’s Nine Old Men, the animators who created the classic films.  The last of them, Ollie Johnston, passed away recently.

“Heart. Inventiveness. Inspiration. These are Lasseter’s own hallmarks,” the paper wrote, “visible in everything from the free education available to Pixar employees to the imaginative way he works with Pixar’s ‘Brain Trust’" a group of directors who play a pivotal role on each film.”

"He’s been an extraordinary force in innovating and renewing excitement about the animated feature in this country," says film historian Charles Solomon. And, he says, he did so "at a time when it was falling into the doldrums."

At a memorable to Johnston, Lasseter said, "We weren’t embraced at that time by many of the people leading (Disney). The Nine Old Men were starting to step away and retire. But it was the Nine Old Men who embraced us. They wanted to teach us everything that they knew. They recognized, more than anybody else, that they were handing the torch off."

He laughs today that he runs the animation studio where he was fired in 1983 which eventually led him to Pixar. Lasseter is a team player and cheerleader, but the paper also notes he’s willing to jettison that which does not work rather than go with a lesser product.

“His quest for perfection has led him to let go of actors who don’t work out, as he did with one actress who was meant to play the title role of Tinker Bell, a film in Disney’s newest direct-to-DVD animated franchise, the Disney Fairies. It has also led him to part ways with filmmakers who don’t share his vision — as he did with Chris Sanders, who was originally attached to direct Bolt,” the paper wrote.

Lasseter’s crew will be releasing its next production, Bolt, November 21.

Horror Review: ‘Brotherhood of Blood’

brotherhoodofblood_b-2211812Synopsis:

In this claustrophobic thriller, a team of vampire hunters who must infiltrate a nest of the undead to save one of their own. A beautiful vampire slayer is held prisoner by a powerful, blood-drinking king who is preparing to do battle with a force that sends even the children of the night scurrying into the shadows.

Lowdown:

Much of modern cinema was built on awful horror films of yesterday, from Ed Wood to Roger Corman and even to an extent John Carpenter, so it’s almost reassuring when you hear about a box set of direct-to-dvd horror films, and a film like [[[Brotherhood of Blood]]] is included. The film couldn’t have cost more than $50,000, and most of that had to go to the “big” names attached like Sid Haig, Ken Foree, and even TV’s Victoria Pratt. The film isn’t exactly cinematic art in any way, but still fills the quota for “bad horror films”.

The premise is pretty hard to follow, seeing as how from before the opening titles to the end of the film, there are randomly placed flashbacks to the previous 48 hours. Of course, because of the bar that has been raised by the genre today, there is a twist at the end of the film, which in this case was pretty predictable. No killing or gore was shown on-screen and done with a cut and corn syrup thrown on a wall, which is fine considering the quality.

The acting would be fine if it weren’t for the only two decent genre actors attempting to spit out their lines through the prosthetic vampire teeth. Foree and Haig both sound like they are doing a bad Nixon impression, and come across as cartoony when trying to be haunting and intimidating. The angrier they got, the funnier they became, much like a drunk baby. The dialogue is pretty bad as well, which would be, given that this isn’t [[[Gone with the Wind]]], but even still, it’s almost impossible to sit through.

In an interview done with Rob Tapert, he explained that though the box set is being slated as “hand picked by Sam Raimi and Rob Tapert”, there were a few exceptions. It’s almost definite that this was a pick by the pair. Not only does the film give off the same feel as Evil Dead in it’s campiness, but it stars Cleopatra 2525’s Victoria Pratt. A show that was the brainchild of both Raimi and Tapert. Sadly, Pratt attempts to bring her tough-chick persona to the film, but it fails somewhere in the middle, and leaves her confusing and whiney.

The film comes through as a campy, low-budget, vampire flick, and should really be taken as such. Foree and Haig may come together for the first time in years, but they get no screen time together, and as mentioned, it’s pretty hard to understand them when they are drooling through fake fangs. There is bad acting, poor special effects, a convoluted plot, and an even more confusing twist ending. On their own each of those sound pretty awful, but together they make up just about any horror film released in theaters in the past few years, and should be treated as such.

Overall Rating: 3/10

Scare Factor: 0/5

doctor-who-tenant-5393629

David Tennant Officially Announces Departure from ‘Doctor Who’

doctor-who-tenant-5393629David Tennant announced his departure from Doctor Who during the National Television Awards broadcast.

The BBC’s Doctor Who website confirmed the news mintues later complete with a video from the actor.

The website went on to report:

David Tennant first appeared as The Doctor in 2005 and has gone on to star in three series and three Christmas specials as the tenth incarnation of the Time Lord. The BBC has confirmed that David will continue to play The Doctor in the four specials that will make up the 2009 series before a new Doctor takes over for Series 5. Tennant will also star in the Doctor Who Christmas Special titled The Next Doctor this year.

David Tennant comments "I’ve had the most brilliant, bewildering and life changing time working on Doctor Who. I have loved every day of it. It would be very easy to cling on to the TARDIS console forever and I fear that if I don’t take a deep breath and make the decision to move on now, then I simply never will. You would be prising the TARDIS key out of my cold dead hand. This show has been so special to me, I don’t want to outstay my welcome.

"This is all a long way off, of course. I’m not quitting, I’m back in Cardiff in January to film four special episodes which will take Doctor Who all the way through 2009. I’m still the Doctor all next year but when the time finally comes I’ll be honored to hand on the best job in the world to the next lucky git – whoever that may be.

"I’d always thought the time to leave would be in conjunction with Russell T Davies and Julie Gardner who have been such a huge part of it all for me. Steven Moffat is the most brilliant and exciting writer, the only possible successor to Russell and it was sorely tempting to be part of his amazing new plans for the show. I will be there, glued to my TV when his stories begin in 2010.

"I feel very privileged to have been part of this incredible phenomenon, and whilst I’m looking forward to new challenges I know I’ll always be very proud to be the Tenth Doctor."

Russell T. Davies Executive Producer of Doctor Who comments "I’ve been lucky and honored to work with David over the past few years – and it’s not over yet, the Tenth Doctor still has five spectacular hours left! After which, I might drop an anvil on his head. Or maybe a piano. A radioactive piano. But we’re planning the most enormous and spectacular ending, so keep watching!"

Doctor Who returns to our screens on BBC this Christmas. The Next Doctor starring David Tennant, David Morrissey and Dervla Kirwan will be screened on the 25th December on BBC1.

Let the speculation over the next incarnation of the Time Lord continue.
 

Hollywood News & Notes

american-pie-6069443Universal Studios helped pioneer the direct-to-DVD concept for film franchises with American Pie. The series of videos — American Pie: Band Camp, American Pie: Naked Mile and American Pie: Beta House — has brought them much cash and provided Playboy with many an actress to peel for their pages. Now, Moviehole says the studio is eyeing an actual feature film to pick up the story of the original characters. After all the first film, released in 1999, brought in an eye-popping $235 million. No cast or crew has been signed or announced so speculation can run rampant as to which characters will be brought back as the focal point.  Stifler? Stifler’s Mom? Jim and Michelle? We vote for Nadia, since after all, Shannon Elizabeth could always use the work.

Ian Jeffers has written an original werewolf tale and according to Bloody Disgusting, he has sold it to director Ridley Scott.  Jeffers has previously written Death Sentence and the screen adaptation of the video game Castlevania.

Madagascar 2 director Tom McGrath told Skiewed and Reviewed, “While we never know how well the film will do, I have been kicking around ideas for another film in the series.” He went on say he’d like to see the characters return to their home, the Central Park Zoo, in the third film.

As we mentioned the other day, M. Night Shyamalan is producing three films in his new three-picture deal with Media Rights Capital. Now we hear the first picture will be Devil, written by Brian Nelson (30 Days of Night). John Erick Dowdle (Quarantine) will direct and produce alongside his brother, Drew Dowdle. Devil comes from an original story by Shyamalan. The Unbreakable and Sixth Sense director will produce the film with Sam Mercer under Shyamalan’s new Night Chronicles banner. Night Chronicles was set up by MRC as a financing and production partnership with M. Night to create one genre film per year over three years. Shyamalan will come up with the ideas, select the creative team and oversee the creative direction. He’ll also co-own the film copyrights and retain artistic control.

Twentieth Century Fox has announced its sequel will be titled Alvin and the Chipmunks: The Squeakuel opening Christmas Day 2009.  Fox has also moved the kid/family movie Tooth Fairy to Thanksgiving 2009 release. Chris Columbus other movie, Percy Jackson and the Lightning Thief, based on Rick Riordan’s books, has been kicked back a year to July 2, 2010.   Another kid’s series, Beverly Cleary’s Ramona, will become a feature film, to be released March 19, 2010.

Sir Roger Moore has been added to the voice cast of Gnome & Troll: The Forest Trial. The animated feature is coming from Swedish film company White Shark and is set to debut in 2009. The film is a sequel to this year’s Gnome & Troll The Secret Chamber.   Moore will play King Leif, with Peter Stormare to voice Ogar Mini.

Director Rob Cohen confirmed for Collider that xXx 3 is being developed with an eye towards being ready summer 2010. "Yes, they’re doing it with me and producer Joe Roth”, he said. “We made the deal recently, it’s named xXx: The Return of Xander Cage. We met the writers yesterday and we’re trying to get into production by late spring, to have it out for the summer of 2010." Diesel will first be seen in the summer 2009 sequel to the Fast and Furious.

Producer Gale Anne Hurd confirmed for Moviehole that her recent comment about trying to reboot the Alien Nation franchise was more than wishful thinking. “I dropped Hurd a line to see whether she’s actually pitched the film or whether it’s just something she bought up in conversation,” Moviehole wrote, “with no plans to actually convince someone with money to bankroll it. “The good news is? Hurd has indeed talked to the powers-that-be about doing the film but, in her words, there’s ‘no traction yet’. The 20th-Century Fox film spawned a beloved weekly series which aired on Fox in the 1980s.
 

‘Villains’ Target Theaters

According to The Hollywood Reporter, Universal has picked up the movie rights to the upcoming Viper Comics graphic novel Villains. Universal reportedly paid a mid-six-figure sum for the rights, which could prove profitable if the lesser-known property enjoys the same super-hero buzz that other films in the genre have yielded. Sean Bailey produces via his Idealogy banner, and Matt Jennison and Brent Strickland are set to write the screenplay. Jennison and Strickland are also working on the stalled Wonder Woman for Warner Brothers and Joel Silver.

Villains, not to be confused with the current Heroes volume on NBC, is a four issue mini-series by Adam Cogan and Ryan Cody. Villains focuses on Nick Corrigan, "an aimless 20-something who discovers that his aging neighbor used to be the notorious supervillain known as ‘Hardliner,’ now retired and living in hiding for the past few decades. Rather than turn him in to the authorities, Nick decides to blackmail him in exchange for lessons in the fine art of career super-crime. But the old pro is about to teach his student some lessons he’ll never forget."

The original series was originally published by Viper Comics in 2006. A second mini-series is set for this fall, which should provide solid source material if Villains does well enough at the box office to warrant a sequel.

How do you guys feel about Villains heading to film? Psyched? Meh? Think there’s other super-villains that should get their big screen licks in first? Personally, I’d love to see The Hood first.

‘Torso’ Grows Legs

3652-1-9925674Bill Mechanic, the former chairman of 20th Century Fox and now founder of independent production company Pandemonium, told Collider that the long planned adaptation of Brian Michael Bendis’ Torso is heading into production soon.

"Torso is moving right towards the starting gate," Mechanic tells the site. "We’ve got a screenplay and we’re waiting for Paramount to decide when to make it."

He also confirms what many have heard: David Fincher will direct the feature.

"I’m hoping we’re shooting in March or April … [so] it should be [Fincher’s next project]," says Mechanic.

And while he has a ton of faith in the project, he does admit that there will be departures from the source material, much in the way that the movie Fight Club broke off from the novel.

"Torso the movie, which may not be called Torso the movie at the end of the day … makes the book better reading because it doesn’t follow [the book] literally," Mechanic says.

Though he’s known today for revitalizing The Avengers, killing all the mutants in House of M and making Skrulls a threat again in Secret Invasion, Brian Bendis’ roots as a comics creator go back to his days at Caliber Comics. He published a string of noir crime comics with Caliber, including Fire (1993), A.K.A. Goldfish (1994) and Flaxen (1995). His most known early works are Jinx (1996), which is the namesake of his Web site JinxWorld, and the comic in question, Torso (1998). It may be hard to believe with top artists Leinil Yu and others illustrating his work, but Bendis actually illustrated a large part of his early work, including Torso. Bendis also co-wrote the novel alongside Marc Andreyko (DC’s Manhunter).

Torso is a historical fiction limited series published by Image Comics. The story focuses on the "Torso Murderer," an actual serial killer in the 1930’s who left behind only the torsos of his victims, making them very difficult to identify for police without DNA testing. The investigator on the case and protagonist of Torso is Eliot Ness, Cleveland Chief of police and one-time head of the Untouchables, the police task force that enforced Prohibition and went after crime lord Al Capone.

Though no official casting has been made, Mechanic did tell Collider that "a lot of things being written [online] about [the film] are probably true." Jake Gyllenhaal and Matt Damon are the two actors long rumored for Torso, so perhaps they’ll be the guys to star in the feature.

Review: ‘The Night of Your Life’ by Jessie Reklaw

The Night of Your Life
By Jessie Reklaw
Dark Horse, September 2008, $15.95

For the last thirteen years, Jessie Reklaw has been turning dreams – mostly those of strangers – into comics, on his website and in a growing number of alternative weeklies nationwide. (Not to derail my own train of thought, but are there any non-alternative weeklies, to which those “alternative weeklies” are the actual alternative?)

Each comic is a four panel grid, two over two: distilling a dream to its essential elements and telling however much of a story there is to tell. The stories are all bizarre and strange – they’re all dreams, after all – but, boiled down to four panels, they also have a lot of similarities. There’s a reason people call it “dream logic;” that’s the way the human mind organizes itself, so the same kind of transitions and imagery come up in many different people’s dreams.

[[[The Night of Your Life]]] collects about two hundred and forty of those “[[[Slow Wave]]]” strips, in black and white. The strips are printed one to the page – large enough to be clear and readable, but only slightly larger than on the web, so they don’t look blown up in the book. The strips are divided into ten parts, each part named for the first line of text in the first cartoon in that part…but the strips don’t otherwise seem to be organized. It’s clearly not by theme or imagery, and the strips aren’t dated, so there’s no way to tell if they’re in chronological order.

(more…)

Webcomics You Should Be Reading: Saturday Morning Breakfast Cereal

saturday-morning-breakfast-cereal-4567673I recommended this comic to a friend of mine. She wrote back that her office’s content filter blocked it as "tasteless and offensive."

This is an entirely accurate statement about Saturday Morning Breakfast Cereal. What they fail to mention, however, is that it’s also hilarious.

SMBC is a daily single-panel comic, in the vein of an R-rated The Far Side. The humor is primarily based on taking the punchline in a completely different direction than expected. It’s not suitable for kids. (Or adults who want any claim to maturity, for that matter.) It’s also not suitable for people who are sensitive about sex, death, religion, fetishes, cheesecake, herpes, dolphins, politics, or your mom.

There’s a SMBC store, though it’s currently closed for renovations and expected to reopen in November.

Notable moments:

Drama: Nope. Black comedy, maybe. Not the slightest hint of drama.

Humor: Imagine Gary Larson’s sense of humor melded with Kevin Smith’s potty mouth and you’ll pretty much have Zach Weiner. As noted, what lesser cartoonists would use as the entire joke, he uses as a set-up to something unexpected and much more disturbing.

Continuity: None. There’s a "random" strip button on the site, and it’s one of the few comics where that’s actually a worthwhile idea.

Art: Reasonable; it gets the job done. All the people look pretty much alike, and Weiner probably won’t be winning any awards, but he’s conscious enough of his own skill that you never find yourself missing a joke because you can’t figure out what that blue thing is.

Archive: Six years, about 1325 single-panel or two-panel strips. (Don’t let that scare you, though: There is absolutely no need for an archive trawl. You can read as many or as few strips as you want.)

Updates: Daily, consistently.

Risk/Reward: Reading too many of these in a row may make you realize you’re a horrible person. (There’s no ongoing storyline, so there’s no risk should the comic suddenly cut off.)