Paramount has picked up the screen rights to Dave Roman’s graphic novel Agnes Quill: An Anthology of Mystery. Thor Freudenthal (Hotel for Dogs) will direct from a script by Evan Spiliotopoulos. Variety reports that Agnes Quill is "the first acquisition for Adam Goodman since transitioning from DreamWorks."

Publisher Slave Labor Graphics describes Agnes Quill: An Anthology of Mystery as follows:

"For Agnes Quill, talking to the dead is the easiest part of her life. As the heir to her great-grandfather’s detective business, the sixteen-year-old Agnes must solve mysteries in the haunted, cobble-stoned and foggy city Legerdemain. It’s a lot of responsibility for a teenaged girl, but Agnes is devoted to continuing her family’s legacy. As she solves the strange cases her clients bring to her, Legerdemain’s dearly departed citizens help, hinder, or just plain annoy her. Working with, against or in spite of these ghosts, Agnes frees trapped spirits, cursed souls and possessed relatives, finds disappearing pets, and confronts decapitated scientists, ambitious zombies, and other supernatural menaces, in Agnes Quill: An Anthology of Mystery."

Agnes Quill is the latest in a series of many independent comic books to be optioned as film, following the recently announced Villains, Torso and Freaks of the Heartland. Dave Roman originally created Agnes as a series of stand-alone webcomics, which were later collected by SLG Publishing in October 2006. Agnes features art from Jason Ho, Jen Wang, Jeff Zornow and Eisner-nominee Raina Telgemeier. Roman is also the author of Harvey-nominated webcomic Jax Epoch and the Quicken Forbidden.

You can read Agnes Quill: An Anthology of Mystery for free online by clicking here.

Ain’t It Cool News has an in depth interview with Jon Favreau about all sorts of stuff, ranging from his upcoming Couple’s Retreat to the revolutionary effect James Cameron’s Avatar will have on the movie industry. One of the greatest tidbits dropped by Favreau involves, unsurprisingly, Iron Man 2. According to the helmer, cartoon genius Genndy Tartakovsky has come aboard the flick as a storyboarder.

"I’ve always liked [Tartakovsky’s] Samurai Jack and I loved his Clone Wars vignettes," Favreau tells AICN. "We’re storyboarding and designing sequences, he and his team have come in, and I’m working with them and they’re working on collaborating with us on the project and that’s a new wrinkle … I feel like I’m really learning a lot."

Favreau acknowledges that Tartakovsky is a newcomer to live action, but his extensive Marvel knowledge and skill set as a fight choreographer bring an interesting viewpoint to the super-hero sequel. Besides, having an animator on board ups the ante, says Favreau.

"[Audiences] don’t just want to see Iron Man 1 all over again, they want to see us take it to another level," Favreau claims. "With a guy like Genndy … it opened a whole new world of possibilities and I’m really enjoying [it]. It really makes it fun to go to work."

The Russian born Tartakovsky is credited for creating, writing and directing Dexter’s Laboratory and Samurai Jack. He’s also worked on The Powerpuff Girls, The Powerpuff Girls Movie and the Star Wars: Clone Wars animated featurettes. The animator has also pitched a cartoon series of Stephen King’s The Dark Tower to HBO, but the odds are lessened by the success of Marvel’s Dark Tower comics. Additionally, Tartakovsky is directing Power of the Dark Crystal, a sequel to 1982’s cult classic The Dark Crystal.

It’s important to note that Favreau’s interview with AICN took place prior to Terrence Howard’s removal from Iron Man 2. As such, no mention of Howard exists in the interview. Nonetheless, the site’s founder and webmaster Harry Knowles chimed in on the rumors surrounding the actor’s removal.

"[Howard] was either making demands (financial or creative) that the production wasn’t willing to address to the degree that would make Terrence happy," Knowles conjectures. "But Terrence and [his replacement, Don] Cheadle have a very similar pay scale currently. So I can’t imagine it is financial."

Knowles offers up an interesting alternative theory: "The other factor it could be is if Terrence made himself difficult to work with, I have heard some very weird things about him recently, that is the sort of thing I don’t repeat, but I do know if he pulled these types of things around Jon [Favreau]… I completely would see why Howard would be shown the door."

Harry Knowles and Favreau previously worked together on an adaptation of John Carter of Mars that never came to fruition. Given their relationship, it’s possible that Knowles has an inside scoop Howard’s removal. Still, it’s unlikely that Favreau would tell Knowles even if he did know the real reason. In all likelihood, the truth of Howard’s departure from the Iron Man franchise will become one of Hollywood’s great untold stories, or, even likelier, will be forgotten in a few years.

It’s no secret that Mark Millar wants in on Warner Bros.’ announced Superman relaunch. He’d hoped to write what ended up being Superman Returns, but was held back due to an exclusive contract with Marvel Comics. Recently, Millar put himself back in the mix for Kal El’s next adventure, alleging the attachment of a “big Hollywood action director” to his vision.

Empire Online has an interview with the Superman: Red Son writer about his take on the character’s film future. Millar hopes to film an eight hour saga, split over three years ala Lord of the Rings.

He unveils details of the would-be film, describing it thusly:

“I want to start on Krypton, a thousand years ago, and end with Superman alone on Planet Earth, the last being left on the planet, as the yellow sun turns red and starts to supernova, and he loses his powers.

“It’s gonna be like Michael Corleone in the Godfather films, the entire story from beginning to end,” Millar continues. “You see where he starts, how he becomes who he becomes, and where that takes him. The Dark Knight showed you can take a comic book property and make a serious film, and I think the studios are ready to listen to bigger ideas now.”

Millar says he understands what Bryan Singer went for with Superman Returns. “[Singer was going for an] homage to Richard Donner’s original vision,” he says, “but I think you should pay homage by doing something completely different.”

Unsurprisingly, Donner was tickled pink at Singer’s tribute to the 1978 Superman. However, in the face of an inevitable reboot, Donner agrees that a comic book writer should tackle the character… just not Mark Millar.

“I’d like to see Geoff Johns take a crack at Superman,” Donner told the L.A. Times earlier this month. “I think he would be startling. Did you read his comics? There it is. It’s there on paper.”

Johns, who previously worked as an assistant to Donner, collaborated with the filmmaker on a string of Superman comic book arcs, including “Last Son” and “Escape From Bizarro World.” Clearly, then, he’s biased on the situation, but can he be blamed? Johns has written some truly excellent stories in Action Comics, most notably his recent “Brainiac” five parter that re-killed John Kent and leads into the current “New Krypton” arc.

Maybe it is Johns who should tackle the Man of Steel, but by all accounts, it sounds like Millar’s first on line. Who do you think would be the better man for the project? Sound off below!

Even before today’s economic crisis, comic store owners were fighting an uphill battle, with their numbers only a fraction of what they were a decade ago. A group of retailers have banded together in an organization to help stores  be better, wiser & stronger. we introduce you to Comics Pro, plus:

• Christina Aguilera as Catwoman?
• Your favorite album covers in Legos
• A new Nightmare Before Christmas CD you can hear for free

All that and more – but only when you Press the Button!
 

 
And remember, you can always subscribe to ComicMix Radio podcasts via or RSS!

Set new photos from Matthew Vaughn’s Kick-Ass have come online. Slash Film has the scoop, revealing the best headshot to date of Aaron Johnson as Dave Lizewski, also known as teen vigilante Kick-Ass. There have been better photos of him, which Slash Film also has.

It’s also the first look at Christopher Mintz-Plasse as another young crime fighter, Red Mist. Mintz-Plasses is better known to the general public as Superbad‘s McLovin. He’s also starring in David Wain’s upcoming Role Models as an avid LARPer.

Kick-Ass, based on Mark Millar and John Romita, Jr.’s limited series of the same name, is currently filming in Toronto and is slated for a 2009 release.

Meanwhile, HISS Tank has gotten their hands on a slew of potential photos from the set of G.I. Joe. The pictures reveal what looks to be mute ninja Snake-Eyes’ motorcycle in the film. Evidence for this includes the two samurai swords sheathed in the back of the cycle, as well as the red insignia commonly found on the ninja’s costume.

G.I. Joe, directed by Stephen Sommers, comes from a screenplay by Stuart Beattie and Skip Woods. It’s scheduled for release on August 7, 2009.

Bluewater Comics has partnered with Lionsgate to developing and release a line of comic books based on the cult/ horror films Leprechaun and Warlock. Bluewater has recently made noise with their celebrity-titled series such as Vincent Price Presents for horror fans and 2009’s promised William Shatner Presents which will adapt his non-Star Trek novels.

“Working with Lionsgate on this end is like coming back full circle for me. I worked on the marketing for Leprechaun 4: In Space,” Bluewater publisher Darren G. Davis said in a press release. “I loved this little character and have always wanted to do something with him. As for Warlock, this was another cult film that I enjoyed, so having this opportunity to partner with Lionsgate again is going to great”.

The Warlock comic series is described as, “The Warlock is on a mission to destroy a book that contains a spell which imprisoned six other Warlocks. If the book manages to be destroyed, the dangerous Warlocks would be released back into the world free to cause chaos and destruction. It’s up to a rag-tag group of people to prevent the Warlock from carrying out his plan.”

"Warlock will appeal to both fans of the franchise and readers who know nothing about the horror series”, said writer Nick Lyons. The book will be drawn by Jacob Bear and colored by John Hunt. Matt Bellisle will be doing all the variant covers to this title. (more…)

Both The Hollywood Reporter and Variety are reporting that Columbia Pictures has picked up the rights to adapt Preacher for film. The Vertigo series will be directed by Sam Mendes (Road to Perdition). Neal Moritz (I Am Legend) will produce with Original Films alongside Jason Netter (Wanted) of Kickstart Productions. There are no writers currently attached.

Created by Garth Ennis and Steve Dillion, Preacher focuses on small town preacher Jesse Custer who becomes possessed by the entity known as Genesis. The supernatural being is the offspring of an angel and a demon, and bestows upon Custer the Word of God — the ability to tell anyone to do anything. When Custer learns that God has abandoned Heaven, Jesse sets off with gun-toting ex-girlfriend Tulip and hard-drinking vampire Cassidy to meet their maker and hold him accountable for leaving humanity to fend for itself.

Preacher is an incredibly beloved series by comic fans everywhere. It’s come close to adaptation twice before, once as a movie and later as a television series. View Askew Productions held the rights for several years with James Marsden (X-Men) set to play Custer. This version advanced as far as the make up testing stages for Arseface, a teenager who disfigures himself during a botched Kurt Cobain inspired suicide attempt. Samuel L. Jackson expressed interest in playing the Saint of all Killers. Though the project never took off, you can find the make up tests (pictured above) and concept art of Jackson as the Saint by clicking here. Arseface looks awesome, by which we mean totally gross… by which, of course, we still mean awesome.

Most recently, a television adaptation of Preacher was developing over at HBO. Mark Steven Johnson and Howard Deutch, the writer-director team behind Grumpier Old Men, were set as executive producers. Johnson was particularly vocal about the project, declaring that each issue would see translation as a one-hour episode. Despite his devotion to keeping Ennis and Dillon’s vision intact, skepticism arose regarding Johnson’s previous comic-to-film record, which includes Daredevil and Ghost Rider. In the end, Preacher never got off the ground due to its controversially dark and violent content which Johnson refused to compromise. Preacher certainly would’ve made for a brilliant television series, but perhaps it’s a blessing in disguise that the man who handed Affleck his red tights is off the project.

Given its rocky history, it’ll be a while before anyone truly believes that this rendition of Preacher will have any more success than its predecessors. To be fair, producers Moritz and Netter are already attached to produce The Boys, another Ennis series from Dynamite, with Columbia Pictures. When they cast Simon Pegg as Wee Hughie, we’ll know they mean business. Still, Preacher is clearly in the hands of Ennis fans, implying that there are some seriously sick people running Columbia. When it comes to anything Ennis, that’s more than fine with us.