The first sentient race of the DC Universe eventually became nearly-immortal beings of celestial energy, beings now known as the Old Gods. Eventually, there came a time when the Old Gods died and their planet, the "Third World", was destroyed. After many ages, the remnants of this world formed into two new planets, collectively called the "Fourth World." There was the peaceful and beautiful New Genesis, watched over by Izaya the Highfather, and the dark, desolate world of Apokolips, where lived the dark prince Uxas.

Uxas started a life of evil early on. When his brother Drax attempted to master a cosmic energy known as the Omega Force, Uxas decided he wanted the power for himself. In one fell swoop, he disrupted Drax’s plans, becoming master of the Omega Force and leaving his brother for dead. With his new power, Uxas renamed himself Darkseid the Destroyer. Later, he killed his own mother Queen Heggra, partly in revenge for the fact that she had killed the woman he’d loved, and assumed leadership of Apokolips.

Bent on universal domination and motivated by his quest for the Anti-Life Equation, a mathematical formula that proves life is hopeless and can rob any life form of their free will, Darkseid has made many enemies, including the heroes Lightray and Mr. Miracle and his own son Orion, the "dog of war." Darkseid’s attentions later turned towards the planet Earth when he became convinced that human beings held different parts of the Anti-Life Equation hidden in their minds. This brought him into conflict with many super-heroes as well.

Until recently in Final Crisis, he was never successful in conquering Earth, true. But that didn’t mean he never got the better of a hero ever before.

Here then are six moments where Darkseid got to laugh at the failure of his enemies and his own dark power.

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The Godfather is one of those films that creates an immediate sensation but then slowly seeps its way in the American consciousness. Like the immigrant families it depicts, the Mario Puzo novel was a potboiler, his third book after a career of writing for the men’s sweat magazines.  It arrived on the bookstands in 1969 and Puzo merely hoped it was something for the masses so he could support his five children. Instead, it generated some noise, enough to entice Paramount Pictures to option the film.  Then, after many trials and failed attempts to assemble a team, the right mix was found and a movie was made.  The American Dream in microcosm.

Francis Ford Coppola took the basic story of the Mafia, at the time, a criminal entity that people were only just getting familiar with as a reality, and set it against grander themes.  He was very collaborative and Puzo was heavily involved from the beginning which helped tremendously.

The first film was a mammoth success which required a sequel that many argue surpasses the original.  Despite pressure for a third film, it took Coppola until 1990 to finally complete the cycle. In the intervening years, the film’s archetypical characters were embraced and imitated, catch phrases entered the lexicon and have endured. And to be fair, the third installment has aged better than you would imagine now the bitter taste of disappointment has been washed away with time.

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Synopsis:

In this sequel to 2005’s [[[Reeker]]], a sheriff and his son try to apprehend bank robbers on their way to Mexico only to find that they are being stalked by a far more deadly enemy – the fire-wielding Grim Reaper known as The Reeker. Things start to get weird when the group—both good guys and bad—realize that they may not be on this plane of existence anymore, let alone the rest stop in Nevada.

Lowdown:

Ever since [[[LOST]]] hit the airwaves, writers of both television and film have tried to capture the essence of an ensemble cast brought together, seemingly for a reason, to fight some big mysterious element. It’s a disorienting concept, meant to confuse and fool you, but in the end, it all comes across as a bit trite. [[[No Man’s Land]]] walks that line but is able to fall back on the idea of not taking itself as serious as a story like LOST.

Taking place after the 2005 film Reeker, a group of strangers try to survive after being trapped in a travel hotel in the desert and strange things seem to happen, like a creature with a flamethrower chasing them. While this is a sequel, it isn’t necessary to be caught up on the first film in order to enjoy this one. The background of this film’s characters are explained in the beginning of the film, keeping this story pretty self-contained. If you had seen the former, the ending may come across as a bit predictable, seeing as how it is almost the same movie.

The special effects in the film are pretty impressive, seeing as how they are meant to give the feeling of complete confusion and intensity, such as a disembodied pair of legs running away, or a bird on fire flying though the air. Of course, the antagonist running around with a flame thrower added a nice touch, (and even a bit scary, too), and there is certainly plenty of blood and feces in the film for you to squirm in your seat.

Obviously, the story doesn’t take itself too seriously, given the fire-wielding baddie and the fact that since they are in purgatory, nobody can really die (this explains the torso-less legs running around in the film). There are some fun campy moments from the sassy casino robbers, and even a fight scene with a resurrected fried chicken (yup!)

Overall, film did have it’s dragging moments in the story, but the twist ending made it all a bit worth it, leaving us clues strategically placed throughout the film. Fans of mysteries and horror will enjoy this, if they enjoyed the twists and turns of any given Saw film.

Overall Rating 6/10

Scare Rating: 4/5