Bryan Talbot emerged from Britain’s underground comix to become one of the most innovative creators in the UK.  He’s the creator of the critically acclaimed graphic novels The Adventures of Luther Arkwright and A Tale of One Bad Rat.  He remains a creative force, most recently producing Alice in Sunderland, a graphic novel released last year form Dark Horse and Cherubs!, with Mark Stafford, which Desperado released this summer.

Warren Ellis said, “Luther Arkwright is probably the single most influential graphic novel to have come out of Britain to date.” This month, Bryan Talbot’s seminal work is celebrating its thirtieth anniversary.  It was first serialized in Near Myths, a British title, before being collected as a miniseries and graphic novel through the years.  A new edition, using digitally remastered pages from the Czech edition, is being released by Dark Horse.

Talbot graciously agreed to chat with us about the work and its influence on graphic novels. Part one will focus on Luther Arkwright and tomorrow’s second part will explore Talbot’s career.

CMix: Bryan, thanks for taking the time to sit with us.

Bryan Talbot: Thanks for inviting me.

CMix: Do you agree with Warren’s assessment?

BT: Er…yes, it probably is the most influential UK graphic novel as I can’t think of another that’s comparable in that respect. Most of the "Brit pack", including Alan Moore and Neil Gaiman, were fans of it years before they started writing comics professionally. Writers such as Warren, Garth Ennis, Grant Morrison and Rick Veitch have acknowledged its influence. According to Steve Bissette and Michael Zulli, it inspired them to want to draw comics.

CMix: He went on to say, "He took from everywhere – the films of Nick Roeg, head shop culture, 19th Century magazine illustrated, medieval woodcuts, classical portraiture, Sixties collage, Mal Dean and the New Worlds illustrators, anything and bloody everything, and adapted it all to work in the special environment of comics." Was there one element that started the process?

BT: Two years before starting on the graphic novel I wrote and drew a one-off eight page strip called "The Papist Affair" in my Brainstorm Comix series of underground comics. It was an excuse to do a Richard Corben-style line and wash strip and I invented the character of Arkwright for that, inspired by Michael Moorcock’s Jerry Cornelius novels. Mike created Cornelius and offered him as a template hero. So that was the starting point. After finishing the strip I started to think about fulfilling a long-standing desire I had to produce what we now call a graphic novel and started to develop it based around Arkwright.

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For those of you unaware, last week I took part in the Netflix Movie Watching World championship, in which eight contenders were put in a glass living area in the center of Times Square where we had to break the record for most films watched in a row without averting our eyes from the screen or falling asleep. The current record was 120 hours and 23 minutes, so we had our work cut out for us. There were 10 minute breaks in between each film, in which we could use the bathroom and wake ourselves up, but beyond that, our eyes had to be fixated on the 56 inch Plasma television. Whoever was to break the record (and there could be multiple winners) would win the Golden Popcorn Bowl trophy, $10,000 cash, and a lifetime membership to Netflix.

I was one of the three contenders selected from an online competition through Facebook.com, and among the others were competitive eating champion Crazy Legs Conti, former Netflix Movie Marathon champion Cheryl Jones, winner of Who Wants to Be A Millionaire: Movie Edition Jeff Jones, German champion who broke the world movie watching record three times, Claudia Wavra, and Guinness record holder for breaking the most Guinness records, Suresh Joachim. Needless to say, I was the underdog in this competition, seeing as how the longest I’ve ever stayed up in my life is 48 hours, and that’s all while doing things like driving or moving around.

Each of the competitors were asked to suggest films, and luckily the first film in the marathon was one of my picks: Iron Man . This would have been a lot of fun to watch again (let alone in the center of Times Square), and if I wasn’t so nervous about not taking my eyes from the screen, I would have. After talking to a bunch of the other competitors, I realized they had the same problem. Once we were able to overcome the excitement of being in the center of New York City with dozens of flashing cameras and gawkers, it became easier. (more…)

During the promotion for his new film, Zack & Miri Make a Porno, Kevin Smith began talking up a science fiction comedy he had in mind.  In fact, he was riffing for reporters about how it was going to be dark and different for him as a filmmaker.

This morning The Hollywood Reporter runs the story that Smith will do this as his next project after Red State, which he will shoot next spring. He anticipates the film to run in the $45-50 million budget range. The trade says the new feature “will reference other sci-fi movies and revolves around a father-son relationship.”

Smith will produce with View Askew partner Scott Mosier and The Weinstein Company is the most likely studio to handle the project. The trade reports Harvey and Bob Weinstein have already read a draft of the film’s script.

"The moment someone steps out of the spaceship, it’s going to cost a little more," Smith said of the budget, his largest ever.

"All the relationships in the flicks I’ve done have been done before, have been either a guy falling for a girl or two dudes hanging out in a ‘bromantic’ comedy," he said. "I wanted to explore a father and son."