Swedish Director Changes his Tune
Swedish director Tomas Alfredson, in America promoting the release of his acclaimed Let the Right One in, seems to have softened his stance against an English-language remake. As we reported last week, he was critical of the need to reinterpret his efforts. Now, he told Sci Fi Wire that it’s okay for Matt Reeves (Cloverfield) to try his hand at adapting the novel his movie was also based on.
"Who knows? Maybe he sees something different in the source material," Alfredson said. "Maybe he will come up with something different. I don’t know. I am not involved with that, and I wish them well."
The “them” includes producer J.J. Abrams who actually purchased the rights to John Ajvide Lindqvist’s novel although it will be made under the Hammer Films banner.
The novel concentrates on the relationship between an adolescent boy and a vampire. The director reflected on the world’s fascination with the genre. "It is a 360-page book, and there are a lot of subplots and characters that we had to take out," Alfredson said. "I decided to follow the love story. I fell in love with that part of the story.
"It seems like they come and go every 20 years, but, honestly, I cannot remember seeing a vampire movie," he said. "I think I did as a kid, see something with Bela Lugosi, but I never read Dracula. … I think that it has to do with the animals inside of us. They are very much an archetype. We have suppressed the animal part of ourselves, and maybe it’s a reaction to that, I don’t know."

Neal Hefti, composer of the memorable Batman television theme music, passed away on October 11. He was 85 and had been in poor health for some time his son Paul reported.
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There isn’t even an airdate as yet, but Fox’s Dollhouse, due in January, has stirred up some controversy. Fans are worried because Fox has a reputation for being ham-fisted with genre programming and is as likely to cancel a show as it is to support it. Creator Joss Whedon has defended the current regime at Fox and is comfortable with them although he did stop production for two weeks to retool the storylines. At present the series has a mere eight episode order, short even for a midseason replacement.
I was but a wee babe in the ‘60s, and I don’t really remember JFK’s assassination, or his brother’s, or King’s. I don’t think we had separate drinking fountains for black and white kids in New Jersey. But I remember racism. Anti-Semitism affected me directly (we were the only Jewish family in a heavily Catholic neighborhood) but, as our suburb became integrated and I was best buddies with a black boy, the jeers of racists were never far behind. Prejudice is kinda hard to forget, too, since it never went away.

We adore Hard Case Crime and their line of hardboiled crime and mystery tales from new and famous authors. Founder Charles Ardai just announced that he will publish, for the first time ever, a Lester Dent novel, Honey in his Mouth. The creator of Doc Savage had written the story intended for the Gold Medal line of books that are a direct ancestor to Hard Case.
David Fincher, while promoting his next feature, The Curious Case of Benjamin Button, told reporters that the film adaptation of Arthur C. Clarke’s Rendezvous with Rama was likely dead. Despite the most recent draft of a script being delivered in April, financing proved difficult for the classic novel.
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