Taylor Kitsch is breaking out from under the Friday Night Lights to play on the big screen in next May’s X-Men Origins: Wolverine from 20th Century Fox. Kitsch plays Remy LeBeau, commonly known as the smooth-talking mutant called Gambit. The actor spoke with Media Blvd about his role in the film.

"He’s just another comic book character that has kinetic energy," Kitsch describes of Gambit. "It’s a fun role. You’ll have fun watching it."

Kitsch admits that he was largely unfamiliar with the character before working on Wolverine, but has since gained a fondness for the heart-breaking antihero.

"I love the character, I love the powers, and I love what they did with him," Kitsch says. "I didn’t know that much [about the role], but in my experience, it was a blessing to go in and create my take on him."

At the moment, Kitsch is best known as Tim Riggins on NBC’s Friday Night Lights. That’s bound to change in a few short months when the X-movie is released.

"I haven’t [been] bombarded yet for the X-Men stuff," Kitsch admits. "I’ve been told enough about [X-Men fans] that I’m excited for it. I feel the project went incredibly well, and I’m excited to see the result."

For Kitsch, the biggest perk of filming Wolverine was meeting Logan himself. The actor calls Hugh Jackman a huge influence in his life as both an actor and as a person.

"He’s incredibly disciplined and free," Kitsch describes Jackman. "He’s just this person that’s so grounded and so open that you question whether it’s real or not. I’ve met nobody like him."

Some years ago, Lost‘s Josh Holloway was said to be in talks to play the Ragin’ Cajun in X-Men: The Last Stand. He pulled out due to TV commitments, but was linked to return if a fourth X-Men flick ever got off the ground. The part eventually went to Kitsch.

"The reason we didn’t use Gambit was because in a sense his persona is a bit like Wolverine in that he’s got attitude and his power is not quite as exciting as the others," said Lauren Shuler Donner, producer of both X-Men: The Last Stand and X-Men Origins: Wolverine, in an interview in 2006.

"That’s why we went to Nightcrawler," she continues, "because he looked different than everybody else and he had a great power."

For someone who doesn’t speak too kindly about ol’ Remy, it’s a bit surprising that the character wound up in Wolverine‘s solo film. Guess you can only stay away from that sexy gumbo for so long, right?!

A lot of manga take place in high schools – and that’s natural, since the original audience for most of the popular manga series were Japanese teenagers, and it’s hard to find someone more self-obsessed than a teenager. So ignoring high school would almost mean ignoring manga all together, and I wouldn’t want to do that – but I do try to quarantine the very teenager-y books into their own little cliques (they’re used to that, anyway). It’s time for another one of those, so join me for a look at three new series set in the best and worst time of all of our lives:

Papillon, Vol. 1
By Miwa Ueda
Del Rey, October 2008, $10.95

Papillion builds its foundation upon a plotline much beloved in song, story, and Olson twin movies: there are these two identical twin sisters, and they’re completely different! The viewpoint character is Ageha – and, by the way, does that name sound as frumpy and old-ladyish to the Japanese as it does to me? – who grew up in the countryside, and, because of that, is shy, socially inept, unfashionable, and wears glasses. (The equivalent cliché in an America story would have her be a rough, woodsy, outdoorsy kind of girl, great at riding horses and starting fires, but Japanese heroines apparently must always be pretty and decorative, with slim wrists and no obvious skills.)

Ageha’s twin sister Hana – who grew up in the city, because their parents separated them very young (possibly on a whim; this isn’t explained) – is gorgeous and poised and the most popular girl in the school they both attend.

(Oh, and there’s also a nasty fat girl, who seemingly exists in this story only to be Ageha’s only friend – a very, very bad friend at that – and to show that unattractive people are necessarily cruel, vindictive, and rude.) (more…)

Radical Publishing is a relative newcomer to the comic book industry, but they’re already hard at work converting their graphic novels into films.

Variety reports that the publisher "has secured funding from Singapore and will self-finance" adaptations of their comic book properties.

The company already has an excellent working relationship with Singapore-based art studio Imaginary Friends Studios, who supply illustrations for Radical’s Hercules and Caliber.

Radical has put an impressive amount of effort into turning their properties into film projects. Peter Berg (The Kingdom) is attached to direct Hercules, John Woo (Face/Off) is attached to direct Caliber with Johnny Depp’s production house Infinitum Nihil and Bryan Singer will produce Freedom Formula through his Bad Hat Harry Prods.

Two other projects, Aladdin and City of Dust, are also being looked at for adaptation.

Aladdin offers a fresh twist on the classic tale by incorporating new supernatural elements. Siavish Farahani, who scripted The Shadow for Ghost House Pictures, will write the feature.

City of Dust is a futuristic police drama involving crimes of the imagination. The novel is written by Steve Niles (30 Days of Night). Niles will supervise a script from Peter Fedorenko.

Last week, Marvel released a free comic enitlted March on Ultimatum Saga, a basic guide to the history of the Ultimate Marvel Earth and its heroes. Although one or two of the facts reported are in question (as I discussed in my article Where Have All The Editors Gone?), it is an appropriate release when you consider that the Ultimate Marvel titles are supposed to suffer a dramatic change as a result of the crossover Ultimatum.

But in case you missed out on this issue, don’t worry. Marvel has put it up as a digital comic on their website. So if you’re a paid subscriber to Marvel Digital Comics Unlimited, this issue is just a few clicks away.

Didn’t read the story arc featuring Ultimate Carnage? Missed out on what’s been revealed so far in Ultimate Origins?Curious where the heck Ultimate Nick Fury disappeared to? The answers are all there.

ComicBookResources.com has also posted preview pages of Ultimate Origins #5, which will lead into Ultimatum.

Ultimatum #1, written by Jeph Loeb and illustrated by David Finch, will be on sale the first week of November. If you missed out on the free comic and don’t feel like paying for the online subscription, here’s a quick rundown of just a couple of the recent major events that you should be aware of.

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The lizards are coming, and we’re not talking about Dr. Curt Connors’ family reunion.

A remake of the 1980s miniseries V is being developed by ABC. The series is written by The 4400 co-creator/executive producer Scott Peters, who will also executive produce V.

"Whenever I mention V to anybody, they still have a lot of good memories about the original movie and series," Peters told Variety. "It’s a science fiction icon and too good to pass up."

The revamped series focuses on "Erica Evans, a Homeland Security agent with an aimless son who’s got problems. When the aliens arrive, her son gloms on to them — causing tension within the family."

Though taking significant departures from its predecessor, the new V will pay homage to the original series. One example includes the ’80s series’ opening with an army of spaceships hovering over Earth’s major cities, which will carry over to the updated series.

V struggled as a weekly series in the hands of people who thought science fiction gave them license to do whatever they please.  It was canceled despite a cliffhanger ending and ever since, Johnson has talked of reviving the property.

So has Warner Bros. and NBC and at one point a revamp courtesy of  J. Michael Straczynski got as far as the script stage.  Then, in 2004, Johnson pitched a remake but NBC asked for a new sequel, set 20 years later, and was given a green light to develop the concept. He finished the four-hour miniseries script for V the Second Generation in 2006 and NBC stalled approving it.

Johnson, to push his case, turned the screenplay into his first prose novel which Tor published in February 2008. All along, he kept hoping NBC would give him the go signal but it never came. Instead, rumblings were that the peacock network was getting cold feet while ABC was expressing interest.

In April, Johnson said, "… since I own the motion picture rights to V, we’re in the process to do a remake of the original mini-series first as a theatrical feature, which I’m so jazzed about because it will give me an opportunity to really realize it and execute it in a way that was impossible to do back then. Then that will lead to the obvious sequel, because it is a franchise, and then we’ll get into The Second Generation and I’m hoping we’ll be able to do two movies, because there’s certainly enough material in the novel to warrant two separate sequels. That’s my goal at this point and that’s what we’re in the process of doing. I just literally came from a meeting, 15-20 minutes ago with a fellow in Beverly Hills who really says that we’re gonna do it."

As recently as Thursday, his website was discounting word the property was headed for ABC and out of his creative control entirely.

Warner Bros. TV is producing the project. Former Warner Bros.’ video game division leader and current HDFilms employee Jace Hall will translate V to other platforms aside from television, including gaming. Previously, the series had been adapted into a series of original novels and an 18-issue comic book from DC Comics. The miniseries and single season of the original were released on DVD in 2004.