In today’s Action Comics #870, Jonathan Kent dies. Again.  While this is his first death since 1985’s Crisis on Infinite Earths, it’s a significant alteration to Superman’s status quo. ComicMix asked historian John Wells to take a look back at the character’s role in Superman’s life.  Graphics were selected and are courtesy of our pal Mark Waid.

A bitterly fought election had come to a close but the victor had little time to enjoy himself.  Instead, still in a rage over a blackmail attempt targeting his family, Jonathan Kent clutched his chest and collapsed, dying in the arms of his wife and son.  Speaking of this pivotal event in Smallville’s 100th episode (January 26, 2006), executive producer Al Gough told TV Guide that this was “part of the Superman mythology that was always going to have to be told.”   But did it really correspond with the comics?

In the beginning, Ma and Pa Kent didn’t exist at all.   As far as Action Comics #1 (June 1938) was concerned, the infant Superman was simply discovered by a passing motorist and dropped off at an orphanage.  And, even with a considerably longer account, the 1939 Superman comic strip stuck to that particular detail.  Ultimately, it was 1939’s two-page origin at the front of Superman #1 that set down many of the details that fans would consider sacrosanct.    Here, the Kents were actually shown discovering the super-baby’s rocket and asking a relieved orphanage to adopt him.  And, as the vignette concluded, Clark Kent was seen standing at his foster-parents’ graves, inspired to honor their memory by becoming Superman.

The subsequent Superman radio show sidestepped the issue of Clark Kent’s formative years altogether.  In this one, the passing motorist didn’t find a baby.  Inside this rocket, he found a full-grown Superman ready to take on the world.  Yikes! (more…)

Something is going on in comic books. Have you noticed? It’s been happening for a few years now. For some reason, certain comics are not making sense with the rest of the established universe and history. For some reason, things that don’t make sense have been running rampant throughout the fictional realities of DC and Marvel.

Have you noticed it? Sure you have. I’m not the only one, right?

Have you checked out DC Decisions #2? It’s very interesting. Guy Gardner is on Earth rather than Oa. And Power Girl is around instead of still trapped on the new Earth-2. Does this story take place before the current JSA storyline? Or afterward? It would be nice to be told in a brief footnote.

Then there’s the recent Hawkman Special where Carter Hall was told that his memories of being the Ancient Egyptian Prince Khufu were a lie and it basically was said that Khufu couldn’t have existed. Okay, um, wait a second. Black Adam and the wizard Shazam were both there and lived alongside Khufu. And the JSA actually went on a time travel mission a couple of years ago and worked with Khufu against a younger Vandal Savage. How can all of that be explained by false memories? Has the entire JSA been infected with identical delusions? (more…)

Trevor von Eeden returns to comics tomorrow with a series that is especially meaningful to our American culture.  It’s the story of boxer Jack Johnson, whom von Eeden describes as “the first psychologically free black man in American History.” This is the first major biography of Johnson created by an African-American artist.

The Original Johnson is the story about the man behind the face, a boxer who defeated white men in the ring and took their women after the show, who openly triumphed in white society. He was self-educated, well-read and fluent in three languages. And yet, as von Eeden says, “unlike today’s uncouth gangsta-rapper-thug black ‘stars,’ Jack Johnson had taste, style and class.  He conquered racist America because he saw everything from the point of view of his own private joke.  I want to explain that joke to our audience.”

Mike Gold, editor-in-chief of ComicMix, said, “I’ve known Trevor for more than three decades, and this is the best I’ve ever seen him do. This 240 page graphic novel is the work of a man reaching his creative peak.”

The timing could not be better as Congress last month passed a resolution, recommending President Bush grant a pardon for Johnson’s 1913 conviction, recognizing the racist overtones, and in order to exonerate Johnson and recognize his contribution to boxing. A similar Senate bill was sponsored by John McCain.

Johnson (1878-1946) was the first black heavyweight champion in the boxing world, reigning from 1908-1915 and participated in the first "Fight of the Century", defeating James J. Jeffries, the former champ, in 1910. The 1913 conviction was regarding his bi-racial marriage which was said to be a violation of the Mann Act.

After retiring from the ring, he opened a Harlem night spot in 1920 that became to be famously known a few years later as The Cotton Club. Johnson also holds a patent for modifications he made to a wrench.

Von Eeden remains the youngest artist employed by DC Comics, joining the company in 1977 and debuting on Black Lightning.  He continued to work for the company for years and may be best remember for his work on Thriller, co-created with Robert Loren Fleming.  He has also done extensive work for Continuity Associates and commercial efforts.

The Original Johnson will run every Wednesday on ComicMix.
 

There’s a lot of prequel/sequel talk in the air this week.  First, rumors have it that Jennifer Aniston is being offered tons of cash to reprise her character in a follow-up to The Break-Up, opposite Vince Vaughn.

On the other hand, Corey Haim says he’s up for a Lost Boys film; one he claims will be a prequel to the first film and not a follow-up to the direct-to-DVD sequel that was released in July. He told Bloody Disgusting, “I’ve seen the whole movie; I don’t like it, to be honest with you. I don’t like it, I’m not gonna lie to you. I don’t like it as much as the first one.”

No official word has come from Warner Bros. or any of the Lost Boys participants so Haim could be drumming up work for himself. Still, he clearly had his own vision of how the next film should be done. “[The] direction [will be] more so like the first one…" Haim described. "As far as I heard, it will be thrown back into the proper genre it was when Joel [Schumacher] executed it.”

Warner Bros. announced yesterday that they have signed a three-year first-look deal with The Office’s Steve Carell. The deal, according to Variety, has led to the formation of Carousel Productions to be overseen by Vance DeGeneres and Charlie Hartsock.

The new deal does not guarantee a sequel to the television spin-off, but given its $230 million success around the world, the gears have started to turn.  Anne Hathaway, his co-star, already told the press she was up for a second film.

"My idea was to partner with friends of mine, people I trusted, with whom I share a certain sensibility," Carell told Variety. "I have some ideas for films, but I’ve gotten to know so many people who are funny, talented and fertile with ideas that I’m confident this very strong base of friendships will lead to projects."

After the fifth season of the NBC hit, he will co-star with Tina Fey as spouses in Date Night for 20th Century-Fox and director Shawn Levy.