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Orphan Works Bill Back Before Congress Today

After killing the Orphan Works bill earlier this week, the House of Representatives is taking it up again today outraging talent from coast to coast. As a result, an urgent call has gone out to fans of all creative endeavors to lobby their congressmen to kill the bill one more time.

According to OpenCongress, the bill “would limit the amount of damages a copyright holder could collect from an infringer of an orphan work if the infringer performed a diligent search for the copyright holder before using their work. The goal of the legislation is to free up for reuse copyrighted works whose holders cannot be found. It would also set up a process for the Copyright Office to certify commercially-produced visual registries to help people locate the holder of a copyright and prevent the orphaning of works in the future.”

The Senate version of the bill can be seen here.

The House version of the bill can be seen here.

Organizations from across the creative arts field have risen to protest the bill as seen at this site.

Wikipedia describes an orphan work this way: “An orphan work is a copyrighted work where it is difficult or impossible to contact the copyright holder. This situation can arise for many reasons. The author could have never been publicly known because the work was published anonymously or the work may have never been traditionally published at all. The identity of the author could have been once known but the information lost over time. Even if the author is known, it may not be possible to determine who inherited the copyright and presently owns it. Nearly any work where a reasonable effort to locate the current copyright owner fails can be considered orphaned. However the designation is often used loosely and in some jurisdictions there is no legal definition at all.”

U.S. Representative Lamar Smith introduced a bill in May 2006 trying to tackle the issue by limiting what can be done when the copyright owner cannot be located.  It was withdrawn from consideration that September.  A similar bill surfaced in March of this year and was formally introduced to congress on April 24. The senate version includes the creation of a database of orphaned pictorial, graphic and sculptural works. (more…)

Review: ‘Flash Gordon’ #1

Full disclosure: I had edited a [[[Flash Gordon]]] comics series at one point in my life. It was the third greatest nightmare in my professional life. Not the part about working with the talented and understanding Dan Jurgens; Dan’s a class act and a fine storyteller. No, working with King Features Syndicate was akin to Sisyphus’s task, except the big rock was a huge boulder of shit and pushing it up that mountain happened in the dead of the hottest summer in the innermost circle of hell. And I’ve lightened up on this over the years, too. And so, on with the show.

There may be no greater icon in comic strip history than Flash Gordon. Sorry, [[[Buck Rogers]]]. You came first but Flash had better art and story, and a much, much better villain. Creator/artist Alex Raymond is generally regarded as the greatest craftsman in the field; so great, in fact, that after Dave Sim recovered from producing 300 consecutive issues of [[[Cerebus]]], he started up on a series called [[[Glamourpuss]]] that, oddly, is all about Raymond’s work.

Flash was the subject of what is also generally regarding as the three greatest movie serials ever made due, in no small part, to the performance of actor Charles Middleton as Ming The Merciless. And he had all the other media tie-ins: a radio series starring Gale Gordon (yep; Lucille Ball’s foil), a teevee series staring future Doc Savage model Steve Holland and a teevee series on Sci-Fi last year that was completely unwatchable, various animated series, a movie feature and another one in pre-production and numerous comic books by people including Archie Goodwin, Al Williamson, Reed Crandall, and Wally Wood, and licensed items. When Raymond went off to war, he was replaced by a series of artists nearly equal to him in talent: Austin Briggs, Mac Raboy (my favorite), and Dan Barry.

There’s a reason why Flash Gordon attracted such top-rank talent. Sadly, that’s also the same reason why Flash Gordon is an icon and no longer active in our contemporary entertainment: nostalgia. Flash Gordon was a product of his times, a wondrous visionary made irrelevant by real-life heroes such as Laika the dog, the first living being to orbit the Earth, and Yuri Gagaran, the first human being to orbit the Earth. Only Yuri returned alive, but I digress.

Science fiction was rocked to its core. It took talent like Harlan Ellison, Michael Moorcock, and Gene Roddenberry to re-purpose the genre, to focus more on the social aspects of the genre and extend those concepts out into the future. If you’re going to make Flash Gordon work in the 21st century – or the last four decades of the 20th, for that matter, you’ve got to distill the concept down to its essence and rebuild according to the mentality of our time.

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Quesada contributes Colbert variant cover for Spider-Man

asm-573-colbertvariantcover-4673902Amazing Spider-Man #573 will guest star television host Stephen Colbert and now the company has announced a variety of variant covers to celebrate the event.  One will be a variant itself on Amazing Adult Fantasy #15 as interpreted Marvel EiC and artist Joe Quesada. The issue will have two standard covers – one from Romita Jr. and one from Kevin Maguire, a zombie variant from artist Marko Djurdjevic, and now the Quesada/Colbert cover.

Writer Mark Waid and artist Pat Olliffe produce the eight-page story, a chapter in Colbert’s quest to become president in the Marvel Universe.  Readers can also find campaign trail updates at a special website, http://blog.indecision2008.com/tag/marvel/

The issue’s main event will be the conclusion to “New Ways To Die” from writer Dan Slott and artist John Romita Jr.
 

The Needs Of The Many… yeah, right… by Michael Davis

I’m not a joiner. 

I’m too much of an asshole to belong to any organization. I have no patience for debates when it comes to making a decision. I hate focus groups and polls. I would rather live and die by my own choices without the benefit of a vote.

I know, I know. I told you I’m an asshole. 

Just so I am very clear, when it comes to business I’m all about listening and being a team player unless what’s on the table is so asinine I have to speak up. When I say I’m not a joiner, I’m talking about organizations outside of the work place. Why my distain for “joining?”

One reason could be, when I was a kid, ten years old, my stepfather was having a drunken conversation with me. Yes, a drunken conversation with a ten year old. Look, DON’T YOU DARE JUDGE HIM! Listen, it WAS a weekday – what else was he supposed to do? Get a job? Take care of my sister and me? Let my mother quit one of her three jobs? Don’t be silly and for god’s sake give the man a break.

In his own slurred speech way he was telling me I should join the Boy Scous. Most times I would have known better that to give him a “Is you stupid” smartass come back.

Hey, in a black household you do not talk back to your parents. I’ve made this point before. Super Nanny and Nanny 911 feature NO black families. If I would have tried any of the antics those white kids get away with on the show, I would have been shot.

On this fateful day I forgot the rules of the black household… (more…)

DDP to Aid Josh Medors’ Cancer Battle

sabbath-3772290Devil’s Due Publishing announced that it would partner with Hypergraphia Comics, the American Cancer Society and the Hero Initiative to assist comic artist Josh Medors’ fight against cancer.  Hypergraphia will donate a portion of the proceeds from the sales of their graphic novel, Sabbath: All Your Sins Reborn, to the Hero Initiative, to be used directly in Medors’ battle with spinal cancer.
 
Devil’s Due and Hypergraphia Comics will also host a special evening at The Bean Post Pub in Brooklyn to raise additional funds for Medors’ medical expenses.  The benefit event will take place Saturday October 4, from 8 p.m. to midnight.  Medors, well-known for his art in the Sabbath series, has fought cancer since the beginning of the Sabbath line.  Sabbath: All Your Sins Reborn is a special edition collection of the Matt Tomao/Josh Medors horror title, Pogrom.
 
“We are thankful for the support of Devil’s Due and Hypergraphia,” said Tomao in a release. “They have really extended a kind hand to help Josh in his battle and gone above and beyond, a true testament to their friendship.”
 
The Bean Post Pub is located at 7525 Fifth Avenue in Brooklyn. For more information or to make a donation to Josh Medors, please visit Devil’s Due Publishing or the Hero Initiative.
 

Shia LaBeouf Injured on ‘Transformers 2’ Set

"You’re too Shia, Shia! Hush-Hush, eye-to-eye!"

That’s Shia LaBeouf’s new theme song after this latest incident. The young actor has had a string of bad, painful luck lately that’s left him with some significant injuries. He was arrested in July after an early morning drinking related car crash that left his hand badly injured. There were some rumors that LaBeouf’s hand would never be fully functional again, going so far as to potentially losing a finger. Now recovering from the incident, the actor is back to work on Transformers: Revenge of the Fallen, his injury having been written into the film’s plot.

Now comes word that LaBeouf’s Final Destination-inspired luck has followed him to the Transformers set. According to TMZ, the troubled actor was injured by a prop on the set, cutting his face just below the eyebrow. After the injury was stitched, Shia hopped back on set and resumed filming. What a champ.

You know, it’s kinda like being lactose intolerant: eventually, you just live with the fact that dairy’s gonna give you the runs. Poor Shia’s gotta live with the fact that he’s always going to get beat up or otherwise publicly embarrassed. Trouble clings to this guy like a freakin’ symbiote. Still, it’s a small price to pay for hanging with Indiana Jones and Optimus Prime.

Last ComicMix Baltimore trade paperbacks on sale

As we previously mentioned, we printed special editions of Grimjack: The Manx Cat, Jon Sable Freelance: Ashes of Eden, and the Harvey-nominated EZ Street for this year’s Baltimore Comic-Con, limited to a print run of 100 for each title. And just as quickly, there were people asking if they were going to be available if they couldn’t get to the show.

The answer is yes– we’re now selling the remaining copies here. GrimJack and Sable are priced at $25 each, EZ Street sells for $35. Just click on the buttons below to add the books to a PayPal shopping cart. We accept Visa, Mastercard, American Express, Discover, debit cards, and PayPal.

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We have very few copies left, so once they’re gone, they’re gone.

Zack Snyder on ‘300’ Sequel/Prequel

With the wild success of Zack Snyder’s 300, it’s hardly a surprise that there’s a sequel in the works. Yes, most of the cast is dead by story’s end, but before you call call madness, remember that this, is, SPARTA!! we’re talking about here.

IESB caught up with Snyder at a Watchmen event in Hollywood the other day, and got his two cents on the film’s follow-up. According to the director, development on the film project will only occur when Frank Miller has finished writing and illustrating the graphic novel’s sequel. Snyder wants Miller to have full creative control of the novel’s story, as was the case with 300.

It’s hard to imagine a sequel to 300 with Leonidas and the gang considering the film’s ending. There’s been speculation that the project would be a prequel rather than a sequel, thereby allowing Leonidas to return to fight again. Snyder set the record straight by pegging the film’s timeline between the Battle of Thermopylae and the Battle of Platea. In the film’s final narration, which takes place just before the Battle of Platea, Dilios reveals that Leonidas "died barely a year ago." Snyder says that the sequel will take place during this time, so the odds of Leonidas returning are pretty slim unless it’s in rotting carcass form.

300, based on a graphic novel of the same name by Frank Miller, is a dramatization of the famous Battle of Thermopylae where 300 Spartan warriors battled against the Persian Empire. The film, released in March 2007, was the biggest March opening weekend of all time and the third biggest opening for an R-rated picture. The untitled sequel will be based on an as yet completed graphic novel, also by Frank Miller.

The Doctor Seeks the Eternity Crystal in Multi-Platform Experience

Doctor Who is journeying somewhere new, even for him.  A multi-platform adventure known as The Darksmith Legacy kicks off as a book and online experience for fans of the Time Lord.

Fans who want the fill experience will need to register online and create an avatar so they can participate in the adventure by completing tasks, earning points and helping the Doctor when things get most dire.  Collaboration with other fans online to earn extra points will release exclusive content and assist in the Quest to keep the precious Eternity Crystal safe from the dangerous Darksmith Collective. It’s the cyber equivalent of clapping your hands if you believe in fairies.

Fans can log in at a special website www.thedarksmithlegacy.com starting in mid-November.  Meantime, the book component will be ten volumes, with the first two being released in January and then one per month throughout 2009. Penguin UK will be releasing the books with no known American publishing announced. (more…)

Big Screen Bears

kung-fu-panda-2We just love bears here at ComicMix. Be it real bears, scary bears, Gummi Bears or Care Bears, we can’t get enough of these furry fellas! That’s why we’re pleased as punch to report that two famous bears are coming to a big screen near you.

Up first, Warner Bros. has announced a live-action feature version of Yogi Bear, based on the classic Hanna-Barbera cartoon. Ash Brannon (Surf’s Up) is attached to direct, while Joshua Sternin and Jeffrey Ventimilia (Tooth Fairy, executive producers on That 70’s Show) are writing the screenplay. The film is said to be a live-action/animated hybrid along the lines of the recent Alvin and the Chipmunks. Yogi, who first appeared on The Huckleberry Hound Show before launching his own series in 1961, will be done in CG alongside his sidekick, Boo Boo. The majority of the film will be shot in live action.

And panda lovers will be happy to learn that a sequel to DreamWorks Animation’s Kung Fu Panda is officially in the works. Set for release on June 3, 2011, Panda 2 will be released in 3-D on both regular and IMAX screens worldwide. Jack Black, Angelina Jolie and other voice cast members will reunite for the sequel. Panda veteran Jennifer Yu Helson has signed to direct, while producer Melissa Cobb and co-producers/writers Jonathan Aibel and Glenn Berger are also set to return. Kung Fu Panda 2 will compete against Disney/Pixar’s Cars 2, also set for release in summer 2011.

If you can’t wait that long for more Panda action, all you have to do is wait until November 9 when the original film is released on two-disc DVD and Blu-ray. The package includes an original companion story, Secrets of the Furious Five. Ska-doosh.