The X-Men have been going through a lot of changes recently. With the X-Mansion recently destroyed (for what I think is the third time now), and with Xavier no longer trusted by the majority of the team, the mutant heroes have picked up stakes and moved to San Francisco, a community which welcomes mutants. Certain characters have had interesting experiences trying to adjust to the west coast and Marvel is putting out a few mini-series under the banner of Manifest Destiny that tackles this subject.

Wolverine: Manifest Destiny will feature the Canadian "Canuckle-head" making his way into California only to discover that a bounty has been placed on his head. Honesty, as if it weren’t hard enough being a mutant who’s often targeted by Mafia and Yakuza and somehow divides his time between solo missions and being both an illegal Avenger and an X-Man and leader of X-Force. It turns out that Wolverine’s ex, now leader of the Triads, has summoned a quartet of mystical warriors who each are fully capable of killing the nearly-immortal hero and they’re not going to stop until the contract has been fulfilled.

This story is brought to you by artist Stephen Segovia and writer Jason Aaron. Fans will recognize Segovia’s excellent work from the ongoing series Wolverine: Origins. Jason Aaron has gotten a lot of praise not only as the writer of Verrtigo’s Scalped, but also for his hard-edged Wolverine: Origins story arc "Get Mystique" and his accomplishment in taking the Ghost Rider series and re-energizing it with interesting drama, a high-level of humor and enjoyably insane violence. With credits like that, Wolverine: Manifest Destiny is sure to be a hard-hitting, violent ride. Just perfect for Wolverine fans.

Don’t believe me? Then you obviously need to read the new Ghost RIder series and see for yourself how Aaron has made the demonic anti-hero more fun than he’s been in years. And here’s what some folks said following "Get Mystique."

James Hunt of ComicBookResources.com said, "Jason Aaron has himself an appropriate niche, telling a solo Wolverine action story that showcases the character’s brains as much as his brawn."

And Daniel Crown of IGN.com remarked, "To put it simply, Wolverine is an extremely torn character, and it just so happens that Jason Aaron is outstanding when it comes to writing irresolute characters."

The X-Men books have really risen in quality in the past few months so this story comes with high hopes.

DC Comics told Newsarama that the current Legion of Super-Heroes title will end with the publication of issue #50.

Dan Didio, DC Senior VP and Executive Editor, explained "I thought that [writer] Jim [Shooter] and [artist] Francis [Manapul] have done a terrific job with the series, and ’50’ seemed like a really nice number to bring this series to a conclusion."

Jim Shooter broke into comics by writing for the Legion in Adventure Comics when he was only 15 and created many of its now famous characters and villains. When he was asked about the book’s cancellation, he remarked, "It’s a drag, but I get to finish most of my story. It would have finished in Issue #54, but Issue #50 is going to be a 30-page story, and I’m hoping people will be intrigued enough that they’ll want to finish the story …. I understand new comics sales are not doing so well right now. Which is weird. Just look at this crowd. Everyone seems so excited about comics."

This current Legion series came about as the second attempt to completely reboot the characters from scratch (nicknamed the "threeboot" by fans). Originally tackled by Mark Waid (Kingdom Come) and Barry Kitson (JLA: Year One), the new series was meant to bring in new fans since the Legion had been doing poorly on sales for some time. In an interview I held with Mark Waid soon after the book’s launch, Waid commented that DC had believed it to be necessary to "throw out the baby with the bathwater" since other attempts to bring in new audiences, such as the critically-acclaimed Legion Lost story by Dan Abnett and Andy Lanning, had failed to increase interest in the team. This strategy had been used before of course. In the late 1980’s, the Legion stories were pushed forward five years to show the characters now as all being older and dealing with a harsher, crueler future than they had been used to. And in the early 1990’s, after the crossover Zero Hour, the Legion had been re-booted from scratch, altering their names which were now considered hokey (Lightning Lad become Livewire, Element Lad became Alchemist, etc.).

In the reboot, Waid brought back the original code-names that not been used since the early 90’s (changing Livewire back to Lightning Lad, Apparition back to Phantom Girl, etc.), yet altered many of the characters and re-interpreted their powers and nature. Originally, Colossal Boy had been a young man who could grow to great heights. In Waid’s continuity, he was actually from a society of giants and, in his mind, his power was that he could shrink to Earth-man proportions (thus, he often argued his name should really be "Micro Lad"). Waid also changed the book to be less a group of heroes bound by a need for justice and more about the Legion representing a movement towards social change, directly challenging their society that had become obsessive about social taboos and maintaining routine, predictable behaviors at all costs. Whereas the original team had often cried out "Long live the Legion," Waid’s team would grin sarcastically as they shouted "Eat it, grandpa!" (more…)

After weeks of Mark Millar talking up Hollywood optioning War Heroes, Variety reports this morning that Sony has picked up the Millar and Tony Harris Image series. Michael De Luca, formerly head of New Line Cinema, will produce for Columbia Pictures.

A screenwriter is now being sought for the series, which is “revolve around an experimental military program that gives ordinary soldiers superpowers. When a small group of recruits break off to use these powers for a criminal enterprise, a hero rises from their ranks to prevent catastrophic results.”

The comic book has received critical praise and strong sales since its June debut.

Millar has suddenly become a hot Hollywood property after years of yearning to be a player. Wanted, which produced for Image with artist J.G. ones was a summer hit, earning $293 million and Universal has recently confirmed work on a sequel has begun.

His Kick-Ass, with John Romita, Jr., has become a major event for Marvel’s Icon imprint and production on the film version, starring Aaron Johnson and Nicholas Cage, began this month for a 2009 release.

Harris is represented in Hollywood with New Line Cinema slowly developing his Ex Machina, written by Brian K. Vaughn and published by WildStorm.