Review: Spaceballs: The Animated Series
There was once a time when Mel Brooks was considered a pioneer of comedy, a trendsetter in satire, even a spoof master, but if the debut of [[[G4’s Spaceballs: The Animated Series]]], that time has long passed. This was a perfect example of how NOT to reinvent a franchise. It was bound to happen with films being made of Broadway shows and Broadway shows being made of his films that Mel Brooks (who is not only attached as Executive Producer, but also reprises his roles as Scrube and Yogurt) would try to reinvent the [[[Spaceballs]]] film with a poorly produced animated series, but whether it was a lack of his own creativity, or the network’s inane intention to hit a demographic, this show was terrible.
The series is supposed to follow the events of the film, provided that the ending never happened, and Lonestar and his band of heroes gets in wacky misadventures every week to foil the plans of Dark Helmet and President Scrube. There are various minor pop culture and [[[Star Wars]]] references, but it’s hard enough to get through the “jokes” as it is.
It’s unknown what legal issues went on during the production, but this show was originally slated to be released sometime in 2007, and then, without mention, disappeared until recently. The series has the feel of a flash-made web series, and is even edited for release on the G4 network. This only hurts the show more because instead of getting the vulgar visual humor, we get cut-and-paste images and voices that were changed in postproduction for the G4 demographic of boys under the age of 17.
The show could actually work, if they didn’t trade in the impeccable timing and vaudevillian dialogue of the movie with boob jokes and outdated Star Wars Episodes 1-3 references. The voicework falls in line with the poor production, as Brooks comes back to voice his characters President Scrube and Yogurt, while Daphne Zuniga comes back for Princess Vespa. The show, as a whole, is just awful and probably won’t last very long. If one day they decide to drop the censor bars and release the series on DVD or the web, it may be worth a watch, but until then; it should probably be avoided. RATING: 0/10

Brett Ratner gets his name attached to a lot of films, some by design and some through association. When he took a meeting Nu Image regarding the Conan the Barbarian film, it was suddenly reported everywhere that Ratner was no attached to the film.
In celebration of it’s 21st birthday, the cast and crew of the popular British scifi comedy Red Dwarf will be coming back to put together four televised specials. They are being made for UKTV’s new free-to-air channel, Dave (interesting name). Series creator Doug Naylor will be taking the helm for the specials and they will go as follows:
Producer John Davis spoke openly about how he’d make a film out of the interactive video game The Sims. At a roundtable interview for his latest film, The Express, Davis expounded on hi splans and forthcoming slate of films.
Those familiar of Mickey Mouse would usually classify the character as friendly, cheerful, and even funny at times. Well, did you know that he’s also a Soldier of Satan? It also seems that Mickey isn’t held in too-high regard around Saudi Arabia. In a recent interview with Saudi Arabian cleric/diplomat Sheikh Muhammad Munajid he stated that Mickey needs to die. (AP)
So we’re more than half-way through Secret Invasion, the event that’s supposed to be the biggest thing to rock the Marvel Universe since Civil War, where the question was “whose side are you on?” Secret Invasion’s question is “who do you trust?”, which is almost the same question as Civil War’s but not as grammatically correct ( it’s "whom", people!) and concerns the revelation that several Skrulls (shape-shifting aliens who’ve had their asses kicked many times) have secretly been living among us for a while. This story is the brain-child of Brian Michael Bendis, who has been praised for his series Powers and his run on Ultimate Spider-Man and who has been writing New Avengers and Mighty Avengers since both titles were created.


The saga of Tintin continues to unfold as it now appears that Paramount Pictures will cover the $130 budget for the Steven Spielberg/Peter Jackson Tintin movie. As reported at

David Willis, author of
