‘Torso’ Seeks Tax Breaks in Cleveland
Torso, the film adaptation of Brian Michael Bendis’ graphic novel, is looking to start shooting in early 2009. The movie, set to star Matt Damon as the famed Elliot Ness, is looking to film in Cleveland but is seeking tax breaks to make extended shooting financially reasonable.
As reported in the Cleveland Plain Dealer, producer Bill Mechanic is seeking tax breaks or will lens interior scenes in Michigan, with its 40% tax incentives, and only shoot on location for exteriors.
"It all comes down to what’s the best place to get our movie shot for the least money," Mechanic said. "We want to shoot the entire movie, the interior and exterior shots, in Cleveland because that’s where the action takes place and so we wouldn’t have to relocate the crew. But without incentives, it doesn’t look like we can afford it."
The state’s legislation is stalled at the capitol.
Torso tells the story of the grisly Kingsbury Run murders where 13 people died between 1934 and 1938. Ness, then the city’s safety director, never found the killer. It inspired Bendis and Marc Andreyko (Manhunter) to cowrite the graphic novel version of other story with Bendis providing the artwork. The six issue miniseries was later collected by Image Comics as Torso: A True Crime Graphic Novel, releasing it in 2001. The miniseries won the 1999 Eisner Award for "Comic Book Excellence, Talent Deserving of Wider Recognition".
The film rights were sold in January 2006 with screenwriter Ehren Kruger handling the adaptation for director David Fincher. Mechanic is set to produce alongside Don Murphy, Todd McFarlane and Terry Fitzgerald.

Alysse Soll, formerly the Vice President of Marketing of the National Hockey League, joins the DC Comics staff as Vice President, Ad Sales & Custom Publishing, it was announced by DC Comics President and Publisher, Paul Levitz. In this position, Soll will develop and manage new advertising initiatives, oversee DC’s innovative custom publishing program, identify cross-platform opportunities with other media companies and supervise the advertising sales team.



Charles Kochman was recently named Executive Editor of Abrams ComicArts, a new imprint at Harry N. Abrams. The publisher rewarded Kochman with the promotion and imprint in recognition of his successful efforts to celebrate comic books and graphic storytelling with best-selling books. Kochman, a former book editor at DC Comics, joined Abrams several years back and has published a wide variety works that have garnered reviews and award nominations starting with Mom’s Cancer. His Diary of a Wimpy Kid has earned a place atop The New York Times best seller list and merited national acclaim.
The first book I edited with Mike was a Back to the Future movie storybook, adapted by Bob Fleming. In addition, we published books on licenses like Photon, The Bionic Six, and An American Tale. I also got to write many coloring and activity books, including ones on dinosaurs, unicorns, and the Universal monsters. It was good training. The dinosaurs coloring book actually hit the B. Dalton bestseller list for some reason, which shocked all of us, including our president. I still have the note he sent me where he wrote âHoly shit! Bravo!â on a copy of the list.
You can tell the summer is over just by looking at the box office gross chart and see that the cool films have arrived and we’re in a lull as people focus on school and the arrival of the fall television season.
Philadelphia’s
Often when I talk to new people the topic of roleplaying games comes up (particularly after I’m asked “so what do you do?”), at which point I learn whether they’re gamers or not. If they’re not I usually get the classic question, “What’s a roleplaying game?” Then I explain about tabletop gaming—most often I define it as “collaborative interactive storytelling, like a mix between improv theater and a staged reading.” Sometimes they ask a few more questions about how it works, but that definition is enough to satisfy most people. But then I may get the follow-up question: “Why?”
For too long, paranormal dramas have been restricted to basic cable where they become weighed down with melodrama and morals that everyday teens can take away from each episode. I’d like to say that [[[True Blood]]] breaks that trend, but, sadly, it does not and with the exception of a few expletives and some exposed body parts, this show could certainly be made for ABC or the oh-so-hip CW.
Greg Berlanti is rapidly getting busier in Hollywood. In addition to his work with Marc Guggenheim and Michael Green on the screenplay to the Green Lantern feature film, he’s been working on the second season of ABC’s Eli Stone and Dirty Sexy Money and third season of Brothers & Sisters, all of which debut later this month.
