Category: News

Nintendo Drops The Amii-Ball

Being the weekend, Nintendo has not yet explained the delay but numerous major stores report  not to have received their complete shipment for the new wave of Amiibo figures, to have been released yesterday.  GameStop, Target,  Walmart and BestBuy locations report that no or limited stock came in, some only receiving one or two of the new figures, if any. None have any information on their expected receipt.

One GameStop location in New York claims the Amiibo figures have been delayed till the 13th, the day of the release of the new Nintendo 3DS. This has not been corroborated as of this writing.

The Nintendo Store in NYC, on the other hand, not only received their full shipment but broke their own company’s street date and started selling them last Tuesday, according to the manager on duty this morning.  They have already sold through their stock, and have none available on the advertised day of release.

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This is only the latest in a series of missteps that would ordinarily enrage gamers, but has somehow only increased the frenzy in obtaining the collectibles, far above the level that their playability would suggest.

The Nintendo Amiibo are the company’s foray into the integrated figurine market, joining the Skylanders and Disney’s INfinity lines.  The Nintendo lines differ from their competitors in two ways.  One, while the other lines only work in the game for which they have been designed, the Amiibo are compatible with a number of games, both current and upcoming, in varying ways.  Second, while the other companies are offering the figures in plentiful numbers, Nintendo has offered theirs in limited quantity, bringing figures out of production soon after their release.

The interactivity the figures offer is somewhat limited – they can store level information for Super Smash Bros, allowing you to bring your leveled-up character with you to friends’ homes, playing your character against their on other systems. A second game, Mario Party 10, will also allow you to store your progress, but there’s an important caveat – you can only store one game’s data on the figure.  So if you want to start using it to play mario Party, kiss your Smash Bros level data good bye. Of course, Nintendo is releasing a second set of the mario figures, identical save for different colored bases than the original, so if you want to store both games’ progress, you won’t feel silly buying two of the exact same figures for each games’ data.

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Two of the Amiibo figres I’m getting for my daughter, along with the one I’d have to trade her to get.

Other games offer Amiibo compatibility limited to obtaining special character bonuses and power-ups when the figure is activated in the game.  The Nintendo site offers a list of the games here. Save for the Smash Bros games, only two releases to date allow for the use of all the Amiibo figures.  A large number are essentially one-shot items that become more shelf porn.

As a result, Nintendo announced almost immediately after their release that several of the “one use only” figures first wave of Amiibo, including the Animal Crossing Villager and Wii Fit trainer, were already “out of print.” which is code for “buy every one you can regardless of how disinterested you are in them, because they are going to be worth BIG money.”  That, combined with the limited production runs has turned the line from an interesting game peripheral to instant fodder for speculators, increasing demand by an order of magnitude an making it nearly impossible for actually interested parties to obtain them.

The new wave of figures, ostensibly to have been released today, have been snapped up well ahead of their release in preparation for Nintendo’d announcement that some or all would receive a limited run.  This was exacerbated by the release of figures only offered by one store, like GameStop offering Shulk from the Xenoblade series, and BestBuy offers MetaKnight from the Kirby series.  These figres sold out almost immediately after being going up on their companies’ web sites, and pre-sales auctions on ebay are already getting four and five times their original price.

One of the upcoming games to offer Amiibo compatibility is the offbeat steampunk shooter Codename S.T.E.A.M. Four exclusive characters originally from the Fire Emblem series can be unlocked using their Amiibo figures. One problem – one of them, Marth, was one of the “discontinued” figures from the first wave of figures, and already fetching scalpers’ prices on the grey market. All signs point to the same being so for the three figures coming soon in an upcoming wave. Nintendo promises to make more marth figures available, but the odds that they’ll be plentiful enough to obtain without concerted effort is unlikely.

So to play all the characters in the game, you’ll need to spend a minimum of fifty or so dollars, more than the cost of the cartridge itself, and that’s only if you’re lucky enough to get the figures at the MSRP. Which you almost certainly won’t.

In short, while the Amiibo offer limited playability, at least they’re hard to get.  A suspicious individual would almost surmise that Nintendo, knowing the item they have offers limited play value, made moves to increase their scarcity, allowing the collector mentality to override the limitations of the product.

But that’d just be crazy. Right?

 

The Point Radio: Last Minute Guide To The Super Bowl Ads

The countdown to the Super Bowl kickoff is getting shorter, and the excitement is about to start. By the end of the night, who will be the big winners and losers on Madison Avenue? BBDO AdMan, Will Bordeau, gives us some last minute tips on the commercials you don’t want to miss plus we’re on the set of the USA Network drama, SUITS. Patrick Adams talk about how the current season will close and what’s coming for the next.

In a few days, we ‘ll introduce you to the cast of the newest docu-comedy from the folks who gave us THE OFFICE, plus the cast of BLACK SAILS talks about the dark days ahead. Be sure to follow us on Twitter @ThePointRadio.

John Ostrander: Obsessive CHEWing

Some thirty years ago, I broke my left ankle in three places and was laid up for a while as it healed. It was around this time of year and it was a real harsh winter; I didn’t venture outside much because of the ice; crutches and a cast don’t lend themselves to walking on ice. I watched TV a lot, especially daytime TV. I was not then and am not now a fan of soap operas so I would find game shows and reruns to while away the hours. I became obsessive about some of them, especially reruns of Happy Days. I never said it was good TV, just compulsive.

These days, as I recover from my triple by-pass, I’m also into watching some daytime TV and my current obsessive show is ABC’s The Chew, which airs five days a week. The show is a cooking themed talk show featuring five co-hosts – Michael Symon, Mario Batali, Carla Hall, Clinton Kelly, and Daphne Oz. I’m not a chef and I wouldn’t classify myself as a “foodie” but I am a pretty good cook and I credit television with sparking my interest in cooking. I’ve long had an interest in food and eating as most of my photographs from past years will attest.

I first got interested in cooking and the Food Network with the original Iron Chef, a Japanese cooking competition. I was intrigued by the description of the show as a sporting event using kitchens. The set, in fact, was called “kitchen stadium.” The show was eventually replaced on Food Network by Iron Chef America, an Americanized version using American chefs. From there, I went on to sample other cooking shows hosted by chefs such as Sara Moulton, Mario Batali, and Alton Brown. I also watched some of Emeril LaGrasse’s shows but didn’t get into them as much.

Iron Chef was fun and so was Iron Chef America until they “improved” the latter and made it almost unwatchable.

The Chew premiered in September 2011 and, while I sampled some episodes, I wasn’t taken with it. Shot before a live audience, it had a frenetic pace and an attitude of forced gaiety, trying to be a “party” every day. It put me off.

Sampling it again during my current convalescence, I think the show has jelled and I find it very entertaining. For me, the main attractions are chefs Mario Batali and Michael Symon, both of whom had been on Iron Chef America. Batali also had a cooking show on Food Network called Molto Mario and I was always struck by his ease before the camera and his knowledge, especially of Italian food and its history. I like it when I can learn something. Symon is also a great chef with a maniac laugh. Clifton Kelly was the co-host on What Not To Wear (and I don’t know how that qualifies him as food knowledgeable). Carla Hall was twice a contestant on Bravo’s Top Chef and wellness expert Daphne Oz.

The show wants to be a party and I think it succeeds. I most like shows where I learn something about cooking (although most of that happens on the PBS cooking shows such as Sara Moulton’s Sara’s Weeknight Meals and, most especially, America’s Test Kitchen and Cook’s Country – which are my favorites).)

The Chew has been successful enough to be ripped off by Food Network with The Kitchen. It also has a live audience and five co-hosts including an Iron Chef. To me, it seems a cut-rate version of The Chew; it’s gaiety and “party atmosphere” seem forced. It’s not the first time Food Network has done this; Robert Irvine’s Restaurant: Impossible is a low rent rip-off of Gordon Ramsey’s Kitchen Nightmares. Same concept for both – a borderline abusive UK chef comes to a restaurant that’s in trouble and gets it working again. In theory. Not all the restaurants saved are open a year later.

Still, I find it sad that Food Network, that sparked my interest in cooking, has become the home of rip-offs, endless food competitions, and/or “undercover” reality shows (although Mystery Diners is so staged it’s impossible to think of it as a reality show even within that genre’s elastic boundaries).

The Chew has a relentless pace; each cooking segment has only a few minutes allotted to it and so the hosts wind up speaking real fast which, I suppose, is supposed to add to the high energy feel of the show. I’m also a little put off by the shilling of certain sponsors’ products within the show. The segments become commercials embedded in the show.

As I return to my own work, I’ll have less time for The Chew but for now it informs me and entertains me – so what more can you ask from daytime TV? I mean, it’s no Happy Days… but, then again, what is?

 

Nic Cage Returns to Action as an Outcast

Nic Cage is back in the theaters this coming week, starring in Outcast.  Costarring is the seldom seen Hayden Christensen (although some think that’s a good thing). Here’s the trailer to judge for yourself.

DIRECTOR:                          Nicholas Powell (directorial debut. X-Men: The Last Stand, Batman, Cinderella Man)

WRITER:                               James Dormer (The Holding)

PRODUCERS:                      Alan Zhang (Waiting in Beijing), Jeremy Bolt (Shopping, Event Horizon, Resident Evil, The Dark), Christopher Milburn (An American Haunting, Getaway, Transit), Karine Martin (Magic Beyond Words: The JK Rowling Story), Gary Hamilton (Lord of War, The Bank Job, Predestination),Ye Ying (Three Kingdoms, 14 Blades, The Four).  George Mizen (The Holding),  Léonard Glowinski (The Diving Bell & the Butterfly, Unknown, Alexander),  Xun Zhang (CJ7,  Forever Enthralled,  The Founding of A Republic)

CAST:

Nicolas Cage  (Leaving Las Vegas, National Treasure, Moonstruck)
Hayden Christensen (Star Wars: Episode II – Attack of the Clones, Jumper)
Yifei Liu (The Forbidden Kingdom)

RUNNING TIME:               98 Minutes

RATING:                               Not rated

SYNOPSIS:

When the heir of the Imperial throne becomes the target of an assassination by his despised older brother, the young prince must flee the kingdom and seek protection. His only hope for survival is a reluctant war-weary crusader named Jacob, who must overcome his own personal demons and rally the assistance of a mythical outlaw known as The White Ghost. Together they must fight side by side in an epic battle to return the prince to his rightful place on the throne.

First Trailer for Batman Versus Robin

Batman vs. Robin, based on the Grant Morrison storylein from DC Entertainment’s Batman comics is the next direct-to-video animated release, scheduled to arrive April 14, 2015.

BURBANK, CA (January 20, 2015) – The world is turned upside down when one of the world’s greatest super heroes – Batman – finds himself under attack by his own son in the newest DC Universe Original Movie – Batman vs. Robin. This all-new original film arrives April 14, 2015 from Warner Bros. Home Entertainment on Blu-Ray™ Deluxe Edition, Blu-Ray™ Combo Pack, DVD and Digital HD. The brand-new product offering, Blu-ray™ Deluxe Edition, will include the Blu-Ray™ Combo Pack, along with a Batman figurine in a gift set.

batman-vs-robin-3d-box-art-e1422575463239-2111872Batman vs. Robin will be available on Blu-rayTM Deluxe Edition for $29.96, Blu-rayTM Combo Pack for $24.98 SRP and on DVD for $19.98 SRP.  The Blu-rayTM Combo Pack includes a digital version of the movie on Digital HD with UltraViolet.*  Fans can also own Batman vs. Robin in Digital HD on April 14 via purchase from digital retailers.

The shadows of Gotham City are no place for a child but Damian Wayne is no ordinary child. Now bearing the mantle of Robin, he blazes a headstrong and sometimes reckless trail alongside his father, Batman. While investigating a crime scene, Robin encounters a mysterious figure, Talon, who leads him on a life-altering course through the depths of Gotham’s secret society, known as The Court of Owls. It’s a dangerous journey that will force Batman and Robin to face their most dangerous adversary, each other! Based on the #1 best-selling graphic novel, Batman: The Court of Owls, this action-packed caper is one that fans won’t want to miss!

Batman vs. Robin has all the elements of a memorable film – powerful villains, treacherous plot twists and tensions amongst allies,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation Marketing. “Showcasing a fantastic voice cast, Warner Bros. Home Entertainment is proud to release Batman vs. Robin as the next DC Universe Original Movie.”

Television stars Jason O’Mara (Terra Nova, USA Network’s upcoming Complications) and Stuart Allan (Son of Batman) reprise their roles as the voices of Batman/Bruce Wayne and Robin/Damian, respectively. Adding to the celebrity-laden voice cast is Jeremy Sisto (Law & Order, Suburgatory) as Talon, singer/songwriter/comedian Al Yankovic as The Dollmaker, David McCallum (NCIS) as Alfred, Grey Griffin (Foster’s Home for Imaginary Friends) as Samantha, Sean Maher (Serenity) as Nightwing, and Kevin Conroy (Batman: The Animated Series) as Thomas Wayne.

Produced by Warner Bros. Animation and DC Entertainment, the film is directed by Jay Oliva (Batman: Assault on Arkham) from a script by award-winning comic writer J.M. DeMatteis. James Tucker (Justice League: Throne of Atlantis) is supervising producer.

BLU-RAY AND DVD BONUS CONTENT

Batman vs. Robin Blu-rayTM and Blu-rayTM Deluxe Edition contain the following special features:

  • Gotham’s City Secret: The Mythic Court of Owls – The Court of Owls is the secret society that directly connects the past of Gotham to the current city. Are they silent guardians that are the noble benefactors or are they the malevolent force that manipulates a city toward their grand design?
  • Talons of the Owl – If the Owls are the masterminds, their instruments of destruction are their assassins. Appropriately called The Talons, these warriors are designed to carry out the will of the Owls.
  • Batman Vs. Robin Audio Commentary
  • A Sneak Peak at Justice League: Gods & Monsters – An advance look at the next DC Universe Original Movie with the creators and cast.
  • Bonus cartoons from the DC Comics Vault

 Batman vs. Robin DVD contains the following special features:

  • A Sneak Peak at Justice League: Gods & Monsters – An advance look at the next DC Universe Original Movie with the creators.

DIGITAL DISTRIBUTION ELEMENTS

Batman vs. Robin will be available for streaming and download to watch anywhere in high definition and standard definition on their favorite devices from select digital retailers including Amazon, CinemaNow, Flixster, iTunes, PlayStation, Target Ticket, Vudu, Xbox and others. Starting April 14, Batman vs. Robin will also be available digitally on Video On Demand services from cable and satellite providers, and on select gaming consoles.

Skip the Super Bowl, Watch The Terminator Genisys Teaser

As has become habit, some of the most eagerly-awaited media ad spots, debuting on Sunday’s Super Bowl broadcast, are being released a wee bit early.

The reboot of the Terminator franchise is among the films being advertised but you can watch the ad now.

PARAMOUNT PICTURES and SKYDANCE PRODUCTIONS Present

“TERMINATOR GENISYS”

Executive Producers Bill Carraro, Laeta Kalogridis, Patrick Lussier, Megan Ellison, Robert Cort

Produced By David Ellison, p.g.a. Dana Goldberg, p.g.a.

Written By Laeta Kalogridis & Patrick Lussier

Directed By Alan Taylor

Cast: Arnold Schwarzenegger, Jason Clarke, Emilia Clarke, Jai Courtney, J. K. Simmons, Dayo Okeniyi, Matthew Smith, Courtney B. Vance and Byung-Hun Lee

Synopsis: When John Connor (Jason Clarke), leader of the human resistance, sends Sgt. Kyle Reese (Jai Courtney) back to 1984 to protect Sarah Connor (Emilia Clarke) and safeguard the future, an unexpected turn of events creates a fractured timeline. Now, Sgt. Reese finds himself in a new and unfamiliar version of the past, where he is faced with unlikely allies, including the Guardian (Arnold Schwarzenegger), dangerous new enemies, and an unexpected new mission: To reset the future…

Graphix’s 10th Anniversary Celebrates with new art, new artists

scholastic_graphixappbanner_sm-959x225-e1422574656794-5283342NEW YORK, NY—January 29, 2015—Scholastic, the global children’s publishing, education and media company, will celebrate the 10th anniversary of its groundbreaking Graphix imprint in 2015, with a yearlong celebration to include collectible giveaways, special events, and new publishing. Graphix is dedicated to publishing engaging, age-appropriate graphic novels for children and teens. Supported by librarians, teachers, and most important, kids, Graphix titles have become bestsellers around the globe and continue to receive awards and critical acclaim including multiple Eisner Award wins and nominations, a Stonewall Book Award, a Boston Globe-Horn Book Award Honor, an Edgar Allan Poe nomination, and 14 New York Times bestsellers to date.

In celebration, twelve Graphix artists have each created original art in honor of the 10th anniversary of Graphix: James Burks, Nathan Fox, Jimmy Gownley, Matthew Holm, Kazu Kibuishi, Mike Maihack, Dave Roman, Greg Ruth, Jeff Smith, Raina Telgemeier, Doug TenNapel, and Craig Thompson. Prints by these illustrators will be distributed at events and online throughout 2015, including: ALA Midwinter (Chicago, IL), Emerald City Comic Con (Seattle, WA), Texas Library Association (Austin, TX), BookExpo (New York City, NY), ALA Annual (San Francisco, CA), Comic-Con International (San Diego, California), Long Beach Comic Expo (Long Beach, CA), Salt Lake Comic Con (Salt Lake City, UT), and New York Comic Con (New York City, NY).

“I am so proud of what Graphix has accomplished since its founding in 2005. Working with such incredible talent and to have such an exciting line-up of events and giveaways throughout the year is an exceptional way to mark this anniversary and honor the mission of Graphix to publish creator-driven works and get terrific graphic novels into the hands of children,” said David Saylor, Vice President Creative Director, Trade Publishing, and founder and Editorial Director of Graphix.

The Graphix imprint launched in 2005 with the color edition of BONE #1: Out from Boneville by Jeff Smith, the first book in the award-winning and bestselling graphic novel series, which now has more than 6.9 million copies in print. On February 24, 2015, Scholastic will publish BONE #1: Out from Boneville, Tribute Edition. This full-color special edition will contain a brand-new illustrated poem from creator Jeff Smith plus original BONE tribute art from sixteen additional top artists in the form of mini-comics and full-page artwork.

Coming in fall 2015, Graphix is proud to bring three more award-winning and bestselling graphic novel creators to the list. Acclaimed graphic novelist Craig Thompson (Blankets, Habibi)—recipient of four Harvey Awards, three Eisner Awards, and two Ignatz Awards—will publish Space Dumplins (August 25, 2015; ages 8-12), his first graphic novel for young readers. Space Dumplins is also Thompson’s first full-color graphic novel, colored by eight-time Eisner Award winning colorist Dave Stewart. In addition, beloved brother-sister team Jennifer L. Holm and Matthew Holm (Babymouse, Squish) have written and illustrated a semi-autobiographical full-color graphic novel, Sunny Side Up (August 25, 2015; ages 8-12). A three-time Newbery Honor recipient for her prose novels, Jennifer collaborates with Matthew who creates the illustrations.

Looking toward the future, Graphix Editorial Director David Saylor and Senior Editor Cassandra Pelham have acquired exciting new projects by some of Graphix’s bestselling and award-winning talent, including Kazu Kibuishi (Amulet), Mike Maihack (Cleopatra in Space), and Raina Telgemeier (Smile, Drama, Sisters). Graphix will publish two more installments in the New York Times bestselling Amulet series, plus an untitled graphic novel to come by Kazu Kibuishi; books 3 and 4 in Mike Maihack’s Cleopatra in Space series; and a nonfiction family story (similar to Smile and Sisters), a collection of short stories, and a fictional graphic novel from #1 New York Times bestselling author Raina Telgemeier.

 

The Point Radio: Long Live THE NERDS

The new season of KING OF THE NERDS is here from TBS, which gave us the chance to catch up with show creator and host, Curtis Armstrong who talks about the challenges in getting “good nerds” and how the whole idea came from a film that was a bit less than a movie blockbuster. Plus this weekend, Ben Barnes portrays Sam Adams in the three night mini series SONS OF LIBERTY and tells us what surprising facts he learned from the script.

On Monday, we head backstage to the set of USA Network’s SUITS with series star, Patrick Adams.  Be sure to follow us on Twitter @ThePointRadio.

ComicMix Six: Top Six Movies of 2014

With the 2014 cinematic year in the books it’s time to do the time-honored tradition of the film reviewer, making a list of the top movies of the year. It makes us feel important and it’s an easy ay to fill space during the dreadful early January period for movies. Here are my top six movies of 2014. I’ll be back in just a little bit with the six worst movies.

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6. [[[Godzilla]]] – I wasn’t big on Godzilla when it came out, I though that it cheated me out of many of the giant monster fight that they owed me when I paid $15 for a ticket. But when I was gathering my list of top movies of the year I remembered the movie quite fondly. It’s suspenseful and, honestly, has plenty of action. It doesn’t reach the frenetic peaks that Pacific Rim did but then again Pacific Rim did not make my top 10 list last year. With more Bryan Cranston, this might have been my favorite movie of the year.

It was 75 Years Ago The Shadow hit the Comic Racks

shadow-comics-e1421883416738-1901679Seventy-five years ago, The Shadow and Doc Savage made their four-color debut on January 21st, 1940 in SHADOW COMICS #1, which also featured the first comic book appearances of Nick Carter, Bill Barnes, Frank Merriwell, Iron Munro and a variety of other popular Street & Smith pulp characters.

With the possible exception of WALT DISNEY’S COMICS & STORIES, it is unlikely that any other comic magazine ever debuted with as many pre-proven famous characters. The Shadow had already starred in nearly 200 pulp novels and several films, while his weekly radio show had the highest audience ratings in daytime radio. Iron Munro was based on John W. Campbell’s novel THE MIGHTIEST MACHINE, one of the inspirations for Jerry Siegel’s SUPERMAN, and featured the exploits of a human born and raised under Jupiter’s high gravity who arrived on Earth to discover that his denser molecular structure gave him invulnerability, super strength and the ability to leap huge distances. Doc Savage’s monthly pulp magazine was reputed to have the highest per-issue circulation of any hero pulp, while Nick Carter and Frank Merriwell had been American icons going back to the Dime Novel era of the previous century. SHADOW #1 also featured adventures of CRIME BUSTERS’ distaff detective Carrie Cashin, the Air Trails Boys and famous Street & Smith dime novel properties including Diamond Dick and Horatio Alger’s Bob Burton and Mark the Match Boy.

In creating the earliest comic book superheroes, Superman’s Jerry Siegel and Joe Shuster, Batman’s Bob Kane and Bill Finger, Joe Simon, Jack Kirby, Stan Lee and Will Eisner took inspiration from the supermen of their own youth: legendary pulp heroes like The Shadow, Doc Savage, Zorro and The Whisperer. Bill Finger even acknowledged that his “first script was a take-off on a Shadow story” and that “I patterned my style of writing after The Shadow.” Bob Kane agreed, saying: “I suppose both The Shadow’s cloaked costume and double-identity role, as well as the extraordinary acrobatics of Douglas Fairbanks, Sr., did more to my subconscious to create the character and personality of Batman than any other factors.”

Though Street & Smith had pioneered the hero magazine genre with its SHADOW and DOC SAVAGE pulps, the nation’s largest publisher of pulp fiction magazines was slow to move into the rapidly expanding comics market, initially rejecting comics because it avoided publishing material that couldn’t be printed on its own Manhattan in-house presses.

In 1937, Shadow wordsmith Walter B. Gibson had attempted to interest Street & Smith in a Shadow comic book after noticing that the new comic strip reprint magazines were successfully competing for newsstand space with THE SHADOW MAGAZINE. When promotions manager William de Grouchy pointed out that the most popular newspaper strips had already been bought up by rival publishers, Gibson countered, “Why not get up some and sell them to syndicates and get the rights to use them in comic books?  And we should begin with The Shadow.” Unfortunately, the executive initially rejected Gibson’s suggestion which could have resulted in The Shadow and other Street & Smith characters debuting in comics ahead of Superman and Batman (whose first appearance in DETECTIVE COMICS #27 was an unauthorized adaptation of “Partners of Peril,” a 1936 Shadow pulp novel).

Despite this delay, SHADOW COMICS was still one of the first comic books to bear the name of its lead character, closely following on the heels of AMAZING MAN COMICS, FLASH COMICS and BLUE BEETLE COMICS, and preceded the first issue of BATMAN by several months. However, despite its title, SHADOW COMICS was actually an anthology comic featuring a wide range of characters, and had originally been planned as ASTOUNDING COMICS and advertised as STREET & SMITH COMICS, before being retitled SHADOW COMICS in the eleventh hour to tie in with the release of Columbia’s THE SHADOW movie serial.

SHADOW COMICS sold an average of 425,000 copies per issue in 1941 and continued for 101 issues, with its final issue appearing in 1949. The Doc Savage and Bill Barnes four-color features introduced in its first issue were soon promoted to headline their own comic anthologies, with DOC SAVAGE #1 debuting in April 1940 and BILL BARNES later that same year. Supersnipe (“the boy with the most comic books in America”) also debuted in SHADOW COMICS before moving on to its own successful comic book series.

Fifteen years after the Golden Age series ended, THE SHADOW was revived first by Archie’s Radio Comics imprint, and was later published by DC Comics, Dark Horse and Dynamite, and also appeared in a Marvel Comics graphic novel by Denny O’Neil and Michael Kaluta. The original Shadow and Doc Savage pulp novels are also currently being reissued by Sanctum Books trade paperback imprint.