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Demons of Sherwood – Complete, Online and Free!

It’s been over a decade since Robin Hood last rescued the Maid Marian from the forces of the wicked Sheriff of Nottingham. Did they live happily ever after?  

Hell no! Drink, religion, and a passle of demons are just a few of the threats that face Robin and the remnants of his Merry Men in this all-new full-length graphic novel from Robert Tinnell and Bo Hampton (Legends of the Dark Knight, Clive Barker’s Hellraiser, Moon Knight, The Viking Prince), providing amazing fully painted art at is best!.  

 

The serialization ran for months, and now you can read the entire graphic novel Demons of Sherwood, from the very beginning right here at ComicMix for FREE!

 

Credits: Robert Tinnell and Bo Hampton (Writers), Bo Hampton (Artist), Bo Hampton (Letterer), Mike Gold (Editor)

 


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Review: ‘Swallow Me Whole” by Nate Powell

swallow-me-whole-7858669Swallow Me Whole
By Nate Powell
Top Shelf, September 2008, $19.95

Ruth and Perry are stepsiblings, somewhere in the South – people say “shoore” for “sure,” biology teachers can’t even say the word “evolution,” and the kids’ slowly-dying, live-in grandmother is called “Memaw.” It also seems to be sometime in the late ‘80s, from the clothes and the music and the hair.

And they’re both – how should I put this? Oh, let’s use the jargon – both are very far from neurotypical. Perry hallucinates a tiny wizard who makes him draw incessantly for “missions.” And Ruth may even be schizophrenic: she hears voices and feels patterns in everything around her, particularly with insect swarms. She has a huge collection of insects in jars in her room; she’s stolen at least some of them from school, but it’s not clear where they all came from. When she finally has a break at school and is taken to the nurse’s office, the school cop immediately assumes she’s high and starts loudly questioning her about drugs – she doesn’t get diagnosed has obsessive-compulsive for several days.

[[[Swallow Me Whole]]] is a slow, swirling, uneasy book, centered mostly on Ruth and her efforts to live in the world – talking to her Memaw, getting a work-study job at the museum, trying not to be swallowed up by the massive swarms of insects that comfort her and that may, or may not, be real. (Don’t decide either way until you get to the end.) It begins with a few short scenes set about five years earlier, when Ruth and Perry are both pre-teens and Memaw’s hospitalization ends with her moving in with them and their parents. From there, it’s hard to say how much time Swallow Me Whole covers, since there are no external markers. They go to school but we don’t see school begin or end for the summer. We don’t see the seasons change. Scenes could be separated by a day or three months. It’s all now; it’s all happening, like life, one thing after another after another.

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‘Watchmen’ Atop Amazon Fiction Sales

watchmen-cover-2203991From a Wired article about the excessive success of this year’s Comic-Con is a little tidbit about the success of comics: Watchmen is now sitting at the top of Amazon’s fiction and literature sales list.

DC has been printing up copies like mad to meet the demand, which is of course churned up by the upcoming Zack Snyder film adaptation.

From the article:

Last week’s release of the movie’s trailer sent sales of a paperback collection of Alan Moore’s original Watchmen comics through the roof. The graphic novel now sits at the top of Amazon.com’s literature and fiction sales list.

"That’s never happened before," said DC’s Levitz. "We literally can’t print enough…. I don’t think we’ve been able to kill any more trees fast enough."

Doctor Who in Review: Season Four, Episode #12 – “The Stolen Earth”

The hit BBC series Doctor Who is now in its fourth season on the Sci-Fi Channel, and since we’re all big fans here at ComicMix, we’ve decided to kick off an episode-by-episode analysis of the reinvigorated science-fiction classic.

Every week, I’ll do my best to go through the most recent episode with a fine-tooth comb (or whatever the “sonic screwdriver” equivalent might be) and call out the highlights, low points, continuity checks and storyline hints I can find to keep in mind for future episodes. I’ll post the review each Monday, so you have ample time to check out the episode once it airs each Friday at 9 PM EST on Sci-Fi Channel before I spoil anything.

Missed a week? Check out the “Doctor Who in Review” archive or check out any of the past editions of this column via the links at the end of this article.

Keep in mind, I’m going to assume readers have already watched the episode when I put fingers to keyboard and come up with the roundup of important plot points. In other words, SPOILER ALERT!

Let’s begin now, shall we?

Season Four, Episode #12: “The Stolen Earth”

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SDCC: Neil Gaiman Writing ‘Batman’

gaiman-6484148DC held out till the very end of Comic-Con to drop its biggest bit of news: Neil Gaiman is returning to the publisher for a two-issue Batman series with artist Andy Kubert.

Whatever Happened to the Caped Crusader? will serve as a transition point between Batman R.I.P. and whatever comes next. Dan DiDio shared a little with Newsarama:

Newsarama: Dan, obviously the title is a reference to Alan Moore’s Superman story, “Whatever Happened to the Man of Tomorrow?” Are there parallels between this story and that one?

Dan DiDio: There are a number of parallels to that. There’s a very particular reason why we call it that, and that information will be coming out later on, but with this, we wanted to get someone of that particular stature to tell this story, a story that will really define the years of Batman’s life.

And Gaiman has posted about it on his blog, though he’s even less forthcoming:

So I don’t have to write lots and lots of emails back to all the journalists:

1) Yes, I am writing a two part Batman story.

2) Yes, Andy Kubert will be drawing it.

3) Yes, it will be two oversized issues.

4) No, I don’t plan to say anything else about it until it’s all written and drawn.

(I just called my Visa card to fix something, and found myself being asked if I was the Neil Gaiman. I said yes, I was. "So," said the Visa person, "Are you going to be writing an episode of Dr Who?")

 

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Interview: Wil Wheaton on Storytelling, Technology and the Internet (Part 3)

wilwheatoncu-7729116Previously on ComicMix, I brought you the first and second parts of my interview with writer, actor, publisher, tech guru and all-around nice guy Wil Wheaton. In the two previous installments, we discussed a variety of topics from writing and acting, to technology and comics.

In this third and final installment, we cover still more topics, including politics, what piece of tech Wheaton feels is the most important of the last ten years and to him, what makes a good story.

COMICMIX: Okay, Wil, as a writer and reader of comics, what makes a good story to you?

WIL WHEATON:  Comics are a visual medium, so the artwork is extremely important to me.  There are tremendously talented writers who occasionally get paired up with artists whose art I don’t like. And I won’t read those books.

There are artists and writers who collaborate together.  Matt [Fraction] gives Casanova artist Gabriel Ba as much credit for Casanova being awesome as people give Matt for making Casanova awesome.  Ed [Brubaker] does the same thing with Criminal.  And I think that says a lot about the importance of a good team-up.  I’m lucky.

I’ve gotten to work with some great artists when I’ve done manga for TokyoPop.I don’t know if the stories I’ve written would have the same emotional impact with the reader with different art. That really, really important combination of peanut butter and chocolate is really important to making comic books great.

A lot of it also has to do with pacing. When I write comic scripts I just write them as I would write a film script and I just know that instead of putting the camera on the dolly or whatever, that’s what I’m going to ask the artist to draw… what the reader is seeing, you know?  So I think pacing is really important. (more…)

Shiny, Shiny Superheroes, by Mike Gold

Despite the graphic to the right, this week’s column isn’t another screed against “everything you know is wrong and will be wrong again” superhero plotting. We’ve pretty well strip-mined that topic, and unless I get inspired by original thought I’ll wait for DC and/or Marvel to make the next move.

This column is in the wake of a lengthy and continuing series of conversations I had with my ol’ pal John Ostrander. Having such conversations is the best part of the job; really, if you like talking with knowledgeable and highly creative people, I strongly recommend you become a comic book editor. I can’t quote from these conversations – for one thing, you’ll be seeing some of the results right here on ComicMix, and for another, I understand the Wi-Fi reception down at Gitmo isn’t so good. But I can give you the gist.

We were talking about doing superheroes in 2008. John does a lot of ‘em; depending upon your view of GrimJack and Jon Sable, I don’t do all that much in the genre. But I like it. I’m an American comic book fan and I proudly admit I enjoy a good superhero story. But there’s that “relevance-to-our-times” thing.

Brand-new superheroes were created in two waves: the build-up to World War II (Superman, Batman, Sub-Mariner, Captain America, Captain Marvel) and the cold war build-up to Vietnam (Spider-Man, The Hulk, Iron Man, The Question). There wasn’t a truly successful superhero created in the ten years following World War II, and the only totally original superhero created in the post-Vietnam years that comes to mind is Len Wein and Herb Trimpe’s Wolverine.

It’s easy to understand the element common to each of these two fertile periods: the reader had an overwhelming need for security. In the early “Golden Age” we were in a devastating economic depression with unemployment hovering around 25% and surrounded by massive international inflation. Japan had invaded China, Germany was beginning to engulf its neighbors and nations historically friendly to us were looking to us for war material. We had a lot of unemployed people who could aid their, and later our, war effort. (more…)

ComicMix Columns & Features for the Week Ending July 27, 2008

With so much news coming out of San Diego from ComicMix HQ (at booth #3208) and elsewhere, it’s my job back here in New York to make sure all our regular columns and features don’t get lost in the hype! Here’s your weekly one-stop shopping source for all our exclusive goodies:

So, I hear there’s a convention going on this weekend…