Unless you’ve lived a very sheltered life for the last twenty years or so, you know all about Robert Englund and his most famous character: the knife-fingered Freddy Krueger of Nightmare on Elm Street fame. The films featuring the iconic villan were some of the most successful of all time and spawned several sequels including a cross-over film featuring not only Freddy Krueger, but another well-known and popular character and star of a hugely successful franchise: Jason Voorhees of Friday the 13th fame.
More recently, Englund has taken turns both in front of and behind the camera with roles and directing gigs on films such as 2001 Maniacs, Jack Brooks: Monster Slayer and Zombie Strippers, which also features the acting talents of former adult film actress Jenna Jameson. ComicMix‘s Matt Raub and I caught up with Englund during San Diego Comic-Con and talked with him about, among other things, how hard it was to get to the convention, his latest projects, his involvement in the new V television series. and what he thinks about the future of horror films.
COMICMIX: So have you had a chance to check out the Con?
ROBERT ENGLUND: Not yet. We got messed up with the traffic. So many accidents, closures, people throwing themselves in front of trains, it took us forever to get here.
I think Comic-Con is jinxed. [Laughs]
CMix: So what brings you to the Con this year?
RE: I’m here with the company Anchor Bay which really responds to the kind of horror-comedy kind of stuff that people like Sam Raimi with the Evil Dead films used to do. I don’t know if it’s a response to the number of big-budget horror failures of late or that there’s so much homemade stuff on YouTube now, but fans really seem able to watch something like a Hellboy 2 or a Dark Knight, which I love, but they also have room for movies like the ones I’ve been involved with lately such as Zombie Strippers, Jack Brooks: Monster Slayer or Hatchet.
It seems they can tune into a big $200 million blockbuster film one day and then also enjoy a little $2 million film we made mostly for fun. They’re what I like to call "cheap thrills." I think there always has to be room for cheap thrills. I don’t know if its political or if there’s too much CGI or something but maybe that’s what movies like Saw or Hostel are tapping into — people’s need for something more simple and fun. (more…)