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SDCC: Darren Aronofsky to Direct ‘Robocop’

  • News
  • July 27, 2008

The long-rumored reboot of Robocop at the hands of director Darren Aronofsky was made official this week, Variety is reporting.

The previous trilogy is going to get a reboot, and apparently the idea is  to take the mecha-lawman story and make it more noir-influenced. Personally, I was hoping for an Old Western.

From the article:

Darren Aronofsky has signed on to direct and David Self is penning a new installment about the hero whose tagline is "part man, part machine and all cop."

"RoboCop," which is being fast-tracked for a 2010 release, becomes the first potential tentpole to come together since Mary Parent took the reins of MGM in March. Aronofsky’s involvement has been one of the worst kept secrets, with rumors rampant in the blogosphere that "The Fountain" helmer was eyeing the project.

SDCC: IDW and ‘Ghostbusters’

  • News
  • July 27, 2008

gb1_nickrunge-9814285Going into Comic-Con, we all knew IDW would be talking about their plans with the recently acquired G.I. Joe franchise. But another ’80s reboot came as a little more of a surprise.

In October, the publisher will trot out a four-issue Ghostbusters miniseries, by writer Keith Champagne and artist Dustin Nguyen. Newsarama caught up with Champagne in San Diego, who had an interesting take on the property:

Is Ghostbusters a successful franchise? It’s definitely generated a lot of revenue in different formats so I guess one could consider it successful in a bottom line kind of way, but creatively, I think it’s been hit or miss. Granted, I’m not the target audience for the cartoon stuff so maybe I’m wrong.

I think the greatness of the first movie has more or less born the weight of the entire franchise over the years. None of the other iterations has seemed to come close although I’m hearing that the upcoming video game is really good, basically a third movie in itself. And hey, there’s no shame in shooting for the stars and falling a little short. Let’s face it: guys like Dan Akroyd and Harold Ramis and Rick Moranis and Bill Murray firing on all cyclinders, that’s a tough act to follow for us mere mortals.

Also, no Slimer, which is sure to please some and annoy others.

SDCC: A Retailer Revolt?

  • News
  • July 27, 2008

comic_con_logo-8747095There’s been plenty of talk about how Comic-Con isn’t really about comic books anymore, with the influx of marketing about upcoming movies and TV shows (a few of which are at least based on comics).

That discussion typically revolves around how the movie booths and panels draw more attention than the ones dedicated to comics, but there’s another angle to the story.

Comic-Con began all those years ago as a smaller affair, dedicated to readers and retailers, and the star of the show was boxes and boxes of comics. Now? With the con’s huge growth, retailers are unhappy with their marginalized role, according to the San Diego Union-Tribune.

They complain about rising fees for exhibit hall booths. “We are being priced out of existence,” said Richard Muchin of Tomorrow’s Treasures, a Long Island, N.Y., dealer.

They complain about the cost of traveling to, and staying in, San Diego. “It’s too expensive to be here,” said Lee Hester, owner of Lee’s Comics in San Mateo.

Most of all, they complain that they’ve been shoved aside by the Hollywood studios, whose enormous displays dominate the exhibition hall. “If we’re that important,” asked Jamie Graham, who runs nine comic shops in the Chicago area, “why aren’t we in the middle of the room, where more people can see us?”

Hester and Al Stoltz, of Maryland’s Basement Comics, said they will not return to the Con next year. Rozanski, one of the biggest vendors here with 25,000 books, said he may join them. “There’s actually a movement afoot to pull all the comic-book dealers out of Comic-Con and move to a separate venue,” he said.

SDCC: Vertigo and WildStorm News

  • News
  • July 27, 2008

Vertigo and WildStorm — both imprints of DC Comics — talked about their respective futures at a couple of Comic-Con panels.

While Vertigo (led by editors Karen Berger and Will Dennis and a ton of creators) talked about an array of new projects and the Vertigo Crime imprint, WildStorm had just a little bit of news on already existing properties.

Newsarama has an exhaustive roundup of the Vertigo panel, including some insight into Vertigo Crime:

New Vertigo Crime books that are coming out include Dark Entries, a new book by writer Ian Rankin with Werther Dell’edera artist. Rankin is best known as the writer of the Rebus novels, on which the BBC show is based. "It’s using the character of Constantine from Hellblazer," Dennis said. The story follows what happens when John Constantine is called in to investigate what went wrong on a reality television show.

Filthy Rich is a new Vertigo Crime book by writer Brian Azzarello and Victor Santos, an artist from Spain. "Basically, it’s a story of a big man who makes even bigger mistakes through his life," Azzarello explained. "He is hired to be a clandestine bodyguard for a wealthy automobile heiress."

Filthy Rich takes place in the early ’60s so it has that "upbeat vibe," he said. "It’s all about the celebrity culture of wealth and why people find that fascinating."

Meanwhile, CBR kept tabs on the WildStorm panel.

SDCC: Legion of Superheroes Panel

  • News
  • July 27, 2008

legion-of-three-worlds-002-5977225At a convention known for its fans’ devotion and passion, Legion of Superheroes devotees are truly in a league of their own.

Throughout Saturday’s “Legion of Superheroes Panel,” fans from across the globe shared their personal connections to the DC superteam with panelists, Paul Levitz, Mike Grell, Keith Giffen, Colleen Doran, Geoff Johns, Tom Bierbaum, and Mary Bierbaum, as well as questions about the varying specifics of a series that has one of the broadest mythos of any in the comic universe.

Being such a beloved series, its no surprise that many in attendance were extremely concerned about the future of the series. Johns let out a minor spoiler, revealing part of Una’s character arc: “You turn the page and she’s multiplied into like a hundred of her and she says ‘I don’t know how I ever got anything done with just three of me,'” he added. “She’s going to be called ‘Duplicate Damsel’.”

Continuing, Legion of Three Worlds writer Johns certainly tried to ease any fears that his run would be lacking anyone’s favorite character, asserting that George Perez, “wants to draw every Legionnaire ever.” Unfortunately, the Superpets will not be making an appearance.

A question about the lack of African-American representation in classic Legion stories drew muffled sighs from the more senior members of the panel. Levitz responded by saying, “I think it’s important to look at the broader context, that’s the way things were being done in comics in ’67 or ’68.”

Levitz went on to say that the Teen Titans were going to introduce the first black superhero, however DC ardently opposed this move and redrew the character as a white character. Allegedly the creative team was blacklisted for a year.

“[There was] a certain trepidation that they wouldn’t do it right,” Mike Grell said, and then added his own anecdote about the trouble he had adding a black Legionnaire, “It was a story about a Science Policeman who makes a mistake at the beginning of the story, and corrects the mistake and becomes a hero by the end of the story… My editor said, ‘No you can’t do that, they’ll send letters.'”

Fortunately, Grell was not completely cowed by DC’s demands, “As my silent protest, I very mildly redrew the character, and sure enough we got letters saying, ‘Hey, that’s a brother painted pink.'”

All of the panelists had numerous fond memories of working with The Legion of Superheroes, and no dearth of appreciation for the fans, but perhaps Levitz summed it up best when he said, “We got to play with some really cool toys, and the only reason we got to play with them was because you guys kept coming around and saying, ‘Go ahead, have fun with them.'”

SDCC: Jeph Loeb Presents ‘Heroes’ Panel

  • News
  • July 27, 2008

The NBC show Heroes went from fan-favorite to afterthought very quickly during last year’s strike-impaired season two. The cast and producer Jeph Loeb set about rebuilding momentum with an energetic panel at Comic-Con.

From the L.A. Times comes word that a full episode was shown and it did the trick:

Tim Kring came in with a briefcase handcuffed to his wrist. He held aloft a DVD, the DVD for the premiere of season three’s villains-themed offerings.

Then we got to see "The Second Coming."

It’s a great episode, and it should draw back those who’ve dropped off. It may even bring in new viewers. And if not, maybe you’ll want to watch simply because, as the guy in my row said, "Hayden is hotter than ever!"

If you’re inclined, there are some spoilers in the link.

Overheard at San Diego 2008, part 4

  • News
  • July 27, 2008

The San Diego Comic-Con Masquerade is in full swing right now, but people are still letting their personal masks down at the most interesting times…

On the dealer’s floor:
Let’s face it, comics aren’t for kids anymore. So get ’em out of here and let me enjoy the last ten years of the industry.

In an elevator with fourteen people at the Westin:
There are no girls in this elevator…

Over in the Webcomics section, at the Girl Genius booth:
Phil Foglio: We’re giving away free sandwiches! Want one?
Me: Sure! Are you sure?
Phil: Yeah, we bought sandwiches for every booth here, but a few weren’t hungry.
Me: Web cartoonists aren’t going hungry? This is front page news!

In the hallways between conference rooms:
Joe Straczynski is doing the Impact books for DC? Are they sure it’s not supposed to be Len Strazewski and somebody’s spell-checker got confused?

On the way to the trolley in the crush of people, a man was jostled by David Gerrold, leading to a retort of, "Hey, watch it, Cusack!"

And finally, ComicMix‘s Editor-in-Chief Mike Gold and media mogul Michael Davis were seen lunching at the Marriott with Denys Cowan. Old home week or something more? Mike’s not talking.

 

SDCC Interview: Justin Marks on the ‘Hack/Slash’ Movie [UPDATED]

  • News
  • July 27, 2008

hack-slash-omnibussmall-6443094[EDITOR’S NOTE: Our original link to this interview didn’t play nice with the formatting of the film’s title, so I’ve fixed the link and reposted the article here on ComicMix. -RM]

Writer Justin Marks has come a long way as a Hollywood screenwriter in a relatively short span of time. After working as a producer’s assistant for several years, while writing scripts in his off-hours, Marks has achieved nearly A-list status by writing several high-profile screenplays including Streetfighter and He-Man. He’s also worked on Supermax, co-written with A-List scribe David S. Goyer, and featuring the DC Comics hero Green Arrow who, after being wrongly incarcerated, has to join forces with the very villians he put behind bars in order to escape.

Marks is also writing another big-budget Hollywood film, this one an adaptation of the very popular comic series Hack/Slash, created by writer and artist Tim Seeley and published by Devil’s Due Press. I caught up with Marks at the San Diego Comic-Con to talk a bit about the Hack/Slash film, what we might expect story-wise and the film’s current status.

COMIC MIX: Hey Justin, thanks for talking with me. How did you get involved in the Hack/Slash movie?

JUSTIN MARKS: It was a book that was given to me about a year or year and a half ago. at the time it was already set up as a movie and I thought that was great because I thought it would make an increadible movie. Actuallly, I was kinda jealous.

But then a few months ago I got a call, I was actually in Bangkok working on the Streetfighter movie, and the producers of Hack/Slash asks if I would be interested in working with Todd (Lincoln) the director on the script to sort of push it throuhg and get it ready for production.

So I got on a plane for seventeen hours back to LA to try and get that job.

CMix: It seems you really wanted the job?

(more…)

NY Times: Have Superhero Movies Peaked?

  • News
  • July 27, 2008

dark_knight_joker-4797358There’s an interesting question posed by the New York Times film critic A.O. Scott in a new piece regarding superhero movies.

He surveys the Summer of the Superhero and notes the genre’s success, but then wonders if it might have hit a creative high-water mark. In other words, could the conventions of the superhero limit every superhero film, keeping it from exceeding The Dark Knight?

But to paraphrase something the Joker says to Batman, “The Dark Knight” has rules, and they are the conventions that no movie of this kind can escape. The climax must be a fight with the villain, during which the symbiosis of good guy and bad guy, implicit throughout, must be articulated. The end must point forward to a sequel, and an aura of moral consequence must be sustained even as the killings, explosions and chases multiply. The allegorical stakes in a superhero are raised — it’s not just good guys fighting bad guys, but Righteousness against Evil, Order against Chaos — precisely to authorize a more intense level of violence.

… the disappointment comes from the way the picture spells out lofty, serious themes and then … spells them out again. What kind of hero do we need? Where is the line between justice and vengeance? How much autonomy should we sacrifice in the name of security? Is the taking of innocent life ever justified? These are all fascinating, even urgent questions, but stating them, as nearly every character in “The Dark Knight” does, sooner of later, is not the same as exploring them.

As much as I liked The Dark Knight, I agree with Scott on its limitations, owing mostly to the abundance of “speechifying.”

But, personally, I disagree with his main point. Watchmen, if it truly ends up following Alan Moore’s vision, would certainly represent a new creative high for the genre.

What Scott reveals in the piece isn’t the great limitation of superheroes, but rather a limitation in his understanding of what a superhero can be.

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