The Mix : What are people talking about today?

Superheroes Boost Hat Sales

Back in the day, it was the cool thing to have a New Era cap of a sports team. I had one of the Chicago Bulls.

That trend has fallen off, though, and New Era is coming back by making an array of caps featuring not athletes but superheroes. The company previously had a deal with Marvel, but now they’re working with DC, as of this week.

Further evidence that comics is the "in" thing, I suppose.

Part of this latest comics push is connected to this weekend’s release of The Dark Knight, the new Batman movie. Over at New Era, they’re running a special promotion for the flick.

One can only wonder if people who jump on the superhero apparel bandwagon are also jumping into comics.

‘Dark Knight’ Sets Midnight Record

dark_knight_joker-8165829Extimators are already guessing at Dark Knight‘s opening take, figuring on an opening north of Iron Man‘s $100 million-plus first weekend in May. Variety reports:

Based on the enormity of tracking and advance ticket sales, "Dark Knight" has a shot at opening as high as "Dead Man’s Chest," although anything over $100 million would be a big win. "Dead Man’s Chest" presently sports the second-best opening on record after that of "Spider-Man 3," which nabbed $151.1 million over the May 4-6 weekend last year.

It’s off to an excellent start after the Thursday midnight opening. According to the main story on CNN.com, the film set a record for midnight openings.

The film already has the biggest midnight debut ever, with tracking firm Media By Numbers reporting "Dark Knight" made $18.5 million at its midnight showings alone. That breaks the record of $16.9 million held by "Star Wars Episode III: The Revenge of the Sith."

During a survey of people who buy tickets through Fandango.com, 38 percent of those who are working said they would be taking either some time or the day off to see the movie.

The movie was expected to be shown on 9,400 screens in a record-breaking 4,366 theaters for its opening, according to its studio, Warner Bros.

 

Final Countdown to San Diego Secret Crisis, by Martha Thomases

Like so many other people who write about and work in comics, I’m in a tizzy getting ready to go to San Diego for Comic-Con International. Not only do I have to worry about all the normal travel stuff – Can I fit a week’s worth of clothes in a carry-on bag? How much knitting do I need for such a long flight? – but this year, I also have extra San Diego stuff to consider.

For starters, there are all the people I have a crush on, people I see only once a year, and try to flirt with in that awkward, married way that I hope is charming, but fear might be excruciating. Last year, there were painful moments when the people I only used to see once a year tried to remember who I was after not seeing me since 1999. Instead of flirting, they wondered why this gray-haired woman presumed to ask them about their exercise programs.

(If you’re keeping score, Neil Gaiman remains the champion of charming, deniable flirting. We can sit together with our spouses and children and he is so adorable that I believe that if we were only 30 years younger, childless and single, we could still make each other laugh.)

The Con has changed, and so have I. When you work for one of the Big Two publishers at a comic book convention, you feel important. You may be a cog in the corporate machine, but you have a hotel room at the main hotel, you have an expense account, and you have a recognizable identity.

However, San Diego is no longer a comic book convention but a multi-media orgy, and instead of comic book stars, there are movie and television stars. Ed Brubaker will be there, and that’s very cool, but Paris Hilton is going to be at a Lionsgate panel on Thursday.

And I no longer work for a Big Two publisher, but a plucky little upstart, so while people may recognize me (“Aren’t you that crazy lady who was hassling me last year), I’m sharing my hotel room.

Unlike last year, ComicMix has a booth this year, so you can stop by (Booth #2308, with Insight Studios and the fabulous Mark Wheatley of EZ Street and Hammer of the Gods 2), say hello, and meet some of the fine people who make ComicMix the place to be. And this is amazing and wonderful, but, like so many other amazing, wonderful things, this means more work for me. Mark Ryan and Mike Grell will be on hand to promote their new graphic novel, The Pilgrim. The previously mentioned Mark Wheatley will be there. Mike Gold, not only editor-in-chief of ComicMix but also a founder of First Comics and former big muckety-muck at one of the Big Two, is available. Jerry Carr and Allan Gross from Insight (and creators of Cryptozoo Crew) are fun guys. Michael Davis and Rick Marshall are funny guys who can draw a crowd. (more…)

Webcomic News Roundup: Perry Bible Fellowship and BoaSas Go Global!

While preparation for San Diego Comic-Con has been keeping most webcomic creators busy these days, there’s still a lot of news popping up that has nothing to do with how many boxes of t-shirts have been shipped to the West Coast. Here are some of the highlights:

Jill-of-all-trades comics journalist Laura Hudson recently conducted a really, really spectacular interview with Perry Bible Fellowship creator Nicholas Gurewitch for Publisher’s Weekly. In the interview, Gurewitch reveals some details about a potential BBC project involving PBF:

I‘ll be adapting a couple of the strips for the pilot, and I just got the news the other day that they wanted to make it longer because they liked the 12-minute treatment I sent. They want to make it a 30-minute pilot. I’m actually working with a British television company, Endemol Entertainment. A number of people there had ordered some prints from me, and apparently someone brought them into the office. It became known amongst them that they really liked the comic, and [making the pilot] was just a decision that came about organically because of that. They all realized they liked the strip, and said, “Why don’t we do a show?”

In more international news, Steven L. Cloud has left the country! The Boy on a Stick and Slither creator officially embarked on his globe-trotting "Mongol Rally" charity event this week. Once everything gets underway, Cloud has promised that you’ll be able to follow the adventure via Twitter. Be sure to check out my interview with Cloud for his thoughts on the event, and this Google Map showing the route they plan to take. (more…)

Munden’s Bar: It’s Ladeeez Night!

mundens-4662944Thank God it’s Munden‘s! John Ostrander and Hillary Barta celebrate the weekend with a new brand-episode of the adventures at everyone’s favorite watering hole.  Actually, as we find out, there are some people, of the vulvic persuasion, who have not been present in large numbers. The bar patrons try to do something about it.  Clean up their act? Treat women as people? That would be too easy …

Credits: John Ostrander (Writer), Hilary Barta (Artist), Jason Millet (Colorist), Bob Pinaha (Letterer), Mike Gold (Editor)

More: Munden’s Bar

Review: The Dark Knight

the-dark-knight-joker-poster-500w1-3595774Considering the amount of massive blockbusters that have disappointed the fans this year, it is safe to say that all of your expectations will be met going into this movie. [[[The Dark Knight]]] delivers on so many levels that it becomes hard to critique it, and all that’s left is pure childlike enjoyment for approximately two hours.

Those of you who are unaware of the plot for the sequel to 2005’s Batman Begins, this film takes place shortly where we left off: Batman is patrolling the streets, crime is on the rise, and more and more “masked vigilantes” are stepping up to try and take out the [[[Batman]]]. Wayne Manor is still destroyed, so all of the caped crusader’s hijinks are based out of a new penthouse apartment, which is a nice change. Batman’s gal Rachel Dawes (originally played by Katie Holmes) returns, this time played by Maggie Gyllenhaal. This time, instead of Liam Neeson and Cillian Murphy filling the evil quota as Ra’s Al Ghul and Scarecrow, respectively, we get the late Heath Ledger and Aaron Eckhart as The Joker and Harvey Dent, which of course means we get to see a little Two-Face!

[SPOILER WARNING: READ ON AT YOUR OWN RISK]

(more…)

E3 2008: ‘DC Universe Online’ Playable at SDCC

On the Cheap Ass Gamer E3 podcast, Robert “Shipwreck” Goode found out some great news from a PR rep for DC Universe Online, the highly anticipated comic book based MMO role-playing game. The game will be demonstrated at San Diego Comic-Con and the public can play it!

He also got some hands-on time with DCUO and reported it departs from the usual point-and-click play of MMOs like World of Warcraft. Playing more like a traditional PlayStation 3 game, he described it as an "action MMO."

Over at Massively.com, a gaming website devoted to all things MMO, they talked with the developer dynamic duo of SOE-Austin VP of development John Blakely and DCOU Creative Director Chris Cao.

Some of the highlights from that article include: 

  • The storyline will explain why all these new heroes (you guys) start popping up.
  • One PvP battleground is the "Tomb of Isis," which forces everyone to eventually team-up when a very angry Black Adam finds opponents fighting around his wife’s grave.
  • The SDCC demo will be the “Brainiac Attacks!” event.
  • Another event scenario will be “Thanagarians Invade.” Expect regularly released events, much like Warcaft holidays.
  • They still haven’t finalized the business model (the cited reason why Microsoft canceled Marvel Universe Online). Play for free after buying the retail copy? A monthly fee? In-game ads plastered all over Metropolis? It’s anyone’s guess at this point. 

Black Canary Barbie: Offensive?

We may finally have the next Mary Jane’s exposed thong statue. Apparently some people are getting bent out of shape about the new Black Canary Barbie, which you can see at right.

The Sun, a paper in the UK, ran a story under the header "S&M Barbie is lashed by the public."

Makers Mattel say Black Canary Barbie, out in September, is based on a DC comic superhero of the same name.

But religious group Christian Voice said: “Barbie has always been on the tarty side and this is taking it too far.

A children’s doll in sexually suggestive clothing is irresponsible – it’s filth.”

Let’s just go ahead and put the brakes on the outrage train right there. This is one group of people who know nothing of the context of the character and are offering a kneejerk opinion.

Someone please send Christian Voice a copy of All Star Batman and Robin so they can see what actual filth is.

Alan Moore Talks About ‘League,’ ‘Watchmen’

Alan Moore talks movies over at Entertainment Weekly, and — surprise, surprise — he remains not so thrilled about the adaptations of his work.

Here’s a particularly good exchange on his falling-out with DC:

Has Warner Bros. tried to contact you about Watchmen?
No, they’ve all been told not to. They get the message…. I don’t want anyone who works for DC comic books to contact me ever again, or I’ll change my number…. And I only started to get upset when I found out they [DC Comics] were trying to rob me of a couple thousand pounds. It was over the Watchmen merchandising back in the ’80s, and they kind of eventually said, Oh, yeah, I suppose you do deserve this money. But by that time the damage was done. The only reason I ended up working for them again, during the ABC period from ’99-’04, [was because] I had already signed the contracts. [Editor’s note: DC Comics President and Publisher Paul Levitz responds: ”We’ve had our disagreements with Alan over the years, but we remain great fans of his talent and would be happy to work with him in the future if he’s ever inclined.”]

It’s a massive interview, five pages, and covers an array of other topics as well film properties. Here’s some background on his upcoming League of Extraordinary Gentlemen: Century, which will be published next year by Top Shelf:

The first book surrounds the coronation of King George, which was also the time The Threepenny Opera was set, a comet was passing overhead, and there was a general feeling of dread in the air. We’re also focusing on the occult fictions written around the time…[like] Aleister Crowley’s [1917] book, Moonchild, where the protagonists are attempting to create a magically produced child that is going to usher in a new era. [Protagonist] Mina and her associates are trying to stop this from happening. The second book [revolves around] that sort of peculiar 1960s melding of pop-star psychedelic lifestyles, fashionable interest in occultism, and to some degree, at least in London, crime. We’ve got it all centered around a big rock concert at Hyde Park. Running all the way through this is the continuing threat of the production of a magical child who, by this time, we are fairly certain, is the Antichrist. That second book ends very badly. And they’re not having a lot of luck. The third part is set in 2008 when, basically, the League is in pieces — barely exists anymore — and this turns out to be the time at which the Antichrist project finally pays off, and this magical child finally manifests in quite a terrifying form.

 

SDCC ’08: PopCandy Looms Large

While keeping a running tally of all the events of note at this year’s Comic-Con International is a job best left to the professionals, I can’t help but draw attention to one event that caught my eye — mainly because of its outstanding promotional art.

Check out the poster for Saturday evening’s PopCandy Meetup, painted by USA Today illustrator Keith Simmons, and based on the original art from Attack of the 50 Foot Woman:

I’ll certainly be there with one or more other members of the ComicMix crew, so if you’re interested in dropping by, here are all of the details. Be sure to RSVP ahead of time, as PopCandy’s Whitney Matheson has promised one-of-a-kind giveaways to everyone who does so.