Michael Sheyahshe has a new book that features interviews with ComicMix creators Tim Truman and John Ostrander and explores the role of Native Americans in comics.

According to the website for the book:

Native Americans in Comic Books, published by McFarland Publishing, is a unique study and critique of the way in which we Indigenous people are represented in the popular medium of comic books. This work takes an in-depth look at the world of comic books through the eyes of a Native American reader and offers frank commentary on the medium’s cultural representation.

If you weren’t waiting to see a Batman screening this week, you were probably trying to download an episode of Doctor Horrible’s Sing Along Blog, and let’s face it, both were worth the wait. In a Comicmix Exclusive, Joss Whedon spills were it all started and how a little whim became an internet phenomenon plus:

• Boom! gives it away
• Bring comics back to Comic Con
• Vertigo flips their sell-outs
   

So how long did it take you to start humming the songs from Doctor Horrible?  Wait until you  Press the Button!

And remember, you can always subscribe to ComicMix Radio podcasts via or RSS!

Remember a year ago there we’re all these crazy news stories that producers were working on a Spider-Man Broadway musical? Julie Taymor directing. Music by Bono and the Edge from U2. A plot that revolves around a Spider Goddess. Yeah, that one.

Well, it looks like it’s going forward. Playbill reported that a reading of the story was scheduled to take place on July 12-13. And now an open casting call has been  announced for July 28 at New York City’s Knitting Factory. They’re auditioning three roles:

• Peter Parker: male, age 16-20’s, great rock voice, nerdy with understated sex appeal and a good sense of humor.
• Mary Jane: female, age 16-20’s, girl next door, strong pop/rock singing voice.
• Spider Goddess: female, age 25-35, rock vocals. Sinead O’Connor-type with a Middle Eastern /Bulgarian/Greek/ twist. Foreign, world music types are great, foreign accents are great. All ethnicities will be considered.

Think you have what it takes? Bring headshot, resume, and sheet music of 16 bars of a pop/rock song that shows your range. For more info e-mail: spidermancasting [at] gmail [dot] com

Like so many other people who write about and work in comics, I’m in a tizzy getting ready to go to San Diego for Comic-Con International. Not only do I have to worry about all the normal travel stuff – Can I fit a week’s worth of clothes in a carry-on bag? How much knitting do I need for such a long flight? – but this year, I also have extra San Diego stuff to consider.

For starters, there are all the people I have a crush on, people I see only once a year, and try to flirt with in that awkward, married way that I hope is charming, but fear might be excruciating. Last year, there were painful moments when the people I only used to see once a year tried to remember who I was after not seeing me since 1999. Instead of flirting, they wondered why this gray-haired woman presumed to ask them about their exercise programs.

(If you’re keeping score, Neil Gaiman remains the champion of charming, deniable flirting. We can sit together with our spouses and children and he is so adorable that I believe that if we were only 30 years younger, childless and single, we could still make each other laugh.)

The Con has changed, and so have I. When you work for one of the Big Two publishers at a comic book convention, you feel important. You may be a cog in the corporate machine, but you have a hotel room at the main hotel, you have an expense account, and you have a recognizable identity.

However, San Diego is no longer a comic book convention but a multi-media orgy, and instead of comic book stars, there are movie and television stars. Ed Brubaker will be there, and that’s very cool, but Paris Hilton is going to be at a Lionsgate panel on Thursday.

And I no longer work for a Big Two publisher, but a plucky little upstart, so while people may recognize me (“Aren’t you that crazy lady who was hassling me last year), I’m sharing my hotel room.

Unlike last year, ComicMix has a booth this year, so you can stop by (Booth #2308, with Insight Studios and the fabulous Mark Wheatley of EZ Street and Hammer of the Gods 2), say hello, and meet some of the fine people who make ComicMix the place to be. And this is amazing and wonderful, but, like so many other amazing, wonderful things, this means more work for me. Mark Ryan and Mike Grell will be on hand to promote their new graphic novel, The Pilgrim. The previously mentioned Mark Wheatley will be there. Mike Gold, not only editor-in-chief of ComicMix but also a founder of First Comics and former big muckety-muck at one of the Big Two, is available. Jerry Carr and Allan Gross from Insight (and creators of Cryptozoo Crew) are fun guys. Michael Davis and Rick Marshall are funny guys who can draw a crowd. (more…)