After setting box office records for top midnight opening and top Friday sales, it shouldn’t be much of a surprise that The Dark Knight broke the weekend record set by Spider-Man 3.

Sunday’s tallies showed The Dark Knight, the sequel to Batman Begins, hauled in $155.34 million for the weekend, according to the Associated Press. That tops Spider-Man 3 and its $151.1 million take.

The new Batman also bested Spidey’s IMAX debut, $6.2 million to $4.7 million.

The opening day grosses for “The Dark Knight” far exceeded the full weekend haul of its predecessor, “Batman Begins,” which took in $48.7 million in its first three days in 2005. …

“We’ve really never seen anything like this,” said Paul Dergarabedian, president of box-office tracker Media By Numbers. “The death of a fine actor taken in his prime, a legendary performance and a movie that lives up to all the hype. That all combined to create these record-breaking numbers.”

I finally caught a showing Saturday morning, which still nearly sold out. That might be the most applause I’ve heard at a theater yet, with the most coming somewhat surprisingly for Jim Gordon.

From Glenn H.

Media By Numbers’ OFFICIAL DARK KNIGHT RECORDS SO FAR (in order of occurrence):

1 – Largest Number Of Opening Theatres with 4,366 (More Than The 4,362 Debut Theatres Of Pirates Of The Caribbean: At World’s End in 2007).

2 – Biggest Midnight Preview Gross with $18.489 million in 3,040 Theatres (Beats Star Wars Episode III: Revenge Of The Sith And Its $16.9 million in 2,915 Theatres in 2005).

3 – Biggest Imax Midnight Previews set a new record with $640,000 (Included in The $18.489 million Preview Number).

4 – Biggest Single-Day Gross in Box-Office History with $67.850 million (Bests The $59,841,919 set by Spider-Man 3 in 2007).

5 – Biggest Opening Weekend Gross in Box Office History with $155.340 million (Bests The $151,116 million set by Spider-Man 3 in 2007).

6 – Biggest Opening Weekend Gross For An Imax Release in Box Office History with $6,214,061 million in 94 Theatres With $66,107 Per Theatre. (Bests The $4.7 million set by Spider-Man 3 in 2007.) Imax Showing At Full Capacity $1.9 million On Saturday Alone.

7 – Biggest Opening Weekend Of 2008 with $151.340 (Beats Indiana Jones And The Kingdom Of The Crystal Skull‘s $101.137 million From May 23-25, 2008)

8 – Biggest July Opening Ever (Beats Pirates Of The Caribbean: Dead Man’s Chest‘s $135,634,554 On July 7, 2006).

Previously on ComicMix, I brought you the first part of my interview with writer, actor and publisher Wil Wheaton. In that part, we discussed topics including his feelings about modern comics and comic-book movies, his acting career, his love of writing and, most importantly, what he likes to order for lunch.

In the second part of my interview, we spend a bit more time discussing the craft of writing, personal publishing, his preferences in technology and the sometimes unpredictable nature of an Internet audience.

COMICMIX: Let’s change gears for a minute, Wil. You’re a pretty well-respected technology guy, and I know you’re a Mac user. How long has that been going on?

WIL WHEATON: I was one of the earliest Mac adopters. I had a Mac 128K in the first few months of its release. I loved it. I wish I could find, I key-noted at Mac World a few years ago, and both my notes and my address are gone. I don’t know where they went. 

Ironically, I wrote them on a Linux machine and I think that I may have just inadvertently lost them. But I loved that computer. It was portable, which is funny to say now, because it only weighed like, 20-30 pounds. It had a handle on the top, so clearly, it was portable.

CMix:  Did you ever have a clone?

WW:  No. I wouldn’t consider myself a Mac cultist or an Apple cultist. There’s still stuff they do that I don’t like and I don’t really have brand loyalty. I have brand anti-loyalty, though. I’ll never buy a Sony product… ever. (more…)

Vertigo junkies will be happy to know a group of the DC imprint’s creators have joined together — not unlike Voltron — on a blog.

Standard Attrition is the new blogging home for Jason Aaron, Brian Wood, G. Willow Wilson, Jock, Cliff Chiang, David Lapham and Brian Azzarello.

So far, the site has mostly just news on the group’s individual projects and media appearances. There’s also some news about what they’ll be doing at San Diego this coming week.

If you’re curious, that’s the cover to Wilson’s Air, which debuts from Vertigo next month.

(via The Beat)

Michael Sheyahshe has a new book that features interviews with ComicMix creators Tim Truman and John Ostrander and explores the role of Native Americans in comics.

According to the website for the book:

Native Americans in Comic Books, published by McFarland Publishing, is a unique study and critique of the way in which we Indigenous people are represented in the popular medium of comic books. This work takes an in-depth look at the world of comic books through the eyes of a Native American reader and offers frank commentary on the medium’s cultural representation.