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Manga Friday: Stories for Girls, But Not About Getting Boys

sunshine-3366452Half by accident, I realized my manga reading this week included four shojo books – for girls – but that none of them were about dating, boys, or relationships. That’s probably not as unlikely as I think it is, but it’s my theme for the week, and I’m running with it. (Think of it as a nod to Alison Bechdel’s Movie Rule.)

Sunshine Sketch, Vol. 1
By Ume Aoki
Yen Press, June 2008, $10.99

Sunshine Sketch is mostly in 4-panel style, though it doesn’t seem to be primarily a gag strip. (Or, at least, if there were supposed to be jokes in each strip, most of them sailed over my head.) The beginning of each section is generally in a more standard page layout, though – and there’s an eight-page color section in the front, for any readers who need to ease into black and white slowly, like a cold pool.

Yuno is a first-year high school student, moving into an apartment complex near her prestigious arts-focused school and quickly becoming friends with her three housemates: Miya, Sae, and Hiro. (And once again I have to wonder – is it really common in Japan for thirteen and fourteen-year-olds to live on their own in apartments when they go to high school? Or is this an accepted fictional trope, something that happens a little bit in life – like a few Americans go to elite boarding schools like Choate – but happens a lot more in fiction?)

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Immigrant Superheroes, Gigolo Robin

Award-winning photographer Dulce Pinzon was first noted for her "Real Story of Superheroes" series back in 2006, so I might be way behind in linking to it here — but it’s so darn interesting that I’m willing to risk broadcasting my late arrival.

The synopsis of the series, according to Pinzon:

The principal objective of this series is to pay homage to these brave and determined men and women that somehow manage, without the help of any supernatural power, to withstand extreme conditions of labor in order to help their families and communities survive and prosper.

This project consists of 20 color photographs of Mexican immigrants dressed in the costumes of popular American and Mexican superheroes. Each photo pictures the worker/superhero in their work environment, and is accompanied by a short text including the worker’s name, their hometown in Mexico, the number of years they have been working in New York, and the amount of money they send to Mexico each week.

Pictured here is Ernesto Mendez, dressed as Robin, who manages to send $200 dollars home to Mexico City each week by working as a gigolo in New York City’s Times Square.

The rest of the photos are available on Pinzon’s website.

 

 

Interview: Jon Rosenberg on the ‘Goats’ Book Deal

When I spoke with Goats creator Jon Rosenberg a month ago, he hinted at big things in store for his long-running webcomic that may or may not involve lasers, contracts and lawn care professionals.

Well, the news broke today, and despite a conspicuous absence of lasers and lawn care, there is indeed a contract at the heart of Rosenberg’s big announcement. Rosenberg tells ComicMix that Random House imprint Villard will be publishing collections of the color strips of the series (everything from late-2003 until the current storyline) in a set of 150-page volumes. He expects to have the first volume ready for San Diego’s Comic-Con International next year, with two more volumes following in six-month intervals.

From the official press release:

Villard Books will publish the recently completed Goats story arc, The Infinite Pendergast Cycle, as a trilogy —in the style of the great sci-fi sagas Goats so affectionately parodies. Each trade paperback volume will be full color and published at six-month intervals. The first volume, Goats: Infinite Typewriters, set for July 2009, will include newly revised and created material intended to introduce new readers to the colossal and complex Goats universe—and set up the audience for the rest of the epic. Book 1 will cover material published on the Goats website from December 2003 to January 2006. The second book, Goats: The Corndog Imperative, scheduled for a November 2009 release, covers January 06 to March 2007. And the third book, Goats: Showcase Showdown, due out in April 2010, covers March 07 to April 08.

I spoke with Rosenberg about the publishing deal and what it means for one of the ‘Net’s longest-running webcomics.

COMICMIX: So how did this deal come about, Jon? Who approached who?

JON ROSENBERG: My agent, Judy Hansen, made everything happen. I called her up one day and she said, "Hold on, I’m going to call up Random House and get you a book deal." And I waited on hold for a bit and when she got back on, it was all taken care of.

I’m beginning to suspect that Judy has some supernatural abilities, it has been an amazing education watching her bend reality to her will as she works.

CMix: What can you tell us about the specifics of the deal? Do you receive anything on a per-book basis, or was this a flat-rate arrangement?

JR: This is a standard book-type deal as far as I understand, with a royalty rate and an advance paid on those royalties and that sort of thing. It’s a nice deal, I’m not going to retire early on it or anything but I’m quite happy with the terms. (more…)

The Weekly Haul: Comics Reviews for July 11, 2008

All around, a great week for comics even in the face of a few serious missteps. And while the latest Secret Invasion was quite good, it was the monthlies that really kicked into high gear. Let’s get to the reviews…

jsa16-4829475Book of the Week: Justice Society of America #17 — This book hit a pretty serious lull in the middle of the Gog storyline, as Magog went away and Gog (an apparently benevolent god) made his presence known.

The latest issue is all about that old axiom, be careful what you wish for. Gog is on the peacepath, so to speak, and turns his focus on the members of the JSA, granting their deepest desires.

But his altruism cuts both ways. Damage gets a new face and Pieter regains his sight, while Starman becomes sane ("not a good thing") and Power Girl is transported home… wherever that is.

It’s a slickly done issue by Geoff Johns, who crafts an extremely dangerous story without a whiff of a villain. This series had been needing a kick in the pants, and this issue was a big swing of a steel-toed boot.

Runers Up:

Captain Britain #3 — Even better than Secret Invasion is this spin-off title, which has the Skrulls invading Britain as part of their global conquest. This is one jam-packed issue, with epic fight scenes, tough decisions and even a believable turn from Merlin.

The expected rebirth of Captain Britain was goose-bumps good, and my only complaint is that this Skrull battalion is all fighting and no subterfuge, as they don’t utilize that huge shape-shifting advantage.

The Goon #26 — A classic gangsters-at-war story. Think Miller’s Crossing, except with monsters, zombies and filthy humor. Eric Powell maybe goes a bit too far in places, but all in all it’s a damn fine issue, and his art is brilliant as ever.

 

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The Asshole Express Card, by Michael Davis

I wear Bat-Man and Spider-Man cuff links. I have dozens of watches that feature comic book characters. I’ve worn a Bat-Man tee shirt with an Armani Suit to a gallery opening. Hell, on occasion I still wear my Bat-Man sneakers I was given by Paul Levitz in 1989.

I hate to fly; I stay up all night before my flight so I’m knocked out asleep on the plane. If I can’t get to sleep I will take out some comics and read them until I get sleepy. On more than one occasion I have gotten looks from those sitting next to me that clearly showed me their disgust. Those I let go, too small throw it back.

Once a lady asked me “Why are you reading those silly books? You are a grown man; you should be ashamed.” I took out my calling card and presented it to her. My cards are doubled sided. One side says “Michael Davis, Ph.D;” the other side says M.O.T.U. and has my contact information on it. The lady asked me what M.O.T.U stood for. “Master Of The Universe,” I told her. She told me that was silly as well. She then flipped the card over and saw the Ph.D. Her face dropped. She said “Now that’s impressive.” I told her “No, what’s impressive is I learned to read by reading comic books and also learned not to judge others by my own stupid prejudices.”

She left me alone.

Yes, I’m a grown man with a Ph.D. That does not make me smarter than anyone, it simply means I’ve accomplished something of note in my life. No degree can instill in you the common decency not to impugn someone’s right to read whatever he or she wants. Hell, I should have whipped out some porn just to drill that point in deeper.

For over twenty years I’ve been talking about American comic creators and publishers standing up and taking the respect we deserve as an industry. Some of us do, and Frank Miller, Steve Geppi, Kevin Eastman, Mike Richardson, Scott McCloud and Peter David are a few that come to mind. Of course the greatest champion of comics as a TRUE AMERICAN art form was and will probably always be Will Eisner. However, these and other notable folk does not a movement make. I think what is called for is an industry wide movement to draw attention to the power and influence of comics in this nation.

I’m going to start by tearing up my American Express card. They have really pissed me off. (more…)

Review: ‘Hellboy II: The Golden Army’

If there is one absolute statement that can be made about [[[Hellboy II: The Golden Army]]], it is that this is easily director Guillermo del Toro’s lightest and funniest film — which may just be its greatest downfall. If the first film were to be classified as a “horror/action with comedic relief”, this film is most definitely a “horror/comedy with action sequences,” and that could be what hurts the film the most.

The story picks up about a year from where the first film leaves off: the [[[B.P.R.D.]]] has grown, with the addition of Liz Sherman (Selma Blair), who is now Hellboy’s live-in girlfriend. Tom Manning (Jeff Tambor) is still in charge of the team and is trying his hardest (“trying” being the operative word) to keep it all a secret from the public. There’s all of this, and then there’s also an epic war being forged between a renegade elf prince and mankind.

The film starts off sweet enough, on a military base on Christmas during one of Hellboy’s adolescent years.  A cameo from John Hurt gets the audience excited right off the bat. Hurt then tells a young Hellboy the story of the first Human/Elf war. This is where we set the mood for the rest of the film. The story is told using computer-generated wooden dolls, rather than actual elves or humans. While Guillermo is known for his imagination with monsters and/or children, this may have been a bit much in the direction of puerility. Instead of giving the impression of a childhood story, the CGI comes across as sloppy and unfinished.

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Mystery Writer Gary Phillips Talks ‘High Rollers’

highrollers_01-5166112When I talked to mystery/crime novelist recently about his upcoming comic book series High Rollers, it came across very quickly just how much Phillips knows about his hometown of Los Angeles, where nearly all of his writing projects are set.

You can read that interview, in Publishers Weekly Comics Week, right here.

Now, Phillips is giving a sort of virtual tour of L.A. courtesy of Comic Book Resources, which has posted a video of Phillips visiting some of his favorite haunts in the city.

If you’re curious about High Rollers, read my review of the book in last week’s installment of the Weekly Haul.

 UPDATE: The video’s now on YouTube, which you can check out below.

Jon Favreau on ‘Iron Man 2’

ironman-8110083First we had the success of Iron Man. Then we had Marvel’s plans for a sequel and additional movies.

Then things turned dicey, as director Jon Favreau said he hadn’t been contacted about the sequel, and the Marvel-issued timeline for the films was unrealistic.

Now comes unofficial word — adjust the size of your grain of salt depending on how much you trust Hollywood gossipist Nikki Finke — that Favreau has signed on for Iron Man 2, due out as early as 2010.

Finke explains all with a dollop of heavy snark on her Deadline Hollywood blog:

It’s not officially announced yet, but I’m told that Marvel Studios and Iron Man director Jon Favreau have reached a deal for him to helm the sequel, due out in 2010. (Robert Downey Jr had a sequel clause in his contract so he’s on board.) Marvel Studios boss David Maisel was quick to put out a "definitely" richer offer to Favreau, but not quick enough for Jon — who used the Internet and other media to rile up the movie’s many fans by spreading nonsense that Marvel was dragging its feet and then lowballing him. Granted Maisel is no day at the beach himself, but, seriously, could Favreau have been more of an asshole?

ComicMix Radio: Hellboy II – Bring On The Monsters!

Hellboy director Guillermo del Toro says that his love for big burley creatures goes back to the days of Swamp Thing and the creations of Jack Kirby. How does he translate this to film and what was it like acting "with" these creatures? Hellboy stars Ron Perlman and Selma Blair relate their experiences, plus:

  • Girls With Slingshots in print and more on the way
  • A free trip to San Diego – but you have to hurry!
  • Exterminators moves to Showtime and Hiding In Time heads to the big screen

It all starts when you press the button!

 

 

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Wal-Mart Drops Comic ‘Racist’ Comic

meminsml-8562930A couple days ago ComicMix brought you the news that Wal-Mart stores in Texas were stocking the controversial comic book Memin Pinguin, and people were calling racism.

The retailer didn’t respond to the article, but now comes word that Wal-Mart will pull the controversial comics off their shelves. The company’s statement:

Wal-Mart carries a wide array of products that reflect the wants and needs of Hispanic customers. And we understand that Memin is a popular figure in Mexico. However, given the sensitivity to the negative image Memin can portray to some, we felt that it was best to no longer carry the item in our stores. We apologize to those customers who may have been offended by the book’s images.

There is plenty of disagreement over whether the comic is racist or not, with this mention from the character’s Wikipedia page giving some evidence to negate that view:

In one famous issue, Memín, having read that Cleopatra VII of Egypt took milk baths to lighten her skin, tries the same treatment. His mother weeps with sorrow that her son would want to change his skin color. A repentant Memín decides to be proud of his race and color to honor his good mother.