The Mix : What are people talking about today?

Dean Haspiel and the ‘Street Code’ Preview

  • News
  • July 14, 2008

Over at Whitney Matheson’s Pop Candy blog, there’s a preview of Dean Haspiel’s upcoming semi-autobiographical webcomic Street Code. I’ve always been a fan of Haspiel’s work, ever since I first encountered a Billy Dogma story published by the act-i-vate webcomics collective.

From Matheson’s post about the preview:

"I felt that it was the right time to take what I learned drawing other people’s lives the past few years and revisit drawing my own," he told me.

The story follows Jack, a New Yorker who relocates from Alphabet City to Brooklyn, "where most everything he stumbles upon is not as it seems."

What I find most interesting about this project is that Haspiel is publishing it on DC’s controversial Zuda Comics webcomic imprint. Haspiel’s sensibilities have always struck me as more indie-aligned despite his work with some of the larger publishers, so it will be interesting to see how he’ll fare in this heavily scrutinized publishing model.

Street Code kicks off July 18.

Doctor Who in Review: Season Four, Episode #10 – Midnight

The hit BBC series Doctor Who is now in its fourth season on the Sci-Fi Channel, and since we’re all big fans here at ComicMix, we’ve decided to kick off an episode-by-episode analysis of the reinvigorated science-fiction classic.

Every week, I’ll do my best to go through the most recent episode with a fine-tooth comb (or whatever the “sonic screwdriver” equivalent might be) and call out the highlights, low points, continuity checks and storyline hints I can find to keep in mind for future episodes. I’ll post the review each Monday, so you have ample time to check out the episode once it airs each Friday at 9 PM EST on Sci-Fi Channel before I spoil anything.

Missed a week? Check out the “Doctor Who in Review” archive or check out any of the past editions of this column via the links at the end of this article.

Keep in mind, I’m going to assume readers have already watched the episode when I put fingers to keyboard and come up with the roundup of important plot points. In other words, SPOILER ALERT!

Let’s begin now, shall we?

Season Four, Episode #10: “Midnight”

(more…)

Could Gisele and Friends Make Comics Too Cool?

  • News
  • July 14, 2008

Writing in the Scotsman (which has become one heck of a paper for comics coverage, if only for regular appearances of Mark Millar’s nonsense), Stephen McGinty reflects on more than 20 years of buying comics in Glasgow, and he looks forward to the medium’s potential oversaturation.

Flicking through this month’s edition of Vogue (the American edition, much classier), I came upon the pictures from a recent fashion bash in New York which was styled on a superhero theme and had supermodels and fashion writers extolling the virtues of their favourite comic-book character. When Anna Wintour starts regaling us about superheroes it’s time for the backlash to begin. The comic book should never be too cool. It’s at its best when mocked and derided and will only topple off any pedestal on to which it is raised. The brilliance of the spotlight focused on comics will lead to burn-out. Comics thrive best in the shadows to which, I hope, they will soon return.

In case you’re curious about the event, which was a superhero-themed ball at the Met, the New York Times covered it well. Here’s a classic exchange (and one that makes me think supermodels being interested in superheroes isn’t all bad:

Then Gisele Bündchen (in Versace), passed by, saying, “I want to take that Wonder Woman costume down and wear it right now, but it would probably be too revealing.” Her escort, Tom Brady (in Tom Ford), quickly commented, “I want her to wear the Wonder Woman outfit.”

Zombie: ‘Werewolf Women of the SS’ Comic Coming

  • News
  • July 14, 2008

l_f7d551d6b0f7c0cdf13985b802522f07-1546089After the Grindhouse doubleheader films came out in theater, one of the big questions was whether any of the movie trailers for fake films would lead to real movies.

There’s no Machete on the way yet, but at least one of the properties will be expanded. Just not into a movie.

Cinematical reports that Werewolf Women of the SS, Rob Zombie’s contributed trailer, will be made into a comic book series. Zombie broke the news himself on his MySpace page:

Werewolf Women of the SS is back! This time it’s back as a comic book series! The wacky exploits of Commandant Hess, Lt. Boorman, Von Strasser Eva and Gretchen Krupp, Fu Manchu and even Hiltler will be coming you way. Everything you ever wanted to know about Project Pure Wolf but were afraid to ask!

No word on a publisher yet. Zombie previously worked with Dark Horse on The Nail and IDW on Bigfoot.

Marvel’s Tom Brevoort Disses DC

  • News
  • July 14, 2008

Safe to say there isn’t a lot of love lost between Marvel and DC these days, with that writers’ spat over Secret Invasion and Final Crisis, then rumors that DC pulled out of an awards ceremony over a Marvel joke.

Now over at Marvel’s Cup o’ Joe column at MySpace, editor Tom Brevoort has gone straight middle school on the other New York comics giant. In addition to previewing some Secret Invasion pages, Brevoort writes:

I want to announce that I’m not at all interested in replacing Dan DiDio at DC after he is booted three weeks ago, and I haven’t taken many secret, high-powered meetings with key DC and Warner’s executives, who’ve long admired my great success with Civil War and Secret Invasion and New Avengers and so forth. Dan’s doing an excellent job over there, and I’m sure I couldn’t raise their market share by 10%, 15% or 20%. Despite the fact that many top-selling, exclusive Marvel creators have called me up in response to the rumblings to let me know that they’d love to work on a DC project for me if I was running things over there and begging me to consider it, I’m not remotely intrigued by the possibility. If called, I will not answer; if I answer, I will not parley; if I parley, I will not accept the job; and if I accept the job, I will not work very hard. So there’s no truth to the wildfire speculation that links me at the hip to that position, and makes me the obvious next choice to sit in that chair. Just to make that all perfectly clear.

Ouch. I’m sure it’s all in good fun for Brevoort or Marvel, but that has to sting for DC, which has had some serious struggles lately. And, as someone who was at Heroes Con watching DiDio as those rumors came to a head, let’s just say he didn’t look like a happy guy.

Are Marvel and DC still playing softball against each other? If so, this year I’d watch out for the cleats.

Review: ‘The ACME Novelty Date Book, Vol. 2’ by Chris Ware

The ACME Novelty Date Book, Vol. 2: 1995-2002
By Chris Ware
Drawn & Quarterly, December 2007, $39.95

In typical Chris Ware fashion, this is an attractively (and extensively) packaged book – so much so, in fact, that what this book precisely is isn’t immediately clear. Is it some kind of notebook, journal, or calendar, perhaps? No, it’s Ware’s sketchbook, or perhaps selected pages from that sketchbook, from the years in the title.

Drawn & Quarterly published the first volume of the “[[[ACME Novelty Date Book]]]” in 2003, which included sketchbook pages from 1986 through 1995. That book covered most of Ware’s twenties, starting when he was in college in Austin, Texas and following him forward as he developed the early ACME characters and themes. That first book also had a wide variety of materials; Ware was young and trying out different art styles, but he’d mostly settled down into his current mode by 1995.

So Vol. 2, as Ware mentions himself partway through it, is mostly made up of three kinds of entries: drawings from life, journal entries, and some short comics strips (mostly autobiographical). There are also some sketches and ideas for [[[ACME Novelty Library]]], and the occasional joke or reference to older comics, but, mostly, it’s those big three.

(more…)

‘Hellboy 2’ Tops Box Office

  • News
  • July 14, 2008

hellboy2poster5-8184300More good news on the comic book movie front, as Hellboy 2: The Golden Army is reportedly tops at the box office, with a $35.9 million haul.

Variety says that well outpaces 2002’s Hellboy, the first teamup between director Guillermo del Toro and Hellboy creator Mike Mignola. The second film didn’t face much competition, and next week brings the heavy hitter The Dark Knight, but it’s still a good (and better than expected) take.

Universal said the successful opening of the aggressively marketed “Golden Army” both cements the “Hellboy” film franchise, based on the Dark Horse Comics character, and continues the studio’s winning streak at the summer box office.

“This is an incredible result. No other studio wanted to do this, but Universal had the wherewithal to do it. You had a very talented filmmaker, plus a great marketing campaign that created a huge demand,” said U prexy of distribution Nikki Rocco.

“Golden Army’s” audience breakdown intrigued competing studios. Of Friday’s audience, 69% were male, while a sizeable 58% were over the age of 25, pointing to del Toro’s draw. A full 10% were over the age of 50, while 34% were 35 and older.

Sounds like a third film is possible, depending on how ticket sales hold up.

I finally got to see it Sunday, with a moderately full theater. Lots of good laughs, but overall it was pretty uneven, mainly because of some weaknesses in the script.

Full San Diego Comic-Con Programming Online

  • News
  • July 14, 2008

comic_con_logo-5300575Comic-Con International has posted the full schedule for the upcoming extravaganza in San Diego, and it’s overwhelming as expected.

Here’s Friday. And here’s Saturday.

Featured guests and exhibits are way too long to list, but Heidi MacDonald over at The Beat does a good job of breaking down the highlights.

Those two days, by the way, are already sold out, and Thursday’s tickets are just about gone. Get those comfortable walking shoes ready.

And while you’re there, keep an eye out for some of our ComicMix crew, who’ll be reporting on all the big news, and, if we’re lucky, keeping another running tally on slave Leia sightings.

Interview: Wil Wheaton on Writing, Movies and Comics (Part 1)

  • Uncategorized
  • July 14, 2008

wilwheatoncu-4559660Writer, actor and soon-to-be publishing mogul Wil Wheaton has come a long way since his days as a child actor in such breakout roles as Gordie LaChance in Stand By Me and Joey Trotta in Toy Soldiers. But even with those popular and well-known performances, Wheaton was really thrust into the limelight as a cast member of the the television series Star Trek: The Next Generation, where he played Wesley Crusher for several seasons.

However, in the years since Star Trek, Wheaton has managed to mostly put acting and Wesley Crusher behind him and reinvent himself as a writer through his website, his work in various magazines and other publications, writing gigs on several comic books and work on manga titles from publishers such as TokyoPop.

Wheaton has also managed to launch a very successful publishing company, and is still a fan favorite at conventions and appearances all over the country. I caught up with the multi-talented Wheaton recently at a non-trendy eatery in Pasadena, CA, to talk comics, his career and his love of writing.

COMICMIX:  Okay Wil, what people really want to know is what you order for lunch.

WIL WHEATON: The ricotta with mission fig here is awesome. I love that, but I get it so much…

CMix: Before you arrived, someone’s cellphone rang and it was the bridge alert from the Enterprise.I looked around and thought you were already here, but realized that you probably wouldn’t have that as your ringtone.

WW: No, my phone plays "Good Times, Bad Times" by Led Zeppelin.

CMix:  That’s a good one. So, you just came back from a convention, right?

WW: Yes, the Emerald City Comicon.

CMix: Are you wearing an Emerald City Con shirt?

WW: You know what, I didn’t have time to get one. This is a "Hanners" t-shirt from Questionable Content, which is one of my all-time favorite webcomics ever.

CMix: Nice. At the convention you seem kind of surprised at the amount of books you were selling. Does that happen a lot?

WW: I never know what to anticipate when I go to a new show.  And I have these internal metrics that I set — sort of like an average sales figure that’s kind of the line for whether or not it’s a successful show, and there are all these different means by which I measure success. 

Is it fun? Are the people cool? Did I stumble across a cool new t-shirt? Did I meet new artists?

(more…)

Comics’ Greatest Enigma, by Mike Gold

  • News
  • July 14, 2008

bbv11a-5671197If you’re interested in comics creators, it’s been a good couple months for biographies. First, we had Mark Evanier’s Kirby: King Of Comics (Abrams, $40.00); now we’ve got Blake Bell’s Strange and Stranger: The World of Steve Ditko(Fantagraphics, $39.99). We’ve covered Mark’s book extensively, and our very own Rick Marshall did a swell interview last March.

My column today is not really a review of Blake’s book; it’s a blather about comics’ greatest enigma. Blake is the ultimate Ditko historian, and his book (and website, Ditko Looked Up) reflects his passion. It’s well-written, well-researched, and wonderously designed by Adam Grano. If you’re into Ditko or comics history, it’s a must-have. Kudos to Blake; that’s my review.

Steve Ditko is another matter. I can’t say he’s been denied his rightful place in history – his is always the third name in the phrase “Marvel Comics as we know them was created by Jack Kirby, Stan Lee and Steve Ditko and together they brought comic books kicking and screaming to an adult audience.” If he gets short-shrift, it’s because Steve refuses all interview requests, convention appearances, and celebrity signings. He says he prefers to let his work speak for itself, and I’m sure that’s true. He’s also very shy and has no problem with one-on-one (or two-on-one) conversations in his studio, at the publishing houses, or in restaurants. That’s his prerogative.

On the other hand, he’s a public figure – even inadvertently. This makes him subject of many an article, long-winded editorial (like this), and Blake’s book. I’m told he’s not happy with the attention focused on him from Strange and Stranger; having known Ditko. I’m not surprised. Maybe a little disappointed, but again, that’s his prerogative.

I think from the commercial perspective Steve Ditko’s role in the success of Marvel Comics and its transcendence to the college-student market has been severely underrated. It was The Amazing Spider-Man that put Marvel on the map and in the college bookstores. It was Spider-Man that became the first comic book character to achieve icon status since Superman, Batman and arguably Wonder Woman. That’s the first in a generation. And, maybe, the last to date.

As the 1960s progressed Steve became more and more political, embracing the values of a form of Objectivism so fundamentalist that it even scared its founder, Ayn Rand, who asked Ditko to print a note saying his work reflected his values and not necessarily hers. Objectivism, for the Google-challenged, is the philosophy that holds “there is no greater moral goal than achieving happiness. But one cannot achieve happiness by wish or whim. Happiness requires that one live by objective principles, including moral integrity and respect for the rights of others. Politically, Objectivists advocate laissez-faire capitalism. Under capitalism, a strictly limited government protects each person’s rights to life, liberty, and property and forbids that anyone initiate force against anyone else.” (Excerpted from The Atlas Society).

(more…)

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks