The Mix : What are people talking about today?

‘Hellboy: Wild Hunt’ Preview on MySpace

With Hellboy 2: The Golden Army coming out on Friday, it’s probably no coincidence that Dark Horse just posted a preview of the next Hellboy comics series online.

Head over to MySpace to see the cover (at right) and first six pages to Hellboy: Wild Hunt #1, which is set to debut in December. The series once again pairs Mike Mignola with artist Duncan Fegredo.

Here’s what the story’s about:

When ancient giants begin to rise from their graves across England, Hellboy is invited to join a mysterious group called The Wild Hunt and help bring them down. But the hunt leads to betrayal and death, and Hellboy is forced to face the consequences of his past actions—actions that now threaten the survival of all mankind. "The fading children of the earth" gather in the shadows, awaiting the promised return of the "Queen of Blood" and a chance to shake the trees, crack mountains, and make the daytime world weep for fear."

Education, by Dennis O’Neil

Over the past few years, I’ve come to believe that not everyone gets the same education, even if schools and transcripts are identical. Some folk mentally compartmentalize: church goes here, family here, school stuff here, life in general there. So when they pass tests on what they’ve heard in classrooms, and at the end of a span of time, usually16 years and some august personage hands them a rectangle full of fancy lettering, they’re done with it. No more schooling, and no learning above what’s needed to live comfortably. Schooling in its compartment yonder, not touching this compartment, which is where we live.

That seems particularly true for liberal arts types, and vastly less true for engineers, doctors, dentists – students who go to the universities to acquire skills.

Although it’s been encouraged and enabled by the current “No Child Left Behind” calamity, which seems to be all about passing prefabricated tests and not at all about learning, this just pass the test attitude is not new. My favorite college professor, from whom I took at least six courses, told us that we’d better join the Book of the Month Club; if we didn’t, we’d probably never read another book after graduation. He was admitting that he wasn’t in the business of encouraging curiosity and a love of books and what’s in them. Rather, his task was just to help us grind through the requirements, pick up the sheepskin and…what? Remember to pay taxes. Don’t raise a fuss. Hang the sheepskin in the foyer, where visitors will see it.

The problem, I think, is this: There might be information over in the school compartment that is relevant to the contents of the living compartment. It might supply answers, or at least stimulate thinking.

Left in the ghetto of the school compartment, denied access to other compartments, and it is useless, and it will die. Worse, its lack might cause you to blunder.

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‘Pulp Tales’ to Benefit Josh Medors

1-4539146Boom! Studios just announced that its upcoming Pulp Tales one-shot will benefit artist Josh Medors, who was recently diagnosed with cancer.

The book is set to debut in limited number at San Diego Comic Con later this month before a full retail run (though no date on the public release was given).

Two covers will be available, one by Ben Templesmith for $3.99 and one by Medors for $9.99. The comic features stories by Steve Niles, B. Clay Moore and others.

Boom editor in chief Mark Waid had this to say:

“Comics are tricky when it comes to real issues like cancer,” said BOOM! Studios Editor-in-Chief Mark Waid. “This is an industry that deals with men and women who are larger than life, who by all rights could cure cancer in an afternoon. But those heroes can’t do that, even in a world of limitless possibility – they are powerless because we are. Using PULP TALES to raise money for Josh Medors proves just how powerful comics and their fans can be in the face of adversity, and the important thing here is showing Josh and his family how true that is.”

Zune Arts: Looks Great, Doesn’t Work

Zune Arts, the creative wing of Microsoft’s Zune team, has debuted its Lost Ones comic, which is available free online and will later be available in printed form.

I went over to Zune’s Web site to check it out, and it’s quite a fancy operation, but there’s one major problem: You can’t actually read the comic.

Sure, you can pull it up and see the pages (it’s written by Steve Niles and illustrated by Gary Panter and others). But you can’t read them. They’re too small.

And maybe this was just my computer or me being the resident luddite, but when I used the zoom function it made the pages so blurry it was even more impossible to read. Call me crazy, but I think the days of everyone reading comics on their cell phone is not just around the corner.

Oh, and if you’re curious why there’s no art with this story, it’s because that function of Zune’s site also wasn’t working. At least they have fancy videos about making the comic…

ComicMix TV: Selma Blair and the ‘Hellboy II’ Interview

Selma Blair returns to the Hellboy franchise as Liz Sherman, this time a little with a little less angst, and a little more sass. See what Selma has to say about her favorite comics growing up, coming back to the character, and her experience on the set of Hellboy II: The Golden Army, in theaters this Friday, July 11.

 

 

Audio: Webcomics Panel at Heroes Con ’08

The good folks over at The Dollar Bin recently posted a recording of the Webcomics Roundtable from this year’s Heroes Con. The panel features webcomic creators Nicholas Gurewitch of Perry Bible Fellowship (the subject of this April interview), David Malki of Wondermark, Julia Wertz of The Fart Party, Chris Harding of We the Robots and Danielle Corsetto of Girls With Slingshots discussing a variety of webcomics-related topics. The chat was moderated by The Comics Reporter himself, Tom Spurgeon.

It’s a great listen for anyone interested in various facets of the webcomic scene, including the pros and cons of instant reader reaction and the economics of making webcomics a full-time gig. Many thanks to the Dollar Bin crew for making it available.

 

(via Fleen)

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Jo Chen’s Comic Art Cover for ‘Fable II’

fable2-3d-7190247Microsoft recently dropped some details for Fable II, one of their big games for holiday 2008. Pre-order bonus games, collectible figurines, making-of discs, yadda yadda yadda… But what’s cool for fans of Jo Chen’s amazing comic cover art (Buffy the Vampire Slayer, Runaways) is that she did the box art for Fable II. (A larger version of the image is posted after the jump.)

Of course, this isn’t totally surprising since she received considerable acclaim for doing the cover art for the original Fable.

So what I want to know is, why haven’t game makers discovered the likes of Alex Ross, Adam Hughes, and J.G. Jones for videogame covers? Instead, they seem content to stick with dreck made by art students with access to Photoshop. sigh (more…)

Review: ‘The Spectacular Spider-Man’ Animated Series

Seriously, folks — [[[The Spectacular Spider-Man]]] animated television series on the “Kids WB” network is one of the best superhero adaptations I’ve ever seen (and trust me, I’ve watched more than anyone will probably consider reasonable). It’s fun, it’s smart, it’s mature, it’s witty and every episode leaves me wanting more.

Supervising Producer and Story Editor Greg Weisman brings the same level of intelligence to the program that made his acclaimed Gargoyles cartoon series so succesful. Teamed up with him in developing the series for television is Producer and Supervising Director Victor Cook, whose resume includes working on the Hellboy animated film Blood and Iron, Darkwing Duck and producing the animated series based on the popular [[[Lilo and Stitch]]] animated feature film. Together, they have brought us a series that is updated for the modern-day audience but is completely faithful to the spirit and atmosphere of the first several years of [[[The Amazing Spider-Man]]] comics.

How does it compare to Sam Raimi’s interpretation of [[[Spider-Man]]] as someone who whines, mopes and cries a little more often than I’m comfortable with? Forget him. This animated incarnation of Peter Parker is a true New York teenager, cracking jokes on instinct — even when it’s not necessarily the wisest move.

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For example, let’s talk about a brief scene from the first episode. The high-flying villain known as the Vulture grabs businessman Norman Osborn and tosses him to his death from a great height. Spider-Man shows up, catches Osborn in mid-air and remarks, “You guys play hot potato hardcore!” The Vulture screams that the skies belong to him, forcing Spider-Man to concede, “He may be right. I only rent.”

Now that’s the kind of dialogue and Bugs Bunny-like attitude I wish I’d seen out of Tobey Maguire.

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Interview: Brian Bendis on ‘Secret Invasion,’ TV and Marvel’s MMO

secret-invasion-5_200-3438179Among comic book fans, Brian Bendis has become a household name as the architect of Marvel Comics’ “Ultimate” universe, the writer of countless stories involving just about every character in the publisher’s stable and the author of a long list of well-regarded, creator-owned projects such as Powers, Torso and Jinx.

Credited with making a host of third-tier characters relevant and merging the many worlds of the Marvel Universe into a more manageable landscape, Bendis is currently scripting Secret Invasion, Marvel’s latest, massively marketed crossover event that has readers guessing which of their favorite characters are actually shape-changing Skrulls in disguise.

I spoke with Bendis during a signing event at the recent Wizard World Chicago convention. The long line of fans that curled around the Marvel booth, through the aisles and around several other booths was a testament to both the massive list of projects Bendis has authored, as well as his genre-spanning appeal among fans. Those in line offered up everything from issues of Bendis’ long-running, creator-owned series Powers to issues of Daredevil and Secret Invasion, and many identified themselves as members of Bendis’ popular message board community, Jinxworld.

COMICMIX: It’s been a while since we’ve talked, Brian… I’m glad I could catch you for a few minutes.

BRIAN BENDIS: Yeah, this is our inaugural ComicMix interview. I’ve never been on the site before.

CMix: Well, let’s get right to it, then, as I don’t want to take up too much of your time with everyone in line here. First off, with the recent Secret Invasion reveal of Spider-Woman, Jessica Drew, as a Skrull, how does that reflect on all of the Spider-Woman stories you’ve been telling for the last few years? You’ve been building a fairly complicated history for the character, after all…

BB: It reflects perfectly, because I was writing her knowing this. It wasn’t like someone surprised me with it. I knew from the first issue of New Avengers that she was a Skrull. But the reveal and the reaction to the reveal, it was so genuine and it was a real relief. I did feel bad, though. There were a few Spider-Woman fans on my boards, one of whom had spent thousands of dollars on original art from the issues I had written. They showed me the art, and they were amazing, but the whole time I was like… Oh, no…

But the whole point is surprising people. You can’t start whispering to one person or another. Only about four people in Marvel knew that was the way things were going to play out. (more…)

Review: ‘PvP Vol. 5: PvP Treks On’ by Scott Kurtz

pvp-treks-on1-9014129PvP Vol. 5: PvP Treks On
By Scott Kurtz
Image, June 2008, $14.99

Image is a comic-book publisher, and sees everything through that lens. So, for them, this is a book “collecting issues 25-31 of the hit comic strip series,” as the cover proclaims. For most of us, though, PvP (http://www.pvponline.com/) is a daily comic strip on the web, so what’s important is that [[[Treks On]]] collects strips from June 12, 2005 through April 9, 2006. (Possibly not all of them, since several seem to be added at the beginning and others are missing at the end – and there were some duplicates in the middle, too – but most of them, at least.)

Image might think that referring to comics – which cost money – instead of to a free webcomic might increase the perceived value of their book, but are there really people – even in the inbred, hothouse environment of the comics shop – who would be a) interested in a daily comic strip about computer gaming and b) unfamiliar with webcomics?

My complaints about Image’s publishing strategy aside, this is a handsome package, with the strips shown at a nice large size, two to a page. We’re running about two years behind the current strip, so Brent isn’t even engaged to Jade yet – though he comes darn close in one storyline here. The other character relationships are close to where they are now: Francis and Marcy are friendly but not quite dating, and Robbie & Jase win the lottery in these strips.

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