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Review: ‘All Star Batman and Robin Vol. 1’

assbar-9206861A couple years ago, back when Frank Miller and Jim Lee’s All Star Batman and Robin started inconsistently shipping, I read the first few issues and then waved the series off. I hated it so much I added an extra “S” and started referring to it by the acronym ASSBAR.

At the time, it seemed like a good portion of comics critics felt similarly about the book. Then a curious thing happened. More and more reviewers started to come around to the new, harsh [[[Batman]]] that called Robin “retarded” and tried to kill cops.

Now with the first volume conveniently collected, I decided to revisit the series. Had it improved? Had I just given up to early? Or was it still ASSBAR?

As much as I love that nickname, I may have to retire it, because this series is not as bad as I first thought. Miller displays a near-mastery of pulp dialogue and narration, and Lee proves what everyone already knows, that he’s a master draftsman of superhero comics.

In case you’re one of the select few who haven’t read the book, it’s a wholly new take on Batman’s first years, and he’s portrayed as essentially a psycho. Which, in a lot of ways, makes sense. You have to be pretty nuts to put on tights and kick the crap out of muggers.

But Miller pushes it to ugly extremes, with Batman kidnapping Dick Grayson and forcing him into the war on crime, nearly killing fellow superheroes and possibly killing corrupt police officers. This Batman is completely unhinged, which becomes fully apparent in a later issue when the Joker appears and seems sedate by comparison.

Now, this is what Miller does well, crackling along at the harsh edge of humanity as he has in Sin City, 300 and elsewhere. But there are two inherent problems: First, this goes against every incarnation of Batman we’ve seen and degrades the character. Second, and most importantly, that degradation doesn’t work because it’s paired with Lee’s artwork.

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WWC Interview: Brian Azzarello on ‘Batman: Gotham Knight’

  • Uncategorized
  • June 30, 2008

batman-gotham-knight-1-3306375On his way to becoming one of the most sought-after writers in comics today, Brian Azzarello has achieved a great deal of success and notoriety with his series 100 Bullets, which garnered him multiple Eisner Awards. In addition, his work on Hellblazer, Johnny Double, Batman/Deathblow and Lex Luthor: Man of Steel continues to cement his reputation as a writer and creator of comics.

Along with Brian’s many accomplishiments in comics, he’s also one of the six writers contributing stories to the upcoming animated feature film Batman: Gotham Knight. Brian’s segment, "Working through Pain," shows us a somewhat non-violent side of the Dark Knight and showcases a story in which Bruce Wayne learns techniques from a mysterous woman that will serve him well and help him deal with the physical toll exacted upon him during his years as Batman.

I caught up with Azzarello at Wizard World Chicago to ask him a few questions about writing his segment, how he feels about Batman as a character and how he thought the film turned out.

COMIX MIX: Brian, what is it that makes Batman such an endearing character?

BRIAN AZARELLO: Well, he’s not realy endearing to me.

CMix: You don’t like him?

BA: I think he’s a tragic character. Maybe that’s why he’s more compelling than endearing. He’s all about his flaws.

CMix: But you’re a fan?

BA: Oh, yeah, but I like his villains a lot, too. Almost more than I like him. I think his villiains are all different pieces of him. That’s something that makes him really interesting.

CMix: How did you get involved in the Batman: Gotham Knight film?

BA: I was asked. They explained the film to me, how it would be structured with six stories, and asked me to come up with an idea. I chose to focus more on Bruce Wayne, and they liked my pitch. That’s pretty much it.

CMix: Is there a difference between writing something for print and for a movie?

BA: Not for me. My comic scripts are pretty sparse in terms of art direction, the blocking and such. I don’t get into a ton of detail and more leave it up to the artist in a lot of ways. So it was a pretty easy transition for me to make.

CMix: How do you think the film turned out?

BA: I liked it. I thought it turned out well considering it was six different stories. I thought it held together very, very well. As a writer, I really try to trust the people I work with. I try to leave them plenty of room so they can bring their strengths to the work.

I think that happened in this film, and definitely for my segment – the animation is just amazing.

Batman: Gotham Knight is scheduled for a July 8 release on DVD.

Take Your Picture With The Incredible Hulk

  • News
  • June 30, 2008

I just found a website that I’m having a lot of fun with. HulkOutWithVault.com is promotional tie-in between The Incredible Hulk movie and green energy drink soda Vault. It’s the digital equivalent of boardwalk cutouts. Upload a photo with a face into one of four Hulk movie backgrounds, then send them to your friends for all to enjoy.

Since ComicMix Managing Editor Rick Marshall tirelessly works to make sure my posts are decipherable, and graciously contributed his image to one of the Wizard World Chicago 2008 photo galleries, I decided to use him as my demo.

The image posted here is Rick partying with the ol’ Jade Giant himself. More pictures are posted after the jump.

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Wizard World Chicago 2008: Photo Gallery Wrap-Up

  • News
  • June 30, 2008

Sure, we already posted several sets of photos from the weekend (WWC Gallery 1, WWC Gallery 2, WWC Gallery 3), but after unpacking our gear and beginning to unwind from the show, we discovered a few more photos on the cameras of various members of the ComicMix crew. My favorite of the bunch (and the one that convinced me another gallery was necessary) is posted here, and the rest can be found after the jump.Oh, and please pardon the shakey, blurred photos — these are just the images we pulled off our various camera phones over the course of the weekend.

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Yes, that’s Blade reading a copy of the Buffy the Vampire Slayer omnibus. Seriously, we couldn’t have planned a better image than this one…

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Wizard World Chicago 2008: Day Three Report

  • News
  • June 30, 2008

wwchicago007_00-9642588The booths are broken down and all that’s left of this year’s Wizard World Chicago convention are empty mylar bags blowing in the wind and streets littered with Marvel Comics promo cards.

Sunday was another slow one on the show floor, with many creators (and a few retailers) packing up and bailing out well before the 5 PM close of the show.

So what were the highlights of the last day?

First on the list would certainly be Guest of Honor Warren Ellis completing a grueling schedule of signings that seemed to have him in action for a significant chunk of each day — with far more signings than any other creator in attendance, as far as I could tell. As I mentioned in my Day One Report, this was Avatar’s show, and that was no less the case on Day Three than it was on Day One.

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Not Even Close To The News, by Mike Gold

  • News
  • June 30, 2008

I did a column a couple weeks ago about the wacky New York Post, spurring a comment from Vinnie Bartilucci about how the rag is merely a return to the glory days of yellow journalism. There’s a lot of truth to that, and I was reminded of statements by the brilliant columnist Jimmy Breslin. He persistently advocates on behalf of the entertainment value of the medium and recently told New York magazine “newspapers are so boring. How can you read a newspaper that starts with a 51-word lead sentence? They’re trying to prove they went to college.”

My first journalism teacher got his start in Chicago’s The Front Page days, and he dazzled me. Here’s a guy who, when he was roughly the age I was at the time, ran with the likes of Ben Hecht and Charlie MacArthur. He worked for William Randolph Hearst’s Chicago American, a paper so yellow they actually printed the front page flat on yellow newsprint – hence the name. He worked in the fabled Madhouse on Madison Street, a building across from the Chicago Civic Opera house (of Citizen Kane fame) that was so ugly that when Hearst saw it, he refused to walk in. Editors would routinely call the wives of murder victims posing as policemen asking the immediately-widowed that she gather a few really “interesting” photos of the deceased for a “detective” who would be showing up at the front door within a few minutes. Within an hour or two, those photos would be on the front page.

I loved that stuff. By the time I was reading newspapers, Hearst died, the American had been sold to the staid Chicago Tribune, and the Madhouse on Madison Street became a commercial office building with a slightly less tacky new façade. Ironically, Hearst’s Midwest advertising sales offices remained headquartered in the facility.

But Hearst and Hecht and MacArthur, and their New York counterparts like Walter Winchell and the amazing Damon Runyon, had nothing on Bernarr Macfaddon. For one thing, back before the Great Depression, Macfaddon invented Photoshop. (more…)

‘Wanted’ to Hit $50 Million Opening Weekend

  • News
  • June 29, 2008

According to Variety, Wanted, the feature film released Friday that is based on the Mark Millar and J.G Jones graphic novel of the same name, is going to have a pretty good opening weekend. In spite of some less-than-stellar reviews, including one from our very own Matt Raub, the film seems poised to be a hit and according to the trade, should take in just over $50 Million at the weekend box office — earning it the number two spot behind Disney/Pixar’s Wall-E.

As this is Wizard World Chicago weekend and Top Cow, the publisher of the original Wanted graphic novel, is at the show, I decided to check in on them and bring their VP of Marketing, Mel Caylo, the good news about the film’s perfomance and get his reaction.

COMIC MIX: Hey Mel, I just heard that Wanted may do over $50 million this weekend at the box office. How do you feel about that?

MEL CAYLO: Really? Where did you hear that? If its true, we’re obviously thrilled.

CMix: Variety is projecting it. Wanted will be number two behind Wall-E.

MC: Well, that’s great. And I think we’re on fewer screens, too, so that’s great.

CMix: Those are pretty good numbers. What do you think is responsible for them?

MC: Well, Universal did some really great marketing for the film so that’s a big part of it. They really pushed it hard and got the word out beyond those people that just knew the comic.

And, of course, Angelena Jolie is a big draw. Also, some of it comes from the comic as well, of course. And, the director Timur Bekmambetov did a great job.

CMix: Where you a fan of the director’s other films?

MC: Yeah, I really liked Nightwatch. I thought it was great.

CMix: So, if the film continues to do this well, should we expect a sequel?

MC: It’s too early to say, but I would think if it becomes a huge success than a sequel could happen.

CMix: Can you tell us if any of the creative team has signed up for multiple films?

MC: Not really. I did read that the writers of the film had signed up for a sequel but I can’t comment on that. Or, on who else might have signed up.

CMix: So, some people have signed up but not others?

MC: Again, I can’t really say for sure but obviously, some people wouldn’t be back because they didn’t make it through the film.

CMix: I’m just going to guess and say that probably James McAvoy would be coming back?

MC: I can’t confirm that at all but if there was a sequel, that would make sense.

CMix: Okay, Mel, I won’t put you on the spot any more. Thanks and congratulations.

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ComicMix Radio: Wind Down at Wizard World

ep-cover_01-7990634We put the wrap on this year’s show with some fan comments on the event, a quick tidbit from Marvel on a new Young Avengers one shot and the story of one group of guys who turned this years trek to Chicago into a new publishing venture.

Come on, one more time – just for us? Press the button!

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-3838173 or RSS!

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WWC Interview: ‘World War Z’ Writer Max Brooks

  • News
  • June 29, 2008

maxbrooks-3100333To some, it may seem unusual to find Max Brooks, the author of the very popular novels The Zombie Survival Guide and World War Z at a convention devoted mostly to comic books. But really, it isn’t that hard to understand. Both of Brooks’ books deal with zombies, a very popular creature among comics and pop culture fans.

Recently, Brooks’ novel World War Z was optioned by Paramount Pictures for actor Brad Pitt’s company Plan B to produce. He’s also hard at work writing the graphic novel adaptation of the historical zombie attacks featured in The Zombie Survival Guide — which is being packaged by Avatar Press.

I sat down with Brooks on Saturday to talk about zombies, his love of history, his latest project and why translating his work into a graphic novel was one of the hardest things he’s ever done.

COMICMIX: So Max, you’re a writer of two successful novels. What are you doing at a comic book convention?

MAX BROOKS: I have my first comic book, a graphic novel based on the reported attacks in the Zombie Survival Guide, that I’m doing with Avatar. That’s what I’m doing here at this convention.

CMix: How did you hook up with Avatar Press?

MB: i was stalked by William Christensen, who heads Avatar Press. He cornered me at another show and said he really wanted to work with me and i said "i would really love to work with you, too. Who are you?" But then we talked and he gave me some samples of artists and i really liked what i saw and thought we could work together.

I ended up going with this one artist because i liked his work the most and i thought it looked the most realistic, which was important for me.

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Wizard World Chicago 2008: Photo Gallery – More Costumes

  • News
  • June 29, 2008

c2008-chris-ullrich-14Previously on ComicMix, we featured galleries of photos from Wizard World showcasing the general “flavor” of the show and some cool costumes. And now, because even more fanboys and fangirls made their presence known on Saturday, we’ve got another gallery of costume photos for you.

From Frylock to Blade to C-3PO, these costumes prove that no matter what your favorite character is, if you’re determined to make a costume and show up at a convention as that character, you can. As always, be sure to check back for more photos and other coverage of the event.

And if you’ve missed our previous coverage of the event, here’s a list of our reports thus far:

Wizard World Chicago 2008: Mondo Marvel Panel Report

ComicMix Radio: Direct From Chicago – Marvel Exclusives and Sneak Peeks

Wizard World Chicago 2008: Marvel Ultimates Panel

Wizard World Chicago 2008: Photo Gallery – Part 1

Wizard World Chicago 2008: Day One Report

Wizard World Chicago 2008: Photo Gallery Pt. 2 – Costumes

ComicMix Radio: Wizard World Chicago Day Two – Sadness and Confusion

WWC Interview: Josh Blaylock on ‘Vampire Hunter D’

Wizard World Chicago 2008: Day Two Report

 

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