Heroes Con: Day One Report
For those not attending Heroes Con in Charlotte this weekend, and for most of those who are, the big news is the rumors swirling around DC Comics.
There was chatter all day about DC Executive Editor Dan DiDio, and whether he might be out. The only real news, though, was that VP John Nee is resigning.
Sadly, everyone was so caught up in the rumormongering (which, so far, has turned out to be fluff) that they missed out on the panel of the weekend. The man behind the current greatest cartoon in the world, Cul de Sac, came down to talk about his strip and new collection.
That’s Richard Thompson at right, the quiet genius of the comics world. What you can’t see is the massively empty hall in front of him. Fewer than 15 people were there, and that’s just a shame.
That complaint aside, it’s been a fun if relaxed con so far with plenty of interesting tid bits:
The DC presence was pretty tense. DiDio stayed pretty gruff throughout the State of the Industry panel and dodged moderator Tom Spurgeon’s questions about the past week at DC, marred by Chuck Dixon’s acrimonious exit. (more…)

Wanted, the film based on Mark Millar and J.G. Jones’ six-issue 2003 miniseries, will hit theaters at the end of this month, and the Universal Pictures marketing machine is chugging along in anticipation of the big day.
When movie site
It’s that day of the week again, folks — the one where I hastily cobble together a bunch of posts to run this weekend while hoping no one notices that I kicked off my own “Happy Hour” several hours earlier. Oh, and it’s also the day when I wrangle a few items of note for you to take notice of from the online side of the comics scene, too.
While I’m not a big fan of the way this conversation was framed, it’s worth noting that the crew at ComicBookMovie.com recently chatted with actor Adam West, the Batman of the campy 1960s television series, about the current state of the character’s TV and movie franchise.
I already knew that Richard Thompson’s 

As The Dark Knight‘s release date looms ever closer, studio-arranged embargoes on coverage of the film appear to be lifting and the set visits, interviews and other coverage that have been kept out of the public eye for the last year or so are arriving on the ‘Net.
