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ComicMix Radio: Marvel’s History Beautifully Bound

  • News
  • June 21, 2008

DK Publishing has announced Marvel Chronicles, a high-end hardcover that takes fans from the ’40s to the present day in Marvel history with a few interesting twists. Comic historian Peter Sanderson, one of the creators of the project, gives us an exclusive look at this “must have” goodie, plus:

— The next Transformers saga is ready, but where are the Autobots?

— Kick Ass out of print – again

— Greatest American Hero in comics

Okay, stop singing “Believe It Or Not” and press the button!

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-4260137 or RSS!

Heroes Con: Day One Report

  • News
  • June 21, 2008

heroescon002-2737977For those not attending Heroes Con in Charlotte this weekend, and for most of those who are, the big news is the rumors swirling around DC Comics.

There was chatter all day about DC Executive Editor Dan DiDio, and whether he might be out. The only real news, though, was that VP John Nee is resigning.

Sadly, everyone was so caught up in the rumormongering (which, so far, has turned out to be fluff) that they missed out on the panel of the weekend. The man behind the current greatest cartoon in the world, Cul de Sac, came down to talk about his strip and new collection.

That’s Richard Thompson at right, the quiet genius of the comics world. What you can’t see is the massively empty hall in front of him. Fewer than 15 people were there, and that’s just a shame.

That complaint aside, it’s been a fun if relaxed con so far with plenty of interesting tid bits:

The DC presence was pretty tense. DiDio stayed pretty gruff throughout the State of the Industry panel and dodged moderator Tom Spurgeon’s questions about the past week at DC, marred by Chuck Dixon’s acrimonious exit. (more…)

New ‘Wanted’ Clips and Interviews Hit the ‘Net

  • News
  • June 21, 2008

Wanted, the film based on Mark Millar and J.G. Jones’ six-issue 2003 miniseries, will hit theaters at the end of this month, and the Universal Pictures marketing machine is chugging along in anticipation of the big day.

Just in case you lost track of this one in all of the Iron Man and Incredible Hulk hub-bub, there’s a lot to be find around the ‘Tubes to catch up with the film and the creator-owned Top Cow series that inspired it.

Yahoo Movies has collected all of the various trailers and previews for the film on a single page, including the latest: a a wild scene that takes place aboard a train in mid-derailment.

Comics2Film has put together a pretty decent list of interviews with the cast of the film, including star James McAvoy, director Timur Bekmambetov and hip-hop musician Common.

For the audiophiles, you can view samples of music from the Wanted soundtrack over at CineMusic.

Finally, we posted links to a Wanted "Making Of" featurette a while back that’s available online, as well as the Wanted viral marketing website that inducts users into the film’s mysterious "Fraternity." (Note: I submitted my email address to the site when I posted that article and haven’t heard anything thus far.)

Every Day is Kids Day! by Martha Thomases

  • News
  • June 21, 2008

One of the things I learned at this year’s MoCCA Arts Festival (aside from the fact that New York firefighters remain the world’s most awesome) is that independent, alternative cartoonists embrace the children’s market. This was evident not only in the major publishing launch of Francoise Mouly’s TOON Books, but also the work of a lot of young people with their self-published titles.

This may seem like a stupidly obvious thing to say from anyone who has watched the market for children’s books, graphic novels, and other kinds of mass media. Unfortunately, it doesn’t seem to apply to most comic book stores.

When I worked at DC, the typical story about comics had the headline, “Biff! Bam! Pow! Comics Aren’t Just for Kids Anymore!” My boss explained to me, in great detail, why there was no need to make comics that children under 12 would enjoy. The success of Vertigo – Sandman in particular – meant there was a profitable market for comics among college-educated, affluent adults, especially to advertisers.

This was true, as far as it went. Good books can be good marketing. Sandman continues to make a lot of money for DC, even though there haven’t been new stories for several years. I have no doubt that many people for whom Sandman was their first comic went on to read lots of other comics by lots of other writers, artists and publishers. (more…)

Leaked ‘Iron Man’ Photo Now Subject of Lawsuit

  • News
  • June 20, 2008

When movie site IESB.net posted one of the first images of the Iron Man suit last May, to say that the leaked photo from the set of Iron Man created a bit of a buzz might be the understatement of the year.

It didn’t take long, however, for the studios involved with the film to direct their full legal attention to the movie news site, forcing it to shut down for a period of time and generating an entirely different kind of buzz.

Well, it seems like the legal tussle over the photo will have yet another chapter, as attentive members of the Iron Man audience might have noticed a familiar image on the front page of a newspaper Tony Stark (Robert Downey Jr.) is reading in a scene near the end of the film. Photographer Ronnie Adams, who shot the initial "leaked" Iron Man photo that started all of the hub-bub, is now alledging that the movie studios used his infamous photo in a "pivotal scene" during Iron Man, and is asking for unspecified monetary damages.

Adams filed a lawsuit regarding the photo last week against Paramount Pictures and Marvel Entertainment, and also asked that the photo be removed from any future DVDs or videogames related to Iron Man.

Full-size versions of the original, "leaked" image and the offending Iron Man scene (according to Adams’ lawsuit) are posted after the jump for comparison.

(via pdnonline) (more…)

Webcomic News Roundup: Penny Arcade, EZ Street and Election ’08

  • News
  • June 20, 2008

penny-arcade-4913245It’s that day of the week again, folks — the one where I hastily cobble together a bunch of posts to run this weekend while hoping no one notices that I kicked off my own “Happy Hour” several hours earlier. Oh, and it’s also the day when I wrangle a few items of note for you to take notice of from the online side of the comics scene, too.

This week, the Penny Arcade duo notified readers that their corner of the InterWebs was recently named one of Time magazine’s “50 Greatest Websites of 2008.” You can also vote for which of the 50 sites is ranked #1 — so consider this some encouragement to stuff the holy heck out of that ballot. Go ahead and make your webcomic-reading vote count, choose or die, or just rock the vote. Whatever works.

Since it’s an Election Year here in the U.S., another item of note on the voting side of things: Not only did our very own EZ Street series wrap up its 38-issue run this week, but it was also nominated for a Harvey Award as “Best Online Comic.” Congratulations to creators Robert Tinnell and Mark Wheatley, who were recently interviewed by Scoop about the finale of the series and their future plans. Keep an eye out this week for a Q&A with the EZ Street team here on ComicMix.

(more…)

Adam West Discusses Current ‘Dark Knight’ Franchise

  • News
  • June 20, 2008

While I’m not a big fan of the way this conversation was framed, it’s worth noting that the crew at ComicBookMovie.com recently chatted with actor Adam West, the Batman of the campy 1960s television series, about the current state of the character’s TV and movie franchise.

Sure, it’s no surprise to anyone that West views Batman Begins and its upcoming sequel, The Dark Knight, as a far darker, grittier take on the character he portrayed in the groovy TV series and subsequent (even more campy) film, Batman: The Movie, but his take on the original series provides some interesting food for thought.

"It was silly and funny. With the villains, especially, it was almost Shakespearian because of the bizarre costuming and makeup," he recalls. "In those days we didn’t rely on special effects as much so everyone was challenged to use their imaginations."

West also provides an update of sorts as to the state of the TV series availability on DVD:

"They only thing I’ve heard is that for some time they’ve been trying to cut a deal as far as ownership and return — basically who gets what slice of the pie. When that is worked out, then I guess you’ll be able to get it."

The full chat (which is actually pretty sparse and framed sort of, well… rudely) is available over at ComicBookMovie.com.

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Bill Watterson on Richard Thompson and ‘Cul De Sac’

  • News
  • June 20, 2008

cdscover-4020322I already knew that Richard Thompson’s Cul De Sac was a damn fine comic, but it’s nice to have someone like Bill Watterson, creator of Calvin and Hobbes, confirm that assessment.

Watterson has provided the foreword for the upcoming collection of Thompson’s popular series, titled Cul De Sac: This Exit. According to Thompson, Watterson’s words “made me blush so hard I got a nosebleed.”

Here’s an excerpt from the foreword:

I also like the nightmarish suburb that the Otterloop (“outer loop”) family inhabits: the identical houses crammed in endless rows, the relentless highway traffic strangling the soulless development, the ugly shopping malls, the oppressive parking garages, and sticky-floored restaurants. Like most of us, the family negotiates this modern awfulness as a simple matter of course; the critique appears only in the drawings, where the strip suddenly works on another level.

The full text is available at amazon.com. The collection is scheduled for release this September.

(via TheDailyCartoonist)

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Happy Birthday: John Workman

  • Uncategorized
  • June 20, 2008

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Born in Beckley, West Virginia in 1950, John Elbert Workman Jr. grew up in Aberdeen, Washington and studied at Grays Harbor College and Clark College, getting an Associate in Arts degree in 1970.

He worked in advertising briefly before creating the science-fiction comic series Sindy and the humor strip Fallen Angels in 1972. In 1974 his work on Star*Reach attracted attention from DC Comics, and they offered Workman a job in production.

From 1977 to 1984 he was art director Heavy Metal magazine, where he wrote, drew, edited, colored, designed, and lettered. Since then he has written and drawn for DC, Marvel, Archie, Playboy, and others, but he is best known as a letterer. He worked on many projects with Walt Simonson, including Thor and Orion, and also did the lettering for Jim Starlin’s Cosmic Odyssey series.

More recently Workman lettered The Question, Bullet Points, and 1985, all Tommy Lee Edwards books. He has also done the lettering on ComicMix’s own GrimJack and Jon Sable: Freelance.

Workman is well-known for his tight craftsmanship, his distinctive style, and the fact that he still does traditional lettering on art boards instead of using the computer and digital fonts.

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Review: Futurama – The Beast with a Billion Backs

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Coming up behind their first direct-to-DVD film, “[[[Bender’s Big Score]]],” Futurama’s next title certainly fills the void that series junkies need but can’t get from running their season DVDs bare. And while “[[[Beast with a Billion Backs]]]” is certainly not as deep or emotional as “Bender’s Big Score,” there is definitely enough to keep you entertained for 90 minutes.

The premise of the “movie” (which is technically four interwoven episodes) begins up with a tear in the sky, seemingly to another universe. When panic ensues and the world’s two smartest minds battle it out to figure out who gets to explore it first, our hapless hero, Fry, jumps in the hole and stumbles across something Earth-shattering. There are several other subplots that all come together in the end a la [[[Seinfeld]]], but the main focal point is this interdimensional “beast.”

Each of these films seems to have a central theme, and if the theme of “Big Score” was time travel and friendship, the theme here must be love and jealousy. Even stated by Bender in the film: “You can’t have complete love without complete jealousy,” which may be poetic, but is still hilarious. The structure follows that of a cheesy romantic comedy, while still mocking itself by having the “romance” occur between the titular beast and every being in existence. (It’s your typical “beast meets everybody, they fall in love, everybody feels betrayed, they break up, then try to fix the relationship” story… but with robot pirates.)

(more…)

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