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Review: This Week in ‘Trinity’ – Part 2

Two weeks down, and things are already heating up in DC’s weekly series Trinity.

We left off last week with [[[Superman]]], [[[Wonder Woman]]] and [[[Batman]]] all under the gun from mysterious forces: A dwarf solar system appears in Metropolis, giant robots attack Washington D.C., and Gotham… becomes Olde Timey?

The main point of interest is the nature of the attacks, and the way in which each hero handles the threat. Superman saves civilians and acts tactically. Batman wills Gotham back to normal by refusing the vision. And Wonder Woman smacks the crap out of some robots.

Based on what we’ve seen so far, the central notion of this series lies in exploring the identity of these three main heroes (in the first issue, this came up in how each saw variations of the same dream). Clark is a protector, Diana is a fighter and Bruce is…

So far, writer Kurt Busiek is leaving that one open, as the bizarre transformation of Gotham could imply a lot of things about Batman. It’s also interesting that Bruce is the only one of the three to remark on the strangeness around him.

Why would Busiek only hang a lampshade with Batman? Maybe it has to do with him being the lone human of the Trinity, and thus a stand in for readers. Food for thought.

(more…)

Free Download of ‘The Middleman’ Pilot Episode

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  • June 12, 2008

For those of you who are iTunes-enabled, the first episode of the new ABC Family series The Middleman, based on a comic book series by former Lost writer and producer Javier Grillo-Marxuach, is currently available as a free download. The series premieres this Monday, June 16, at 8 PM on ABC. 

The episode will only be available for a limited time, so make it a point to snag it as soon as you have a chance.

For those who aren’t familiar with The Middleman, the series chronicles the adventures of a secret agency whose slogan is "Fighting evil so that you don’t have to." The Viper Comics series was filled with well-scripted humor, crazy science-fiction gadgetry, over-the-top action and a never-ending supply of creepy-crawly tentacled things for the heroes to battle. After picking up a copy of the first volume a few years ago (there have been a total of three volumes published thus far), I became a big fan of the series — so the news that a television adaptation was in the works was a nice surprise indeed.

Grillo-Marxuach initially conceived the story of The Middleman as a television project, but Paul Dini convinced him to kick it off as a comic. The pilot episode of the series was written by Grillo-Marxuach, who also serves as executive producer of the series.

 

(via beaucoupkevin)

ComicMix Radio: Feeling the Rush From MoCCA

Meet award-winning publisher and writer Tyler Chin-Tanner and step into his fast-paced world of adrenaline, as well as the upcoming American Terrorist. Tyler was just one of the people we met at MoCCA — before things got “hot,” plus:

— Marvel adds a cover to Invincible Iron Man

— Fox revamps their fall TV lineup

— Chuck Dixon and DC = splitsville

Kindly press the button and  away we go!

 

 

 And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-8345293 or RSS!

 

Review: ‘The Incredible Hulk’

Going into this film, you will need to play a bit of a trick on your brain. You need to completely forget everything you experienced in Ang Lee’s 2003 version of the film, while still comparing this film to its predecessor.

You’re going to want to compare this film to Marvel’s previous blockbuster, Iron Man, but you shouldn’t do that — this is a whole new beast (pun intended) and needs to be treated as such.

That said, this film certainly delivers for the franchise, with the only major problem being the anticlimactic fight scene at the end, but we’ll get to that.

Starting off, the abbreviated back-story of this film is given to us in the form of the opening titles. Changing from the books: there is no Rick Jones and no Gamma Bomb, but instead a quiet gamma test on our Dr. Bruce Banner that goes horribly wrong, causing him to “hulk-out” and destroy the facility while also injuring his assistant/girlfriend Betty Ross. He goes on the run from the government, and we come into the story a few years later in Brazil, where Banner has now gone five months without “incident.” The first 15 minutes of the film keep the audience well entertained without the need of the Jade Giant, with some great character development and a fair amount of humor.

On the critical side of things, the biggest change from the first film was easily the look of the hulk and computer-generated imaging throughout the film. This was a drastic change from 2003’s “Shrek on Steroids” look. We’re given plenty of shots of the hulk in plain daylight and in action, and the look is next to flawless. If you are not a fan of CGI to begin with, you have to understand that you are going to see a movie about a gigantic green monster here, and no one is throwing Lou Ferrigno in green makeup this time around.

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The Weekly Haul: Reviews for June 12, 2008

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  • June 12, 2008

An odd blend of comics this week, with four new series, a couple of landmark issues (Invincible hit 50 and The Goon hit 25) and Geoff Johns making sure we remember why he’s THE MAN when it comes to superhero comics. On that note…

action866-3745456Book of the Week: Action Comics #866 — As in Green Lantern, Johns mines DC’s history for revelations that make big waves for today’s heroes. This issue marks the start of his Brainiac storyline, which begins with Braniac’s shockingly brutal theft of Kandar from Krypton.

That campy relic of Superman’s Silver Age becomes a tense and believable moment even before Johns uses it to lay out a mystery in the present (a Brainiac robot steals a sample of Superman’s blood while the main Brainiac seems imprisoned in his own ship). Check out the ComicMix interview with Johns about the story.

It’s that rare first issue of a storyline that delicately lets readers know something big is in the works without ramming that point down anyone’s throat. It’s epic but never self important.

As if that wasn’t enough, there’s the best Daily Planet sequence in a Superman comic in years, highlighted by this exchange about the newly returned Cat Grant. Lois: “I bet she has TMZ tattooed on her butt.” Clark (lifting his glasses): “I don’t see it… Kidding.”

Runners Up:

The Goon #25 — The return of Lazlo has the Goon thinking about turning tail, which shows just how lousy Eric Powell has made things for his scar-faced protagonist. It’s not as funny as your typical Goon tale, but that’s a good thing. And the end speaks for itself: “The war starts now!”

Powell’s art is in its finest, breathtaking form in this issue, from action sequences to emotional lulls. With his smooth designs and slight exaggerations, Powell is something of a modern Norman Rockwell who likes to draw demons being chopped up with cleavers instead of idyllic slices of life.

Captain Britain and MI 13 #2 — This series is essentially an answer to the question: What would Secret Invasion be like if Neil Gaiman wrote it? The British heroes continue to struggle to protect their homeland’s stores of magic from the invading Skrulls, which is complicated by old disagreements in the magical world and, of course, the apparent death of Captain Britain.

Even more than that other Skrull series, this book is capturing the “fate of the world in the balance” vibe, and it creates an interesting dichotomy between the surgically precise Skrull invasion and the unpredictable world of magic. (more…)

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Interview: Emily Horne and Joey Comeau on ‘A Softer World’

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  • June 12, 2008

asw3-200-7130368I’ve been reading A Softer World off and on for the last three years, but I have a good reason for my my irregular visits to Joey Comeau and Emily Horne’s photo-based webcomic.

The fact is, it’s hard to predict what emotion I’m going to feel when I take the plunge into a new iteration of ASW and its text-over-photograph, three-panel world. With other comics, I can usually anticipate the laugh or, in some cases, the snark-fueled sense of satisfaction the latest strip is likely to provide. Heck, with most strips I can at least anticipate learning the next plot point in an ongoing storyline.

ASW, however, is always a gamble.

One strip can prompt hysterical laughter, while the next can only make you shiver and and wonder what the unholy hell was going on in its creators’ minds when that strip was conceived. ASW can explore complex social issues one moment and the depth of depravity in the next.

The point is, I like having at least an inkling of what I’m jumping into before my feet leave the ground — so that’s why A Softer World has always been one of the more irregularly visited comics on my reading list. But I’m not too dense to realize that therein lies its appeal.

In fact, it was one of the more recent, controversial episodes of ASW, sent to me by a friend who is far more willing to suffer the emotional highs and lows of this tremendously creative series, that prompted me to roll the dice and become a regular reader once again — and to contact its creators about this interview.

COMICMIX: With most comics, script usually comes first and art later, but you go at it in reverse with A Softer World. Can you tell me a bit about the creative process for ASW? How does a strip typically come together for you?

EMILY HORNE: When we were both in Halifax, we used to be able to be much more collaborative about it. ASW started with us taking a typewriter and a stack of photos to the all-night copy shop and making a mess of comics all at once. Now that we live on opposite sides of the continent, it’s a bit more difficult. I usually make up three or four comics at a time and upload them for Joey to look at. He comes up with text for them as inspiration (and our 3x a week posting schedule) demands. If we are both online before it goes up, we’ll edit together.

JOEY COMEAU: Also, it’s worth noting that we try to keep the relationship between the images and text interesting and not always a literal illustration. Often times, the picture just feels like it goes with the text, even though they both seem to involve different things. Or, it’s also fun to have a conflict between the two. Very serious people making very serious faces, and ridiculous text.

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Alone Together In the Dark, by John Ostrander

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  • June 12, 2008

lab06popcorn-posters-6676198I remember the first time I saw the film Casablanca. It was at the 400 Theater in Chicago, just up Sheridan Road from Loyola University where I attended college. It was on the bill with Woody Allen’s Play It Again, Sam, an obvious but terrific double feature. I went stag but was lucky to get in at all; the small theater was packed.

I had missed or ignored Casablanca up until this point. I’m not sure why; I liked old serials a lot. The movie had certainly played on TV enough. I’d seen bits here and there or seen send-ups of it; callow youth that I was, I thought it wasn’t for me. Part of it was my own perverseness; my immediate reaction, on being told by everyone else that I must see this or I must hear that or I must read such and such is to say, “No, I don’t.” I get stupid stubborn about such things some times. Being told I would love the film I, of course, refused to see it. Finally, my curiosity overcame my perverseness and I sneaked off to view it without anyone else.

As I said, I went stag but I soon discovered I wasn’t alone. I was part of an audience, folks who mostly knew and loved the film. At the end of the singing of La Marseillaise, they cheered. When Captain Renault said, “Round up the usual suspects,” they cheered again. They laughed out loud at the funny lines (the movie is incredibly witty and they had actors who knew timing) and listened with rapt attention to Bogart’s speech at the end. Their delight and enthusiasm was catching on its own. And then there was the film itself.

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ComicMix TV: The ‘Incredible Hulk’ Interviews

  • Uncategorized
  • June 11, 2008

With a brand new Incredible Hulk ready to hit theaters this Friday, ComicMix TV talks to producers Kevin Feige and Gale Anne Hurd, as well as the film’s director, Louis Leterrier, about what fans can expect — and how it will compare to the Hulk’s previous, much-maligned turn on the big screen.

 

 

‘Superbad’ Writers to Script ‘Simpsons’ Episode

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  • June 11, 2008

Various sites are reporting that Seth Rogen and Evan Goldberg, co-writers of the recent comedy Superbad, are currently writing an episode of The Simpsons.

Much like most deals in Hollywood, the arrangement was initiated when the pair met Simpsons producer James L. Brooks at a party, made a connection (he liked Superbad), and then the pair wound up pitching ideas to the staff of the animated series. The episode is expected to air sometime next season, and Rogen could voice one of the characters introduced in the episode.

According to Rogen:

We went in and pitched them like five ideas and surprisingly hadn’t done some of them. And we all kind of settled on one in the meeting and then we went out and wrote an outline and they gave us notes on it.

(via toonzone, CelebrityCafe and somewhere in the jungle of IGN)

Happy Birthday: Susan Van Camp

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  • June 11, 2008

Born in Flint, Michigan in 1959, Susan van Camp has always loved art and doodled pictures on all her school notes as a child.

Her first commercial work was in roleplaying games, on Steve Jackson’s Car Wars. She worked on Tales from the Aniverse for Arrow Comics in 1984, and then Varcel’s Vixens for Caliber Comics.

In 1994 Van Camp began doing artwork for a brand-new card game, Wizards of the Coast’s Magic: The Gathering. She has also worked for several other game publishers, including Flying Buffalo, FASA, Pinnacle, and Alderac.

In 1996 Van Camp produced her own roleplaying game, Dragon Storm. Today she  continues to do artwork for various roleplaying games and to produce and sell Dragon Storm as well.

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