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John Ostrander’s ‘Bloody Bess’ Retakes The Stage

bloody20bess20website20art-2634988Way back in the dark ages, Stuart Gordon directed a play for his Organic Theater written by ComicMix’s own John Ostrander and our pal William J. Norris called Bloody Bess. It starred Dennis Franz, Joe Mantegna and Meshach Taylor along with writer Norris – writer Ostrander was pressed into service once when he wasn’t performing at the Goodman Theater with Del Close. The play was about this lady pirate’s revenge on her kidnappers and had lots of swashbuckling and mystery and terror. I saw it only about nine times.

It toured all over the world, but eventually, like all stage plays, it faded. And like all good stage plays, Bloody Bess is making its triumphant return.

Between June 13 and July 20, Chicago’s BackStage Theater Company will be presenting Bloody Bess at The Storefront Theatre Gallery 37, 66 East Randolph Street, downtown near Lake Mighigan. It stars Eva Swan, Ron Kuzava and Scott Graham. They work on Thursdays, Fridays and Saturdays at 7:30 pm and on Sundays at 3 pm.

Hmmm… This will be going on during Wizard World Chicago. If you’re around, check it out. 

New ‘Prince Valiant’ and ‘Wash Tubbs/Captain Easy’ Reprints From Fantagraphics

In one item of news coming out of last weekend’s Book Expo America, publisher Fantagraphics will be offering new reprints of long-running comic strips Prince Valiant and both Wash Tubbs and its successor, Captain Easy.

According to iCv2:

Prince Valiant will be presented in an oversized color hardcover format, with two years per book, beginning in 2009.  This presentation will be of higher quality than the 50 trade paperbacks Fantagraphics published, which collected all of the strips with art or story by creator Hal Foster.  At two years per book, it will take 16-17 volumes just to reprint the full page strips with Foster art. 

As for the Roy Crane-created series Wash Tubbs and Captain Easy, which Fantagraphics will begin reprinting in 2009:

Sundays will be printed in color; dailies in black and white.  Although the two strips ran an incredible 64 years, from 1924 to 1988, creator Roy Crane’s work ran only until 1943.  NBM released an 18-volume series collecting the Crane years from 1987 to 1992.

Manga Friday: Korean Road Trip!

The two books this week are actually manwha rather than manga, since they come from Korea and not Japan. Other than the reading direction, both of these books are more similar to their Japanese counterparts than to American comics, which I will demonstrate, viz:

Croquis Pop, Vol. 1
Story by KwangHyun Seo; Art by JinHo Ko
Yen Press, June 2008, $10.99

Da-Il is a young man who either wants to be a manwha artist more than anything in the world — because he told his now-dead mother that the only thing he wanted to do with his life was to make pictures that made her happy — or he fell into the job as a high school student because making comics "looked like fun." Or maybe both, since the story tells us both things and gives us no reason to disbelieve either of them.

Da-Il has just come to work for the manwha-ga Ho Go, who has just moved into a big house with his two other assistants, the punctilious senior assistant Ho-Suk Yang and the gorgeous and mysterious Hang-Chu. (Either in Korea in general, or just in this kind of manwha story, the staff of a particular story live with their boss.) But the hiring procedures are a bit lax, since Da-Il can barely draw. (more…)

Yes We Can…by Michael Davis

Yes We Can… unless we are stupid.

I’m always amazed at just how stupid, petty and small-minded some people can be. Remember the onslaught of bad press and savage criticism Barack Obama had to deal with because of Jeremiah Wright? The millions of TV news stories, the billions of You Tube hits, and the zillion chat room comments? Jeremiah Wright’s antics almost torpedoed Barack Obama’s shot at the Presidency. Rev. Wright’s sermons were broadcast recently but they were old sermons that someone found and put out for the entire world to see long after they were first spoken.

The furor had all but gone away making Rev. Wright’s recent TV news tour the worst possible moment for him to defend himself with regards to the Senator.

The title of Senator Obama’s book was The Audacity Of Hope. The Rev. Wright gave that title to the Senator. I hear that the Rev. Wright is writing a book; you think the title will be The Audacity Of A Dope?

Nah.

Rev. Wright has not made any other comments lately. I would like to think that he realized that there is something bigger out there than his attempt to get his side of the story out. I know a few people who know the man and from what I hear he’s a real decent and very smart guy. But we all have moments of bad judgment and I’m sure that was all it was, a bad judgment call. As I said we have all had those moments. I have had a few… thousand. (more…)

Review: This Week in ‘Trinity’ – Part 1

[EDITOR’S NOTE: This week we begin a new regular feature on ComicMix in which we’ll review DC’s latest weekly series, Trinity, featuring a story by comics legend Kurt Busiek and art by one of the industry’s biggest names, Mark Bagley. Join us every week as ComicMix contributor Van Jensen analyzes the most recent issue of Trinity and decides whether the series lives up to the hype. -RM]

A couple years ago, DC made history by undertaking a weekly series and, miraculously, actually getting an issue out on time every week for a year. As much of a success as 52 was, their following weekly, Countdown, was an utter flop.

Now we have the debut of [[[Trinity]]], which instead of following mostly lesser-knowns, focuses intently on the big three: [[[Superman]]], [[[Wonder Woman]]] and [[[Batman]]]. The creative team is as good as it gets, with Kurt Busiek writing and Mark Bagley drawing, so this has the potential for big things.

Will Trinity come through? I don’t know, ask me in a year, when I’ll either be singing DC’s praises or freebasing illicit substances while muttering incoherently.

Introduction aside, how was this first issue? Pretty not too shabby, which is a vague way of saying it wasn’t stellar and it wasn’t horrible. The story so far:

We start out in the cosmos, with a big flaming face screaming, “Let me out!” Turns out the central three heroes have been dreaming about this entity, which they discuss over a way-too-public breakfast in Keystone City.

(more…)

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Review: Two Grendel Hardcovers – Devil Child & Devil Quest

  • Uncategorized
  • June 5, 2008

devil-child1-3321577It’s generally not a good sign when a series turns from telling stories at the far end of its timeline to filling in the gaps in earlier stories and explaining all the backstory — do I need to mention George Lucas here? — so these two new collections filled me with some trepidation. They’re both reprints of older material — older even than I thought, from 1999 and 1994-95 — but were explicitly returns to even earlier stories.

Matt Wagner’s series of [[[Grendel]]] stories started in 1982, and the main sequence ran from 1986 through 1992 (with a gap near the end caused by the collapse of Wagner’s then-publisher Comico). They started as the story of a near-future crimelord named Hunter Rose who used a mask and electrified pitchfork to terrorize…well, everyone, really. After Wagner wrote the story of Hunter’s inevitable demise, he rethought “Grendel” as a force of evil and aggression that possessed various people through a long future history. With various collaborators (and a number of stories entirely by other hands) and a great diversity of storytelling styles, the Grendel stories all had something in common: a deep, central notion that people are full of evil and corruption, and that life is inevitably nasty, brutish, and short.

Grendel: Devil Child
By Diana Schutz, Tim Sale, and Teddy Kristiansen
Dark Horse, May 2008, $17.95

Stacy Palumbo was the (adopted) daughter of the first Grendel, Hunter Rose, and the mother of the second, Christine Spar. She was a serious but lovable girl in Hunter’s story, and dead by the time of Christine’s. Her unpleasant life in between was backstory in the Christine Spar stories, but here it’s dramatized to wring maximum pathos.

(Think “maximum pathos” is too much? Try this line from the back cover of [[[Devil Child]]] — “The ugly world has no shelter for frightened Stacy, the pivotal link in a chain of evil that extends to the limits of time.” The limits of time, huh? Okay, if you say so.)

(more…)

ComicMix Radio: Learn to Draw Comics the Kubert Way

For over three decades, Joe Kubert has been nurturing talent and helping them make their way into the world of comics. We talk to the master and see just how his teaching techniques have evolved over the last 30 years,  plus:

— Cable gets King-Sized and Thor goes after The Skrulls

— Disappointments for fans of Rescue Me and Torchwood

— Sign up now – to save Dollhouse?

Are you ready for Hellboy shoes? Really? Just  press the button!

 

 

 And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-4320240 or RSS!

 

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Online Comic Book Reader Gets a Redesign at ComicMix

new-reader-4177623Last Friday, with no fanfare, we released the first major upgrade to our ComicMix online comic book reader since we launched our free online comics last October. We have done small upgrades every month or two — like adding the ability to link straight to a specific page, remembering what zoom level you like and remembering that you always want two-page spreads. But this upgrade was significant.

First, we eliminated those little page number links at the top of the screen. We were only using about 30 pixels for that strip, but vertical space is already limited by all the toolbars and junk in your browsers, so why waste any more? Since computer screens are almost always wider than tall, we put the page navigation on the right — the same way that applications like Adobe Acrobat, Apple’s Preview app, Quark and Pagemaker do.

Do you need to click on those little page thumbnails to flip through our comics? Of course not.

(more…)

The Weekly Haul: Reviews for June 5, 2008

Quite a top-notch week in comics, all in all. We had another Secret Invasion entry and the debut of DC’s Trinity (I’ll be doing separate weekly reviews of that one), as well as strong outings from other series.

There seemed to be a viral outbreak of silliness, though, as a handful of comics pushed the goofy too far and suffered for it. Only a couple of outright stink bombs, which are helping me kick off a new section for these reviews: The Dregs. Now, the reviews…

Book of the Week: Secret Invasion #3 — First, let me say there continue to be some serious problems with Skrullapalooza ’08. The series is not even remotely self contained, so any casual fan is probably going to be quite lost, there are a few too many unclear moments (lost either in script or art), and the Skrull invasion force still looks like they were designed by Toys R’ Us.

That out of the way, this issue merits top billing for a few big reasons.

First, the story actually moves ahead after stagnating in the Savage Land. Second, there are some huh-yuge fights, and Leinil Yu takes a bellows and pumps them full of hot air. Third…

We need a big SPOILER WARNING for this. Third, we learn the biggest reveal in modern comics memory, that this colossal, inconsistent prick of Tony Stark who has embroiled the Marvel Universe isn’t really Tony Stark. Gasp. He’s a Skrull.

Runners Up:

Abe Sapien: The Drowning #5 — This series ends with a graceful if unsatisfying issue, filled with more sparsely worded craziness (giant flying eel?!?) and Abe continuing to wonder how he stacks up. "You aren’t Hellboy and you never will be," he tells himself. But, like Hellboy, he learns the crucial lesson that guns usually don’t stop supernatural forces.

The shining light of this series is artist Jason Alexander, who lends everything a perfect ephemeral, abstract air. The good news is he’s going to be doing more BPRD work.

Omega the Unknown #9 — Jonathan Lethem and Farel Dalrymple’s bizarre cerebral odyssey is nearly at an end, and this penultimate issue brings the Omega and robot forces to a head in a big way, with the world at stake. Still, things are never too heavy, and despite a dramatic death it ends up being the most rambunctious issue yet.

(more…)

Carly Monardo Needs Your Commissions

Artist Carly Monardo, who works as a colorist on the hit Cartoon Network series The Venture Bros. and is known around the webcomic scene for her work on posters and other art for popular series such as The Adventures of Dr. McNinja (coincidentally, the subject of this recent interview), recently put out a call for commissions and any freelance work fans can send her way.

From Monardo’s LJ site:

Man oh man…so I currently owe a shit ton of money in back taxes (damn you, 1099!!) for 2007. I set up a plan with the IRS, but interest is 6% compounded DAILY so I am, quite frankly, terrified.

I turn to you, internet, in the hopes that someone out there might have something for me…a freelance gig, a commission, an organ they want for cheap…seriously guys I’ll do it. I am making a pretty pathetic wage at my part-time job and I don’t start back on Venture Bros. again until the end of September. I’m super worried…this has set fire to my already wobbly financial house of cards.

 While it certainly isn’t news that an artist (no matter how talented) is having a rough time making ends meet, what is certainly worth pointing out is the support Monardo’s plea is receiving from around the InterWebs. Anders Loves Maria creator Rene Engström has even created a video plea that puts Sally Struthers to shame, while various other webcomic creators have echoed the sentiment on their own sites.

 

You can view Monardo’s website and commission info at: www.lasagnachildren.com/Carly/

 

(via Fleen)

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