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Happy Birthday: Dr. Mid-Nite

Pieter Anton Cross started his association with superheroes while still in the womb—his pregnant mother was attacked one night in their native Norway by vagrants one night but was rescued by the original Dr. Mid-Nite.

The incident caused her to go into labor, and the superhero delivered Pieter before dashing off into the night. Pieter grew up to become a brilliant doctor, graduating Harvard at nineteen, and moved back to Norway for a time before returning to America to work with Charles McNider—who, unbeknownst to Pieter, was the same Dr. Mid-Nite who had saved him at birth!

Unfortunately, years later Pieter ran afoul of the evil Praeda Industries while investigating a mysterious drug A39 that they were marketing. The druglords captured him, drugged him with that same chemical, and put him behind the wheel of a car. When Pieter awoke he discovered that he had accidentally killed a woman, and that he was now blind but could see in the dark. To bring the druglords to justice he took the identity of his favorite superhero, becoming the second Dr. Mid-Nite.

Since then, Pieter has joined the JSA and become one of its guiding members, as well as its resident doctor.

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Ian Shaughnessy Emerging, by Michael H. Price

shaughnessy-book-cover-2446541From V.T. Hamlin in the 1920s and Etta Hulme during the mid-century, through the Superman books of Kerry Gammill in times more recent, Tarrant County, Texas, has long yielded a wealth of storytelling artistry to the comics industry at large.

An ambitious new representative of that regional-breakout scene is graphic novelist Ian Shaughnessy, of Arlington, Texas. Shaughnessy’s books for Portland, Oregon-based Oni Press – including an edgy comedy-of-errors called Shenanigans, with the Canadian illustrator Mike Holmes – bespeak a childhood fascination with comics, filtered through a lifelong love of language and an interest in taking the words-and-pictures medium to provocative literary levels more commonly associated with the present day’s independent filmmaking sector.

“I find myself writing under the direct influence of Billy Wilder,” says Shaughnessy, 24, invoking the name of a great screenwriter-director whose career spanned from 1929 into the 1980s. “I discovered Wilder during the 1990s with The Apartment [1960], then with Double Indemnity [1944], and found myself very inspired – in a lasting way.

“With Shenanigans, I found myself attempting to honor the spirit of Billy Wilder – that mastery that he had of romantic tensions, with finding the humor in awkward situations – as a key influence.”

Any such talent needs a practical springboard. With V.T. Hamlin, the creator of a famous comic strip called Alley Oop that has survived him by many years, the springboard was a cartooning job at the Fort Worth Star-Telegram. Hamlin spent much of the 1920s at the daily paper, generating such local-interest attractions as a serialized feature about a formidable minor-league baseball club, the Fort Worth Cats. (A retrospective collection of Hamlin’s Oop-prototype Panther Kitten cartoons is in preparation, along with an earlier Hamlin gag strip called The Hired Hand, whose booklet edition has been out of print since the 1920s.)

For Etta Hulme, the Star-Telegram’s signature opinion-page cartoonist since 1972, an early breakthrough lay in a post-WWII comic-book series about a cowboy critter named “Red” Rabbit. Graphic designer and Web publisher Kerry Gammill spent the 1980s and earlier ’90s as an illustrator with Marvel and DC, then moved into motion-picture conceptual art on such productions as 1998’s Blues Brothers 2000 and 1999’s Storm of the Century.

(more…)

ComicMix Radio: Free Comic Book Day Draws Thousands

Take two million free comics and a planet full of hungry fans, and you get the industry’s biggest one-day event. We cover it all from coast-to-coast!

Press the button for your Free Comic Book Day report, here on ComicMix Radio…

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-3157862 or RSS!

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Review: ‘Blue Pills’ by Frederik Peeters

blue-9583352Blue Pills
By Frederik Peeters; translated by Anjali Singh
Houghton Mifflin, January 2008, $18.95

This is another one of those semi-autobiographical graphic novels; I’m not going to assume that this is all “true” (whatever that means), but I will note that Peeters’s bio says that he lives with his girlfriend, her son, and their daughter — and that [[[Blue Pills]]] is the story of a man named Fred, his girlfriend, and her son. (And the main character of this book mentions that he working on a graphic novel about their lives.) So keep that in the back of your head — some proportion of this book is true, though we don’t know how much.

Fred, the narrator of Blue Pills, is a Swiss cartoonist, still in his mid-20s, who’s lived in Geneva his whole life. He remembers Cati vividly from a pool-party late in his teens, but never really knew her well. When he moves into the apartment building where she lives, though, he comes to see more and more of her and her young son (called “the little one” or “L’il Wolf,” but not named). Before long, Fred and Cati are drifting into a relationship, and Cati has to sit Fred down and tell him something difficult — both she and her son are HIV-positive.

(The “Blue Pills” of the title refer to their drug regimen to stay symptom-free, though they’re never called that in the body of the book. The fact that most Americans will immediately think of Viagra when blue pills are mentioned is unfortunate, but neither Peeters nor Houghton Mifflin seems to have taken a moment to worry about it.)

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Happy Birthday: Parasite

parasite-5073966Maxwell Jensen was the classic, small-time crook before his own idiocy transformed him into something far greater.

Jensen was working at a plant attached to a research center and opened one of the storage containers, thinking it might contain the company’s payrolls. Instead the biohazardous extraterrestrial materials inside transformed him, staining his skin purple and giving him the power to absorb the powers of anyone he touched.

The Parasite, as Jensen dubbed himself, became one of Superman’s most dangerous foes, especially since Jensen could not only absorb Superman’s powers but also learned his secret identity.

ComicMix Radio Extra: Welcome to Free Comic Book Day 2008!

The doors are about to open at comic stores all over the world, taking part in Free Comic Book Day. ComicMix Radio has full coverage, thanks to our coast-to-coast network of retailers that include:

Golden Apple Comics in LA; Sun Coast Comics in Jacksonville, FL; Midnight Comics & Games in Houston, TX; Midtown Comics in New York City, NY; Atomic Comic Superstores in Mesa, AZ and  ComicQuest in Evansville, IN.

Join us for a few minutes as we see just how these stores are gearing up for the annual event. Then head out to the store nearest you, grab your freebies and be back here later on this afternoon for our regular Saturday Broadcast and full coverage of FCBD ’08!

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-7995419 or RSS!

 

Flash Rising, by Martha Thomases

So Barry Allen is coming back.

I like Barry Allen okay. I was sad when he died. Not as sad as I was when Supergirl died, but sad. He seemed like a nice guy, someone down-to-earth and genuine, at least as much as a comic-book character can be. His job as a police scientist seemed exotic to me in the days before the CSI shows made put it on television every night. Even when I was a long-haired freak, I liked his crew-cut sincerity.

When Wally West took over the role of the Flash in the comic, I was grouchy about it. He was different. The way Mike Baron wrote him, he was very different. Even though I like to think I’m an open-minded, progressive person, sometimes I want my comics to stay the same. I kept reading them, though, and was soon won over. Those stories were more like soap opera, making them much more addictive on a month-to-month basis.

Wally has been the Flash for 23 years. For my son, he’s the only Flash there is. I mean, he’s my son, so he’s read an abnormal number of old comics, but the Flash he knows from week-to-week is Wally. His reaction to Barry Allen’s return, as he read about it in the New York Daily News on Wednesday, is an unenthusiastic shrug. (more…)

‘Smallville’ Says Goodbye to Lex, Hello to Doomsday

Fans of The CW’s television series Smallville knew that this season was going to be the final one for actor Michael Rosenbaum, who plays Lex Luthor in the popular reinterpretation of Superman’s angsty youth. His portrayal of Lex’s descent into evil has been as fascinating to viewers as Tom Welling’s portrayal of Clark Kent learning what it means to be a hero.

IGN broke the news recently that the next season will introduce two new villains. One they can’t talk about yet, but the other is Doomsday (pictured at right in his original comic appearance).

Doomsday is best known for his fight to the death with the Man of Steel in Superman #75. The monster gained notoriety doing what no other villain had managed to do: kill Superman. Fans later learned that Doomsday was a prehistoric Kryptonian experiment that resurrects and adapts to whatever manages to kill it. Doomsday was last seen in DC’s big Infinite Crisis event, and was defeated by Superman and pre-Crisis Superman.

The IGN story also stated that there would be a new female villain that would be familiar to comic book fans. Her story, according to executive producers:

Intelligent, brilliantly manipulative, and dangerously sinister, our gorgeous new villain has one more weapon in her arsenal: Her mutual attraction with Clark may prove to be as deadly as kryptonite for him.

Hmmm. Who could that be?

GrimJack: The Manx Cat – Back to the Future!

John Gaunt is himself again in today’s brand-new episode of GrimJack: The Manx Cat, by John Ostrander and Timothy Truman. Now that he knows how dangerous the Cat is, will he be able to get to Black Jack in time?

Credits: John Ostrander (Writer), John Workman (Letterer), Lovern Kindzierski (Colorist), Mike Gold (Editor), Timothy Truman (Artist)

More: GrimJack: The Manx Cat

 

 

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The Comics-to-Film Review: How ‘Iron Man’ Matches Up

If you read fellow ComicMixologist Matt Raub’s review of Iron Man, you already know the new Marvel Studios movie is a relentless blast of entertainment. Even for those who’ve never picked up an [[[Iron Man]]] comic, it’s a top-rate summer film.

But there are also those of us who have picked up an issue (or a few hundred) of Iron Man over the years, and for us the movie is a different experience, as we can’t help but compare and contrast it to the comics that have come before. So, in that respect, how does the film hold up?

Tony Stark is the place to start, as he’s always been the real draw of any Iron Man tale (though the costume is plenty cool). In the comics, Stark is a calculating man both as a hero and in the business world. He enjoys his wealth at times, but is more taskmaster than playboy.

Robert Downey Jr.’s take on the character is much more like the raconteur persona that Bruce Wayne takes on, only for the movie version of Stark, it’s no act. Much like Johnny Depp in Pirates of the Caribbean, Downey Jr. offers a weird riff on his role that’s entirely new and impossible not to enjoy. Count that as a win for the film.

The film’s plot, meanwhile, is essentially an updating of the classic Iron Man origin story, and the modernization is handled quite well. There’s nothing directly lifted from the comics, and instead the comic references come in an array of winks and nods (S.H.I.E.L.D., War Machine, Nick Fury, Tony’s drinking, etc).

My main problem with the movie is a fault it shares with the comics, in how the plot tries to incorporate real-world issues without really delving into them. Comic books regularly feature stories set in vague, war-torn countries in the Middle East, and the Iron Man film follows suit with its shallow usage of terrorism and Afghanistan.

But those are forgivable defects, and Iron Man easily makes a successful transition from page to screen, thanks to a director and cast that know what elements to take from the books, and which to leave behind.

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