Marvel Millie and Me
So the third New York Comic Con is one for the annals and I have stopped twitching.
It was, at its Saturday afternoon height, a cauldron of mad, chaotic energy. (And wasn’t it dangerous? Couldn’t all that energy, confined and concentrated by four walls, affect the hearts of atoms and cause the forces that bind them together to disintegrate us all into quarks that would join the neutrinos in spewing through the universe?) That’s okay, for me, in small doses, and maybe in large doses for you, especially if you’re young and new to the megacon scene.
I won’t bother describing the event for you. If you frequent this site, you probably already have all pertinent information. Instead, a tiny, personal note:
Every one of the panels on which I sat was interesting and, I was happy to see, well-attended, which hasn’t always been the case in huge cons, where it sometimes seems that the exchange of currency is more important than honoring and discussing and learning about an art form. But the absolute, stone, hands-down high point came early, on Friday night, when I shared a stage with Peter Sanderson, who moderated, and Gary Freidrich, Joe Sinnott, and Stan Goldberg. Except for Peter, we were all veterans of Marvel’s early days, before the company became Marvel Entertainment and attached its logo to vastly expensive motion pictures, soon to play at a multiplex near you, back when it just published comic books – all kinds of comic books, not just the superhero kind – and there were no multiplexes in which to show ridiculously costly films, even if such films had existed.

This year marks a resurgence of interest in the late Bill Mauldin, who started out as a soldier-cartoonist in the U.S. Army during World War II. This revival is thanks largely to Todd DePastino, author of the new Mauldin biography A Life Up Front and editor of Fantagraphics’ new collection of Mauldin’s cartoons, Willie & Joe: The War Years.


While much of the hubbub over the movie adaptation of Watchmen has related to director Zack Snyder’s thematic and narrative choices, questions also remain over how the movie will visually reflect Dave Gibbons’ work on the seminal comic.
Sure, everyone knows that Billy Batson, Mary Batson, and Freddy Freeman could say their magic words and transform into Captain Marvel, Mary Marvel, and Captain Marvel, Jr., three of the World’s Mightiest Mortals, also known as the Shazam family.
Mekhi Phifer, who stars in ER, has signed on to appear in an upcoming comic movie adaptation, according to
The hit BBC series
Well, it’s about time.
