The Weekly Haul: Reviews for April 17, 2008
This past week in comics wasn’t anything too special, with DC essentially laying an egg. Luckily a handful of independents rose to the occasion, and Marvel had some strong offerings, including a big surprise for best of the week. On that note…
Book of the Week: Ghost Rider #22 — Any time a comic is so good I have to read it three times before I can move onto the next book, it’s a lock for the top spot. This is darn close to a perfect issue from the first page, which starts off brilliantly ("I’ll never forget the first time I saw a dead body").
Jason Aaron continues the story of Johnny Blaze searching for answers from the angel who turned him into Ghost Rider, a quest that has led him onto a highway filled with evil, cannibalistic demons. It’s an epic fight, overloaded with crazy elements in the way of Quentin Tarantino (yet less self-obsessed).
In addition to the demons, there are evil gun-toting nurses on motorcycles and a still-living cannibal slowly feasting on a deputy. Aaron slowly pulls all of these elements together, leaving off just as they’re all about to literally collide. Oh, and did I mention it also has the line of the week? "The day I can’t catch a dead horse… is the day I give up and rot."
Lastly, I have to give a ton of credit to Roland Boschi for his art. It’s kinetic and loose in the way of Leinil Yu, though not as busy. Combined with Dan Brown’s colors, it makes for some of the best superhero art on the rack.
Runners Up:
X-Factor #30 — I promise this high ranking isn’t just to placate the great Peter David, who took serious umbrage with my review of She-Hulk
#27. No, the latest issue of X-Factor (like most of the run) is worthy of serious praise on its own merits. Arcade’s plans for destroying the team, and all of Mutant Town, play out with expected brilliant insanity, and the weakened X-Factor can barely keep their heads above water (or remaining on their shoulders).
In the previous run of this series, one thing David did exceptionally well was crafting great stories without ever bringing in stock villains. Here, he brings in a stock villain but does it in keeping with the series’ tone. Beyond that, the last page is one of the best I’ve ever seen, with an emotional stomach punch that humanizes one of the Purifiers and a true "Hey, May!" cliffhanger.
Fear Agent #20 — The best of a good crop of small-press titles. I’ve always heard this series praised for its goofy sci-fi plots and fun elements, but this issue is one long emotional swan dive that’s surprisingly touching. Rick Remender intertwines his characters’ harsh pasts with their bleak futures to explain their confused ambitions. A very small story in the grand scheme of things, but a very well done one at that.

It happens every few years, just like the Olympics or locusts: People lucky enough to live in democracies hold an election.
Anybody know anything about this little get-together of a few comic book fans that’s supposed to happen in New York at some point soon?
After DC released its last round of solicitations, people naturally assumed Catwoman was being cancelled with issue #81. That’s just unfounded nonsense. It’s actually being cancelled with issue #82!
Sometimes, the story just flows. ÃÂ In today’s brand-new episode of 
Back in 2000, DC Direct created figures based on Alan Moore’s Watchmen to celebrate the comic’s 15th anniversary. Unfortunately, a dispute caused Moore to pull out of the project and the figures were scrapped, never to see the light of day.
Born in 1951, Leonard Rifas loved comics but found cartooning to be hard work. He wanted to make sure the stories and messages he conveyed were important enough to demand such time and attention, so he turned to educational comics.
Last Sunday, Sci-Fi Summit attendees were treated to one half of the writing team behind the upcoming Star Trek film and the recent live-action Transformers movie, as writer Roberto Orci kicked off the grand finale of the show. After the writer apologized for the absence of Alex Kurtzman, his associate of 17 years, the fans were treated to a screening of the Star Trek trailer and some photos that Orci took on set.
