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10 Marvel Series That That Should Be Revived… Or Should They?

Even if you’re the sort of comics fan who only dips a toe in the murky waters of industry news, it’s hard not to get soaked by the Merry Marvel Marketing Machine these days — especially when it comes to the InterWebs.

What’s surprising, however, is that the crew over at Marvel.com is providing some genuinely interesting and/or fun content every now and then, and not just treating their website as a place to post press releases. (Although the constant barrage of "Who Do You Trust" promos is starting to make my teeth hurt.) If you can wade through all of the Skrull hype, there are some decent interviews and fun features to be found at the "House of Ideas" online HQ — and this one, a list of 10 series that Marvel’s "Secret Cabal" would like to revive, is one of them.

9. DAZZLER
Previous Runs: DAZZLER (1981-1985)
Learn More … here
Why It Should Be Brought Back: "Does this really need any explanation? Enchantress! Doom! Galactus! Roller Skates! A movie!!! Who else in the Marvel U has had a biopic? No one! Canceled right when it was getting good—and after being trained by the X-Men…and defeating them—the exploits of Alison Blaire were carried on in the pages of UNCANNY X-MEN until she ran off to settle down. But this songbird is a free spirit and she must fly. Her powers have never properly been used to their greatest extent, nor has Marvel’s only diva been given her real chance to—pun alert—shine. I know why this caged bird sings…she needs her ongoing series!!!" –Secret Cabal member RunawayJ
Spotlight Comic: UNCANNY X-MEN #130 Dazzler makes her star-studded debut, aiding the X-Men against the Hellfire Club.

Even though I’m not eagerly anticipating a Dazzler revival, I admire the tenacity, RunawayJ. Here’s hoping you get your wish.

Cheeseburger in Paradise, by Martha Thomases

It’s Women’s History Month, and time to confess that I’m inordinately interested in the daily lives of the Amazons. Not the historical/mythological Greek Amazons (although I’m somewhat fascinated at the idea of required semi-mastectomies to improve one’s archery prowess), but the DC Comics Amazons who live on Paradise Island, birthplace of Wonder Woman. In my opinion, DC has never handled the Amazons in a believable way. I suspect that’s because Wonder Woman was not consistently written nor drawn by women.

Women, left to their own devices, will develop their own language and customs, much like twins or the Amish. I know. I went to a girls’ boarding school for four years, then lived in a women’s dorm off and on when I went to a co-ed college. With some adjustments for the differences between life in classical Greece and the United States in the late 1960s and early 1970s, I can imagine what Paradise Island would really be like.

In Wonder Woman stories, we often see certain groups of Amazons. The Queen has her court of advisors. The army trains to be ready for the frequent attacks from Man’s World. The priestesses perform the rituals demanded by the gods. Doctors heal. Librarians study. Although we don’t see them, I assume there are also cooks, seamstresses, architects and engineers, cobblers and clowns and musicians.

At my school, we had girls who were interested in all kinds of things. With no boys, there was very little jockeying for male approval (although there was a boys’ school with the same faculty and administration, where girls in the upper forms often had classes). There were athletes and scholars, actresses and musicians, rebels, writers, gossips, manipulators and nerds. But, unlike the Amazons we see on Paradise Island, sometimes these roles could all be found in one girl.

There were groups of girls who were friends, who perhaps shared an interest in riding horses or choir or drugs. However, these were not cliques in the sense we see them in popular movies. It was easy for a nerd to be friends with a jock, to find some common interest they both shared, whether it was Asian history or the Grateful Dead. (more…)

Harvey Dent and the ‘Dark Knight’ Marketing Campaign

MovieMarketingMadness has posted the latest in a series of messages delivered to people who offered up their e-mail addresses on IBelieveInHarveyDent.com, one of several websites involved in the impressive viral marketing campaign for The Dark Knight.

Along with thanking supporters for their, well… support, the message also hints at some looming unrest in Gotham, citing "been sporadic reports of rallies being broken up by police" and questioning whether this could indicate "bias on the part of the men in blue" or a "backlash against Harvey Dent because of his campaign to stop corruption?"

All is not well in Gotham, it seems. The message continues:

It’s been great to see the response from all of you!  We knew that citizens of Gotham would rally behind Harvey Dent and you have!  (It was inspiring to see some of you on TV!)  Gotham citizens have come out to meet the Dentmobiles, many of them using the Dentmobiles as an opportunity to meet up with other Harvey Dent supporters in their neighborhoods and build this grassroots campaign.

The momentum is building!

It certainly is…

 

On This Day: Mark Waid

Born on March 21, 1962 in Hueytown, Alabama, Waid entered the comics industry in the mid-1980s as an editor and writer for Fantagraphics Books’ fan magazine, Amazing Heroes.

He soon moved to DC as an editor on Secret Origins and Legion of Super-Heroes. In 1990, he shifted from full-time editorial to freelance writing, and in 1992 DC hired him to write The Flash. Waid stayed with The Flash for eight years and can be credited with establishing Wally West as a worthy bearer of the Flash name and costume. Waid then moved to Marvel to work on Captain America.

In 1996 he went back to DC to produce his best-known work, the mini-series Kingdom Come with Alex Ross. He also wrote the follow-up series, The Kingdom, and has since written JLA, Impulse, Empire, Fantastic Four, and others.

In July 2007 Waid joined Boom! Studios as Editor-in-Chief. He’s stated since that all of his future creator-owned work will be with Boom!

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Interview: Jeffrey Rowland on TopatoCo and ‘Overcompensating’

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Jeffrey Rowland, the creator behind popular webcomics Wigu and OverCompensating, has a new, full-time job these days — and it just might make him one of the most important people to watch in the world of webcomics.

Late last year, Rowland officially expanded TopatoCo, the online store where he sold shirts, stickers and other merchandise related to his webcomics, bringing several other popular webcomics’ stores under the TopatoCo banner and consolidating their merchandise operations. By doing so, fans of many of the most popular webcomics are now able to mix and match their orders among different creators’ designs, and TopatoCo has evolved from a basement business to a staffed, international operation Rowland runs out of an office building in Easthampton, MA.

According to Wikipedia, Rowland "can be considered one of the small number of professional webcartoonists, as running Overcompensating and Wigu, in addition to his merchandise company TopatoCo, is his full time job and source of income."

I spoke with Rowland about the growth of TopatoCo and the first few months of becoming a webcomic merchandising hub, as well as the status of his own webcomics, OverCompensating and Wigu. From the lure of running off to Mexico on a motorcycle to the Snakes on A Plane experience, Rowland shares his thoughts on making a living in the world of webcomics.

COMICMIX: You sound busy, Jeff. What’s going on at TopatoCo HQ today?

JEFFREY ROWLAND: Well, I’m just trying to get a handle on this whole business arrangement here.

CMix: Yeah, it sounds like you’re pretty deep into it these days…

JR: Well, the way we were doing it before was, everyone had their own individual sites up. Dinosaur Comics would have its little store, and then [Dinosaur creator Ryan North] would collect the orders throughout the week and send them to us in a file once a week or so. It wasn’t that bad, because everyone was doing a pretty good amount of business, but when I put them all together… Well, all of a sudden, it just exploded. It was bigger than I thought it was going to be. I think we’ve been up for about a month now, and we’re over 2000 products sold. Over 1000 transactions. Basically, it’s just two of us here working – sometimes three. I have one full-time employee — she’s "Tallahassee" in OverCompensating.

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Pictures of Snake Eyes from ‘G.I. Joe’ Film Revealed

Paramount Pictures has released two photos from the upcoming G.I. Joe movie featuring everyone’s favorite mute ninja, Snake Eyes. Full sized versions of the pictures can be found at Superhero Hype.

Fans hoping that the characters in the film will resemble their comic book and cartoon counterparts should be pleased with the classic look that good old Snake Eyes is sporting.

Snake Eyes will reportedly have a large role in the upcoming film. In a recent interview, director Stephen Sommers gave some details about what Snake Eyes will be up to in the movie: 

"He’s the world’s greatest ninja, but he’s also next-generation. He’s not afraid to use a sword one second, and a split-second later he’s pulling out his Glock," Sommers told USA Today. "His chief nemesis is arguably the world’s other great ninja, Storm Shadow. The two grew up together, were blood brothers and now are mortal enemies."

G.I. Joe is scheduled to be released on August 7, 2009. The film stars Ray Park as Snake Eyes, as well as Dennis Quaid, Sienna Miller, Marlon Wayans, Joseph Gordon-Levitt, Arnold Vosloo and Christopher Eccleston.

‘Fantastic Four 3?’ Not According to The Human Torch

If you happen to be one of the people who really liked the first two Fantastic Four films and were anxiously awating a third installlment, you may be waiting a lot longer than you thought. In fact, your wait might be endless.

Why? Well, according to an interview over at MTV with actor Chris Evans, who plays Johnny Storm (aka The Human Torch) in the films, a third film doesn’t seem to be in the cards. His main reason for thinking so? He hasn’t gotten any scripts or story ideas from Fox.

"After the first one was released we got wind of potential titles and plots [almost immediately], and I’ve heard nothing from anyone at Fox [yet],” said Evans in the interview. “We had all planned on doing [another] one but if there were going to be a third I think a week after the second one was released we would have heard.”

In truth, Evans doesn’t seem all that disappointed that a third film probably won’t happen. "It takes up a lot of time. It’s a big commitment,” said Evans. “I’m happy with walking away.”

Although he might be willing to walk away from another Fantastic Four film, he’s not closing the door completely on playing The Human Torch again — especially if it was a cameo appearence in some other Marvel franchise like The Hulk or Spider-Man. Said Evans: "Absolutely. If Johnny Storm wanted to make a pop in appearance in one of those movies that would be a treat.”

Of course, the opportunity for another big-screen appearance by Marvel’s favorite family might not be a complete impossibility, given the discussion of a potential Silver Surfer spin-off film.

So, now that we know another Fantastic Four film is probably not going to happen, is this good news or bad?

Manga Friday: Fairy Tail

I suppose I should start off by saying that Rave Master is the name of Mashima’s previous manga series, not his nickname. (Though it does make a great nickname, actually.) Rave Master ran thirty-five volumes – of which twenty-seven has been published in the US to date – and was a fairly typical young-guy-with-great-power-battling-the-forces-of-evil story.

But that story ended, and now Mashima is back with…

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Fairy Tail, Vols. 1 & 2
By Hiro Mashima
Del Rey Manga, 2008, $10.95 each

The first two volumes of his new series in English – published simultaneously on March 25th by the good folks at Del Rey Manga.

Fairy Tail breaks completely with Rave Master, because its young, untried, magically-powered person fighting evil is a young woman. How ‘bout them apples, huh?

All kidding about the genre markers of shonen manga aside, Fairy Tale is somewhat generic, but still distinctive. It’s set in one of those not-quite-medieval worlds, with magic, walled cities, and mostly low technology – though there’s an exception for trains, as so often is the case. It seems to be ruled by some sort of aristocracy, since there are people with power called “Duke,” but that’s not entirely clear.

Similarly, it’s hard to tell how the working world is organized, but the magical people have a structure of guilds (helpfully explained, with diagrams, in the second book), and, of course, there’s then Tokyo University-level competition to get into the “better” guilds. Presumably, most of the other occupations are regimented in a similar way, but Fairy Tail is not a book that spends much time among the peasants.

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Review: ‘The Last Days of Krypton’ by Kevin J. Anderson

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Everyone knows the basic story of [[[Superman]]]. Baby Kal-El, last survivor of the planet Krypton, rocketed to Earth by his parents Lara and Jor-El, found by a nice couple in Kansas, raised to be Clark Kent AKA Superman. But what about the story of Krypton before Kal’s birth? What about the lives of his biological parents?

In this hardcover novel published by Harper Entertainment, Kevin J. Anderson ([[[Captain Nemo]]], [[[Hopscotch]]], [[[Star Wars: Darksaber]]]) gives us a story of the ill-fated planet and its people, who are so tranquil and advanced in science that they have stopped dreaming and questioning reality. One man, Jor-El, still dares to dream — but finds his technology constantly censored by the Science Council and by Commissioner Zod. Eventually, Jor-El meets someone much like him, an artist named Lara Lor-Van who never hesitates to speak her mind, and the two fall in love. When disasters begin to occur, Jor-El and Zod may have to join forces to save their planet from destruction. But is Zod really concerned about the benefit of Krypton or is he plotting his own take-over?

In the foreword to this novel, comic writer Marv Wolfman (New Teen Titans, The Crisis On Infinite Earths) stated that Kevin J. Anderson’s goal was to create a story that took elements from all of the various and contradictory interpretations of the planet Krypton, its society and just why it was destroyed. (Did the sun go supernova, was it destroyed by a shifting orbit or was it a victim of a war involving terrible weapons?) The result would then be a tale that would allow everyone to at least find one or two familiar elements and would be entertaining for people who knew very little about the Superman mythos.

Unfortunately, that is not quite what we get. But more on that later. First, I should mention there are many good scenes here and there, as well as some touching moments. Of particular note is Anderson’s version of the first meeting between Jor-El and Lara Lor-Van. It involves danger and nice characterization and the date that it leads into shows just why these two fall for each other. Too often these days, we are shown a couple who are in love but who don’t really show this in their actions, requiring the writer/director to spell things out by having their characters awkwardly say things such as “I’m blinded by your love.” (Are you listening, George Lucas?!)

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The Story Of O, by Michael Davis

 
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This was going to be an article about the sheer stupidly of the former Governor of New York and other idiots who say one thing and do another. Then I listened to Senator Obama’s speech on race. I was going to write about that speech but at another time. Then I received the following text message on my cell phone:

U and denys r no talent racist lying frauds. What kind of monster abuses positive accomplished young black men? Michael Davis PhD Player Hating Dickhead.

The denys he is writing about is my best friend Denys Cowan. He also left a voice mail on Denys’ business phone where he called Denys a “Faggot,” among other things.

Who is this person? Let’s call him O. If I really wanted to “playa hate” I would give up who he was, thus ending any chance of this guy ever working with any major entertainment companies. I don’t out him because there is still a small chance that he will try and clean up his act.

A very small chance.

Why is he so upset? More than a year ago he submitted a project to me which I thought showed promise. The project has not moved fast enough for him and O wanted to know why. I told him what I tell everyone about selling in the entertainment business…

A deal takes the time a deal takes.

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