The Mix : What are people talking about today?

In My Ears and In My Eyes (Part 1), by Elayne Riggs

Last week we were casting about, as usual, for something interesting to watch in the 100-200 channel range of our cable system. The local PBS stations were hip-deep in pledge drives, which meant 20-minute breaks between segments of shows that would otherwise have been enjoyable but which we’d mostly seen anyway by this point. (Did anyone else think it just a tad disconcerting that WLIW, the Long Island-based PBS station, could afford to send its two high muckety-mucks out to broadcast from Innsbruck during the pledge breaks for Visions of Austria, but made sure to keep reminding us that Viewers Like You made all that possible? Oh great, I should give to their station to sponsor their executives’ vacations?)

The few writers’ strike-delayed shows that we usually watch on the networks haven’t begun running new episodes, and in their place were the same tired crop of cringeworthy reality shows. Keith Olbermann and MSNBC are turning into FOX-lite (but that’s another column). And how many times can I watch the Ghana episode of Tony Bourdain’s No Reservations? (Not including subconscious reruns during REM sleep, approximately ten, but not consecutively; give me a break, Travel Channel!)

So it was that we found our way up the dial to a delightful programme all about amber hosted by "Dickie-Love’s" brother David Attenborough — and now little impressionable ol’ me suddenly wants some new amber earrings — which we then followed up with a Biography Channel episode on The Beatles’ Wives, which itself preceded two recent Paul McCartney concerts, one from 2005 and the other from 2007, on that same channel, both horribly chopped from the originals. And suddenly there I was, fascinated all over again. (more…)

Arthur C. Clarke: 1917-2008

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The newswires are spreading the news that Arthur C. Clarke has just died in his adopted home of Sri Lanka at the age of 90.

Clarke will be known to most of the world as the writer of 2001: A Space Odyssey along with other science fiction classics as Childhood’s End, Rendevous With Rama and The Nine Billion Names Of God, but his influence on the world was far greater– he was the most influential advocate for creating satellites with geostationary orbits to be used as telecommunications relays.

For his achievements in writing science fiction and science fact, he was knighted by the British Empire in 2000.

We will miss him terribly.

Interview: Tom Peyer on ‘The Flash’ and ‘Tek Jansen’

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With this week’s release of Flash #238, writer Tom Peyer begins scripting the adventures of DC’s fastest man alive — and, appropriately enough, he plans to hit the ground running.

With his first six-part story, "Fast Money," Peyer begins his term as regular writer on the series, picking up where popular DCU author Mark Waid left off: with Bart Allen dead, Wally West back in the bright red suit along with his wife and rapidly aging children, and a brand new villain primed to join the hero’s rogues gallery.

Taking the reins from fan-favorite writers is nothing new for Peyer, however, who has taken critically praised turns on a variety of team titles, but could be best known for his popular run on the entirety of the 25-issue Hourman series published from 1999 to 2001 — a character spun-off from Grant Morrison’s run on JLA.

And, much like with Hourman, Peyer has also been tapped to script the first solo adventures of Tek Jansen, a character created by The Colbert Report‘s Stephen Colbert, for an upcoming series published by Oni Press.

In this interview, Peyer discusses his role as the new, ongoing writer on The Flash, as well as the status of Stephen Colbert’s Tek Jansen.

COMICMIX: Thanks for talking with me today, Tom. Flash #238 is out this week, so what’s the pitch for the new storyline, "Fast Money?"

TOM PEYER: Money is definitely a theme in this story. I think early on I put out an oversimplified description and gave people the idea that it’s really just about Flash having money troubles. Which it really isn’t. Although he is… Money’s the theme that holds together a whole bunch of events. We have a villain who, in the sort of great — or, if you prefer, corny — tradition of early Flash stories, commits a robbery. I don’t think we’ve seen that in a while — a villain who’s purely at it because he wants to steal a Faberge Egg. It’s a little old-fashioned, and I’m kind of nervous about it, but money is a theme that runs throughout the whole story.

Television news is also a big part of the story. TV news gets involved in the story in a big way, and we all know how they feel about money. They are totally willing to just wind us up and tie us into emotional knots so we’ll keep coming back and they can charge their advertisers more money. To me, that’s empirically how they see their job. I call them "freedom’s crazy girlfriend" because they keep winding things up emotionally. Of course, it could be "freedom’s crazy boyfriend," too – I don’t want to stereotype.

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On This Day: Planet Earth

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On March 18, 3952 B.C., the world was created, according to the Venerable Bede.

Bede was a Benedictine monk of Jarrow, a biblical scholar, and the first English historian. He lived from 673 to 735 and is best known for His Ecclesiastical History of the English People (H.E.), which he finished four years before his death.

Bede was officially sainted (as St. Bede the Venerable) in 1899 and named Doctor of the Church, but his followers were proclaiming his miracles only 50 years after his death.

Iron Man and Wolverine Animated Shows Coming to Nicktoons Network

Iron Man and Wolverine are no strangers when it comes to animation. Both of them have been the stars of animated programs in the past and now both of of them will get a chance to return to the medium thanks to the new popularity afforded to them by upcoming big-budget, live-action films.

Wolverine and the X-Men and Iron Man: The Animated Series will debut in the early part of 2009 with 26 half-hour episodes each on Nicktoons Network.

The plot of Wolverine and the X-Men is as follows:

The story begins as an explosive event shatters the lives of the X-Men and takes away their mentor, Professor X. The beaten heroes, including Beast, Storm, Cyclops and Nightcrawler, walk away from it all but then they are given a rare glimpse into the future, where they see a world in utter ruin … ruled by giant destructive robots. They discover the world has spiraled out of control because the X-Men have given up. So now the most legendary of all X-Men, Wolverine, must take the lead on the ultimate mission — to prevent the world’s destruction — while fending off enemies Magneto and The Brotherhood.

As for Iron Man’s show, the plot roughly follows that of the comics, just with Tony Stark as a teenager instead of a middle-aged alcoholic:

Tony Stark, heir to a billion-dollar corporation, lives a life of luxury, free to pursue his chief interests — seeking extreme thrills, solving scientific mysteries and creating mind-boggling inventions. But everything goes horribly wrong when a tragic accident robs Tony of his father and nearly costs him his own life. Now dependent on his own impressive technology for survival and dedicated to battling corruption, Tony must reconcile the pressure of teenage life with the duties of a Super Hero. Inside his remarkable invention, Tony Stark is geared for high-speed flight, high-tech battles and high-octane adventure! He is Iron Man.

Will a new generation of children tune into to the action packed adventures of Iron Man and Wolverine or will they stick to their precious little anime programs? Only time will tell in this battle to capture young minds and advertising dollars.

 

(via SHH)

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ComicMix Radio: Back In The Flash

flash12-7786147It’s a new direction for The Flash, a boat-load of second printing variant comics, and no less than two Katee Sackoff DVDs that hit the stores this week. We’ve got your new comics & DVD rundown, plus:

— Marvel and FX cook up a movie deal

— NBC courts Christian Slater

— It’s in the cards for Speed Racer at Topps

—  And we feel so generous that here is a hint for today’s new trivia question that is worth an  exclusive Graham Crackers Comics variant — and you win by e-mailing us at: podcast [at] comicmix.com

It’s all a click away, so just press the button!

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-3643779 or RSS!

Jon Sable, Freelance: Stealing Junk

In today’s brand-new episode of Mike Grell’s Jon  Sable, Freelance: Ashes of Eden,  Maggie and Jon don’t fight.  Instead, they figure out why the McGuffin Diamond is so important, and why Jon was hired to protect it.

Credits: Glenn Hauman (Colorist), Glenn Hauman (Assistant Editor), John Workman (Letterer), Mike Gold (Editor), Mike Grell (Artist), Mike Grell (Writer), Shannon Weaver (Colorist)

More: Jon Sable Freelance: Ashes of Eden

 

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British Ad Agency Creates New Comic

mothercomic460-6047303Though the history of comics largely began through free newspaper inserts, that practice has gone unused for decades.

Fitting, then, that such an unexpected distribution model would accompany the release of a new comic book series created by an advertising agency. Mother, the London-based agency best known for promoting Coca-Cola, recently announced it will be shipping Four Feet from a Rat – a collection of comics stories – in the weekly Time Out listings magazine.

Read the full Guardian article right here. Strangely enough, the comic doesn’t even include advertisements. The company explained that it serves simply as a creative outlet for employees.

The story behind the creation is pretty interesting: Mother has a history of offering its services for favors instead of money. The company did some work for Time Out in exchange for pages in the publication. Once they accrued enough pages, they set about making the comic.

Mother partnered with comics publisher Mam Tor for the art on the stories. Guardian comics critic Will Hodkinson said the stories carried on in the tradition of Hellraiser and Sandman.

"This isn’t as good as those comics – it is a little derivative," said Hodgkinson. "One might almost call it a pastiche. But it’s well drawn and well written and it’ll be interesting to see how it develops as they find their voice."

If the book has some success, keep an eye on other publishers who might try something similar.

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Michael George and the Pittsburgh Comicon

thumb_michael_george-3590217Well, this has been an interesting morning.

I awoke to a slew of e-mails from people either asking me about, or trying to get me to not go to, the Pittsburgh Comiccon. Not that I had decided one way or the other, although a lot of friends of ours (including ComicMix’s own Timothy Truman, Mike Grell and Robert Tinnell) will be there. It’s a good show.

This boycott is in response to yesterday’s conviction of Michael George, who, along with his wife Rene, is the promoter of the show. Michael was convicted in Michigan of murdering his first wife 18 years ago. The details of both the crime and the conviction are in the Macomb Daily.

I understand the sentiments of those who feel that they do not want to support a convention run by a convicted murderer. But I strongly believe such feelings are misguided.

First of all, the Pittsburgh Comicon is also a major charity event. Last year, for example, they raised nearly $30,000.00 for the Make-A-Wish Foundation and some $5,000.00 for the Comic Book Legal Defense Fund. Both are quite worthy causes.

But, more important, Michael George will not benefit from the profits of the show. Quite frankly, he’s set for life – if spending the rest of your life in a Michigan State penitentiary is your idea of “set for life.” It’s Rene who will lose out if this show winds up in the red.

After a long and horrific trial, Rene probably can use a few bucks. No doubt she’s looking at massive legal bills that were hardly of her making – despite her relationship with Michael, she didn’t kill anybody. She now has to create an entirely new life from the ground up; as such, she’s another victim of Michael’s efforts.

I don’t know if I’ll be at the show as I’ve got commitments to other shows and I can only spend so much time on the road, a lesson I learned the hard way last year. But I’m going to try. It’s a good show, Rene is a good person and the Pittsburgh Comicon no longer has anything to do with the sad horror that is Michael George.

Mike Gold is editor-in-chief of ComicMix.

 

ComicMix at WWLA: The Mondo Marvel Panel

avninv002small-9601351Wrapping up our coverage of this weekend’s Wizard World LA convention, we have this report from Sunday’s Mondo Marvel panel at the Los Angeles Convention center.

Like the X-Men panel, leading the discussion again this time is Marvel Comics marketing guru Jim McCann. Once things settled down a bit and got organized, he introduced the distinguished panel of Marvel creators including Matt Fraction, Chris Gage, Aubrey Sitterson and Charles Knauf.

Knauf, who is currently co-writing Iron Man: Agent of SHIELD, said of the book, "It’s kind of interesting to write the most hated man in the Marvel Universe. I can’t wait till the movie comes out; it’s going to bring a lot of attention to the book."

Among Knauf’s future plans for the book are the introduction of a new "femme fatale" and an attempt to return Iron Man to his "hero status." He will also be trying to make the book "a little more fun."

"The flaws are what make him so great," chimed in Fraction, who’s also writing an Iron Man title: Invincible Iron Man. Said Fraction: "I’m looking forward to sending Iron Man on a big redemptive arc. He is his own arch-rival. I’m looking forward to grinding him to dust and seeing where he ends up," said Fraction.

Next, McCann turned to Chris Gage who is currently working on Avengers: The Initiative with Dan Slott — which has issue #10 at comic’s shops now. According to Gage, Issue #11 will feature the Mighty Avengers and Gage also said fans of the New Warriors may want to check it out, too, "just in case."

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