In today’s brand-new episode of Mike Grell’s Jon Sable, Freelance: Ashes of Eden, Maggie and Jon don’t fight. Instead, they figure out why the McGuffin Diamond is so important, and why Jon was hired to protect it.
Credits: Glenn Hauman (Colorist), Glenn Hauman (Assistant Editor), John Workman (Letterer), Mike Gold (Editor), Mike Grell (Artist), Mike Grell (Writer), Shannon Weaver (Colorist)
More: Jon Sable Freelance: Ashes of Eden
Though the history of comics largely began through free newspaper inserts, that practice has gone unused for decades.
Fitting, then, that such an unexpected distribution model would accompany the release of a new comic book series created by an advertising agency. Mother, the London-based agency best known for promoting Coca-Cola, recently announced it will be shipping Four Feet from a Rat – a collection of comics stories – in the weekly Time Out listings magazine.
Read the full Guardian article right here. Strangely enough, the comic doesn’t even include advertisements. The company explained that it serves simply as a creative outlet for employees.
The story behind the creation is pretty interesting: Mother has a history of offering its services for favors instead of money. The company did some work for Time Out in exchange for pages in the publication. Once they accrued enough pages, they set about making the comic.
Mother partnered with comics publisher Mam Tor for the art on the stories. Guardian comics critic Will Hodkinson said the stories carried on in the tradition of Hellraiser and Sandman.
"This isn’t as good as those comics – it is a little derivative," said Hodgkinson. "One might almost call it a pastiche. But it’s well drawn and well written and it’ll be interesting to see how it develops as they find their voice."
If the book has some success, keep an eye on other publishers who might try something similar.
Well, this has been an interesting morning.
I awoke to a slew of e-mails from people either asking me about, or trying to get me to not go to, the Pittsburgh Comiccon. Not that I had decided one way or the other, although a lot of friends of ours (including ComicMix’s own Timothy Truman, Mike Grell and Robert Tinnell) will be there. It’s a good show.
This boycott is in response to yesterday’s conviction of Michael George, who, along with his wife Rene, is the promoter of the show. Michael was convicted in Michigan of murdering his first wife 18 years ago. The details of both the crime and the conviction are in the Macomb Daily.
I understand the sentiments of those who feel that they do not want to support a convention run by a convicted murderer. But I strongly believe such feelings are misguided.
First of all, the Pittsburgh Comicon is also a major charity event. Last year, for example, they raised nearly $30,000.00 for the Make-A-Wish Foundation and some $5,000.00 for the Comic Book Legal Defense Fund. Both are quite worthy causes.
But, more important, Michael George will not benefit from the profits of the show. Quite frankly, he’s set for life – if spending the rest of your life in a Michigan State penitentiary is your idea of “set for life.” It’s Rene who will lose out if this show winds up in the red.
After a long and horrific trial, Rene probably can use a few bucks. No doubt she’s looking at massive legal bills that were hardly of her making – despite her relationship with Michael, she didn’t kill anybody. She now has to create an entirely new life from the ground up; as such, she’s another victim of Michael’s efforts.
I don’t know if I’ll be at the show as I’ve got commitments to other shows and I can only spend so much time on the road, a lesson I learned the hard way last year. But I’m going to try. It’s a good show, Rene is a good person and the Pittsburgh Comicon no longer has anything to do with the sad horror that is Michael George.
Mike Gold is editor-in-chief of ComicMix.
Wrapping up our coverage of this weekend’s Wizard World LA convention, we have this report from Sunday’s Mondo Marvel panel at the Los Angeles Convention center.
Like the X-Men panel, leading the discussion again this time is Marvel Comics marketing guru Jim McCann. Once things settled down a bit and got organized, he introduced the distinguished panel of Marvel creators including Matt Fraction, Chris Gage, Aubrey Sitterson and Charles Knauf.
Knauf, who is currently co-writing Iron Man: Agent of SHIELD, said of the book, "It’s kind of interesting to write the most hated man in the Marvel Universe. I can’t wait till the movie comes out; it’s going to bring a lot of attention to the book."
Among Knauf’s future plans for the book are the introduction of a new "femme fatale" and an attempt to return Iron Man to his "hero status." He will also be trying to make the book "a little more fun."
"The flaws are what make him so great," chimed in Fraction, who’s also writing an Iron Man title: Invincible Iron Man. Said Fraction: "I’m looking forward to sending Iron Man on a big redemptive arc. He is his own arch-rival. I’m looking forward to grinding him to dust and seeing where he ends up," said Fraction.
Next, McCann turned to Chris Gage who is currently working on Avengers: The Initiative with Dan Slott — which has issue #10 at comic’s shops now. According to Gage, Issue #11 will feature the Mighty Avengers and Gage also said fans of the New Warriors may want to check it out, too, "just in case."
Things are fanning out all over.
But before we go any further, let me explain and, while I’m about it, issue an OFA, or Old Fart Alert.
Back in the day – now you begin to understand the reason for the OFA – part of the fun of attending science fiction and comics conventions was seeing stuff like outtakes and blooper reels and old movies and especially old serials, entertainments virtually unavailable anywhere else. Another pleasure was listening to other fans who were In The Know reveal secrets, or at least semi-secrets, about the actors and artists and, yes, even writers whose work we enjoyed and was the raison d’etre for the whole she-bang.
Now…bloopers are shown on network television, as are outtakes, and one major international star has, for the last decade or so, incorporated them into the films themselves. And although nobody, to my knowledge, is showing serials regularly, a cable channel used to and somebody almost certainly will again and even if that doesn’t happen, these crusty old flicks are easily buyable, or rentable, or, maybe, available at your local public library. As for other kinds of old movies…Well, let’s just say that I’ve filled in some of the gaps in my appreciation of Rocky Lane, Lash LaRue, Wild Bill Elliott, the Durango Kid, and the indomitable Sunset Carson by watching the Westerns Channel from the comfort of my living room.
Insider info? It’s practically a national industry, only they call it gossip and push it at us on television and in the magazines I read in doctor’s offices. Push a lot of it, I might add. And most DVDs have material in addition to whatever movie’s on them and these, too, frequently feature gossipy tidbits, though never scandalous ones.
Years ago, DC let fans determine whether Batman sidekick Jason Todd met his end at the hands of the Joker via phone-in voting. Fans of Smallville, the television series that follows Clark Kent before he was Superman, now have a chance to play a similar (albeit far less morbid) role in determining the direction of a superhero-themed story.
Twice a week, fans will be able to vote on how Smallville: Visions, a DC-produced digital comic scripted by Stephan Nilson with art by Andie Tong, will evolve. At the end of the voting period, the pages will become (virtual) reality for readers.
Along with determining the outcome of the story, fans can also participate in the Stride Gum contest that goes with the promotion. All participants in Smallville story development will be entered for a chance to win a "VIP Weekend" at this year’s Comic-Con International: San Diego. They’ll also receive a year’s supply of Stride gum — which could come in handy amid the funk of the convention floor.
Artist Jacen Burrows has already had an impressive career in a relatively short amount of time. His talent, bold visual style and penchant for the darker, more sinister aspects of life have already earned him a place collaborating with some of the most popular and successful writers working in comics today.
Some of these writers include Warren Ellis, Garth Ennis and Alan Moore on projects such as Dark Blue, Scars, The Courtyard and 303. More recently, he’s worked on Chronicles of Wormwood with Ennis.
And, just yesterday at Wizard World in LA, it was announced that he’s doing a brand-new project with Ennis called Crossed — described by Avatar Press’ William Christensen as "a story about the worst people can possibly be, as a group of good people attempt to survive in a world of pure evil."
ComicMix caught up with Burrows at Wizard World LA to get some more details on Crossed, his other work with writers like Warren Ellis, what artists he admires and much more.
COMICMIX: Jason, thanks for taking the time to talk with me. Let’s get right into it with a little background. When did you first start drawing?
JACEN BURROWS: I’ve been drawing from the beginning. Three years old I was doing more drawing than anything else. And I think everyone does that. All kids draw but it was just the thing I happened to stick with because everyone would tell me I was good at it so I never stopped. When other kids were outside doing things I was inside working on my drawing. So, its kinda my curse.
CMix: Your parents encouraged you?
JB: Oh yeah, they were like "do what you want" and let me do my thing. Early on I had a tendency to draw the things that were fun to me, like war scenes with tanks and dead bodies.
Teachers would freak out and my mom would come in and tell them I was just being creative. Later, when I had art teachers, they would say it’s all perfectly normal.
CMix: You liked that kind of thing? Monsters, severed heads, etc?
JB: Yeah, I had a nice healthy obsession with drawing monsters, werewolves and things like that. It’s the fun stuff. (more…)
The National Gallery of Art opened in Washington, D.C. on March 17, 1941.
Financier and art collector Andrew W. Mellon established the A.W. Mellon Educational and Charitable Trust just before his death in 1937, and it was this trust that worked with Congress to establish the art museum. John Russell Pope, who later designed the Jefferson Memorial, designed the original building, and I.M. PEI designed an East Wing addition that was completed in 1978.
The gallery was centered around twenty-one masterpieces originally owned by Catherine II of Russia—Mellon purchased the collection in the early 1930s.
One of the surprise hits in comics last year was I Shall Destroy All The Civilized Planets, a collection of stories from Fletcher Hanks, a largely unknown comics creator in the Golden Age who is best described as "the Ed Wood of comics."
The bizarre tales – most featured "space wizard" Stardust, who came up with ever more creative and creepy means of dispatching villains – ended up a critical success, with the book making many "best of" lists, including my own.
The renewed attention to Hanks (his bizarre personal story is recounted with skill in an addendum at the back of I Shall Destroy) recently took another step, as Joe Keatinge and Mike Allred teamed up for an all-new Stardust story featured in the recent debut of Image Comics’ Next Issue Project #1.
Given this surge of attention in Hanks’ work, we thought it would be interesting to catch up with Paul Karasik, who edited I Shall Destroy and contributed the original Hanks background story to the volume.
Let’s just say he wasn’t happy with the new incarnation.
COMICMIX: The works of Fletcher Hanks, and Stardust particularly, have very much lingered in people’s minds and, as the success of I Shall Destroy All The Civilized Planets shows, retain a substantial appeal. Why do you think that is?
PAUL KARASIK: Fletcher Hanks is a master stylist and people are first attracted to style. Once you know what a Hanks story looks like you can always spot his work. In fact, this is one of the reasons I find it amazing that his work was not "discovered" years ago.
In fact, it seemed to me that many readers of I Shall Destory All the Civilized Planets were intrigued by the discovery aspect of my project. Not only was the work of a major comic book artist uncovered, but there was also a true-life mystery surrounding it all.
Finally, readers simply love the twisted quality of these brutal tales of maniacal retribution.
CMix: Given how dated those comics are and the idiosyncrasies of Hanks’ vision, should those comics be resuscitated by new creators?
PK: I can’t imagine a single reason to recreate Hanks’ work. It’s the same idea as remaking films you liked when you were younger. The impulse is fundamentally flawed and the results are categorically disastrous. (more…)
The international comics scene is always interesting to keep an eye on, with bizarre stories cropping up every now and again. In that vein comes the news that the U.S. State Department made a report criticizing a South Korean comic book for being anti-Semitic.
According to the report, which was later presented to Congress, the book is the American volume of the Far Country, Neighbor Country series, according to this story in the Chosun newspaper. The series is intended for South Korean children, and it gives brief histories in comic book form of various countries around the world.
In the article, the anti-Semitic passages are listed as explaining the Sept. 11 terrorist attacks being caused by Muslims who hate the United States because "Jews use money and public discussion as weapons to make WASPs do what they want."
Here’s a few panels:
The article continued:
The series, written by Rhie Won-bok, a professor at Duksung Women’s University, was designed to teach youngsters the history and culture of other countries in comic book format. The "best-selling" children’s book series sold more than 10 million Korean-language copies, according to the report.
The report cited two examples of anti-Semitism in the book. One comic strip shows a newspaper, a magazine, a television, and a radio, each with a Star of David, and is captioned, "In a word, American public debate belongs to the Jews, and it’s no exaggeration to say that [U.S. media] are the voices of the Jews."
Another strip shows a man climbing a hill and then facing a brick wall inscribed with a Star of David and a STOP sign. The caption reads, "The final obstacle [to success] is always a fortress called Jews."
The author later acknowledged his mistake and pledged to write "in a more responsible way," the report said. In March 2007, the book’s publisher agreed to pull the controversial book from stores, the report added.
Like I said, lots of strange stuff here. For instance, it strikes me as strange to see anti-Semitism appear somewhere like South Korea. Also, I had no idea that the State Department’s duties include keeping tabs on anti-Semitism.
Columns / Glenn Hauman / News
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