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Review: ‘The Highwaymen’

On the surface, you’d think a good action movie would be a simple thing to pull off. Take one interesting protagonist, throw a ton of complications at him, have a nefarious villain behind things, add a little mystery and simmer. It’s always surprising, then, when so many bad action movies come out.

There are many things the new The Highwaymen comic (Wildstorm, $17.99) is not: It’s not complex. It’s not very serious. It doesn’t have all that much character development. What it does have, though, are all the elements of a perfect action movie, simmered to near perfection.

Writers Marc Bernardin and Adam Freeman follow the action rubric to a T, installing the plot (a young woman has a weapon of mass destruction inside her and everyone’s after her), the heroes (the aged Mr. McQueen and Mr. Monroe are killer and driver, respectively), and the villain (a shady leader of a U.S. government anti-terrorist organization).

I’m sure there will be those who dismiss this book as pop corn, but the thing about pop corn is, it’s hella good ever once in a while, especially when it’s popped just right.

The Highwaymen is pretty well nonstop action along a taut storyline, executed quite well by artist Lee Garbett (his work is similar to that of John Cassaday, except Garbett actually draws backgrounds). In short, the book just tries to be a really good action story, instead of overreaching for some grand purpose. It’s just violent and frivolous and fun, and there’s not a darn thing wrong with that.

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Confessions of an Armchair Feminist, by Elayne Riggs

elayne-riggs-100-8233602Last Saturday was International Women’s Day, the first IWD where women in the United States were facing the very strong possibility that an Estrogen-American would become their next President — and the equally strong reality that lots of people (mostly men, but a surprising number of women as well) are committed to seeing that she never breaks that ultimate glass ceiling. Not because they (like me) don’t necessarily consider her the best person for the job; it’s not like the Presidency has been a meritocracy for a long time. But because many harbor a deep and irrational resentment of the very idea of a woman in power, particularly wielding the type of nigh-imperial power that the current administration and its cronies in the other two branches of government have ceded to the executive branch.

This resentment, nay, this seething hatred, has manifested itself in some scary ways that us second-wave feminists could have sworn went out with disco. One prominent pundit speculated that Senator Clinton was “pimping out” her daughter for working on her campaign, like pretty much every adult child of a candidate from Mary Cheney to the Romney boys has done. That same daughter was once the butt of a particularly nasty joke from the current Republican Presidential candidate, who made the sexist jape a two-fer by including a reference to the “manliness” of Janet Reno. These days it’s former Secretary of State Madeleine Albright who receives remarks about how cadaverish she appears (funny, she looked fine to me when I saw her on The Daily Show last month).

Of course, the progressives who once espoused Stokeley Carmichael’s adage that “the only position for women in [the movement] is prone” aren’t immune from sexist remarks either. Folks who should know better choose to attack right-wing lunatics like Ann Coulter and Michelle Malkin not on their lunacy but on their looks. Even for some on “our side,” biology would appear to be destiny.

And while a part of me seethes at all this with the same rage I felt in high school and college every time I heard “women can’t” do one thing or the other, with no further explanation needed but that we were women — I also confess that a part of me just doesn’t care any more. After fifty years of this stuff, I’m more than suffering from outrage burnout.

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DVD Review: ‘Legion of Superheroes’ Vol. 2

Maybe the most surprising thing about how much I’ve enjoyed the first episodes of the Legion of Superheroes cartoon series is how little I enjoy the team’s comic book adventures. I always liked the concept of the Legion, but the futuristic team has too large of a cast and too complex of a history for me to jump into.

The cartoon series (from Warner Brothers and DC) fixes those two criticisms by hemming in the team size to a handful of key characters and streamlining the background: A young [[[Superman]]] is pulled into the future to help a fledgling group of heroes save the world. Simple enough.

In this second volume (containing the episodes [[[Champions]]], [[[Fear Factory]]], [[[Brain Drain]]] and [[[Lightning Storm]]]), the team goes through a series of challenges that manage to be kid-appropriate without being overly simplistic. Like the legendary Batman: The Animated Series, the Legion consists of standalone episodes but also builds a deeper narrative of themes and plots, giving it appreciable depth.

Particularly, this volume highlights the character development of Lightning Lad as he becomes a greater hero, and that of his brother, Mekt, as he becomes a villain. Meanwhile, Superman finds his powers have limits, which serves as a lesson as he tries to become the universe’s greatest hero.

I definitely wouldn’t put this series on the same level as [[[Batman: TAS]]], but it’s a fun, clever and exciting foray into the 31st Century.

Bryan Singer Talks ‘Superman Returns’ Sequel

After the somewhat dissapointing box office take that Superman Returns received domestically, many people expressed serious doubts as to whether or not Warner Bros. would greenlight a sequel. Apparently Bryan Singer wasn’t one of them, as the writer/director is so confident of an imminent sequel that he’s already begun working on it.

In an interview with Empire Online, Singer revealed that he’s currently in the developmental phase of the sequel, tentatively titled Superman: Man of Steel, and intends to direct it.

Singer is being quiet about the specific’s of the sequel’s storyline, but dropped a few hints about the movie’s tone:

“The first one was a romantic film and a nostalgic film,” he says. “I’ll be the first person to own up to that without making any apologies for it. I knew it was going to be that from the outset. And now that the characters are established, there’s really an opportunity to up the threat levels…Clearly there’ll be a body count [laughs]. From frame one, it will be unrelenting terror! All those teenage girls who found the movie and mooned over James Marsden or Brandon? Well, I’m going to wake them up!”

Nothing has been officially announced about a Superman Returns sequel by Warner Bros., so it’s unknown as to whether or not the cast members Singer mentioned will be returning. However, given his output since Superman Returns, it’s probably a safe bet that Brandon Routh can work a sequel into his schedule.

Dark Horse to Publish ‘Herbie’ Archive

My previously documented fascination with Herbie, "The Fat Fury," received a shot in the arm yesterday, courtesy of this observation by Tom Spurgeon: Apparently, Dark Horse Comics has quietly announced plans to collect the Ogden Whitney series in a new print edition.

The Dark Horse Comics product profile for the edition had this to say about what it will contain:

Herbie Archives Volume 1 collects the earliest appearances of Herbie, as he battles monsters, bends time and space, and gets the better of Fidel Castro! Herbie is a delightfully weird, all-ages barrel of laughs!

The collection will feature 224 pages of full-color, lollipop-sucking action in hardcover form, and carries a $49.95 pricetag.

While I’m excited about the collection, I can’t help but wish for a cheaper, softcover version that I won’t feel so bad about lending out. Nevertheless, it goes on sale August 20, 2008 — just a few weeks after my birthday. How convenient, eh?

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‘Rocketeer’ Creator Dave Stevens: 1955-2008

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A variety of sources are reporting that Dave Stevens, creator of The Rocketeer, passed away yesterday after a long battle with leukemia.

Stevens’ resume also included work on the Russ Manning Tarzan comics and newspaper strip, as well as Marvel Comics’ Star Wars series in the mid-’80s. Stevens provided storyboards and layouts for the Super Friends and Godzilla cartoon series while working at Hanna-Barbera, but is best-known for his work on The Rocketeer, which he created. The series was published at various points by Eclipse Comics, Comico Comics and later by Dark Horse Comics, and eventually made into a feature film by Disney.

His widely praised style of pin-up art, featuring 1950s-era models such as Bettie Page, is credited as igniting a renewed interest in the fashion and beauty of the period.

Mark Evanier, who reported on Stevens’ passing, had this to say about the illustrator:

Dave was truly one of the nicest people I have ever met in my life…and was certainly among the most gifted. Our first encounter was at Jack Kirby’s house around 1971 when he came to visit and show Jack some of his work. As I said, Kirby was very encouraging and he urged Dave not to try and draw like anyone else but to follow his own passions. This was advice Dave took to heart, which probably explains why he took so long with every drawing. They were rarely just jobs to Dave. Most of the time, what emerged from his drawing board or easel was a deeply personal effort. He was truly in love with every beautiful woman he drew, at least insofar as the paper versions were concerned.

 

Jon Sable, Freelance: Free!

 After several weeks of being naked and tied to a chair, Jon sees a change in his fortunes. Find out if this is a change for the better in today’s brand-new episode of Jon Sable, Freelance: Ashes of Eden, by Mike Grell.

 

Credits: Glenn Hauman (Colorist), Glenn Hauman (Assistant Editor), John Workman (Letterer), Mike Gold (Editor), Mike Grell (Artist), Mike Grell (Writer), Shannon Weaver (Colorist)

More: Jon Sable Freelance: Ashes of Eden

 

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Paramount Snaps Up ‘Harbinger’ Comic Book Series

According to Variety, Paramount Pictures has acquired the rights to the Valiant comic book series Harbinger, which will be made into a live-action feature. The feature, which is being developed as a possible vehicle for director Brett Ratner, will be produced by Alexandra Milchan, Jay Stern and Ratner and may go under the MTV Films banner.

Harbinger, created in the ’90s by Jim Shooter, was a hit when it was first released and concerns humans with extraordinary powers and abilities that can be unlocked by so-called "Omega" harbingers. One of these humans, teenager Pete Stancheck (aka "Sting"), is able to realize this potential under the instructiion of his mentor, Toyo Harada.

But once Harada starts down an evil path and Pete learns it was his mentor who was responsible for a friend’s death, Pete is determined to bring his former teacher to justice. So, with the help of friends Kris, Zephyr, Flamingo and Torque, Pete begins his quest to take down Harada and the evil Harbinger Foundation.

According to the article, after directing X-Men: The Last Stand, Ratner was looking for a superhero franchise to start from scratch and found it with Harbinger. Producer Milchan was also very pleased to find Harbinger and be able to bring it to Ratner:

"The movie is in the vein of a young ‘Blade Runner,’ as this 17-year- old gifted kid helps other kids tap into these parts of their brains," Milchan said.

No word yet on potential casting for the film or a start date. But when there is, we’ll bring it to you.

Michael Chabon Talks Supersuits

Michael Chabon, the Pulitzer prize-winning author of The Amazing Adventures of Kavalier & Clay, a novel about a Golden Age comic creator, is unabashadly a comic book and superhero fan himself. He even brought to life his fictional comic book from the novel, The Escapist, courtesy of publisher Dark Horse Comics.

In the latest issue of The New Yorker, Chabon authored an essay on superhero costumes that focuses on their genesis, evolution and what they mean about the character and the creator’s intent. If the idea of the litererary intelligentsia discussing the same topics as the local comic-shop crew makes you smile, make sure to listen to Chabon’s audio interview about why he wrote it.

ComicMix Radio: Hollywood Comes Calling

This past weekend Hollywood made a raid for new properties to take to the big screen. We’ve got the story — and here’s a hint on one of them, plus:

The Incredible Hulk trailer arrives at last, so get your TiVo set!

Heroes‘ Adrian Pasdar tells us how he COULD survive for Season Three

—  Our usual shopping list of this week’s comic and DVD releases

—  Did our last trivia question stump you? Here’s a new one and another chance to grab an exclusive Graham Crackers Comics variant by e-mailing us at: podcast [at] comicmix.com

Let’s get on it! Just Press The Button… 

 

 

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