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The Science of Comics: Batman’s Gliding

The Dark Knight is overlooking the city from the ledge of a towering skyscraper when he spies a violent crime occurring in the streets below. Without even the hint of a pause, he jumps off the top of the building and uses his his outstretched cape to swoop down onto the crowd of evil-doers.

That familiar scene has been one of the staples of comic books for which readers have long suspended disbelief. But maybe fiction isn’t too far from reality. Could this be done? The ComicMix mythbusters say yes!

How, you ask? Well, just watch this footage of a mountain wingsuit. Substitute the gothic architecture of Gotham City for the mountains, and you have one impressive, bat-shaped figure ready to glide down from the night sky and strike fear into the hearts of a superstitious, cowardly lot of criminals.

Warner Bros. Acquires Rights to ‘Bone’

Warner Bros. has plenty of comic book properties of their own to adapt, given that they own DC Comics, but apparently they want a few more. The studio has optioned the rights to adapt Jeff Smith’s Bone series of comics into a feature-length film.

Smith will serve as executive producer on the film, while Dan Lin, who has worked on such films as The Departed, TMNT, Alexander and 10,000 BC, will produce.

Whether or not the adaptation is live-action or animated will be determined by meetings between the filmmakers.

Previously, an adaptation of Bone was in development by Nickelodeon Films, but the project fell through due to the direction of the project and Smith’s desire to not exclusively aim the film at children.

(via Hollywood Reporter)

ComicMix Radio: Mark Evanier Knows Jack

One of the best surprises in the stores this week was Mark Evanier’s long-awaited Kirby: King Of Comics biography of Jack Kirby, which is the latest step in his longtime association with the King. Mark gives us the story behind the book in an excerpt from an interview you can read on Monday here at ComicMix, plus:

Wizard #200 – confusing? We set you straight!

— Marvel sells out and DC reduces prices

—  NY ComicCon’s Guest List grows

— Stan Lee recreates some old magic

—  Not to be outdone, there’s a brand new trivia question and another chance to grab an exclusive Graham Crackers Comics variant by e-mailing us at: podcast [at] comicmix.com

Kirby Sez Don’t Ask – Just Press The Button

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-1435903 or RSS!

 

Marvel Comics ‘Who Do You Trust?’ – The Video

Sure, there’s probably been a few too many images hitting the ‘Net of late featuring your favorite Marvel characters looking like Skrulls. But even though they’re pushing the point a bit, Marvel and this upcoming story arc still have my attention — a fact I’m sure they’re cheering about over at Marvel HQ.

Marvel continued peeling back the layers of their "big event" onion (and abusing the "who/whom" grammar rules) this week with a new "Who Do You Trust" video posted on Marvel.com. Instead of Skrullified images of Marvel heroes, this time around we’ve got a grainy, "Blair Witch"-style video of what appears to be someone (probably an intern, since they won’t let him turn on the lights) going through a whole lot of trouble to see those very same photos Marvel’s been sending to anyone with a valid email account — as well as an unidentified dossier and a recording of someone reiterating the point that some of Marvel’s heroes just aren’t what they appear to be.

The "Secret Invasion" continues!

 

On This Day: Zatara the Magician

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Giovanni “John” Zatara was born today in 1919 and by his mid-20s had a successful career as a stage magician while concealing an awesome secret—he could do real magic!

Zatara was descended from the Homo Magi, a race of magic-wielding humans, and learned the secrets of harnessing that power—speaking backwards—by reading the diaries of his direct ancestor, Leonardo Da Vinci. Zatara used his magic to help people between his shows, and during World War II he was part of the All-Star Squadron.

His daughter, Zatanna, became both a stage magician herself and a superhero, fighting for a time as part of the Justice League of America. Zatara gave his life to save her when they and several others fought the demonic Great Evil Beast.

Still The One, by Martha Thomases

 
uncle-logo-1-9378389Last week, I pulled a muscle in my back.  This event, though rare, is not unknown; my back will hurt me every other year or so.  I should know the steps by now – hideous, agonizing pain, worse than any other person ever born has ever endured (because it’s happening to me), rest and recuperations, which includes excruciating guilt about suspending my workouts while the muscle recovers.  In a week or so, the pain will be gone and I’ll forget about it until the next time.
 
For now, though, I can’t sit down or stand up without an up-close-and-personal insight into how the muscles along the spine interact.  And every twinge reminds me that I’m no longer eleven years old.
 
For many people, an adult child, monthly condo payments, and the occasional hot flash might be enough to convince them that they were mature adults.  To me, these are just distractions from my real life.
 
In many ways, being an adult today is like the fantasyland I imagined as a child.  There are comic book stores, full of current comics, amazing toys and books about my favorite old television shows.  A few blocks from the comic book store, there’s a costume shop that’s open all year round, not just at Halloween.  There are candy stores, bookstores, bagel shops and playgrounds all over the place.  In a few weeks, it will be spring and I can roller-blade again.
 

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Gary Larson and Our ‘Far Side’ Cease & Desist

cows-3120534Here at ComicMix, we can admit when we’ve made a mistake — luckily for us, we don’t make mistakes very often.

Nevertheless, we want to inform you that we were caught red-handed this week, having posted a cartoon from The Far Side in our Jan. 1, 2008, post commemorating the end of the popular Gary Larson series

After receiving a "Cease and Desist" notice from FarWorks Inc., the copyright owner for all of the Far Side art, we’ve removed the Far Side art from the article.

However, while C&D orders are a fairly common practice these days and the letter from FarWorks was pretty much your standard fill-in-the-blanks notification, a message tacked to the end of the C&D caught our eye. It’s a form letter that looks to be authored by Gary Larson himself, explaining the philosophical implications of his stance against unauthorized use of Far Side art,  as well as an anecdote or two in typical Far Side form.

We’ve pasted the message here to save you the trouble of posting Far Side art all over your website and waiting for a C&D of your own:

TO WHOM IT MAY CONCERN:

I’m walking a fine line here. On the one hand, I confess to finding it quite flattering that some of my fans have created web sites displaying and / or distributing my work on the Internet. And, on the other, I’m struggling to find the words that convincingly but sensitively persuade these Far Side enthusiasts to "cease and desist" before they have to read these words from some lawyer. What impact this unauthorized use has had (and is having) in tangible terms is, naturally, of great concern to my publishers and therefore to me — but it’s not the focus of this letter. My effort here is to try and speak to the intangible impact, the emotional cost to me, personally, of seeing my work collected, digitized, and offered up in cyberspace beyond my control. Years ago I was having lunch one day with the cartoonist Richard Guindon, and the subject came up how neither one of us ever solicited or accepted ideas from others. But, until Richard summed it up quite neatly, I never really understood my own aversions to doing this: "It’s like having someone else write in your diary," he said. And how true that statement rang with me. In effect, we drew cartoons that we hoped would be entertaining or, at the very least, not boring; but regardless, they would always come from an intensely personal, and therefore original perspective. To attempt to be "funny" is a very scary, risk-laden proposition. (Ask any stand-up comic who has ever "bombed "on stage.) But if there was ever an axiom to follow in this business, it would be this: be honest to yourself and — most important — respect your audience. So, in a nutshell (probably an unfortunate choice of words for me), I only ask that this respect be returned, and the way for anyone to do that is to please, please refrain from putting The Far Side out on the Internet. These cartoons are my "children," of sorts, and like a parent, I’m concerned about where they go at night without telling me. And, seeing them at someone’s web site is like getting the call at 2:00 a.m. that goes, "Uh, Dad, you’re not going to like this much, but guess where I am. " I hope my explanation helps you to understand the importance this has for me, personally, and why I’m making this request. Please send my "kids" home. I’ll be eternally grateful.

Most respectfully,

Gary Larson

You have our most sincere apologies, Gary. Sorry about that whole "kidnapping your kids" thing. It won’t happen again.

College Paper Slams ‘Persepolis’ Reading Assignment

persepolis_cover_big-7245347Not too long ago, I served as editor of a college newspaper, meaning I also headed up the editorial board that oversaw the paper’s opinion pages. More than a few times, the editorial board would be hard-pressed to come up with some topic worthy of bloviating upon.

I can only hope such a desperate lack of material was what spurred the editorial board of The Ithacan, Ithaca College’s (New York) student paper, to lambast the college’s leadership for choosing Marjane Satrapi’s graphic novel Persepolis as the summer reading assignment for incoming freshman. The editorial, in all its glory, is available right here.

An excerpt:

The idea of a graphic novel goes against the grain of typical required reading and may be welcomed by the incoming freshmen, who are part of a generation that has grown up in a world of fragmented cultures of television news, video games and the Internet.  But by coincidence, the selection of “Persepolis” comes soon after a November study by the National Endowment for the Arts indicating declined reading comprehension levels in young adults. 

Perhaps the selection of a graphic novel was an effort to engage members of a generation that seem to have lost an appetite for literature. But at some point, this idea of catering to different tastes only furthers the declining reading comprehension. Graphic novels are little more than advanced comic books. The thematic material of this book is worth broaching but its literary value, in terms of building vocabulary and furthering comprehension, falls short.

I think a lot of us working in comics have seen signs that the medium is making some pretty great strides in terms of general recognition and acceptance, but this editorial serves as a reminder that some people still need convincing. “Graphic novels are little more than advanced comic books”? There’s a lot of ignorance in that statement.

How about, instead of writing angry screeds against these college kids, instead we offer to send them a copy of Persepolis (I’d say it’s a safe wager that whoever wrote this editorial hasn’t read the book) as well as a collection of the numerous recent news articles about schools and libraries using comic books to effectively encourage reading among children.

Review: ‘Young Liars’ #1

I covered a handful of new series debuting this week in my Weekly Haul column earlier this week, but one new series slipped past. Thanks to the kind folks at DC then for sending over the first issue of David Lapham’s Young Liars, one of the more puzzling series to come around lately.

It’s not that Young Liars reinvents the wheel. It’s actually very similar to another new Vertigo series, The Vinyl Underground, in that both follow spunky young hedonists. The narrator is Danny, a Texas kid who moved up to New York to be a rockstar and failed miserably. But the central character is Sadie, an heiress who took a bullet to the head and lived, although the wound removed every inhibition she had.

The first issue is mostly set in a club, with Sadie alternating between dancing and beating the holy living snot out of people as Danny fills us in on the backstory. The gist is that Sadie’s dad and some unsavory characters are all tracking her down, and unpleasantness is about to meet this small group of friends.

While I was pretty disappointed with [[[The Vinyl Underground]]], [[[Young Liars]]] has at least piqued my interest. More than anything, I’m curious where Lapham is headed, but that’s based more on his past work than on the content of this issue. It’s more of a collection of fun pieces than a cohesive story so far, and it pales next to Lapham’s excellent Silverfish graphic novel from last year.

File this one under too soon to tell.

GrimJack: The Manx Cat – GrimJack’s Back!

 Today, we have a brand-new episode of John Ostrander and Timothy’ Truman’s GrimJack: The Manx Cat.  

When you live in a place like Cynosure, the separation of Church and State gets pretty dicey.  Your faith-based initiatives tend to involve demons.  

What will Gaunt do?

 

Credits: John Ostrander (Writer), John Workman (Letterer), Lovern Kindierski (Colorist), Mike Gold (Editor), Timothy Truman (Artist)

More: GrimJack: The Manx Cat

 

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