A World of WonderCon: The Coverage Round-Up
From the stories coming out of WonderCon, it looks like the San Francisco convention is quickly approaching the high profile of its San Diego counterpart, with similar big-name announcements, celebrity appearances and, well, masses of stormtroopers popping up during the show.
Here’s a rundown of some of the highlights:
Saturday night’s Iron Man panel featured director Jon Favreau answering questions about the film — and the potential for a sequel — before showing off new footage from the film. SuperHeroHype has a great recap of the panel and footage. SHH also sat down with Favreau for a recorded interview that they’ve made available in downloadable mp3 format.
As for your dose of convention drama, Blog@’s Graeme McMillan ignited a veritable sh*tstorm around the InterWebs when he chose not to report a portion of the Bill Willingham Spotlight due to the creator’s request. Apparently (and this is what I’m gleaning from the online chatter), Willingham revealed some spoiler-esque info regarding Fables and an upcoming Fables-related project and subsequently asked reporters not to report on any of it. McMillan obliged, and was later dragged from his hotel room by an angry mob of comics fans, savagely beaten, then tarred, feathered and dumped in the bay — or the online equivalent, at least.
McMillan’s Blog@ associate J.K. Parkin not only reports on all of this, but also makes sure to get a word-for-word recap of the information that caused all of the ruckus.

In a bid to excite fanboys for the movie adaptation to Mark Millar’s Wanted, Universal Pictures used its panel at WonderCon 2008 to show an extended clip from the film. IGN has
Disney’s Ratatouille won out over Marjane Satrapi’s critically praised graphic novel adaptation Persepolis in the "Animated Feature Film" category during tonight’s Academy Awards.
After a week full of toys & more toys, it is good to expand our digital horizons in some other areas. For example:

For me, The Lost Boys is probably director Joel Shumacher’s only really great movie. It was one of those movies I really loved as a kid and upon subsequent viewings, it still holds up very well as a scary, funny good time — shirtless sax solos not withstanding.

