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Universal Debuts ‘Wanted’ Clip at WonderCon

  • Uncategorized
  • February 25, 2008

In a bid to excite fanboys for the movie adaptation to Mark Millar’s Wanted, Universal Pictures used its panel at WonderCon 2008 to show an extended clip from the film. IGN has a full report on the clip.

The scene shown was that of Fox (Angelina Jolie) saving Wesley (James McAvoy) from an assassin in a convenience store.  While that bit earned praise, the real excitement came from the ensuing car chase that, at one point, has Fox hanging out of the broken windshield of her car and shooting at the pursuing assassin.

It was "a car chase like no other," according to IGN’s report.

The movie follows McAvoy’s character as he learns his father was a legendary assassin and then tries to follow in his blood-spattered footsteps.

Wanted is directed by Timur Bekmambetov, best known for the Russian films Day Watch and Night Watch. It hits theaters on June 27.

Filling The Big Shoes, by Mike Gold

  • News
  • February 25, 2008

 

After much discussion with friends and the unwashed and bewildered, today I have decided to weigh in (again) on one of the many ongoing and irresolvable debates that have haunted the hallowed halls of comics academia since time immemorial. The question: when the instigator of a series retires from his or her creation, should the series be retired as well?
 
It seems a lot of creators and many fans think it should. To this, I say “ka-ka.”
 
I understand that a creator’s vision is important, and I strongly feel that creator should have the word on continuing the feature. For many creators, such choice was denied to them when they signed their publishing contracts. That was exploitative. Today, well, creators should know better. And many do: there are financial advantages to allowing a continuation of the feature, and there’s the idea that, to quote John Ostrander from the Stuart Gordon play Bloody Bess, “My words… my words shall live forever.” It should be the creator’s call, and there’s nothing wrong with deciding either way. Of course, after you drop dead your estate will likely overrule you, but that’s a matter between the dead you and your living family.
 
Aesthetically… well, that’s another matter. Bitch and moan all you want, but the replacements generally work out pretty well. 
 
If DC retired Batman when Bob Kane left the character 40 years ago, we never would have had the masterworks of Dennis O’Neil, Steve Englehart, Neal Adams, Marshall Rogers, Frank Miller and a legion of other superlative storytellers. Carl Burgos and Bill Everett were not involved in the Marvel Age resurrections of their Human Torch and Sub-Mariner (respectively), but all those Lee and Kirby stories sure were swell. Spider-Man didn’t truly take off until after Steve Ditko left; John Romita, Gil Kane and many others took Peter Parker to heights previously unimagined by the publisher.
 

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‘Ratatouille’ Over ‘Persepolis’ For Oscar Win

  • News
  • February 25, 2008

Disney’s Ratatouille won out over Marjane Satrapi’s critically praised graphic novel adaptation Persepolis in the "Animated Feature Film" category during tonight’s Academy Awards.

Oscar.com has posted an image from the pre-show survey filled out by Satrapi’s co-creator on the Persepolis film, cartoonist Vincent Paronnaud, who apparently wanted to become a clown and a priest when he was young, and finally decided that cartooning was a "good compromise between the two."

 

It’s TV Time With This Week’s Hot Links!

  • News
  • February 24, 2008

gcc-4332796After a week full of toys & more toys, it is good to expand our digital horizons in some other areas. For example:

ABC is adding to your Oscar Party tonight with increased video coverage of the Academy Awards show. Starting later tonight, there will be more behind-the-scenes interviews, interactive features and even a user-generated feature encouraging fans to upload their own acceptance speeches.

NBC is now fully underway, streaming full episodes of vintage TV shows this month for free and select NBC Cable Entertainment sites. Included among the classics, look for The Alfred Hitchcock Hour and Night Gallery on NBC.com, the original Battlestar Galactica and Buck Rogers on SciFi.com, Swamp Thing and The Crow: City of Angels on ChillerTV.com and Kojak and Miami Vice on SleuthChannel.com.

DIC Entertainment has launched its first 24/7 online video channel. we found this interesting because it offers a range of new and classic titles like Dino Squad, Inspector Gadget, The Littles, Liberty’s Kids, and the live-action series Cake among others.  Later on this year, look for the launch of new property websites for DIC brands, such as Eloise, Beginner’s Bible, and Inspector Gadget.

Time is again running out to get us your e-mail answer to the trivia question we tossed out in the last ComicMix Radio broadcast. Getting it into to us at podcast [at] comicmix.com could get you an exclusive limited-edition, variant comic from Graham Crackers Comics – and again the deadline is 9am EST on Tuesday, February 26th! By popular demand – here’s another "little" hint – good luck!

 

ComicMix Columns for the Week Ending Feb. 24, 2008

  • News
  • February 24, 2008

Ah, it’s Oscar time again!  I know I’ll be glued to my seat, whilst falling asleep in it at the same time!  Look for all the geeky movies to win the usual geeky (technical) awards, most of which won’t be given out on the air.  Better to get your geek on reading our ComicMix columns for this past week:

I know Ratatouille will probably win for Best Animated Feature, but I’m still rooting for Persepolis, so there.

Devil’s Due Pop on ‘Incredible Change-Bots’, ‘Xombie’ Toys

  • News
  • February 24, 2008

ballstoyrough-tm-6381253

Well, here’s one that has me excited.

Toys based on Jeffrey Brown’s popular Top Shelf comic, The Incredible Change-Bots, as well as Devil’s Due Publishing’s Xombie: Reanimated, were among several products highlighted in a recent announcement of DDP’s new line of pop culture toys, Devil’s Due Pop.

From the official press release:

This March, comic book icons bounce out of the pages of Devil’s Due and into a new line of action packed life accessories called DEVIL’S DUE POP. Beginning with a package of classically retro Golden Age Sheena: Queen of the Jungle stickers, DEVIL’S DUE POP will include an array vinyl toys, personal journals, and usable artwork based on the properties that have made Devil’s Due Publishing one of the ten largest comic book publishers in the U.S.

The Sheena stickers will be followed by products themed around DDP’s licensed horror series, Halloween: Nightdance, and an original "Shawnimals" plush.

The publisher is saving the best for last, though, with the June release of an original vinyl figure based on the main character of one of my favorite under-the-radar titles, Xombie: Reanimated. The print series is a continuation of the animated online series Xombie, created by James Farr, who also writes the DDP title.

DDP also provided a look at the first in a potential line of toys based on Jeffrey Brown’s Incredible Change-Bots, a comic he created for the publisher Top Shelf. The series is a parody of the various transforming robot cartoons, comics and toys many comic readers are familiar with. The first character to get the toy treatment will be Balls, a robot who transforms into a golf cart.

Images from the upcoming line are posted after the jump.

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Five Fistfuls of Justice, by Ric Meyers

  • News
  • February 24, 2008
 
justiceleague-3464763I hope you’ve already read Matt Raub’s advance review of Justice League: The New Frontier  — DC Universe’s Animated Original Movie — which was posted days ago. Naturally, since it’s coming out in stores this coming Tuesday, it’s time, keeping with the comic source material, for my variant review. Matt critiqued the film itself. I, of course, am reviewing the Two Disc Special Edition’s extras.
 
This baby more than makes up for what I felt last week’s He-Man Volume One DVDs lacked: right on the first disc they have a near-full-length (nearly 45 minutes) doc called “Super Heroes United!: The Complete Justice League Story.” It tracks the comic from its inception back in the 1940s ‘til today, using images, clips, and just the talking heads of most of the major comic creators of the era. The information from the likes of Roy Thomas, our own Denny O’Neil, and even Stan Lee was so comprehensive that the doc doesn’t even require a narrator or narration. It does benefit mightily, as do all the featurettes, from the soundtrack music of Kevin Manthei.
 
Then the first disc alone more than makes up for what I thought the Resident Evil: Extinction DVD lacked: their doc sneak-peek of the upcoming animated Animatrix-like Batman: Gotham Knights D2 (“direct to”) DVD shows the lame, cheat sneak peek of Resident Evil: Degeneration how it’s done. There’s plenty of making-of stuff, talking heads, and exciting glimpses of the finished product as opposed to Resident Evil’s peek-a-boo tease. The first disc of Justice League wraps with two audio commentaries – the first a gang approach, with six participants from the production and DC Comics (though not a single person from the pic’s impressive voice cast), and the second with the writer/artist of the source graphic novel, Darwyn Cooke.
 
The second disc kicks off with a slightly shorter but just as interesting history of “The Legion of Doom: Pathology of the Super Villain.” While it contains many of the same talking heads as the “Super Heroes United” doc (Michael Uslan, Len Wein, Marv Wolfman, etc.), it also benefits from a Malcolm McDowell narration. Then, perhaps as compensation for the film’s inability to recreate the delightful style of the original graphic novel (understandably opting for the previously established designs of DC’s  recent Kids-WB Superman and Batman animated TV series), there’s the “Comic Book Commentary: Homage to The New Frontier” featurette, which goes into detail with and on Darwyn Cooke’s original. 
 

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First ‘Lost Boys 2: The Tribe’ Pic Hits the Net

  • News
  • February 24, 2008

For me, The Lost Boys is probably director Joel Shumacher’s only really great movie. It was one of those movies I really loved as a kid and upon subsequent viewings, it still holds up very well as a scary, funny good time — shirtless sax solos not withstanding.

The movie pretty much had it all, including a great cast featuring Kiefer Sutherland, Jason Patrick, both Corey Haim and Corey Feldman, Dianne Wiest and Bernard Hughes. It also had cutting-edge (for the time) effects, action, drama, romance, blood, gore, violence, comic books and a great soundtrack. All of which came together to make Lost Boys one of the seminal movies of the ’80s for me and many others.

To be honest, I never really considered the possibility of a sequel to The Lost Boys. I always thought the movie stood on its own as a complete and satisfying story. So, it was with some reluctance that I’ve followed the development of the sequel, The Lost Boys 2: The Tribe, which is, after many trials and tribulations, soon on its way into theaters.

But now, thanks to the folks over at Shock Til You Drop, there’s an exclusive first pic from the film that doesn’t completely reverse my feelings regarding a sequel but does make me want to give the film at least a chance. Who knows, maybe as we start to see more from it, my feeling about a sequel will completely change? Maybe. Until then, enjoy the pic.

New ‘Iron Man’ Poster Revealed

  • News
  • February 24, 2008

Over at ScreenRant, they’ve got a post up that gives us a look at the brand new Iron Man movie poster being handed out at this years WonderCon in San Francisco. This time around, the poster features all three versions of Iron Man’sarmor from the film: the original Mark I, the prototype Mark II and the final red and gold Mark III that we all know.

Its interesting to see the progression in the design of these three armors and to be able to see them up-close with this kind of detail. They all look pretty cool to me, but is it wrong that I like the silver Mark II best? Blasphemy, right?

Iron Man, in full armor-clad glory, opens May 2nd.

 

Mo’ Dern’ Modern Art from Texas, by Michael H. Price

  • News
  • February 24, 2008
 
l2007-58-4-6094273The Fort Worth Circle – a fabled and enduringly relevant colony of artists who transcended their provincial Texas bearings to help redefine art as a class during the 1940s and ’50s – comes full-circle in a massive exhibition at the Amon Carter Museum in Fort Worth, Texas. The styles of painting and etching – often veering toward cartooning, like their European counterparts in the somewhat earlier dawning Age of Picasso – are too wildly diversified to allow any simple description: One might say the members shared an impulse to describe how it felt to be alive at a time of unbridled creative enthusiasm and reciprocal encouragement.
 
The display of nearly 100 striking examples is called Intimate Modernism: Fort Worth Circle Artists in the 1940s, the first such industrial-strength retrospective in more than 20 years. (More than 50 years is more like it, in the case of many of the featured works. Some privately held pieces have gone that long without a public-viewing showcase, as curator Jane Myers points out.)
 
If some of the works suggest music to those discovering the Circle for the first time, it might be helpful to mention that Stravinsky and Ravel, as modernists in their own right, were among the members’ preferred composers; at the time of the Circle’s launching, the larger movements toward modern jazz, progressive jazz, and free-form jazz had yet to take a decisive form.
 

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