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REVIEW: Captain Planet: The Complete Franchise

Conceived by Barbara Pyle and media mogul Ted Turner, Captain Planet was an ecological hero way ahead of his time. The animated series ran for years with some nifty design work by Neal Adams and his Continuity Associates. Each episode featured an adventure and a lesson (of course). It endeared itself to a generation of viewers and remained an enduring figure from the 1990s.

Now, Warner Home Entertainment has released Captain Planet the Complete Franchise, with 41 hours and 31 minutes of environmental goodness. For silly legal reasons, the show has two titles evenly split among its six seasons: Captain Planet and the Planeteers (animated by DIC) and The New Adventures of Captain Planet (animated by Hanna-Barbera) for the final three seasons.

Gaia, the spirit of Earth, was voiced by Whoopi Goldberg, who set the tone and standard for the entire series. She was accompanied by a voice cast that included Margot Kidder (who replaced Goldberg in season four), Meg Ryan, Martin Sheen, Jeff Goldblum, LeVar Burton, Ed Asner, and Dean Stockwell.

As Gaia awakens after far too long, she is unhappy with the shape of Earth and sets about to repair things, with the help of teens drawn from the continents, granting each power — earth, fire, wind, water, and heart — to help save the world. United, they summon forth Captain Planet (David Coburn). The excellent captain can be felled by pollution and similar harmful environmental factors. Our teen heroes —Gi (Janice Kawaye), Kwame (LeVar Burton), Linka (Kath Soucie), Ma-Ti (Scott Menville), and Wheeler (Joey Dedio) — respond to Gaia’s alerts via their solar-powered Geo-Cruiser.

Their recurring foes include Hoggish Greedly (Ed Asner), Hoggish Greedly Jr. (Charlie Schlatter), Rigger (John Ratzenberger), Verminous Skumm (Jeff Goldblum/Maurice LaMarche), Duke Nukem (Dean Stockwell/Maurice LaMarche), Leadsuit (voiced by Frank Welker), Dr. Barbara “Babs” Blight (Meg Ryan/Mary Kay Bergman), MAL (David Rappaport/Tim Curry),  Looten Plunder (James Coburn/Ed Gilbert), Argos Bleak (Scott Bullock), the Pinehead Brothers (Dick Gautier and Frank Welker), Sly Sludge (Martin Sheen/Jim Cummings), Ooze (Cam Clarke), Tank Flusher III (Frank Welker), Zarm (Sting/David Warner/Malcolm McDowell), and of course, the good captain’s evil twin, Captain Pollution (David Coburn).

The DIC episodes were very much formula, and when H-B took over, backstories and more depth were added throughout, making for a more enjoyable viewing experience. Still, there were many times the themes were heavy-handed, making them feel like an “eat your spinach” experience.

It did spawn The Captain Planet Foundation in 1991, as Pyle donated a percentage of the show’s merchandising revenue to do some actual real-world good. It ran a decade until new parent company TimeWarner shit it down. After the disastrous AOL merger, the foundation was resurrected in 2007 and continues to do good work.

The series looks fine on DVD, reproduces the original animation well, and offers Dolby Digital audio. Little expense was spent on cleaning and unifying everything, although the entire package is a lavish one. Not a single special feature has been included.

REVIEW: The West Wing: The Complete Series

Okay, I get it. The West Wing is a fantasy. But it’s not just a liberal fantasy television series. It is a series that celebrated patriotic Americans who all thought they were working to create a better country. The staffers in the west wing of the White House and their president strove to bring their best efforts, and as we watch, we see them try and fail, we see them try and succeed, and we see them try and not get everything they wanted. There was no breast-beating or pouting on national television.

The 1999-2006 series celebrated patriotism and intelligence, two things lacking from way too many elected officials today, making us long for the Bartlet Administration. Long overdue, Warner Home Entertainment has chosen the show’s 25th anniversary to finally release The West Wing: The Complete Series on Blu-ray.

Created by Aaron Sorkin, using leftover material from his entertaining The American President, he created a rich, varied cast of characters. With producer/director Thomas Schlamme, they cast one of the finest ensembles you could hope to find on American prime time television. They oversaw the first four seasons before burnout and drug problems led Sorkin to step aside, with Schlamme with him. The fifth season saw Executive Produce John Wells step in, and it was an uneven season, but it found its footing. Seasons six and seven introduced fresh characters as the next election loomed, and it found new energy, ending on a high note.

Even its weakest episodes were stronger than most of its network competition, rivaling the upcoming Golden Age of cable as it competed with series like The Sopranos. We saw the struggles to run a country each week, along with their horrible work/life balance. Their little personal time often involved attempts at romance, which gave rise to many wonderful relationships.

We also learned a lot about how the government works and issues large and small. Sorkin would have people bring him the boring, and he somehow would have it turned into fascinating badinage and debate.

The show has endured, not just through cable and now streaming accessibility. Still, it spawned the first series rewatch podcast, The West Wing Weekly, and has spawned numerous mini-reunions for good causes (most recently, on the Emmy Awards). The show’s enduring nature and its influence over many worthy causes were also celebrated in What’s Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service, written by two of its stars, Melissa Fitzgerlad and Mary McCormack.

The 156 episodes, across 28 discs, carry over the 20+ commentaries, behind-the-scenes featurettes, unaired scenes, gag reels, and more from the DVD editions. The 1080p transfers are sharp and clear, with a fine DTS-HD MA audio track. Alas, only English captions are available, which I think is a missed opportunity, as there was a lack of anything new to celebrate 25 years (the live recreation of an episode done as a Democratic fundraiser would have been welcome). The plastic cases cram the discs in place and can be easily dislodged, which is another shame.

Superman Isn’t Jewish (But I An…Kinda) by Jimmy Bemon and Émilie Boudet

With supposedly-nonfiction books, I’ll focus tightly while reading on how true they are, looking for any crack in the verisimilitude that might imply some fiction has made its way into the mix. I think that’s pretty common: we want to know what kind of stories we’re being told, how constructed they are, to know how to respond.

But it’s not always clear how much the book is claiming to be nonfiction. This graphic novel – or bande dessinée, since it’s originally from France – is in the “Life Drawn” series from Humanoids, which I thought meant it was clearly, well, drawn from life. But I just took a look at their website, and the series is described as “Biographies and slice-of-life tales that show us what it means to be human” – and, more specifically, Wander Antunes’s adaptation of Twain’s short story Man Who Corrupted Hadleyburg , which I read recently, is also included in the program. So my assumption that of course anything published as “Life Drawn” would be nonfiction has been proven to be inoperative.

In other words: this is probably close to true, more or less. But only…kinda.

Superman Isn’t Jewish (But I Am…Kinda)  is a coming-of-age story told in the first person by a French boy, Benjamin, and covers mostly his youth in the late eighties and early nineties, in a large extended family with a (now-divorced) Jewish father and Catholic mother. It was written by the film director and screenwriter Jimmy Bemon and drawn by Émilie Boudet, first published in France in 2014 (when Bemon also made a related short film with the same name) and translated by Nanette McGuiness for this 2018 English-language edition.

Jimmy is immersed in Jewish culture and history by his father’s side of the family, encouraged to believe himself part of a long, storied cultural tradition stretching back five thousand years, one of the chosen people. And he’s happy with that part.

But being Jewish also meant that he was circumcised at birth – which is vastly less common in France than it is in the US, something Bemon didn’t need to point out to his original audience but might make his histrionics come across weirdly to American readers – and so he is Different From Other Boys.

There are other issues as he grows up – undertones of how much “Jewish” means “Zionist” to a bunch of schoolboys, some of whom are Arabic, things like that – but the chopped willy is the big one. Benjamin is worried that, when he ever gets together with a girl, she will point and laugh, and then tell everyone else.

Superman Isn’t Jewish is relatively short and conversational, like a film driven by a single narrative voice. We don’t see a whole lot of Benjamin’s young life: just what matters to his possibly-Jewish identity. He has classes with a rabbi, and celebrates his bar mitzvah. There’s a moment where he’s pulled in to be the tenth man for a minyan. But he doesn’t quite feel Jewish, and eventually works up the courage to tell his father that. This is a mostly amiable, positive book, so that goes OK in the end.

I do wonder a bit how much of Jimmy is in Benjamin, and what there is of Jimmy that didn’t make it into Benjamin. But that’s the inherent question of semi-autobiographical fiction, isn’t it? In the end, this is a nice story about a good kid who figured out how he wanted to live and found happiness, in bright colored pencils and big faces from Boudet’s art – that’s a fine thing to have.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

REVIEW: Friends: The Complete Series 4K Blu-ray

In spring 1994, I was reading a series of articles in The New York Times about pilots for the forthcoming TV series, and they profiled a series featuring six twnetysomethings trying to adjust to adulthood. It sounded promising so my wife and I sampled the NBC series the following September.

And Friends has been running somewhere on television ever since. It is now 30 years old and to celebrate, Warner Home Entertainment recently released Friends: The Complete Series, debuting on 4k Ultra HD for the first time. Every episode is included along with a variety of bonus features making this an ideal addition to your video library.

What’s interesting about the series today is how it has endured despite aspects no longer appearing as fresh. The creators, David Crane and Marta Kauffman, cleverly found six types that could bounce off one another with heart and humor. With director James Burrows handling the pilot, all the elements from the first episode were there and remained in place for the next decade.

Largely set in two adjacent apartments in Manhattan, and their favorite coffeeshop, the six worked to live with running gags about their jobs (or not having jobs). They never seemed to worry about paying the rent or utilities, so their struggles were more about relationships—finding them or keeping them. They loved and lost, laughed and cried, and turned to one another for support. Over the course of ten seasons, we saw two couples form, one long-simmering and filled with pathos, while the other unexpected and funny. By the time they turned the lights out in an hour-long finale, they had become part of the national dialogue.

The show endures because the character relationships feel real and their affection for one another is evident from when Monica’s friend Rachel turns up in her wedding dress, having run away from her wedding and is immediately adopted by the others.

Wisley, the showrunners, plotted out the character arcs for each season well before writing and filming began, serving the characters first, then the gags. This may be one of the reasons why it is among the series I continually find my high schoolers watching via streaming.

The series has 23 triple-layered 4K discs and two dual-layered Blu-rays for the special features. They’re tidily packaged in a nice plastic case that fits snugly on the shelf. The 2160p transfers, framed at 1.78:1, look just fine, and as you remember, the series back in the CRT days. That said, the color is oddly saturated throughout and look just a wee bit off, enough to nag at veteran fans.

The 4K discs come complete with a fine DTS-HD 5.1 Master Audio, serving the dialogue and music just swell.

The Special Features are mostly taken from previous Blu-ray and DVD editions of the seasons such as the audio commentaries with executive producers Kevin S. Bright, Marta Kauffman and David Crane.

On the first bonus disc, we get a new Friends: Through the Peephole (15:18), hosted by Warner Bros. archivist Matt Truex, examining some of the 2,000 props and costumes. There is also the less interesting trivia contest How Well Do You Know Your Friends? (6:37).

Each season carries over the other Blu-ray extras such as trailers, music videos, shorts spotlighting the series’ international appeal and other topics.

The second disc contains extras imported from seasons 6-10, so we have gag reels, Gunther’s chats about each subsequent season, and various Friends appearances on talk shows plus the Extended Broadcast Episodes – “The One Where Rosita Dies,” “The One Where They All Turn Thirty,” “The One with Joey’s New Brain” and “The One with the Truth About London.”

I suppose the Max reunion special should be here, but it isn’t, which is a shame. Overall, though, it’s nice to have the entire series in one place, so you can watch at your leisure and not worry about the show vanishing from your favorite streaming service or cable channel. As promised in the catchy title song, one of the last to chart on top 40 radio, they’ll be there for you.

Black Is the Color by Julia Gfrörer

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I often find I’m thinking about or focused on the wrong things in the books I’m reading – that I need to specifically tell myself to ignore something so I can move on.

For example in Julia Gfrörer’s short, dark, creepy 2013 graphic novel Black Is the Color , the story opens on a wooden ship, far out in the ocean, several hundred years ago. One of the leaders – not the captain, maybe the first mate or owner – tells two sailors that they are, unfortunately, running lower on provisions than expected. So he’s going to kick the two of them off the ship, into a small open boat, to die in the middle of the sea.

And my first thought was: was that a thing? I’ve heard of crews going on half-rations, or even less – stretching their food farther and farther. And I know that a merchant ship, which this one appears to be, had a small, tight crew to begin with – especially compared to a warship, which would be swarming with gunhands and marines and others. So it didn’t quite make sense that they could or would just kill two of a very limited crew at the first sign of trouble.

But that’s how Gfrörer gets to the story she wants to tell: this is about two men, in that open boat, and what happens to them. So the setup almost doesn’t matter: it’s plausible, it’s quick, it gets them out there, under a baking sun, with no food or water.

And then the mermaids come out to investigate.

Black is the story of one of those two men: Warren. He lasts longer. He’s…befriended? made a pet? visited? by a mermaid, Eulalia. We see him alone in the boat, slowly dying. We see him with her, being comforted or having sex or being a new object of interest. We see her down in the depths, among her people, callous and self-centered and flighty. We see that she and all her people view humans as amusing distractions, as entertainment – interesting in the moment, maybe, but nothing more important or significant than that.

Gfrörer’s art is detailed and organic, her lines dark black and usually thin, her borders in this six-panel grid just slightly irregular, her people with sharp defined faces, her seas a mass of lines rippling and undulating, endlessly. This is a book that’s black in multiple ways: story, theme, characters, often visually. Black is the color here.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

Bad Boys: Ride or Die Arrives on Disc Next Week

SYNOPSIS
The world’s favorite Bad Boys are back with their iconic mix of edge-of-your-seat action and outrageous comedy, but this time with a twist: Miami’s finest are now on the run. When Captain Howard is unjustly accused of a lifetime of drug-related crimes, the Bad Boys vow to clear his name.

SPECIAL FEATURES
4K UHD and Blu-ray™ Exclusive Bonus Features:
Outtakes & Bloopers
Deleted Scenes
Also includes:
Will & Martin Chemistry, Legacy & Laughs
The Bruckheimer Legacy: Crafting Bad Boys & Beyond
Fights, Camera, Action
Partners in Crime
DVD Exclusive Bonus Features:
Will & Martin Chemistry, Legacy & Laughs
The Bruckheimer Legacy: Crafting Bad Boys & Beyond
Fights, Camera, Action
Partners in Crime
PLUS AN ALL-NEW POST CREDIT SCENE

4K, Blu-ray™ & DVD include a digital code for movie and bonus materials as listed above, redeemable via Movies Anywhere for a limited time. Movies Anywhere is open to U.S. residents age 13+. Visit MoviesAnywhere.com for terms and conditions.

CAST AND CREW
Directed by: Adil & Bilall
Written by: Chris Bremner and Will Beall
Produced by: Jerry Bruckheimer, Will Smith, Chad Oman, Doug Belgrad
Executive Producers: Barry Waldman, Mike Stenson, James Lassiter, Jon Mone, Chris Bremner,
Martin Lawrence
Cast: Will Smith, Martin Lawrence, Vanessa Hudgens, Alexander Ludwig, Paola Nuñez, Eric Dane, Ioan Gruffudd, Melanie Liburd, Tasha Smith, with Tiffany Haddish and Joe Pantoliano

SPECS
Run Time: Approx. 101 minutes
Rating: PG for action/peril and mild thematic elements.

Run Time: Approx. 115 minutes
Rating: R for strong violence, language throughout, and some sexual references. Under 17 requires an accompanying parent or adult guardian
4K UHD: 2160p Ultra High Definition / 2.39:1 • Audio: English Dolby Atmos (Dolby TrueHD 7.1 compatible), English French (Doublé au Québec), Spanish 5.1 DTS-HD MA, English & French (Doublé au Québec) • Audio Description Tracks 5.1 Dolby Digital • Subtitles: English, English SDH, French, Spanish • Color
Blu-ray™: 1080p High Definition / 2.39:1 • Audio: English, French (Doublé au Québec) 5.1 DTS-HD MA, Spanish, English & French (Doublé au Québec) Audio Description Tracks 5.1 Dolby Digital • Subtitles: English, English SDH, French, Spanish • Mastered in High Definition • Approx. 115 Mins. • Color
DVD: 2.39:1 Anamorphic Widescreen • Audio: English, French (Doublé au Québec), Spanish 5.1 Dolby Digital, English & French (Doublé au Québec) Audio Description Tracks Stereo • Subtitles: English, English SDH, French, Spanish • Color

Elektra Earns Red-Banded Mini-Series

New York, NY— September 18, 2024 — Elektra’s the deadliest assassin in the Marvel Universe, and this January, her vicious talents will be on full display in DAREDEVIL: UNLEASH HELL – RED BAND! The five-issue limited series will be written by Erica Schultz, continuing her work on the character after hit titles like Daredevil: Gang War and Daredevil: Woman Without Fear. Joining her on this blood-soaked saga will be artist Valentina Pinti (BladeImmortal Thor).

DAREDEVIL: UNLEASH HELL – RED BAND is the latest Marvel Red Band comic series, following the likes of Blood HuntBlade: Red BandWerewolf by Night, and Wolverine: Revenge. Labeled with a Parental Advisory and polybagged to keep those faint of heart for experiencing its intensity, the series allows Elektra to unleash unrestricted bloodshed against her targets as she continues to protect the streets of Hell’s Kitchen as the Woman Without Fear!

MURDER IS AN ART!                                                                

The violence and the occult swirling across the Marvel Universe find their way to Hell’s Kitchen! As grisly crime scenes start manifesting across the city, all signs point to an impossible perpetrator! Estranged from Matt Murdock, it’s up to Elektra to get to the grisly truth, if she can stomach it!

“It’s been such a pleasure to continue writing Elektra, especially donning the horns,” Schultz shared. “In this new series, we have the opportunity to show that just because she doesn’t kill doesn’t mean she won’t make you wish she had. Elektra has been known for her brutality, and we’ll see that on display here. Also, with a Red Band rating, that means we can get real nasty with stuff. Don’t know what I mean? You will. Valentina Pinti and I are very excited to show you this new direction.”

At Last! The West Wing Debuts on Blu-Ray

BURBANK, CA (September 17, 2024) – Warner Bros. Discovery Home Entertainment will be releasing The West Wing: The Complete Series for the first time ever on Blu-ray in celebration of the 25th anniversary of the critically acclaimed series. Get ready to binge all 156 episodes from NBC/WBTV’sEmmy® Award-winning original series, along with hours of special features, including over 20 commentaries, behind-the-scenes featurettes, unaired scenes, gag reels, and more. The brilliant political drama, following an extraordinarily intimate look at an American President and the inner workings of the White House, will be available to own on Blu-ray on October 1. Pre-order your copy today.

Created by Aaron Sorkin, who executive produced with Thomas Schlamme and John Wells, The West Wing stars Rob Lowe, Dulé Hill, Allison Janney, Janel Moloney, Richard Schiff, John Spencer, Bradley Whitford, and Martin Sheen. The series was produced by John Wells Productions in association with Warner Bros. Television.

The West Wing, which originally aired on NBC from 1999 to 2006, garnered widespread acclaim with three Golden Globe Awards, two Peabody Awards, and 26 Primetime Emmy Awards, including Outstanding Drama Series for four consecutive seasons (2000-2003). This year, the groundbreaking series celebrates its 25th anniversary.

SYNOPSIS:

Widely considered one of the best series of all time, The West Wing remains a landmark achievement in television, earning 26 Emmys, including four for Outstanding Drama Series. With its sharp writing and memorable ensemble cast, the show continues to inspire audiences with its intimate look at the triumphs, sacrifices, and inner politics of the White House.

Series information:

The West Wing: The Complete Series

Includes all 156 episodes from all seven seasons on 28 discs, plus over 20 commentaries, behind-the-scenes featurettes, unaired scenes, gag reels, and more

PRODUCT
Blu-ray                             
Audio: English
Subtitles: English SDH
Running Time: 6,716 minutes
Not Rated

The Crow now on VOD

SANTA MONICA, CA (September 10, 2024) – Fall into a new world when The Crow arrives on Premium Video, on Demand, and Premium Electronic Sell-Through on September 13 from Lionsgate. Based on the iconic graphic novel, The Crow tells the dark love story of Eric and Shelly, and the lengths one will go to for someone they love. Directed by Rupert Sanders (Snow White and the Huntsman, Ghost in the Shell), The Crow stars Bill Skarsgård (It), FKA twigs (award-winning singer-songwriter), and Danny Huston (The Constant Gardener).
 
Bill Skarsgård takes on the iconic role of THE CROW in this modern reimagining of the original graphic novel by James O’Barr. Soulmates Eric (Skarsgård) and Shelly (FKA Twigs) are brutally murdered when the demons of her dark past catch up with them. Given the chance to save his true love by sacrificing himself, Eric sets out to seek merciless revenge on their killers, traversing the worlds of the living and the dead to put the wrong things right.
 
Learn more about Bill Skarsgård becoming The Crow, building the environment, designing the costumes, and other behind-the-scenes special features with this talented cast and crew, available on participating platforms.
 
On September 13, The Crow will be available to buy for $24.99 and to rent for $19.99 (for a 48-hour period) on participating digital platforms from which movies are purchased, including Amazon Prime Video, Apple TV, Google Play, Fandango at Home, and more.
 
Based on the comic book series & comic strip by James O’Barr. Screenplay by Zach Baylin and William Schneider. Directed by Rupert Sanders.
CAST:
Bill Skarsgård                It, Barbarian, John Wick: Chapter 4
FKA twigs                      Singer-Songwriter
Danny Huston               The Constant Gardener, 21 Grams, Children of Men
Josette Simon               Wonder Woman, Pokémon: Detective Pikachu
Laura Birn                     Void, A Walk Among the Tombstones, Purge
Sami Bouajila                The Siege, The Adventures of Felix, A Son
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The Cat from the Kimono by Nancy Peña

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This graphic novel says it’s based on a folktale, and I have no reason to doubt that. Whether it’s an ancient, well-known folktale or one made up by creator Nancy Peña to fit the story she wants to tell…there I do wonder a bit.

It’s such a wonderfully visual story, one perfectly aligned with Peña’s illustrative, pattern-filled pages. It’s open-ended, with a clear beginning that turns into multiple possibilities – which also feeds the style she uses to tell this story, switching from storybook-style big images with captions for the pure folktale into comics-style grids (mostly three tiers) with speech balloons for the complications, the portions that are clearly and entirely Peña’s.

It doesn’t really matter whether she found a folktale she could adapt so well or made it up, but it does make me think about the creative impulse, and wonder which of the two it was.

The Cat from the Kimono  was published in 2020 in France – Peña is French; she works in that language – and translated into English by Montana Kane for this 2023 edition.

The legend goes that, sometime long ago in Japan – I would guess after unification, during the Edo period, but time is rarely specific in folktales – there was a beautiful young woman, the daughter of the owner of a silk mill. The best weaver in the mill was in love with her; she did not reciprocate. He made her various beautiful kimonos to show his love; she only loved the very first one he made, printed all over with cats. He got angry; things went bad, somewhat supernaturally, on the kimonos. And one cat from that first kimono ran off the silk and out into the real world.

This is the story of that cat’s adventures – perhaps somewhat later in time, perhaps meant to be right after running away. Again: folktales don’t say “and then, three days later, on the fifth of March” or anything like that.

In Peña’s story, the cat stowed away on a ship and made its way to London, where he weaved through the stories of a few Victorian-era people – a girl named Alice, a brilliant consulting detective, and a few less-obvious characters. Peña tells her story in alternating sections – first the folktale, then some comics pages, then usually a blackout page, and back to the folktale. Sometimes we get multiple comics scenes, with one set of characters and then another, and sometimes we just get one group, and then back to the folktale.

Peña tells the main folktale in full at the beginning – up to the cat running away. When she returns to it, it’s for a series of variations and questions: where could the cat have gone? what are the versions of the story? how many endings does this story have? And she closes with the folktale as well, giving – in that very fabulistic manner – mostly questions and options, before ending with a slender thread of “well, there is one version of the story that says thus.”

Peña’s folktale pages are lush and ornate; her comics pages are precise and detailed. She moves from one format into the other effortlessly, back and forth, to tell one story in both modes. Cat from the Kimono is a wonderful expansion of a fable, no matter its origins.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.