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Danny Fingeroth on ‘Disguised As Clark Kent’

  • News
  • February 11, 2008

disguisedasclarkkent-2176487Former Spider-Man Group Editor Danny Fingeroth has a new book out titled Disguised As Clark Kent: Jews, Comics, and the Creation of the Superhero, in which he examines the "cultural origins of the superhero" with special attention to the way Jewish creators and their experiences influenced the early years of the industry.

Over at CBR, Fingeroth explains how the book came about and provides a few examples of the Jewish influence in comics that forms the basis for the book:

“My favorite involves Marvel’s Mighty Thor, who I’d never seen in a Jewish light before. And why would I, or anyone? He’s a Norse deity! But in his early stories, covering the first several years of the character’s existence, a recurring subplot–that eventually became a main plot–was Thor’s love for his alter ego Dr. Blake’s nurse, Jane Foster. Odin, ruler of the Norse Gods, and Thor’s father, forbade him to marry her because she was a mortal and he was an immortal god.”

Fingeroth noted there are often prohibitions in Jewish and other ethnic communities against marrying outside the group, and that the modern tension of breaking away from this system can be seen in the story of Marvel’s thunder god.  “Stan Lee and Jack Kirby could arguably be interpreted as having been using Thor and Jane to work out their own feelings about the taboos around intermarriage they had grown up with,” Fingeroth said. “I’m not saying they did this consciously–just the opposite. But in retrospect, I found it fascinating and worthwhile to discuss that kind of topic in ‘Disguised as Clark Kent.’”

 

Steve Gerber, R.I.P.

  • News
  • February 11, 2008

Mark Evanier has announced the death of comics legend Steve Gerber on his website.

Gerber was diagnosed with pulmonary fibrosis and had been in and out of hospitals for quite a while — an experience he had been chronicling on his website. Gerber’s career in comics included work with a variety of publishers, most notably as an editor at Marvel, during which he co-created the character of Howard the Duck.

Howard, born in Steve’s amazing mind and obviously autobiographical to a large degree, took the industry by storm. The creation was in many ways a mixed blessing to his creator. It led to an ugly and costly legal battle over ownership, which Steve settled out of court. It led to the occasional pains when he occasionally returned to the character and, due to reasons external and internal, found that he could not go home again. It also led to the sheer annoyance of watching the 1986 motion picture of Howard (produced with minimal involvement on Steve’s part) open to withering reviews and dreadful business. Still, the issues he did are widely regarded as classics…and Howard is often cited as a character who only Steve could make work.

Gerber’s work also included the development of the popular cartoon series “Thundarr the Barbarian.” Gerber had recently been working on the DC series Countdown to Mystery: Doctor Fate.

Tolkien Estate, Publisher Sue New Line Over ‘Lord of the Rings’

  • News
  • February 11, 2008

Variety reports that publisher HarperCollins and the British charity that oversees the estate of Lord of the Rings author J.R.R. Tolkien have filed a lawsuit against New Line Cinema, the studio responsible for the "Lord of the Rings" film trilogy.

The suit was filed today in Los Angeles Superior Court and alledges that New Line Cinema neglected to provide either plaintiff with contractually obligated "gross profit participation" payment for the phenomenally successful films. The claim seeks $150 million from New Line, as well as a variety of other damages, including the right to terminate New Line’s license to the Tolkien properties.

If the studio loses the Tolkien license, it could end fans’ hopes for a Guillermo del Toro-helmed film based on The Hobbit, a widely speculated possibility.

 

Alex Cox on ‘Repo Man’ Sequel: ‘Waldo’s Hawaiian Holiday’

  • News
  • February 11, 2008

Alex Cox, the man behind the cult-classic film "Repo Man", is planning a sequel. And yes, that strange feeling you just experienced was the world becoming significantly weirder.

Waldo’s Hawaiian Holiday is the graphic novel that will serve as the sequel to Cox’ bizarre-beyond-words 1984 film, and it’s scheduled to hit shelves on March 31. The story is set a decade after the end of "Repo Man" and features the return of the film’s main character, Otto, who has no idea where he’s been for the past ten years and insists upon everyone calling him Waldo.

That’s about as much sense as I can make of the plot, but EW has an interview with Cox about Waldo’s Hawaiian Holiday that might clear things up.

ALEX COX: He’s been away on a journey in a car for 10 years and just returned. He thinks he’s only been gone for the evening. Now, he may indeed be Otto. He may have been transmogrified on the way back into Waldo. Or that may have happened to several people at the same time. Like, how Lee Harvey Oswald and all these other U.S. Marines defected to Russia at the same time. And then they all came back a couple of years later. So, maybe a whole bunch of people were picked up by aliens in a similar way and made prisoners on Mars, and then released 10 years later when they were of no further use.

Okay, maybe not.

Well, they also have a five-page preview of Waldo’s Hawaiian Holiday, featuring the art of Chris Bones. You can check it out while you’re waiting for your head to stop hurting.

 

Common Cast as Green Lantern in ‘Justice League’ Film

  • News
  • February 11, 2008

Hip-hop musician Common recently confirmed to MTV that he will be playing the role of Green Lantern John Stewart in the upcoming "Justice League" film.

"It’s a blessing really, to know that I could potentially be this superhero,” he enthused. “Justice League itself is an honor, and Green Lantern is an incredible character to play. It’s a blessing to be associated with it.”

As previously reported, "Justice League" production was initially delayed by the WGA strike, but now could begin again this year. The film is tentaively scheduled for a 2010 release, but nothing is certain at this point.

 

Roundup: Cartoonists of Color Sit-In

  • News
  • February 11, 2008

The Daily Cartoonist has a great roundup of yesterday’s Cartoonists of Color Sit-In, with links to participating strips and mainstream coverage of the event, as well as some interesting statistics related to the issues at the heart of the sit-in.

In case you missed our mention of the Cartoonists of Color Sit-In a while back, the event was organized as a protest of what participating cartoonists perceive as limits newspapers set on the number of comic strips with primarily non-white casts of characters. Each of the participating cartoonists used the same script for the day’s comic, written by Watch Your Head creator Cory Thomas.

Among other coverage of the event, Thomas appeared on lastnight’s CBS Evening News to discuss the event (links provided in Daily Cartoonist article).

 

Valerie D’Orazio on DC, Comics Culture and the Female Presence

  • News
  • February 11, 2008

In a wide-ranging interview over at The Comics Reporter, Tom Spurgeon talks to Valerie D’Orazio, former DC editor, current Occasional Superheroine blogger and president of Friends of Lulu.

Over the course of their conversation, D’Orazio discusses her former employer(s), the state of women in comics and the industry as a whole, and even shares a few thoughts about what readers should and shouldn’t expect from publishers.

Oh, and she offers up a word or two about the best targets for fans’ outrage, too:

SPURGEON: Is there any issue in the last three years that you think has been underplayed? Overplayed?

D’ORAZIO: I understand a lot of the outrage some readers have about stuff like T&A in comics. But this stuff is never going away. The primal need to look at a pair of breasts is never going away. Now, saying something like "I don’t want this cherished comic book heroine to be a slut" or "kids shouldn’t read that stuff" or "mixing images of women with sexualized violence can be dangerous" makes sense to me. But take the case of Top Cow’s Witchblade. It’s erotica. It’s like our generation’s Vampirella or Barbarella. I can laugh at this or that aspect, but the title isn’t a menace that needs to be stopped. It serves a function for men, the same function Laurell K. Hamilton’s books serve for women — the blending of horror/fantasy with erotica.

As with many of Spurgeon’s interviews (and in the interest of disclosure, I was one of ’em), the conversation is quite lengthy but worth every word for anyone interested in learning about the culture, business and behind-the-scenes environment of the comics industry.

First ‘Incredible Hulk’ Abomination Images

  • News
  • February 11, 2008

Wondering what The Abomination, Hulk’s nemesis in the upcoming "Incredible Hulk" film, will look like? Well, a photograph of a flier posted by SuperHeroHype should provide you with a good idea of how the villain will appear on screen in the June 2008 film.

Although the story posted by SHH seems to have vanished from their site, there was no stopping dissemination of this image of the flier, which features an image of the Abomination toy with "steel" pipe weapon!

 

(via cinematical)

Kurt Busiek on DC’s Weekly ‘Trinity’

  • News
  • February 11, 2008

DC Executive Editor Dan DiDio made it official at this weekend’s Retailers Meeting: The publisher’s next weekly series is titled Trinity and will be scripted by current Superman writer Kurt Busiek, with art by longtime Marvel Ultimate Spider-Man artist Mark Bagley.

The weekly series will begin this June and feature a story each week involving the trio of Superman, Batman and Wonder Woman. Busiek will leave Superman with issue #675. According to Busiek, each issue of Trinity will feature 10 pages co-written by Busiek and Fabian Nicieza and 12 pages of a solo story by Busiek.

In an interview with CBR, Busiek commented on Trinity and the rumors that Jim Starlin’s recent Death of the New Gods miniseries cleared the way for DC’s "Big Three" to get the spotlight in Trinity — and that the series is simply leading to another big event.

“No, ‘Death of the New Gods’ is one of the series that is leading into ‘Final Crisis.’ ‘Trinity’ is not ‘Final Crisis’ related. It is a relatively self-contained story that follows its own track. It’s part of the DC Universe, but it’s not one thread in the giant plot structure that is a big event. It is its own story. It has a beginning, a middle and an ending. There will be repercussions, yes. It has new characters that are introduced that I sure hope will spin off into their own mini-series or series or things like that, but it’s not leading to ‘Final Crisis 2: This Time It’s Personal.’

Busiek also tried his hand at sorting out the web of storylines that make up DC’s final-countdown-to-infinite-crisis-on-52-multiple-worlds events and explaining where Trinity will fit into the greater DCU:

’52’ came out of ‘Infinite Crisis’ and itself was a repercussion of a big crossover. ‘Countdown’ is leading into a big crossover. Each time DC does a weekly, they want to do it differently. ‘52’ was about a world without the heroes, ‘Countdown to Final Crisis’ is building up to an event about the heroes and ‘Trinity’ is about the heroes. Front and center.

 

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