The Mix : What are people talking about today?

Megatron in New IDW Transformers Promo

Chris Ryall, IDW Publisher and Editor-in-Chief, recently posted this new, untitled promo art by Nick Roche for an upcoming Transformers project.

That’s about all there is to say about it, other than the fact that it’s now my new desktop background.

Capt. Marvel and Serial Retro-Mania, by Michael H. Price

 

515n0admfrl-_aa240_-6397917Apart from some chronic bouts of concentrated cliffhanger enthusiasm in visits with the pioneering Texas cartoonist-turned-fine artist Frank Stack, I haven’t paid a great deal of attention in recent years to the extinct form of Hollywood filmmaking known as serials, or chapter-plays.
 
I’ve overcome that neglectful tendency lately with an assignment to deliver a foreword for IDW Publishing’s The Complete Chester Gould’s Dick Tracy, Vol. 4 (due in print by March 25), which covers a stretch of 1936–1937 and thus coincides with the early-1937 release of the first Dick Tracy serial by Republic Pictures Corp. George E. Turner and I had covered the Republic Tracy in our initial volume of the Forgotten Horrors books – but a great deal of information has come to light during the nine years since that book’s last expanded edition.
 
The transplanting of Tracy from the newspapers’ comics pages to the big screen figures in an earlier installment of this ComicMix column. So no point in re-hashing all that here, or in spilling any fresher insights that will appear in the IDW Tracy edition.
 
Anyhow, I had expected that these strictly-research refresher screenings of Republic’s Dick Tracy and Dick Tracy Returns and so forth would bring on an attack of Serial Burnout Syndrome – but no such. If anything, the resurrected Tracy cliffhangers have stoked a level of interest that I hadn’t experienced since I had been granted my first looks at the Republic serials via teevee in 1966. (Those attractions were feature-lengther condensations, roughly half or less the running time of a theatrical serial, prepared expressly for broadcast syndication, and re-titled to compound the confusion: 1936’s The Undersea Kingdom, for example, hit the tube as Sharad of Atlantis.)
 
I had wondered aloud while comparing notes recently with Frank Stack, whose lifelong fondness for the serials influences his own approach to storytelling, as to how Dick Tracy in particular could have adapted so brightly to movie-serial form – given that Republic’s adaptation had altered many key elements of Chester Gould’s comic strip. Frank’s lucid reply:
 

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‘Iron Man’ Superbowl Promo Peek

Marvel.com has posted a screencap from this weekend’s much-hyped "Iron Man" trailer scheduled to air during the Superbowl. The screencap shows Tony stark (Robert Downey, Jr.) testing a new suit.

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They also promise to post the full trailer on Marvel.com immediately after it goes on the air, just in case you were in the kitchen getting more chips when the promo appeared.

You can see a full-size version of the image on Marvel.com.

 

On This Day: Groundhogs and Base-Jumpers

Groundhog Day? Puh-lease. That’s what you’d expect, though, right?

But did you know that today in 1912 the very first stuntman did his very first stunt?

On Feb. 2, 1912, Frederick Rodman Law jumped off the Statue of Liberty  with a parachute, earning himself a $1,500 paycheck from a movie company, Pathe, that shot the stunt for a film. In doing so, he became the first “Hollywood” stuntman. He went on to jump into the Hudson River from an exploding balloon and jump off the Brooklyn Bridge later that year.

That’s right, this guy was probably the first thrill-seeking yokel to turn his hobby into a paid job.

Simpsons’ Artist Speaks To ComicMix Radio!

Super Bowl weekend is here, Super Tuesday is a couple of days away and ComicMix Radio talks to a dedicated creator who has been Super-Slaving away at comics for over two decades. George Broderick Jr has done work that ranged from Suicide Blonde to The Simpsons, and he fill in the gaps with us.

Plus…

  • The new Iron Man trailer hits Sunday at 7:30 – don’t get caught in the kitchen and miss it!
  • Sanctuary moves from the web to the Sci Fi Channel
  • ABC Family grabs Viper Comics’ The Middleman
  • Toy Story is coming in 3-D and Farscape joins us on iTunes

And please don’t ask us what anything on Lost meant – just Press The Button!

 Or subscribe to our podcasts via badgeitunes61x15dark-7125584 or RSS!

Tony Millionaire on ‘Maakies’, ‘Sock Monkey’ and ‘Drinky Crow’

Somewhere out there are several hundred people with drawings of their homes rendered by Tony Millionaire. I would very much like to find them.

Nick Main at Playback recently posted this interview with Tony Millionaire (a.k.a. Scott Richardson), the creator of the wonderfully old-timey, yet very much adult-oriented Sock Monkey, Maakies and "The Drinky Crow Show."

Sure, they talk Krazy Kat, toning down his Sock Monkey subject matter now that he children, and bringing "The Drinky Crow Show" to Adult Swim, but they also spend quite a bit of time discussing the different ways Millionaire has made ends meet. According to Millionaire, one way a struggling artist can earn a decent buck is by going door-to-door and sketching pictures of homes for their owners.

Yeah, I really liked doing that, because when the job is: "Here’s a house. Draw the house. Don’t screw around with it. Don’t make it arty. Don’t think of a great angle for it. Just draw the house." That’s how you really learn how to get a sense of gravity in drawing. Because you’re not really trying to do anything except draw itself. You’re not really trying to have a great concept or any other thought behind it. Sometimes I would cut the house off or try to put it at a more interesting angle, coming from behind a tree and somebody would say "What? You didn’t put my daughter’s bedroom in there!?" So I’d have to do it over.

Something you probably won’t earn much money doing, however, is running around naked in cemetaries. It might be liberating, but it usually doesn’t end well. Just take his word for it:

Did you ever go back to the South?

Yeah, but never for any crime worse than being loud and drunk…with my pants down. I say with my pants down, because one time I did actually get in trouble for running around in a cemetery naked. But that was actually worth it because they let me out the next morning, and the cemetery at night is a great place to run around naked.

‘Simone & Ajax’ — All in Color on Thursdays!

sa-mdcoverlarge-5542497Looking for Simone & Ajax by Andrew Pepoy?  My, don’t you have excellent taste!  We’ve been running classic episodes every Saturday of the adventures of the plucky young woman and her friend, the four-foot tall dinosaur since ComicMix began publishing comics.  

But wait, there’s more!  Starting this Thursday, we’ll have brand-new stories in full-color!  The Adventures of Simone and Ajax join our weekday line-up (Demons of Sherwood, GrimJack: The Manx Cat, EZ Street and Jon Sable, Freelance: Ashes of Eden), beginning with Simone & Ajax: The Maltese Duck.

As for today’s comics delight, we’re giving you a special treat: the last chapter of Timothy Truman’s The Black Lamb – all here at ComicMix, and as always, for free!

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Ding-Dong, the Witch is Dead, by Martha Thomases

rudy_giuliani_dress-1369043It is hard for me to write about politics without frothing at the mouth. A lot of commentators are entertained by the horse race – who’s ahead, who’s behind, who’s sprained a limb, who’s coming out of the pack in a surprise advance – but I can’t forget that elections affect jobs, healthcare, education, the environment, and for some people, it’s a life-or-death decision. Many are the times I’ve scared my cat by screaming at the television, either at a commentator’s remarks or at the President who inspired them.
 
Tuesday night, I scared my kitty again. This time, they were screams of joy. Rudy Giuliani had lost the Florida primary.
 
There is a myth that Rudy cleaned up New York City, that he was a tough but fair elected executive who made the Big Apple safe for tourists. In truth, he terrorized the city, embarrassed us with his childish antics, and would have had to slink away from office if there hadn’t been a terrorist attack on his city for him to exploit.
 
Let’s consider one of his claims: he cleaned up Times Square. It is true that there used to be a wide variety of shops in that neighborhood that sold entertainments of a prurient sort. It’s also true that today, there are hardly any. Instead of sleazy shops and movie theaters, there are massive chain stores and franchise restaurants. It looks about as dangerous as a suburban mall – and about as interesting.
 
You may wonder why that’s so bad. Aren’t there a lot more people coming to New York to shop in Times Square now? Doesn’t that create a lot more jobs?
 

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