On yesterday’s edition of "Fresh Air," Terry Gross interviews Adrian Tomine (Optic Nerve) about his latest project, Shortcomings.

From the book’s plot synopsis, courtesy of publisher Drawn & Quarterly:

Ben Tanaka has problems. In addition to being rampantly critical, sarcastic, and insensitive, his long–term relationship is awash in turmoil. His girlfriend, Miko Hayashi, suspects that Ben has a wandering eye, and more to the point, it’s wandering in the direction of white women. This accusation (and its various implications) becomes the subject of heated, spiralling debate, setting in motion a story that pits California against New York, devotion against desire, and trust against truth.

You can listen to the 20-minute interview here on NPR.

Neil Kleid of Rant Comics stirred up some debate in the comics scene Wednesday when he posted an open letter to New York ComicCon calling the decision to schedule the event on the first days of Passover "frankly insulting."

Now, I’m a realist and I understand that the majority far outweighs the minority here. Holding the convention on Passover won’t really affect con attendance one way or another. The number of Jewish attendees who will choose to forgo NYCC this year won’t even make a dent in the turnout. But as a Jewish cartoonist/creator, I have to admit to being a bit annoyed that the folks at Reed didn’t even take the holiday into account. I could understand if they’d scheduled it for the following week, the second days of Passover which are less religiously observed… but the first two days of Passover, the Seder nights, are almost like… Christmas Eve. But with more guilt. And matzah.

The message produced a fairly active discussion on Kleid’s website, with some interesting back-and-forth about the potential effects of the decision.

Shortly thereafter, NYCC Con Director Lance Fensterman posted a response on the event’s official blog.

Needless to say, I’m none too happy about the Passover situation either, so let’s get that out of the way right off the bat – we are really sorry about this and certainly intended no disrespect towards anyone. The unfortunate reality is that these were the dates we were given at the JavitsCenter. Javits is unlike most places in that the demand for the space far outstrips the availability, so customers, such as NYCC, are left with little to no choice as to what dates we are given. To that point, I’ll announce here first that the show will be moving back to February next year – because we want to be in February? Not really. Quite simply, these are the only dates we can get next year.

Billy Batson will have his work cut out for him if "Shazam!" director Peter Segal has his way.

According to this report on IGN, the "Get Smart" director likes the idea of Dwayne "The Rock" Johnson donning the pointy ears of Captain Marvel nemesis Black Adam. And Johnson doesn’t sound opposed to the idea, either.

According to Segal:

We were looking for something else to do together. [Johnson] said, ‘What are you working on?’ And I told him among other things Shazam!. And he said, ‘Do you think I can read a draft when you’re ready?’ And I said, ‘Yeah.’ John August is writing it and then we went on strike, so I don’t have a draft to show him yet. But I just started telling him the story and I thought that he might be a great Black Adam.

Segal also teased that "Shazam!" wouldn’t be the light-and-fluffy affair that "Fantastic Four" turned out to be. Instead, he said Batson’s desire to avenge the loss of his parents would provide a more serious

tone to the film.

Ah, as Valentine’s Day nears, it’s time to turn your thoughts to… Halloween?

Comic Book Resources has an interesting interview with Stefan Hutchinson, the writer of Halloween: Nightdance, a four-issue miniseries hitting shelves in February from Devil’s Due Publishing. The topics of discussion include, of course, "Why February?"

What’s really interesting about the interview, however, is what Hutchinson has to say about the "Halloween" film franchise and when he believes it lost its edge.

As Hutchinson explains it:

The first half of [the first "Halloween" film] is all in daylight, with very ‘normal’ characters, and it’s really, really creepy. You can’t really get that when you have Busta Rhymes performing Kung-Fu moves on a villain that worked principally due to his uncertain and ethereal eerieness. It’s the same sense of disappointment that comes from finding out the Wonderful Wizard of Oz is just an old man.

Even if you aren’t the sort to buy into the Halloween comics, you’ll be certain of one thing after you read the interview: Hutchinson knows his "Halloween" history.