In today’s thrilling installment of The Black Lamb, Timothy Truman continues his tale of the vampire from space, The Black Lamb. Good guys, bad guys, magicians, scientists, bounty hunters, double-agents — what more could you want in a full-color, free comic?
The Hollywood Reporter confirmed today that filming of the George Miller-helmed Justice League will be delayed by Warner Bros. until after the writers’ strike. In its rationale for the delay, the studio cited a need for script rewrites as well as uncertainty regarding the film’s eligibility for tax incentives in Australia, where filming was planned.
“The feature was to have been a tentpole special effects extravaganza for Warners. Word leaked in the fall that the script, by Kieran Mulroney and Michele Mulroney, was good but that subsequent passes, including the latest by Miller, had pacing issues and took the project in directions the studio wasn’t happy with.”
According to the Reporter, the Justice League delay comes as welcome news to Christopher Nolan, director of Batman Begins and its upcoming sequel, The Dark Knight. Nolan was unhappy with the significant differences between the Batman character planned for the League and the Batman of his current franchise.
A Hero’s Hero
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Filmmaker Uwe Boll, whose work on big-budget flops such as Alone in the Dark and BloodRayne has made him a favorite target of critics and movie fans, recently announced that he plans to return to low-budget films now that the tax shelter that provided backing for his projects has been banned in Germany.
After making a career out of producing big-budget adapatations of videogame properties, his latest project, In the Name of the King: A Dungeon Siege Tale, continued the filmmaker’s streak of both commerical and critical failures at the box office. Despite his string of big-screen flops, Boll’s ability to continue producing big-budget films due to German tax shelter funding has long been a subject of discussion among online movie fans and critics alike. In 2006, after BloodRayne was universally savaged by critics and fell more than $20 million short of making back its production costs, Boll earned even more notoriety by challenging some of his most vocal critics to a boxing match. The critics who took him up on the offer received a fairly one-sided beating.
From The Hollywood Reporter:
"In the future, I will focus on small films such as (the video game adaptation) Postal or (the Vietnam war drama) Tunnel Rats, " [Boll] said. "These are films that represent my true passion, and they can be done with small budgets."
…
"Because of the Boll reputation, it is not easy to get audiences into the cinemas," said Mychael Berg, head of distribution at 20th Century Fox in Germany, which released King locally. "We finally managed it, and we are quite satisfied with the abut 250,000 people who watched the movie (in Germany). We proved that you can make money with a Boll film."
Boll’s next project? The filmmaker plans to helm an adaptation of the videogame Zombie Massacre.
The ‘Net is buzzing this week over the potential implications of the writers’ strike on this year’s Comic-Con in San Diego. Sure, there’s a lot of chatter about the effect the strike will have on Hollywood’s participation in the event,with some arguing that less Hollywood means more comics, and that more comics means… well, more comics. Over at The Beat, however, Heidi MacDonald assesses whether there are any answers to the big questions, then takes a look at some of the other, equally important questions on the peripheral of the discussion.
"At this point it’s quite likely — but depressing — that the writer’s strike will last at least as long as the last one — six months. Networks are filling the space with reality programming, so we could just see more stars of Beauty and the Geek and How Clean is Your House on parade at Comic-Con (These shows have the strongest tie to the core demographic, in our opinion.) There are a number of movies in production that will still need to be flogged, as well, WATCHMEN for one,
So our prognosis? If the strike doesn’t end soon San Diego may be a little less manic, but not a whole lot less.
But that’s not even the really IMPORTANT question:
What does this mean for your chances of getting a hotel room?"
The Museum Vaults is the second of four graphic novels created through an unlikely publishing partnership: noted American art-comics publisher NBM and France’s cultural powerhouse museum the Louvre. All four of the stories will be about the Louvre in some way; the first book, Nicholas De Crecy’s Glacial Period, was published early in 2007.
Museum Vaults’ author, Marc-Antoine Mathieu, has been a prolific French cartoonist for the past twenty years, though very little of his work has turned up on this side of the Atlantic. (I’ll admit I didn’t previously know his work myself.)
As Museum Vaults opens, a young expert, Monsieur Volumer, arrives at a museum whose original name has been forgotten. His job is to delve into the subbasements beneath this museum to study, evaluate, and index the collections – to fully understand the museum. (more…)
And every fair from fair sometime declines
The finalists for "Best Foreign-Language Film" were announced by the Academy yesterday, with nine films making the cut for a potential Oscar. Conspicuously absent from the list, however, is the film adaptation of Marjane Satrapi’s graphic novel Persepolis. The animated film was the official submission of France to the category, and has been widely hailed by critics.
From the Los Angeles Times:
"Missing, too, is critically hailed "Persepolis," which won a jury prize at Cannes and was voted best animated film by the Los Angeles Film Critics Association and New York Film Critics Circle."
Actor Ron Taylor, most favorably remembered as the voice of "Bleeding Gums" Murphy on The Simpsons died this day in 2002. Murphy’s character was Lisa Simpson’s inspiring, saxophone-playing mentor. Taylor also played a Klingon chief on Star Trek: Deep Space Nine, and this reader’s favorite credit, Taylor originated the role of Audrey II in the Off-Broadway production of Little Shop of Horrors. Taylor tragically passed from a heart attack. His delightful performances will be missed.
Registration for the Web Cartoonists’ Choice Awards has opened once again, providing webcomic creators the opportunity to vote for their favorite comics and creators. Voters must register before Jan. 23, 2008. Winners will be announced at MegaCon on March 8, 2008.
For rules regarding eligibility, timelines and a list of ways you can promote the WCCA on your own site, visit the WCCA homepage at www.ccawards.com/.
Columns / Glenn Hauman / News
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