R. Crumb’s Music Madness and Me, by Michael H. Price
The life and times of R. Crumb, a mensch among men and one of the more steadfastly brilliant practitioners of American (resident or expatriate) cartooning, have been sufficiently well covered in Terry Zwigoff’s documentary film, Crumb (1994), and in Peter Poplaski’s The R. Crumb Handbook (M.Q. Publications; 2005) and innumerable column-inches of The Comics Journal, that I feel no particular need to pursue any generalized biographical tack here.
In a recent letter, Crumb brings things somewhat up to date: “I’m in the middle of a big project – comic-book version of the Book of Genesis, approx. 200 pages when finished.” This involvement had prevented his traveling to Texas in 2006 to take part in a new experimental-theatre staging of R. Crumb Comix with director Johnny Simons and Yrs. Trly. Simons’ Fort Worth-based Hip Pocket Theatre troupe has adapted Crumb’s stories on several occasions since 1985.
Robert Crumb’s larger career might reasonably find itself crystallized in two warring viewpoints: The authoritative critic Robert Hughes’ earnest likening of Crumb to Pieter Brueghel the Elder, greatest of the Sixteenth Century’s Flemish painters, vs. this published declaration from Crumb his ownself: ‘Broigul I ain’t… let’s face it.’ (more…)

Welcome to the second week of Manga Round-Up! This time, we have four more books from [[[Del Rey Manga]]] – all first volumes in series, as new-reader-friendly as it’s possible to be – which are aimed at a slightly older audience (sixteen and up) than the books I looked at last week.
(UPDATE 10/26 2:55: See below.) There’s a new show from Universal slotted for the Sci Fi Channel written by Rockne S. O’Bannon (Farscape, Alien Nation, Seaquest) and Jane Epsenson (Buffy The Vampire Slayer, Battlestar Galactica). The press release from
