Study in contrasts: Shazam! and Simon Dark, by Charlie Meyerson
Arriving in one press kit from DC, a couple of comics as different as day and night: The deluxe edition hardcover collection of Jeff Smith’s four-issue miniseries SHAZAM! The Monster Society of Evil and the first issue of Steve Niles and Scott Hampton’s Simon Dark, promoted as Gotham City’s other protector.
SHAZAM! is Smith’s brightly colored love letter to the original Captain Marvel comics, a new take on a storyline first presented in the 1940s. It’s yet another relaunch for a character DC has proven unable to handle with any consistency, but it brings Smith’s clear sense of storytelling to a plot that is, in the end, a little too simple. It’s a handsome volume – with a dustjacket that unfolds into “a giant-sized poster!!!” (to quote the enthusiastic cover blurb), and elaborate production notes and sketches. But longtime fans may be disappointed. The story itself is better suited for parents looking to introduce kids to the adventures of the Marvel family. (more…)

The Guardian
On October 14, 1943, Edward J. Noble bought the
As author of For One Week Only: The World of Exploitation Films (as featured in People magazine and the National Enquirer [when the National Enquirer was the National Enquirer]) and the original head writer for Fangoria magazine, don’t get me wrong: I love horror films. Of course what I’m dealing with in this installment are not horror films, no matter how often the filmmakers and actors refer to them as such. Horror is fear of the unknown. These are terror flix, involving the fear of the known.
