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Mechaboys by James Kochalka

I’ve said this before – multiple times – but a reading life goes through various odd turns and stages. Creators that you think of as being current favorites can have multiple books that you expect to get to “later,” are for different audiences, or that you just never see.

And suddenly you realize it’s been a decade since you read a James Kochalka graphic novel.

When my kids were younger, I read a bunch of his books for kids – with and to them, or passed on to them after – but that petered out when they were in their mid-teens; Kochalka’s books for younger readers tended (at least then; we’ve just established I’m thoroughly outdated on his current career) to the younger end. And I read his American Elf diary comics, until those ended. (In fact, the last Kochalka book I covered here was the collection of the earliest American Elf strips.)

So when I saw a Kochalka book in my library app – one for teens, mostly, rather than little kids – I decided a decade was already too long to go without Kochalka.

Mechaboys  is tonally closer to Superf*ckers than to the kid books, though even his work for little kids gets a bit snotty and rude – Kochalka, I think, is an old-school punk, and his characters are brash and pushy and in-your-face no matter what the story. It’s the story of two high school seniors, Zachery (who wants to be called Zeus) and Jamie (who wants to be called James). They just built a mech suit in their garage – Zachery is living with Jamie and his widowed mom for not-entirely-specified problems-with-his-family reasons – out of what seems to mostly be an old lawnmower.

Because this is a Kochalka comic, the mech suit basically works – it makes the wearer bigger and stronger and tougher, though it does need to be started with a pullstring, because former lawnmower.

Our heroes are bullied in school – well, some jock-types pick on them for being weird and different, but it’s fairly low-key for bullying in a graphic novel for teens. The jocks are jerks rather than assholes, basically: just about as thoughtless and impulsive and destructive as our heroes, only in different ways. Still, it’s a huge pain for the guys, and they want to get even or win out or whatever – all those outsider “we’ll show them” ideas.

The mech suit has multiple outings: crashing into a car, visiting a keg party at Booger’s Hollow, and eventually disrupting the prom. But things don’t go quite the ways either Zachery – the more alienated and angry and violent of the two – or Jamie – who thinks a girl in their class might like him, and wants to figure that out – expect. There are fights, including a huge mostly joyful free-for-all at the prom at the end. 

This is a quick, fun story that takes unexpected twists all the time, in Kochalka’s mature cartooning style, all rubber-hose characters with rounded organic black lines. It reminded me how much fun Kochalka’s work is, and how I really shouldn’t have gone without it for so long.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

REVIEW: Two Marvel Young Reader Books

My Mighty Marvel First Book: Fantastic Four
Art by Jack Kirby
24 pages/Abrams Appleseed/$12.99

Marvel Hello Heroes: Spider-Man Swings Through
By Sabrina Moyle & Eunice Moyle
48 pages/Abrams Books for Young Readers/$14.99

Abrams’ various imprints have done a fine job producing works for Marvelites of all ages, notably a series of board books for their youngest readers, indoctrinating them early. What I find most interesting about their My Mighty Marvel First Books is that they all use classic Silver Age artwork to tell bare-bones origin stories.

For their thirteenth offering, they finally get around to Marvel’s first family, the Fantastic Four, just months before the feature film is in theaters. No writer is credited, but all the art dates back to the series’ legendary run, except the cover, which is penciled by Jack Kirby, who receives a nice bio in the back.  To my practiced eye, there are costume details and touches that make for an inconsistent reading experience, but the target audience is unlikely to notice. We gain insight into their origin and a glimpse of a few of their opponents, including, of course, Galactus.

The board book offers several fold-outs (fold-ups?) to make things seem particularly impressive, including the team’s name from issue #1.

A new line, aimed at first through fourth-graders, is the Hello Heroes, presenting a quirky look at the heroes. Already out is Captain Marvel, and here is one featuring the friendly neighborhood Spider-Man. Sabrina and Eunie Moyle have an unconventional style for a superhero comic, but it works for younger fans. What isn’t great is the lack of a coherent story, but more like page after page of Spidey swinging through the city or crawling through sewers and interacting with friends and foes alike. As a result, readers who are already familiar with the Spider-Verse animated films will recognize his variants and Easter eggs from other realities. There’s some fun to it,, but the lack of coherence for a beginning reader is of concern.

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Bogart Creek, Vol.2 by Derk Evernden

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Bogart Creek may be yet another thing I discovered only after it ended; it looks like creator Derek Evernden stopped posting it on Instagram and Reddit a year or so ago. On the other hand, he’s published three books, the website is still there, and there’s a Patreon , so maybe he just managed to paywall it and actually make some money from his cartooning.

(As you know {Bob}, cartoonists used to be able to get publications to pay for their cartoons regularly – many of them making decent livings and a few making actual fortunes. Since techbros demolished print media and advertising, replacing them with outlets that only bring profit to them, cartoonists have found that making any income from drawing funny pictures has been much more complicated and difficult – much like everything else the techbros touch.)

Bogart Creek, Vol.2  is the middle of the three books to date, published in early 2021, a little more than a year after the first book . And, like I said the first time, it’s a single-panel comic in the Far Side mold, with no recurring characters or themes. It is cheerfully gory, mostly dark humor with lots of severed limbs, murderous folks (both crazed killers and gangsters, as on facing pages as I’m poking through for examples as I write this), sharks, aliens, and media references.

Now, I don’t want to oversell the darkness – it’s probably only about a quarter of the strips that feature a murder or other violent death, and, in many of those cases, the violent death hasn’t quite happened at the moment of the strip. But there’s no fluffy bunnies frolicking happily in a field – the lighter jokes are the media references and amusing wordplay and funny juxtapositions. And Evernden draws a bloody splat, or those severed limbs, a lot more often than most cartoonists – even the supposedly “dark” ones.

I like this stuff, and I think people who enjoy dark single panels will agree with me. The cover shows his visual inventiveness pretty well – that’s the caliber of his non-gory gags, and the gory ones are equally well constructed but substantially darker. If that sounds appealing, there’s three books of his work available, plus a fair bit floating around online for free as a teaser.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

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What If We Were… by Axelle Lenoir

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I have to start, as usual, with my biggest criticism, and get it out of the way. I’m sorry to slam Axelle Lenoir and her publishing team so hard, but it has to be said.

What If We Were…  only has a three-period ellipsis in its title. This is wrong. When an ellipsis ends a sentence, it needs to have four periods. I am incredibly disappointed at this major, unforgivable mistake.

This book collects what I think were forty or fifty individual strips – the main story seems to be in two-page entries, but there’s also interstitial material that might have been attached to the stories, added for this book, or maybe the alternate version in every other issue – that appeared in Quebec’s teen-focused magazine Curium  in French. From the copyright page, I think a version of this collection then appeared in book form in Quebecois French, from Front Froid, and then this edition came out in 2020, from Top Shelf, translated by Pablo Strauss and Aleshia Jensen. It is the first of two books collecting this strip; I have no idea if that’s the whole run or not.

Marie and Natalie are teens, best friends who have played the title game since they were little kids. One of them has a premise – what if the two of them were Vikings, or superheroines, or world-famous scientists, or whatever – and they both riff on the idea. The strip is about their friendship, using the game as a regular (but not required) element to show how they relate to each other and what they care about. Oh, and Natalie has a crush on another girl they go to school with – first unnamed, then called “Jane Doe”…which somehow turns into her actual name over the course of the strip.

Jane does become the third major character during these strips, first having that very teenager-y  circumlocutious conversation with Marie to ask if Natalie 1) likes girls and 2) likes her. Since Natalie does and definitely does, Jane starts circling the outer orbit of the strip about a third of the way into this book, gradually getting more and more central until the two of them actually have a date.

This is very much a story about teenagers, originally for teenagers. It has that nervous, insecure-in-its-own-skin energy of the teen, the sense that all of the world is new and overwhelming and awesome but also deeply scary. Marie and Natalie are interesting, quirky, real people with foibles and distinct personalities – Jane is a bit more of a plot token, especially early on, but she does get somewhat more depth once she’s in the strip more.

What If We Were… is fun and zippy – it’s clearly a collection of a loose serial, and equally clearly a work for teens (especially French-speaking teen girls in Canada, which may be a bit too far away from some readers’ experience), and definitely not as ambitious and impressive as Lenoir’s big graphic novel Secret Passages . But Lenoir has an infectious energy in her drawing and her dialogue is always specific and grounded – this is a story about these people and what they care and think about.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

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Macanudo: The Way of the Penguin by Liniers

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This third collection of the Macanudo daily strip – by the Argentinian cartoonist known as Liniers – is in the same style and closely follows the first two books, Welcome to Elsewhere and Optimism Is For the Brave . So, normally, I would struggle to say something different here, when the underlying work is the same kind of thing – more penguins, elves, Olga and her boy, Henrietta and her cat, two witches, Mysterious Man in Black, and so forth.

But I read this book two weeks ago, before a major vacation (my first getaway vacation in about five years), so I would already struggle to remember or think of things to write about it. And having a built-in excuse that comes with links to two long posts about basically exactly the material in this book gives me the warm and fuzzies, this morning when a major snowstorm threatens to drop six or more inches later in the day.

All that is to say: this post about Macanudo: The Way of the Penguin  will be short and vague. Jump into those links above for a lot more about Liniers, his thoughtful comic strip Macanudo, and all of the various (mostly separate) casts that appear in it.

Way of the Penguin was published in mid-December; I read it at the end of January. It’s still essentially brand-new, as you read this. Macanudo is – not quite paradoxically, but something in that territory – both one of the most positive and one of the most intellectual strips out there. Linier’s characters read serious books and think serious thoughts…though often in silly ways. They engage with the physical and the intellectual world without excuse or minimizing. And they’re also almost always happy and energetic, no matter what they’re doing or what odd landscape they’re traipsing through. (Even the witches, who are most likely to encounter townspeople with torches and those Frankenstein rakes, are at worst bemused by it.)

Again: this strip was fully-formed and mature before it even appeared in the English language in the US in 2018; Liniers had been doing it in Spanish for an Argentinian audience since 2002. His art is soft and organic – it looks like watercolors, or maybe colored pencils over ink, to my eye (though, knowing the little I do about the coloring of newspaper strips, I don’t know if that can actually be the case). This is often billed as an modern version of Calvin and Hobbes, since it also has a couple of imaginative children in prominent roles, but Macanudo is more centrally about major (I don’t want to say “adult”) ideas and thoughts. It has plenty of whimsy, but not the same kind of whimsy – there’s an underlying regard for knowledge and truth and understanding here.

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

Silverado Press Presents, New Western Anthology Debuts

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NEW YORK, NY – March 11, 2025— Author consortium Crazy 8 Press announced today the debut of Silverado Press Presents: Volume 1: Western Stories by Today’s Top Writers through its Silverado Press imprint.

This new collection, on sale now in print and e-book formats, includes 16 original Western-themed tales based on real historical events ranging from the 1812 earthquake in southern California to the 1856 sinking of the steamboat Arabia to the 1877 Texas Salt War.

The all-star posse of acclaimed, seasoned Western writers and fresh new voices contributing to this collection include Rod Miller, Nik James, Steve Hockensmith, Vonn McKee, Jeffrey Mariotte, Sharon Frame Gay, Del Howison, Cheryl Pierson, Lisa Majewski, Richard Prosch, Kelli Fitzpatrick, James Reasoner, L.J. Washburn, Gord Rollo, and Crazy 8 Press members Aaron Rosenberg, Paul Kupperberg, and Mary Fan.

          “We’re all huge fans of Western tales so it’s a thrill have such an amazing group of authors bring their talents to Silverado Press,” said Crazy 8 Press co-founder Robert Greenberger. “Jeff Mariotte, who also serves as editor on this one, did an amazing job of corralling some of the best talent writing Western stories today.”

“These tales are guaranteed to thrill, entertain, and teach a little something in the bargain,” said Mariotte, an award-winning author who has written over sixty books, comic books, and graphic novels. “The mix of fact and fiction in the rough and tumble world of the Old West will be a thrill for any fan of great Westerns.”

This new collection is the latest Western book from Silverado Press, following two launches in 2024 including Byrd’s Luck and Other Stories and Galloway’s Gamble 2: Lucifer & the Great Baltimore Brawl.

As with all Silverado Press titles, Silverado Press Presents: Volume 1: Western Stories by Today’s Top Writers is available in print and e-book formats via Amazon and other online and brick-and-mortar portals.

Sartre by Mathilde Ramadier and Anais Depommier

Most books like this have a subtitle, but not this one. It is just Sartre . Take him as he is, or walk away – those are your options with the book, as it is with all things Sartrean.

This is a French graphic novel, written by Mathilde Ramadier and drawn by Anais Depommier. And I immediately have to take back what I just said – maybe it’s a subtle difference between how English-speakers view Sartre and how his countrymen do – because the 2015 Dargaud edition had the longer, more descriptive title Sartre, Une existence, des libertés. This 2017 US edition was translated by Peter Russella and published by NBM.

It is a biography in comics form of the writer and philosopher – straightforward and chronological, starting with his youth and ending the main story in 1964 when he refused the Nobel Prize. (Sartre consistently refused all prizes and awards in his life as part of his philosophy: he thought that a person could always change at any point, so judging anyone before they were dead was impossible. I am probably mangling his argument here.)

Actually, it nearly becomes a twinned biography – Simone de Beauvoir is almost as important to the book as Sartre is himself, as she was in his life. We even get her words in captions, as we do Sartre’s, a few times throughout this book. (One minor production note: their captions are tinted to distinguish them from the white-background captions, which are the books’ narrative. I found, reading this digitally, that those captions were scattered enough that the color difference wasn’t clear – though they tend to be used for scenes of either Sartre or de Beauvoir away from the other, so they’re always clear in context.)

For a man who lived through WWII in Paris and was at least nominally part of the Resistance to German occupation, Sartre led a quiet, sedentary, bookish life. The thrills of this graphic novel are primarily intellectual, the conflicts inter-personal and brought out in long complex conversations in drawing rooms over fine food and between cigarettes. It’s a very wordy book, as I suppose it had to be – Sartre was a man of words, more so than even most writers.

Ramadier and Depommier don’t focus on the many sexual adventures of Sartre and de Beauvoir, though they do have a few moments to indicate they are happening (continuously, all the time, in the background of the intellectual activity) and also show the beginning of their relationship with a frank in-bed conversation in which Sartre says (this is my blunt translation out of Sartre-speak) “I want to fuck a lot of people, and I think you do, too – but let’s always come back to each other and tell each other about it, to stay the most important people to each other.”

This is a book full of words, and I have to credit both Ramadier for making it all work in the first place and Russella for turning it into clear English that fits into the panels and tells (what I have to assume is) the same story. It is not an exciting book, and it will be deeper and more interesting the more a reader is familiar with Sartre’s life, thought, and major works, but it’s a solid introduction even to people who only vaguely know who Sartre was or why he matters. 

Reposted from The Antick Musings of G.B.H. Hornswoggler, Gent.

Daredevil: Cold Day in Hell miniseries coming from Soule & McNiven

New York, NY— February 28, 2025 — This April, superstar creators Charles Soule and Steve McNiven reunite in DAREDEVIL: COLD DAY IN HELL, a prestige three-issue limited series. Soule’s acclaimed 2015 Daredevil run influenced Marvel Television’s upcoming series Daredevil: Born Again, and McNiven’s monumental work on Old Man Logan made it one of Wolverine’s most powerful stories. Now, they team up to change how you look at the Man Without Fear in this visionary new saga!

Set in a grim future, DAREDEVIL: COLD DAY IN HELL introduces a grizzled, older, and virtually powerless Matt Murdock. No longer operating as a super hero, Matt still finds ways to help others in a world more unjust than ever. Still, when a catastrophe miraculously restores his enhanced senses, he can take the fight to where it matters most as DAREDEVIL. Today, fans can see the main covers for all three issues along with all five variant covers for the debut issue, including a new piece by legendary Daredevil storyteller Frank Miller.

“This book was extremely collaborative in a way that was a bit of an experiment for us, a back and forth discussion as scripts and inks and dialogue and colors came in throughout, and I think people are going to see that on the page,” Soule told IGN in a recent interview. “Steve called it ‘jazz’ at one point, and I don’t think that’s so far off. I’m proud of all my work with Steve, but this one really stands out.”

“This is definitely a story that fits in with all of the other things Charles and I have collaborated on over the years, and is probably the most ambitious,” McNiven added. “A unique type of work that could only happen after years of working together and trusting each other’s abilities.”

DAREDEVIL: COLD DAY IN HELL #1
Story by CHARLES SOULE & STEVE MCNIVEN
Dialogue by CHARLES SOULE
Art and Cover by STEVE MCNIVEN
Variant Cover by FRANK MILLER
Virgin Variant Cover by FRANK MILLER
Variant Cover by ROSE BESCH
Virgin Variant Cover by ROSE BESCH
Variant Cover by BEN HARVEY
Variant Cover by LEINIL FRANCIS YU
Hidden Gem Variant Cover by JOHN ROMITA JR.
On Sale 4/2

Marvel’s Brand Extensions Continue with new Spider-Girl

New York, NY— February 20, 2025 — The rise of Marvel Comics’ newest breakout Spider-Hero was just announced at ComicsPro! Spinning out of the pages of Spider-Boy, the adventures of the all-new SPIDER-GIRL begin in June! The new ongoing series will be written by Torunn Grønbekk, known for her acclaimed work in titles like Venom and Thor, and drawn by newcomer André Risso, marking his exciting Marvel Comics debut.

Created by Dan Slott and Paco Medina last year, this young new hero from Hawaii originally trained under Bullseye to be the villainous Funhouse! As a mutant with unique power-absorbing abilities, her powers recently went haywire when she fought Spider-Boy. Now stuck with a dark, twisted version of Spider-Boy’s arachnid powerset, she carves out her own place in the Marvel Universe as the new SPIDER-GIRL! The new series will shed light on the character’s backstory, reveal the full extent of her mutant abilities, and reveal whether she can truly leave behind her villainous ways to stand as a hero.

After Bullseye’s betrayal, Spider-Girl is trying her hand at being a hero. But when a clash with Vermin reveals that a major Spider-Nemesis is tracking her, Spider-Girl will have to figure out what this villain wants – and which of their allies will try to kill her next.

“Spider-Girl a blast—joyful, irreverent, mischievous, and righteous. Leaving Bullseye behind, she’s starting fresh in New York, exploring her new home and embracing her powers with fearlessness and a touch of innocence,” Grønbekk explained. “She eagerly jumps into fights others would think better of (often against some of our favorite Spidey villains!), and her arrival has definitely caught the attention of the criminal underworld – but maybe not for the reason one would think…”

“André Risso’s stunning pages are bursting with energy and action, bringing this story to life in a way only comics can,” she added.

SPIDER-GIRL #1
Written by TORUNN GRØNBEKK
Art by ANDRÉ RISSO
Cover by DAVID NAKAYAMA
On Sale 6/11

DC Announces Jeremy Adams is now Exclusive

LOS ANGELES – February 20, 2025 – Jeremy Adams, one of the most prolific scribes in the entertainment industry today with credits as the acclaimed writer of films, television series
and comics, has signed a multi-year contract to pen comics for DC, home of iconic characters such as Batman, Superman, Wonder Woman, and others.

The Prescott, Arizona native and current Los Angeles resident has been a valuable
contributor to DC’s publishing plans. This year, Adams is writing several titles for the publisher: a new Aquaman ongoing series, as well as a Green Lantern series spotlighting iconic Lantern Hal Jordan. Adams is co-writing DC’s recently launched Green Lantern Corps series with Morgan Hampton; the series focuses on the other members of the intergalactic
police force patrolling the DC universe and keeping it safe from evildoers.

The multi-year deal with DC follows Adams’ incredibly successful 35-issue run as writer on The Flash, his current trio of popular series, and key DC publishing events such as 2023’s Dark Crisis and 2024’s Absolute Power.

“As a fan first and a longtime admirer of DC’s legacy, it is an honor to follow in the footsteps of the luminaries whose words have thrilled, entertained and inspired me since my earliest days,” Adams says. “It’s such a joy to bring these characters to life, to craft new twists, powers and adventures, and to strive to provide the same level of imaginative entertainment that I’ve enjoyed for my entire life.”

Adams has been a mainstay in DC’s animated collaborations with Warner Bros. Animation. He scripted three key films in the storied history of the DC Universe animated movies – Batman: Soul of the Dragon, Batman and Superman: Battle of the Super Sons – and contributed one of the vignettes within Justice Society: World War II. He also wrote the animated short DC Showcase: Blue Beetle. The 2021 hit Batman: Soul of the Dragon still stands with a perfect 100% rating on Rotten Tomatoes.

A graduate of the University of Arizona, Adams worked as both a story editor on the final season of Supernatural, and a writer on the series with three episodes to his credit, including a dip into his animated background by co-writing the “Scoobynatural” episode featuring the Winchester Brothers’ adventure alongside Scooby-Doo, Shaggy, Velma, Daphne and Freddie.

Adams also co-wrote the blockbuster hit feature film Teen Titans Go! vs. Teen Titans and scripted all four critically & financially successful Mortal Kombat Legends movies, two full-length Scooby-Doo films, and episodes of Young Justice, Justice League Action, Dorothy and the Wizard of Oz, Legend Quest and Thunderbirds Are Go.

In addition, Adams has been Warner Bros. Discovery’s go-to screenwriter for LEGO
properties with credits as varied as the LEGO Scooby-Doo stop-motion shorts, two LEGO Monkie Kid films (for which he also served as producer), a pair of LEGO Jurassic World movies and the animated short, LEGO Jurassic Park: The Unofficial Retelling. Adams was also the screenwriter for six entries in the LEGO/DC Super Heroes catalog and served as a producer on the international hit television series Monkie Kid.