The Mix : What are people talking about today?

ELAYNE RIGGS: On the same page

elayne100-3884567Just as with the Twilight Zone, I have a favorite Star Trek: Next Generation episode that’s stuck with me for years. It’s called "Darmok," wherein Picard & co. attempt to communicate with the Tamarians, a people with an incomprehensible language. Blogger Barbara O’Brien picks up the plot synopsis: "Captain Picard and Dathon the Tamarian have an adventure together battling an invisible beast, and during this adventure Picard has a ‘Helen Keller at the water pump’ moment and realizes that Tamarians speak in metaphors taken from stories. For example, ‘Darmok and Jalad at Tenagra’ refers to two enemies, Darmok and Jalad, who became allies at Tenagra. As a phrase, it means ‘Let’s put aside our differences and be friends.’ So after much suspense and drama and the death of the unfortunate Dathon, by the end of the episode Picard knows enough Tamarian to say, ‘Bye. It’s been real.’"

One of the reasons this show resonates with me so much is that I’m keen on the necessity of communicating, whether through stories or essays or conversation. I wouldn’t have majored in English and linguistics at college if this idea weren’t one of the driving forces in my life. I’ve always believed that there has to be a way of making myself understood to anyone — probably as futile a notion as my childhood ambition of wanting every single person I met in my life to like me, to never make any enemies. But you know, I haven’t necessarily given up on that one either! And as I’ve noted a number of times, much of my life has been spent in trying to find the key, the conversational Rosetta Stone, that would result in my late father finally being able to understand me — a quest at which I never succeeded, but which led me to become a writer.

Communication is the implicit goal of storytelling. If you’re not making some connection with your readers or viewers or listeners, you may as well be writing in a secret diary. Now, I’ve mentioned before that I have a small tolerance for things like Easter eggs and other pop culture references stuck into TV shows, comics, etc. as a wink between writer and audience; you’ll notice those stories are often the first to become dated as well because their references are so time-specific. But that’s a far cry from deliberately not communicating at all, but faking it in a way that makes your audience feel as though they’re stupid if they admit they’re not in the know.

Fortunately this deliberate communication breakdown doesn’t happen with most stories I read, as I tend to choose my entertainment rather than having it (and any accompanying trendiness) choose me. But it does happen in real life, particularly so in this century so far. I don’t think I have to tell you what series of events brought this on.

(more…)

BIG BROADCAST: Hiyo, Silver! Awaaaay!

tnlonerangerhcmasscover-4450261Now it’s our turn to examine the Big ComicMix News here at the Big ComicMix Broadcast as Editor-In-Chief Mike Gold spells it out, right from the horse’s mouth and direct from that now famous panel at Baltimore this past weekend!

Plus, we’ve got a boatload of new comics and DVDs to pick through, news on some surprising new titles on the way from DC and  a quick look at the next phase for The Lone Ranger in comics.

Just PRESS THE big ol’ BUTTON, Kemo Sabe!

Tom and Jerry: Doomed To Repeat History

282706191_694fc36373-2065235Warner Home Video released the final set in their "complete" Tom and Jerry DVD collection – and it ain’t so complete. It’s missing the cartoons "Mouse Cleaning" and "Casanova Cat."

In their official statement, WHV said they "made the decision to omit these two shorts because, regardless of their historical context and artistic value, the offensiveness of certain scenes containing inappropriate racial stereotypes would diminish the enjoyment of the Collection’s 35 other classic cartoons for a large segment of the audience." Like their Popeye and Looney Tunes series, the Tom and Jerry box sets are labeled for mature audiences.

Like so many other cowardly companies who make as if white-washing (literally) history is a means for effective change, Warners would prefer to ignore their corporate past by giving us a revisionist version of our culture, ignoring the old adage "those who ignore history are doomed to repeat it."

Or maybe they’re just too damn cheap to commission a DVD documentary that puts all this into perspective.

As for me, I’m still waiting on a tribute to formerly legendary but now all but forgotten comedian Tim Moore, one of America’s greatest performers. Viacom/Paramount, you, too, are a bunch of spinless pussies.

ANDREW’S LINKS: Rap War on Sesame Street

sentences-9291038Comics Links

The Washington Post Express interviews Percy Carey, who recently told his life story in the graphic novel Sentences. Carey, best known as an underground rapper, also appeared on Sesame Street as a seven-year-old.

Comic Book Resources interrogates Jonathan Hickman, writer/colorist of the upcoming A Red Mass for Mars.

Tom Spurgeon of Comics Reporter defends the humble comics shop.

Sequential Tart interviews Jesse Hamm, artist of Good As Lily.

Turning to the subjeect of For Better or For Worse: Lynn Johnston opens up a new front in her propaganda war to prove that Liz and Anthony are destined to be together. In other news, we have always been at war with Eastasia.

The Baltimore Sun visited the Baltimore Comic-Con.

Artist Jesse Hamm tells Comics Should Be Good about eight things he wants to see more of in comics.

Comics Reviews

Richard of Forbidden Planet International reviews The Plain Janes by Cecil Castelucci and Jim Rugg.

Dana of Comics Fodder reviews this week’s Marvels.

Warren Peace Sings the Blues reviews the first issue of Andi Watson’s new comic, Glister.

Occasional Superheroine is puzzled by the new Infinity, Inc. series.

The LA Times reviews Osamu Tezuka’s Apollo’s Song (and a Robert Silverberg short story collection from Subterranean – ha ha, SF readers! You can’t just skip over the comics links blithely, can you? It’s all good stuff, so sit back and check it all out.)

Living Between Wednesdays gets to last week’s comics just ahead of this week’s comics.

From The Savage Critics:

 

(more…)

DENNIS O’NEIL: Comics Education

If you’re a dedicated reader of movie end credits, the name Michael Uslan might be familiar to you.  If it isn’t…let’s remedy that.

If you know of Mike, it’s probably because he was executive producer of all the recent Batman flicks, including Catwoman and The Dark Knight, coming to a theater near you next June.  He’s also been involved in producing a lot of other stuff for screens both large and small.  And he’s done considerable writing, some of which was for comic books.  I first met him when he was a law student at Indiana State University in Bloomington, where he was teaching the first accredited college course in comics and a related correspondence course; he was nice enough to invite me to meet his class.

Mike’s latest project – and here we come to this week’s real subject – is a documentary movie on comics super heroes to have its world premiere on September 15 at the Montclair Art Museum which is located, no surprise, in a town called Montclair in a state called New Jersey, a short drive or train ride from New York City.  The movie screening is part of a much bigger deal, an exhibit of about 150 examples of comics art and related stuff at the museum that is currently there and is not leaving until January 13th of next year.  The screening is scheduled for 4:30 in the afternoon.

And if you’re still not satisfied, if that isn’t enough…On October 13th the museum will shelter a panel discussion on comics which will put Mr. Uslan, Danny Fingeroth, Tom DeFalco, and me in front of anyone who cares to show up, listen, ask questions.  Genuflecting and flinging rose blossoms at us are optional.

I haven’t visited the exhibit yet, but everything I know about it indicates that it’s worth going a bit out of your way to see. If you do – go out of your way to see it, that is, or even if you plan to see it without going out of your way – you might want some info. You can get it by visiting www.montclairartmuseum.org or phoning (973) 746-5555.  And while I’m in reporter mode, one final thing, the museum’s address is 3 South Mountain Avenue, Montclair, NJ 07042

I believe that at one time it would have been customary to, at this point, urge you to “be there or be square.”  Aren’t we glad that time is past!

And aren’t we glad that comics have come to a place where respectable institutions promote and host educational efforts on their behalf?  Well, yes, with some qualification.  Producing comics isn’t the informal, loosey-goosey business it once was, and so maybe a little less fun.  And I, for one, am not entirely comfortable with all this respectability.  I’m not happy that pretty young women behind checkout counters call me sir, either.  But better respectability than oblivion and, come to think of it, better being called sir than oblivion, too.

RECOMMENDED READING:  Walden and Civil Disobedience, both by Henry David Thoreau.

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

hellboy-5904034

ANDREW’S LINKS: Knitted Hellboy

hellboy-5904034

Comics Links

They’re sold out now, but for a brief, shining moment, the world had a chance to buy knitted Hellboy dolls. (Figures? Plushes? What do you call these things?) [via Newsarama]

This weekend, The New York Times dug through Stan Lee’s boxes of old photos for an article about the places he’s lived.

Comic Book Resources interviews Kent Williams.

The Friends of Lulu are looking for new board members, sayeth The Beat.

The Beat lists Diamond graphic novel sales charts from 2006 and 2007 (to date).

The Harlan Ellison/Fantagraphics legal matter just will not die…even after the supposedly final settlement, Ellison has now balked at posting the required-by-the-agreement 500-word rebuttal by Fantagraphics’s Gary Groth to three specific claims Ellison made about Groth. The unposted statement, and Ellison’s lawyer’s “not gonna do it” letter, are in the middle of this long post at The Beat.

Comics Reporter interviews Warren Craghead. (No, I didn’t know who he was, either. But CR likes him…)

The ComicBloc interviews Sean McKeever.

Some guy named Dan Stafford:

1)    wrote polite letters to various comics folks, like R. Crumb, Joe Matt, and James Kochalka, asking some questions.

2)    got letters back from same, with answers to those questions.

3)    Posted the results here.

The Bookseller (the UK’s magazine of bookselling) recently reported that UK manga publishers have had to beg the big chains over there to expand the space devoted to manga. Either the UK market is vastly different from the US, or Waterstone’s just isn’t that interested in making great piles of money…

Comics Reviews

The Joplin Independent reviews the Marvel comics adaptation of Rudyard Kipling’s The Jungle Book.

The Globe and Mail reviews a bunch of graphic novels and comics, starting with Sara Varon’s Robot Dreams.

Hannibal Tabu of Comic Book Resources lists his “buy pile” for this week.

Brian Cronin of Comics Should Be Good reviews Nick Abadzis’s Laika.

Greg Burgas of Comics Should Be Good reviews this week’s comics, starting with Action Philosophers! #9.

Greg Hatcher of CSBG reviews a pile of stuff he got for free.

From The Savage Critics:

(more…)

Jim Shooter: Long as well as tall

268855658_d15476a334-4955944With the announcement that Jim Shooter is returning to a regular writing gig on Legion of Super-Heroes, he takes over a different title as well: he’s the man with the longest writing career currently writing a comic series.

Jim’s first comic, as we all know, was Adventure Comics #346, cover dated July 1966. Taking over Legion means that his career as a comics writer now spans over 41 years. But did you know that Jim laid out those early Legion stories as well as writing them?

BIG BROADCAST’s Stories Behind The Sounds!

rainbow425-3840140Some ups and some downs this week in our little pop culture playground. DC takes a few steps back with some scheduling issues and then brings Jim Shooter back in the spotlight, while the internet seems to be crammed with some very taste time wasters.

•  If you miss the premiere of the Iron Man footage on MTV’s The Hills Monday night, it will show up on Tuesday on Apple’s trailer site.

•  The questions rare on concerning that J.J. Abrams "monster" flick, and there are continued updates, opinions and more than one red herring (as far as I’m concerned) here . If you are at work, keep a hand on the speaker so the scary sounds don’t freak out the guy in the next cubicle.

•  Speaking of controversy, the fight over "the best costume in comics" rages on and you can see one list of choices now here.

•  You probably already went there days ago, but in case you still haven’t seen Alex Ross’ amazing cover to DC’s upcoming Heroes hardcover, it is here

Meanwhile, here at the ComicMix Hall Of Justice, we are gearing up for our own Big Week. If you are lucky enough to be at the Baltimore ComicCon, you know what I mean – but the rest of us will see AND hear it right here on the site in a couple of days!

Going forward into the past

Once again I’m here at home base whilst my ComicMix colleagues have more convention fun, this time at Baltimore where, just about at the time you read this, The Big Announcement will be made.  I do hope it’s good news!  Meanwhile, let’s not forget that we "Phase One-ers" are still around cranking out our weekly columns:

And of course, Mellifluous Mike Raub edges ever closer to the hundredth Big ComicMix Broadcast:

Don’t stop thinking about tomorrow, folks!