The Mix : What are people talking about today?

Disney No Longer Adventures

image-3836137One of the very few entry portals to the world of comics is coming to an end.

Disney Adventures, the monthly supermarket digest magazine containing a huge chunk of original Disney-related comic strips, will be ending its 17 year run with its November issue. This comes despite an increase of ad pages and a circulation of 1,200,000 copies – making Disney Adventures one of the highest circulation comics magazines in America.

Disney has had some success with their occasional comics-only Comics Zone editions, and one hopes this might continue. The publisher says they will be adding a new title or two to their line-up.

There are very, very few ways young readers come across comics; outside of Disney Adventures, only the sundry Archie digests come to mind. Once again, we’re left wondering how the next generation of Americas are going to discover the comics form.

Perhaps… the Internet?

toto-3997352

COMICS LINKS: Definitely Not Kansas

toto-3997352

Comics Links

Variety reports that Todd McFarlane’s toy-based re-imagining of The Wizard of Oz is being developed as a movie. (See all the toys here; everyone else went with Dorothy as the obvious illo, but I thought his vision of Toto was just as bad, but even weirder.)

Mark Evanier writes about Robert Kanigher and his Metal Men.

Nick Bertozzi has posted the proposal he and James Sturm put together in 2003 for a graphic novel adaptation of a screenplay called The Black Diamond Detective Agency. (The owners of the property ended up giving it to Eddie Campbell to turn into a GN, which came out earlier this year.)

Jayme Lynn Blaschke visits Metropolis, Illinois, and takes pictures of all of the Superman stuff there.

Comics Should Be Good casts their usual beady eye on DC’s November covers.

Occasional Superheroine believes everything is wrong with DC Comics, and explains their problems in great detail.

The Elmira Star-Gazette is happy to see the new comic based on a video game, Halo: Uprising.

Dick May or May Not Read Your Blog begins an odd, quixotic series on the career of Rob Liefeld with a long post about his work on Hawk & Dove.

 

Comics Reviews 

Wizard reviews Mike Allred’s Madman, Vol. 1 and Marvel’s X-23: Target X.

Comics Reporter reviews a mini-comic called Click by Sara Ryan.

Jog of The Savage Critics looks at Bill Jemas’s reign at Marvel, the “progressive” era, Igor Kordey, and, finally, the first eight issues of Soldier X. (more…)

JOHN OSTRANDER: Widgets

ostrander100-6411617karl-marx-1801863Theories are great. I love theories. Usually they’re a wonderful conflation of thought and imagination. We all have our own pet theories on things and we teach them to do tricks or rub their tummies and have fun with them. For example, my sweetie, Mary, on a regular basis comes up with new theories of how the universe was created. They’re different each time and always fun. Sometimes they stumble near quantum theory and that gets a little spooky but, all in all, I enjoy them almost as much as she does.

My problem with theories is when they become ossified into dogma. This happens not just in religion but in all walks of life, including economics and business. Communism is a good example of an economic theory gone to dogma. One of its charming hypotheses was that, once communism had spread around the globe – as Karl Marx felt it inevitably would – all government would evaporate because we would have achieved the workers’ paradise. That theory, unfortunately, is not based on any human trait I’ve ever seen. Capitalism, on the other hand, being based on human greed, is and that’s one of the reasons it has survived and communism has not.

Capitalism and business, especially in recent years, have had their own bits of theories that are endlessly repeated like mantras until they too have become dogma. They’re applied whether they fit the situation or not, sometimes out of stupidity and other times from cupidity.

One of my least favorite bits of economic dogma is “They’re all widgets.” The word “widget” was coined, I believed, by playwright George S. Kaufman for his 1924 play Beggar On Horseback in which the protagonist must choose between his work as a composer and a steady but soul draining job in a “widget” factory. Since it was never defined, a “widget” – in the economic sense – is a synonym for “product” or, when dealing with a creative artist, the term “talent” is used. What it comes down to is that it doesn’t matter what the widget is, certain business and selling rules will apply. Soap, beef, talent, cars, drugs, beer, games, comic books, movies, TV shows – they’re all widgets. One theory fits all.

Except it doesn’t always do that. In 1989, Marvel was bought by Ron Perelman’s MacAndrews and Forbes; at the time, Marvel had maybe 70% of the sales of a very healthy direct sale market. Before Perelman’s little junket was done, Marvel was in bankruptcy and the market was in tatters. Why? Because they decided they were selling widgets. They didn’t need to know anything about comics or the market; they were going to apply sound business principles and make comics respond accordingly. (I had plenty of friends on the inside keeping me abreast of the latest theory.) Nobody could tell these guys nothing. Their business model was not simply Disney but McDonald’s which not only sells hamburgers but own the bakeries that makes the buns, the cattle ranches that supply the beef and so on.

Marvel started to bring its licenses inside the company with the idea that they would supply the product. Since trading cards were so popular, they would buy the trading card companies. They bought the companies after the interest in trading cards had already crested. Perelman’s suits were consistently behind the curve. (more…)

Stan Lee and… Paris Hilton?

paris-hilton-nip-slip-5820045From Film School Rejects : Stan Lee told NY Post columnist Cindy Adams he’s planning to make an animated cartoon TV show with Paris Hilton. “A hip comedy in the superhero comedy-adventure genre. We get on very well. This is a charming, very likable person. Sophisticated. Great comedic sense. A fine voice. And seriously hard-working. Totally unlike whatever the public is led to believe. And she has input. She attends every meeting. What we plan to do is truly tasteful.”

It’s good that Paris is getting involved in comics — I was wondering who was going to write fill-in issues for Jenna Jameson.

astro-7711030

COMIC LINKS: Astro Boy Goes West!

astro-7711030

Comics Links

Toon Zone asks Philip Brophy to explain to them how wonderful Osamu Tezuka is, in connection with an exhibition of Tezuka’s work now in San Francisco.

The Beat has a whole load of Toronto Comic Arts Festival photos.

The International Herald Tribune looks at the recent increase in graphic novel publishing in the UK.

The Seattle Times takes a look at DC Comics’s new Minx line.

Scott Shaw! explains how, once upon a time, Archie met the Punisher. (It was the ‘90s – that kind of thing happened a lot.)

Comics Reviews

Comics Reporter reviews World War Hulk #3 and Booster Gold #1.

Boston Now reviews the graphic novel Re-Gifters by Mike Carey, Sonny Liew, and Marc Hempel.

SF/Fantasy Links

Paul McAuley explains why he writes short stories (and it’s certainly not the money).

Edward Champion is not happy – at great length – with Adam Gopnik’s recent profile of Philip K. Dick in the New Yorker.

Tor Books will be podcasting from Worldcon, with commentary from Tom Doherty and Patrick Nielsen Hayden.

John Klima lists some of the major SF/Fantasy short-fiction outlets (for ease in supporting them). (more…)

ELAYNE RIGGS: Would I lie to you?

elayne100-4217033Galaxy Quest is one of my favorite movies. I mean, go wrong with Alan Rickman and Tony Shalhoub, you know? And even the nominal stars of the ensemble, Tim Allen and Sigourney Weaver, go down pretty easily in this brilliant vehicle. But there’s one scene that makes me cringe every time I see it.

The bad guy, Sarris, has coerced Jason Nesmith to confess to Mathesar, who idolizes "Captain Taggart" and the Galaxy Quest crew, that he and his fellow Terrans are ordinary actors, something Jason has been trying to figure out how to do without success for much of the movie as Mathesar’s people have no concept of, I guess, showbiz. But it’s the way Sarris forces his hand that makes me squirm:

Jason: Mathesar, there’s no such person as Captain Taggart. My name is Jason Nesmith. I’m an actor. We’re all actors.

Sarris: He doesn’t understand. Explain as you would a child.

Jason: We, uh, we pretended. [On Malthesar’s blank look.] We lied. I’m not a commander. There’s no National Space Exploration Administration. We don’t have a ship… It’s all fake. Just like me.

Mathesar: But why…?

Jason: It’s difficult to explain. On our planet, we, uh… we pretend to… to entertain.

 

I was reminded of this scene again just recently when blogger Skot Kirruk at Izzle pfaff! said much the same thing:

[begin quote] I try not to lie. And when I do lie, I try to lie in such a hyperbolic, overblown fashion that I hope that it is patently obvious that I’m just making shit up. I probably fail at this, though. It’s just too easy to lie. Writers lie all the time, because most of the time, life is just fucking dull. So we pull out our little tricks, and we lie. We insert or import in false details to serve an anecdote… Writers are liars. Don’t trust them.

And especially don’t trust me, assuming that you even consider me a writer, as opposed to some twitchy dilettante. I’m also an actor, so I’m also trained in lying. I think I’m pretty good at it… It’s no good protesting that when people go to the theater (and nobody does any more, but never mind), that the audience is damn well expecting that I lie to them: it’s my job. It’s no good because we are delighted to take those very same skills and exploit them for our own base wants and needs.

I have been taught to lie, we realize at some point. This could be awesome.

And so we do. But it’s more sinister than even that. It’s more sinister because actors aren’t just trained to lie, they are trained to lie with the unshakable conviction that they are not lying at all… Don’t ever listen to actors or writers, or worse, some unholy combination of both. They are liars and aren’t to be trusted. [end quote]

 

Naturally, I believe everything I’ve just quoted to be absolute hogwash. In other words, a lie.

(more…)

BIG BROADCAST: Cruise is Wonder Woman

bonds01_cover-4099123The Big ComicMix Broadcast kicks off our week long look at collecting toys with a shopping trip to one of the biggest online action figure dealers and a sneak peek at what the next wave of hot product will be. Then, speaking of hot product, it’s time for another dive into this week’s pile of new comics and DVDs ,including a preview of Image Comics’ Bonds #1 from creator Durwin Talon. AND we’ve got the latest news of Kristen Bell on Heroes  and Katie Holmes as…WONDER WOMAN?

Insert your own Tom Cruise joke here and PRESS THE BUTTON!

083-flash-gordon-cohete-5337630

TV REVIEW: Flash Gordon

083-flash-gordon-cohete-5337630Okay, I’ll get this over with real fast. Sci-Fi Channel’s new Flash Gordon show really sucks. I sat through the 90-minute pilot, and I sat through the next episode. No more. Life is too short.

Here’s the first tip-off: Flash Gordon creator Alex Raymond is not in the opening credits. Hell, he got better (far better) treatment in that campy movie from 1980. Say what you will about that movie, compared to this waste of time that movie was [[[Citizen Kane in Outer Space]]].

Second tip-off: No rocketships. Rocketships are not “dated.” In fact, we launched one into space with a whole bunch of people in it right when this show debuted. Doing Flash Gordon without rocketships is like doing The Lone Ranger without horses. Hi-yo, moccasins!

Third tip-off: They only refer to Dr. Zarkov by name once in the 90-minute pilot and once in the subsequent episode. That’s crazy. Dr. Zarkov is to Flash Gordon what Dr. Watson is to [[[Sherlock Holmes]]].

Mind you, if there were a real Hans Zarkov, he’d sue. The real Zarkov was a genius; this guy is a bumbling fool. The real Zarkov was driven mad by the fact that he could save the Earth from destruction but had no way to do it; once Flash appeared on the scene and they got to Mongo (in their rocketship!) he got better.

Fourth tip-off: No longer merciless, Ming is a dick. He’s about as threatening as [[[Garfield]]] after a place of lasagna. I understand they wanted to update the character – these guys should have taken a cue from the way Russell Davies updated The Master on Doctor Who. Ming wouldn’t even make it as a member of George Bush’s cabinet, and from the first (and for me, only) 150 minutes of the series, he’s not even that competent. Plus, he looks about seven weeks older than his daughter.

So here’s my question. Why the hell did these people pay King Features for the license? They could have saved themselves a bundle and called this limp and lame pile of fly-feed “Bill Jones.”

If you’re a fan of Alex Raymond’s Flash Gordon or of the 1930s serials, avoid this teevee waste like Chinese toothpaste.

Artwork copyright King Features Syndicate, Inc. All Rights Reserved.

Zuda, Zuda

zudaworry200-6471632One of the panels I was most looking forward to at Wizard World Chicago was the Zudacomics panel, where Richard Bruning and Kwanza Johnson were going to show off the reader and answer questions. Sadly, their demo wasn’t working at the time, so it just turned into a lot of questions and answers. Jason Fliegel was there and covered many of the thing I wanted to, but there are a few points to add and emphasize.

Jason points out the issue of the contracts: "First… DC didn’t brief the panelists on the legalities of the deal that is being offered to creators. Or DC hasn’t figured it out themselves yet. Or both. During the panel, Bruning noted that DC would own the trademarks in the characters. I asked whether the trademarks would be registered with the Patent and Trademark Office, and if so, in what categories. Bruning and Johnson looked flabbergasted, then bullshitted me for thirty seconds before moving on to the next question. Clearly they had no idea."

Let me add: DC/Zuda will let the creators keep the copyright to the work, but they will retain the trademark.  If you think that’s not a problem, let me refer you to Chris Butcher: "Trademark is interesting, it’s why the KRAZY KAT collections that Fantagraphics are doing are called Krazy & Ignatz and why the GASOLINE ALLEY collections that D+Q are doing are called Walt & Skeezix. The copyright on those early works may have fallen into the public domain, but the titles (marks) used in business (trade) haven’t, and are still owned by the syndicates." Or think Captain Marvel instead of Shazam.

(more…)

Today’s Hot Comics Links

spirit-9018570

Comics Links

Suspension of Disbelief (which I haven’t seen updated much lately, so I hope it’s back) looks at Spirit #5, and that old bad-plotting standby, beating a guy until he signs a contract/confession/whatever.

Think the San Diego Comic-Con is big? It’s only the third largest comics gathering in the world – and number one is Japan’s Comiket, held twice a year in Tokyo. This past weekend, about 550,000 people were there.

Forbidden Planet International reports on graphic novels at the recent Edinburgh International Book Festival.

Publishers Weekly reports on the recent land-rush business in movie rights for graphic novels.

Newsarama rounds up and comments on a bunch of stories about DC comics’s Zuda project.

Canada’s National Post reports on the Toronto Comic Arts Festival.

The Chicago Tribune talks to Douglas Wolk about whether comics are getting any respect.

The LA Times has noticed that some comics have been “slabbed” by CGC. Once again, the mainstream press runs about a decade behind events in the comics world…

Comics Reviews

Graeme McMillan of The Savage Critics admits that he’s a latecomer to Ultimate Spider-Man, but he likes #112.

Comics Reporter reviews an anthology comic from a few years back, Reactor Girl #6.

(more…)